Industrious Illustrating #55 – Study Step-by-step

Hello and welcome back to another week of Industrious Illustrating! This week I’m doing a quick breakdown of how I do digital painting studies to brush up on my fundamentals and improve my mental visual library for my drawing and design work.
It’s generally better to do studies from life rather than from photographs because cameras distort reality and also you can understand the subject from more angles if you see it in real life. However, for this exercise I’m using a Shutterstock stock photograph because trying to find and draw an excavator on-site during the winter months is too much hassle for me personally.

My first step is to draw color blocks to get down the idea of the subject matter while not worrying too much about complete accuracy. It’s way easier to work with a drawing that already exists than with a blank canvas.

My next step is to tweak the proportions and start adding in details to represent what I see in front of me.

As I work on details, I realize that some of the proportions aren’t correct and fix them. This is also how I work on my regular art pieces — mistakes are just a natural part of the process and can be overcome!

The finished study now looks like this! It’s not a fully refined drawing, but I feel like I’ve done enough work to better understand how the different parts of an excavator work together, which was the goal of my study session anyway.

I even draw shapes over my study to solidify my understanding of what the basic building block shapes in an excavator are.

Of course, this is only one way to do studies, and there may be a way to learn that makes more sense to you! I just hope that talking through my process like this helps you discover what might work best for you in the future. See you next week!

MediaScape Musings # 10 : All In Your Head 🧠

Today, I’m excited to unveil a groundbreaking project I’m currently immersed in, titled “All in Your Head.” This innovative endeavor brings together dancers, musicians, artists, and neuroresearchers in a captivating exploration of the trial-and-error landscape of mental health treatment, the scientific intricacies of depression, and the intricate inner workings of the brain.

“All in Your Head” unfolds as a four-movement multimodal masterpiece, seamlessly integrating visual art, dance, and live improvisation and composition. By challenging the conventional notion that mental illness is merely “all in your head,” this project invites a profound shift in perspective. Instead, it prompts us to direct our focus precisely where it needs to be—into the individual’s unique brain chemistry, circuitry, and holistic life experience. This distinctive world demands equally unique and tailored treatment approaches.

Join us on this transformative journey by following our Instagram account @neuroartsprod for updates on upcoming events and a behind-the-scenes look at the creative process. Together, let’s delve into the realms of art, science, and human experience to redefine the narrative surrounding mental health! 🧠 🤯 🎆

Industrious Illustrating #54 – Progress Pictures

This week’s column is a day late because I’ve been tabling at Isshocon, a new 3-day anime convention located near us in Novi Michigan! So far it’s been going fairly well considering that it only has fewer than two thousand attendees — I’ve made more money than at Motor City Comic Con Fall for a much less expensive table, though my work is much better geared to anime conventions. Here’s a picture of my table:

The main topic of this week’s column is going over some work-in-progress pictures from my recent drawings, which has been on my mind because the application for Fanime Con (a large anime convention that happens in San Jose, CA on Memorial Day weekend) required a signed work-in-progress picture to weed out AI “artists” and art thieves. I’m in a group chat with a bunch of other artists who sell at conventions and seeing everyone else’s progress pictures was really interesting for seeing how other artists work. I won’t use the work-in-progress images I used for my Fanime application to keep it private, so I’ll instead go over a chibi mecha design I drew last year with WIP screenshots I took during the process.

My typical digital working process starts with “blocking” out the drawing as a color sketch, working more on getting the general idea down rather than having perfect proportions or coloring.

As I work on this base colors sketch, I freely use the lasso tool and eraser to resize and edit parts I don’t like in addition to working more with the default oil paint brush tool I use for my work.

Once I have a baseline I’m happy with, I start doing lineart from the top to the bottom on another layer, working more on the rendering and polish as the lineart solidifies what I want the drawing to look like.

Compare with my finished drawing:

Would you guys like to see me do more breakdowns/work-in-progress sequences of my drawings in the future? I’d love to know if you do!

Fiber Fridays #7: Applique (Sewing)

Hello everyone,

I am taking a fiber sculpture class, and I had no idea what I was getting myself in for. Why did I assume I would be hand sewing or crocheting different sculptures I would come up with? Turns out it’s a sewing course. (I was freaking out!!) I know how to sew from a pre-college fashion sewing course I took at Academy of Art University in San Francisco during high school. (Although, not very well, and not on the monstrous sewing machines they have at Stamps.) I was still worried. Never have I had to sew for an actual college course and I had no idea what that entailed. I have learned that it is fast paced, and high expectations are set. I find that to be a really great motivator for me and enjoy how quickly we are making things.

This week through that course I learned how to sew patches onto fabric. Listen, I know they aren’t very good, but it was my first try! I had a lot of fun trying them out and that is what matters. I had about 30 minutes to complete all three examples. I cut all of the shapes that I wanted out of different colors of scrap fabric. I thought flowers would be a cute and somewhat challenging shape to do so I went for it.

See you next fiber friday!

-Marissa

Industrious Illustrating #53 – Life Drawing 5

Hello, and welcome back to another week of Industrious Illustrating! This week’s update is a little brief, since I’m just recapping the trip I took to the La Brea Tar Pits Museum in Los Angeles over winter break. When I was there I took the opportunity to draw some of the fossil skeletons on display to better understand the construction of animal bodies, as I hadn’t seen some of these skeletons in real life before and I want to make more creature/scientific illustrations in the future.

Something interesting about my trip there was that there was a glass windowed viewing area to look at scientists at work cleaning fossils recovered from the “tar” pits (which are actually filled with liquid asphalt!), and there were a few informational plaques and displays sitting on the windowsill ranging from excavated bugs and microshells to stuffed animals of the animals most commonly found in La Brea. There was also a scientific illustrator on staff (who I assume drew the lovely drawings on some of the plaques) who was actively working on a scientific illustration on their iPad when I was visiting. I especially enjoyed the puppet of the now-deceased mountain lion P-35, as I’d just read about his story in the excellent book “Crossings: How Road Ecology Is Shaping the Future of Our Planet”.

All in all, my visit to the La Brea Tar Pits left me feeling more inspired and motivated than before. While I doubt I’ll pursue scientific illustration as a full-time career, I still want to explore different subject matter I find interesting as much as I can so that my work will be versatile and never grow stale or predictable. And of course, there’s no need to travel far from home to do so — even back in Ann Arbor there’s several resources such as the Natural History Museum, the Leslie Science & Nature Center, and the Creature Conservancy that all have skeletons or live animals on display to see and understand in real life.
That’s all for this week! What would you guys like to see me discuss next week? Let me know!

MediaScape Musings # 8 : Asking Alice

I hope you’re having a wonderful start to the new semester! I am thrilled to extend an invitation to you for the upcoming performance of “Asking Alice,” a collaboration between creators from Performing Arts Technology and Dance!

Event Details:
* Date: January 19th & 20th
* Time: 7:30 pm (Doors open at 7:00 pm)
* Venue: Arthur Miller Theater (Adjacent to Pierpont Building)
* Tickets: Free- available at the box office a half-hour before the show

“Asking Alice” is a futuristic reinterpretation of Lewis Carroll’s novels, in which Alice ventures through a cyber Wonderland on a journey of reinvention in an increasingly digitized world. Along the way, she encounters iconic characters and creatures from the original tales. The work features dance, robotics, and an original score featuring a solo cellist. Don’t miss this whimsical show, playing this weekend only! 

We looking forward to welcoming you to Wonderland!