How Lucky You Are

Seniors mourn their cancelled celebrations. People grieve over ill or lost loved ones. Many are unemployed and face hardships even after all of this is over. It’s true that the future is uncertain, which is why it’s important that you allow yourself to grieve. Allow yourself to be angry, frightened, or sad. Allow yourself to be concerned about your health, your job, and the economy. But also allow yourself to heal.

I turn to a song featured in the musical called SeussicalSeussical, created by Lynn Ahrens and Stephen Flaherty, is based on a variety of children’s books of Dr. Seuss. Having performed it during my senior year of high school, I will forever be biased towards this zany show; however, as much criticism as the musical gets, it’s undeniably a good time for performers and audience members alike. In all its wackiness, Seussical also projects positive themes and messages for all. One such message is found within a song that hits home right now titled “How Lucky You Are.”

How Lucky You Are

When the news is all bad
When you’re sour and blue
When you start to get mad
You should do what I do

Tell yourself
How lucky you are

When your life’s going wrong
When the fates are unkind
When you’re limping along
And get kicked from behind
Tell yourself how lucky you are

Why decry a cloudy sky
An empty purse
A crazy universe?
My philosophy is simply
Things could be worse!

So be happy you’re here
Think of life as a thrill
And if worse comes to worse
And we all know it will
Thank your lucky star
You’ve gotten this far
And tell yourself how lucky you are
How lucky, how lucky, how lucky, how lucky, how lucky, how lucky you are!

In the musical, “How Lucky You Are” takes place as the Whos’ clover—with all of them on it, of course—is dangerously soaring through the air. The Cat in the Hat, who acts as the musical’s narrator, freezes the action and sings ironic lyrics about how “things could be worse.”

Much like the Whos and their clover, the current epidemic and situation surrounding it can feel like a free-fall. Our world has been rocked, with many things we previously viewed as stable no longer being as solid. Our loss of our sense of security and social connections provide an even greater need for those connections, as we need a way to bear witness and communicate what’s happening around us.

In addition to educating yourself about the virus and following the instructions to stay at home, try to find new ways to adjust and move forward. I challenge you to acknowledge the grief you’re feeling, but to also know it’s okay to smile. During challenging times such as these, it seems impossible—or even wrong—to have fun and be joyful; however, being open to finding happiness in the mundane is important. Fear and anxiety over the COVID-19 pandemic can be overwhelming, but healthily coping with stress can help make you and your community stronger. Gratitude and empathy can help us connect with one another and conquer these difficult times with grace. With that, I hope you stay safe and “tell yourself how lucky you are.”

Reviewing Music

I often write about new albums and songs, giving my subjective thoughts and opinions on the production, content, and presentation. When I write about a certain album, it’s because I have strong feelings about it that I can’t help but share, whether they’re extremely negative or positive. The result is a volatile review system, where it seems like I either love something or hate it, and more often than not it seems like I love everything, since I usually write best about the songs and albums that I love. I find myself overthinking this often, especially when I’m writing; I start to question whether or not the review is objective, and what makes a valuable review for the average reader. In examining these questions about music reviewing, I find myself turning to YouTube’s self-proclaimed “internet’s busiest music nerd” Anthony Fantano, who is notable for his frequent album reviews on his channel theneedledrop.

I only started watching Fantano’s reviews a few years ago, and hesitantly at first; I didn’t believe that music could truly be judged, since it is inherently subjective, and I often disagreed with his reviews of my favorite albums. However, there was something fascinating about his approach to reviewing, specifically the vast amount of musical knowledge and terminology he used when examining albums. He is able to fill a ten minute video entirely with thoughtful musical opinions, grounded in absolute reasoning. He certainly has biases (easily seen by genres he prefers), and always reminds his viewers that he is just sharing his opinion, but he always approaches new music and genres with an open mind. I still disagree with some of his final ratings (especially the 3/10 he gave Mac Miller’s Swimming), but I find it hard to argue with him; nothing he says is factually wrong, and at the end of the day it just comes down to a different taste in music. For example, he says that Mac Miller’s singing is off-key and mediocre, with a weak presentation, but I hear the same thing and find it intimate and endearing. It just comes down to a subjective interpretation of objective musical facts, and I find that relationship so fascinating in reviewing music.

After thinking about what makes Anthony Fantano such a fair and interesting critic, I narrowed down great music reviews to two important things: understanding and discussing music objectively, and being passionate about the review. With only objective facts you have a boring and generic review, and with nothing but passion you have an intellectually shallow review that offers no value to the reader’s understanding of the music. With these two thoughts in mind, I look forward to writing more music reviews in the future; thankfully there is no shortage of new and interesting music.

Kaleidoscope #3: TikTok

Like a lot of homebound students these days, I’ve been spending an embarrassing amount of time on TikTok. It’s an app that allows users to share their own short-form music videos, stories, artwork, and anything else that might garner attention. Given this freedom, the content makes for easy entertainment and a simple way to start getting creative. Therefore, I’ve decided to think more about how users choose to present various forms of art through TikTok.

The way that artists show off visual work on TikTok, for example, is an art in itself. A successful presentation requires the right song, the right length of time spent on different processes, and a quick snippet of the final result — so you’re forced to watch over and over again to get another glimpse at it. The pieces I’ve seen have ranged from paintings to cartoons to restyling vintage clothing. Although the clips are inspiring and make the work seem easy, they’re almost never constructed as tutorials. Instead, the fun of it is in the mystery of the product’s completion and the quick gratification a viewer gets from seeing it finished.

It wouldn’t be right to talk about TikTok without bringing up dance trends. TikTok dances are designed to go viral — meaning that almost anyone can do them. One dance that got a lot of press recently is the “Renegade.” Aside from successfully spreading across the Internet, a question that the “Renegade” has brought up is about ownership. If someone is promoting their drawings on the app, they can post their website in their bio and start profiting off of their work, but if someone choreographs a dance that gets famous on the app, they go unrecognized. That’s what happened to 14 year old “Renegade” creator Jalaiah Harmon. Viral dances have to be flirtatious, eye-drawing, short, and replicable all at once – which is why I think the conversation about who gets credit is rightfully going to continue. 

My favorite TikToks are story times. Similar to sharing visual art, people who share a story usually leave the punchline for the very end. Many start with the opener “Put a finger down if-” and then the narrator proceeds to share something totally insane that has probably only ever happened to them. Storytelling, like all other art forms, takes skill. TikTok storytelling specifically highlights the importance of tone, humor, details, and keeping the listeners’ attention.

TikTok thrives because it’s based on our incredibly short attention spans. One minute I’m watching an impression and the next I’m staring at an adorable puppy. There are tons of ways people get creative on the app, many outside of the three trends I discussed above. Almost anyone can get involved and a user can get “TikTok famous” with nothing but a funny idea. However, I should be clear that this post is not a TikTok endorsement. As with any social media platform, TikTok can spread mean-spirited content and, alongside various other issues, it can be extraordinarily addictive. Admittedly, I’ve decided to take a break from TikTok for the time being. 

(Image Source: Media Frenzy Global)

“what is art?” #18 – support

It is no question we are living through a historical time right now. 

 

Universally, the virus has caused a long list of changes and it is easy for all of us to focus on the negative that is occurring/has occurred. However, it is also important to seek out the positive and encourage others to do the same. 

 

This past week was supposed to be the in-person 58th Ann Arbor Film Festival (AAFF) at The Michigan Theater showcasing over a hundred films from filmmakers all around the world. Despite the virus causing the week-long social festival to be called off, the festival team decided to search for an online method to display their scheduled film programs.

 

The staff successfully switched their gears to this odd new online festival with the help of Vimeo’s streaming services. Since Tuesday, the team at the AAFF has been able to do a week-long live stream of the entire on-screen program schedule and have received many praises because of it. 

 

Along with their streaming service, the Ann Arbor Film Festival has been using their Instagram to connect viewers with encouraging them to post pictures tagging #AAFFLIVE. From the AAFF reposting images of audience members from wherever they call quarantine home, they have accomplished creating the admirable and wonderful community they are widely known to create every year at the theater. 

 

COVID-19 has surely made a dent in everyone’s social activities but with the help of organizations like the Ann Arbor Film Festival we are able to get through it a little easier. 

 

As we support coronavirus relief efforts, we must continue our loyalty to the art community. The arts are a vital part of our society therefore we all need to remember to protect its existence. 

 

The Ann Arbor Festival ends tomorrow with a couple of feature films and the award screenings. If you have spare time I encourage you all to check out their schedule and live stream itself.

 

I hope you all are safe and healthy and continue to stay this way! Sending my wishes 🙂