Art Biz with Liz: Thank you, arts, ink.

At the start of my freshman year, I picked up a pamphlet at Festifall that called for new arts, ink. and [art] seen bloggers. I didn’t really know what Arts at Michigan was at the time, but based on the pamphlet, writing for arts, ink. sounded like a cool thing to do. I was in search of ways to maintain my connection with the arts while simultaneously looking for opportunities to write for fun. I went ahead and submitted my application along with a few writing samples. Not long after, I received the email that I had been selected to become an arts, ink. columnist. In October, I met Joe—the Arts at Michigan Program Director—for an orientation meeting and have been writing for arts, ink. ever since.

A lot has changed since then. If I ever need a reminder, I simply take a walk around campus, as there’s always some new building under construction in Ann Arbor. During my first week of school in 2018, I opened a bank account and got a debit card at the PNC bank on the corner of South U and East U. The branch has relocated, its old building torn down to make room for yet another skyrise. As another example, I previously wrote an arts, ink. post about a boba place that has since been replaced by another one. In fact, the majority of bubble tea shops in Ann Arbor—Unitea, Quickly, Tea Ninja—didn’t exist then. The opening of Chatime and Coco’s was a big deal my freshmen year, whereas now it seems like there’s a new boba place every few months (that’s a big of an exaggeration, but you get the point).

My friends and I went to the grand reopenings of the U-M Museum of Natural History, the Union, and more. I stood in line for a slice of Joe’s Pizza a few weeks after it opened, watched Espresso Royale switch to a different coffee place, and mourned the close of China Gate after its thirty-two-year run in Ann Arbor. Last year, while on a walk around a quiet campus due to a year of online learning, I found the sidewalk in front of the School of Kinesiology Building free from the fencing that had closed it off throughout my undergraduate career up until that point.

A lot of things have changed about me, too. The clubs I participate in, the types of classes I’ve taken, and the people I’m friends with have all changed over time. My part-time job has changed each year as a result of what new opportunities arose. Even what my average weekend looks like has undergone changes. All these things were undeniably affected by an unprecedented pandemic, but what I want to do and who I want to be have been influenced by what I’ve learned and experienced throughout college.

As I think about how quickly graduation is approaching, arts, ink. has been a unique way to document little moments in time. I look at my writing—most of which makes me cringe—and it makes me think about everything I’ve experienced over the past few years. I can look back on the time I braved the polar vortex or the semester I took an acting class. I can reflect on my experiences in RC Singers, Women’s Glee Club, and RC Players. The arts have given me a way to reflect upon my identity as well as topics such as race and class, and arts, ink. enables me to put such reflections into words. This year, I’ll enjoy documenting more artsy activities and memories, like my adventures with novella writing or learning how to play the carillon.

In the meantime, I’d like to say thank you to those who have been with me on this arts, ink. journey, and thank you, arts, ink.

TOLAROIDS: A Photographic Silhouette

First posts are rather tricky: on one hand, we want to get started with creating, posting, sharing our ideas. On the other, there is this need for creating more personal space, finding a way to introduce ourselves without immediately diving into the specific artistic theme we chose to specialize in. What I decided to do then is to present myself through one of my favorite projects I’ve ever done, which is a synthesis of the two forms of art closest to my heart: visual arts (in this case photography) and performing arts (in this case dance).

My personal experience as a ballet dancer lead me to create a series of photographs that were meant to explore movement. I wanted to bring the viewer closer to various concepts of dancing, including the formation of a single pose that in the case of ballet “never stops” – instead, the dancer is always told to continue “extending” the pose before moving onto the next move. Usually, the whole dance choreography is an art piece of its own, and when taking a photo, we only capture a part of it. In my series, I was inspired by the way Shinichi Muryami tried to show dance. I used long exposure photographs to show the trace of each move, thus better capturing the art of dancing. I tried to catch the dynamism in a single photograph to show the viewer the process of forming a ballet pose and all the movement that comes with it.

The series had two working titles: “The Trapped Movement” and “The Captured Continuum”. I used a couple of variations of settings that are listed under the pictures as I experimented with exposure time and aperture.

ISO: 200
Aperture: f/16
Exposure time: 4s
Focal length: 85mm
ISO: 200
Aperture: f/16
Exposure time: 5
Focal length: 85mm
ISO: 200
Aperture: f/16
Exposure time: 4s
Focal length: 85mm
ISO: 200
Aperture: f/16
Exposure time: 5
Focal length: 85mm
ISO: 200
Aperture: f/16
Exposure time: 5
Focal length: 85mm
ISO: 200
Aperture: f/16
Exposure time: 5
Focal length: 85mm
ISO: 200
Aperture: f/16
Exposure time: 5
Focal length: 85mm
ISO: 200
Aperture: f/16
Exposure time: 5
Focal length: 85mm
ISO: 200
Aperture: f/16
Exposure time: 5
Focal length: 85mm
ISO: 100
Aperture: f/10
Exposure time: 1.3
Focal length: 85mm
ISO: 200
Aperture: f/10
Exposure time: 2
Focal length: 85mm
ISO: 200
Aperture: f/10
Exposure time: 2
Focal length: 85mm

 

Camera: Canon EOS 5D Mark III

Model: Magdalena Kawecka (Instagram @m.k_kawecka)

 

If you have any questions or thoughts make sure to leave them in the comments and I will be happy to share the answers! You can also catch me on Instagram: @akilian.jpg

 

 

 

Leo the Mer-Guy! Chapter Seventeen: The Prophecy

Okay, Leo could get down with this. The knowledge that gender mattered here, too, that they looked at it differently, inspired Leo. This was no Harry Potter. “So what did you mean you’ve been expecting me?”

 

“Oh, there’s a kind of prophecy or something,” Aristea said. “Let me get my egg-parent.”

 

Aristea disappeared into the tealy gloom, out of reach of the orb of light they had summoned. A beat later, they came back with an older-looking mer-person who had a darker-colored tail and some scars across their shoulders.

 

“Greetings, Leo,” the new person said. “I am Alfia, keeper of the prophecy.”

 

“N-nice to meet you,” Leo said. “I’m Leo.”

 

“Yes,” Alfia said, “I know who you are. The prophecy speaks of a young human boy, misunderstood and unseen by his birth community, who will act as a bridge between worlds, connecting the mer-people to the witches on land.”

 

Leo swallowed, his ears going hot. “I’m really sorry,” he said. “You might have the wrong Leo. I’m just some kid. I have no idea how to do all that.”

 

Alfia’s green lips wobbled up into a slightly comical but no less genuine smile. “Oh, child,” they said. “You do not need to know anything. You just need to be exactly who you are.”

 

“Easier said than done,” Leo said weakly.

 

“We can help, possibly,” Alfia said. “I have an offer for you.”

 

Leo waited for the mer-person to continue.

 

“We are pond Mer. There are Mer in the oceans, in rivers and streams. We are all different from each other, but connected by our love for the water and what it gives us. Us pond Mer have a special ability. We can change our forms. 

 

“For this reason, we welcome our young ones, our tad-Mers, to experience and change forms as much as they like. It takes some energy, and can be tiring, but it has led to a community of people who deeply understand each other and value themselves. 

 

With one bite, I can transform you into a Mer person. However, it will not be as though you were born one of us. You will still maintain a part of your human heritage. This means that, under a full moon, a new moon, and a half moon, you will be Mer, but under other moons, you will be human. If you desire to spend your days in the water, with us, we can find a way to do that. So how does that sound?”

The Rise of the Band Geeks, Episode 1: Kendra

The wind whipped through Kendra’s thin excuse of a raincoat, and harsh droplets stung her cheeks and speckled her glasses.  Her arms were drawn into her sides as she stood, shivering, her feet planted in a 45-degree angle and the tips of her fingers red and numb.  Locked in her left hand was her cell phone with its shattered screen protector and worn case, opened on an intricate display of symbols and letters across a coordinate plane.  She squinted at the screen now, at the highlighted dot at the head of a thin lime line, the opposite end of which marked where she currently stood.

 

The wind picked up, flung a punch directly into her slight form.  Behind her, someone let out a curse he thought nobody else would hear.  He must have nearly shouted, since she could hear him well enough despite the thick foam plugs wedged into her ear canals.  Not that she blamed him.  She was biting back her own gripe, but she was saving her lips and breath for playing, and she did not have much air left.

 

A command made faint by the plugs in her ears prompted her to travel to her next dot.  Another backwards move–seriously?–in sixteen counts, and diagonally to boot.  Still, she scurried to the next spot on the field with haste, if only to warm herself for five seconds.

 

The hand holding her horn was frigid.  Even with the grease-stained, formerly white glove on, the low temperature, drizzle, and gusts brutalized her extremities, and it wasn’t like these gloves were meant for insulation.  They were meant for playing this damn instrument, a rental from the band hall with a sticking valve and perpetually flat tone, that she played outside of practice, oh, maybe once or twice a week if she felt like it.  If she thought she stood a chance, she’d practice harder, almost every day, but things had tapered off once she’d realized she wasn’t as good as the other kids in her section.  She’d tried to get her motivation back several times, but it just wasn’t there anymore, like she’d somehow given up.

 

Another direction issued from the tower compelled her to run back to her previous dot, phone in one hand and rain-slicked brass instrument in another, her ears stinging and the hood of her jacket flopping back, dodge a random cymbal player, and stand at attention, all while shoving her phone back into its pocket on the inside of her jacket.  They’re just marching for now, sixteen steps back with their respective instruments held aloft, yet Kendra found herself doubting her step size, her ability to march in time to the metronome.

 

This was for the homecoming game; everyone was in the show, regardless of how good they were.  Kendra was thrilled to be out on the field marching actual drill and learning music for a show she would perform, yet she could not shake the nagging notion, the mantra that sometimes kept her awake at night:

 

You’ll never be good enough for this.

Parktown: Argo Dam

Argo Dam, North Campus

B2B Ann Arbor is a bike path connecting the fringes of Ypsilanti along the Huron River and into Ann Arbor. Much of the path snakes its way through an aging concrete skeleton between the two cities, but I found myself particularly taken by the scenery at this dam while taking a breather. The whole area is teeming with cyclists, hikers, families, and all sorts of characters who stopped to listen to the water crashing from up above. There’s something about the cascading water and the bend of the river that had me wanting to take a swim. Unfortunately, the beautiful and luscious leaves of a Michigan summer are beginning to crumple up and desaturate. Such warm-weathered activities are now retired for the year, yet it helps me to appreciate the mornings which grow colder.

It certainly still won’t stop me from walking around and taking in the scenery.

This image was taken on 10/9/21.

Scribble #2: Milk

“I am milk, I am red hot kitchen.”

The Scribble for this week is inspired by the song Milk by the band Garbage. Shirley Manson, frontwoman of the band, has said that Milk is about “​​things you can’t have and you will forever wait for.” This past week, I’ve reflected on my own fears of being and remaining “incomplete”, and I have come to some important realizations.

“And I am cool, cool as the deep blue ocean.”

In my story, the protagonist is thriving. They have a job they are passionate about, a group of trusted friends, and the feeling of being able to be unabashedly themself. They have achieved their definition of success for the moment, and, though nothing is perfect, they have come further than they ever expected and are thriving. They look around with gratitude and, at last, have time to stop and relax.

“I am lost so I am cruel.”

They have the time to read books, watch movies and TV, and scroll through social media. Everything keeps screaming to them that something is missing. The doubt creeps in at night, when there are no further distractions: Will they ever be truly complete without “true love”? They see the necessity of “true love” all the time – they have since they were a kid. When the beloved characters from those beloved stories finally won, that usually included some type of prince or princess. Our protagonist feels like they won, but there is no prince or princess, so there is no way they can be fully complete. It was not a factor for their happiness at the start of their story, but maybe it should be now. All of a sudden, the protagonist fears that their story will never be complete. 

“But I’d be love and sweetness if I had you.”

I’ve had a mentality shift recently. The stories I grew up on filled my brain with misinformation surrounding “true love” that negatively impacts me to this day. Maybe my life would be incomplete without “true love,” but luckily I do not go without it. 

Thankfully, “true love” is not something I will forever wait for. “True love” is the gratitude I felt when I passed a still-blooming purple and yellow flowered bush even though it is October. “True love” is all of the late night vulnerable conversations I have with my best friends that leave us laughing or in tears. “True love” is losing track of time and space when I draw, write, or play guitar. “True love” is the random phone call from Mom because she just wanted to hear my voice.

“I’m waiting, I’m waiting for you.”

“True love” is thousands of things I have experienced and even more that I’ve yet to experience, and I cannot wait for each and every one of them. My story is far from over, but it is by no means incomplete. 

Listen to Milk here: https://www.youtube.com/watch?v=amrvLJRA3dc