Industrious Illustrating #48 – November Conventions Recap

My Motor City Comic Con Fall 2023 table

Welcome back to another week of Industrious Illustrating! Last weekend I was selling at Motor City Comic Con Fall 2023 in the Artist Alley, which ended up being a lot slower sales-wise and traffic-wise than Youmacon was the previous weekend but still an okay profit. I think that my stuff just isn’t as popular with the comic con crowd, which makes sense since almost everything I draw fanart of is a Japanese or East Asian media property (even including Armored Core). Weirdly enough my Pacific Rim print sold way better at Youmacon than at Motor City, but I think that can also be attributed to Motor City Comic Con’s fall show having lower attendance and buying interest overall than either Youmacon the weekend before. I still hope that I can try spring MC3 in May next year since I’ve heard it’s much better attended than the fall show, but I don’t plan on doing the fall show again since it didn’t really feel worth my time or the table cost.

Something I’ve definitely noticed is that selling big-ticket items (large prints, specialty prints, deskmats) has helped increase my revenue and profits at conventions. My profits at MC3 were salvaged by several people making large purchases of multiple prints or items, and a significant chunk of my far better than expected profits at Youmacon was also people making large purchases of deskmats or multiple items at once. There’s only so many days in a convention weekend, which means that making more money means making more sales or making larger sales. Because my products are mostly for a specific niche (mecha art) rather than a broadly appealing mass market, I can’t count on making more sales at every event. However, I can count on making my art and offerings good enough to encourage larger purchases per interested customer that are worth as much as or more than several smaller purchases. That’s just my personal business strategy, though — other artists may find greater success selling lots of small cheap items that add up into good profits.

In terms of future conventions, I received acceptances for two early 2024 cons within the last few days — Anime Milwaukee and Katsucon (Washington D.C. area) — which means I will finally be branching out from Michigan/Ohio cons and traveling further away to get my work in front of more people who haven’t seen it before. This also means that a bunch of the money I just earned at Youmacon and MC3 is immediately getting reinvested back into the business since I have to book hotel rooms and transportation to get to these cons, which goes to show the importance of making a profit rather than merely breaking even. Without making a profit off of these past few cons and my online sales, I wouldn’t have enough money to both pay off personal expenses and grow my business at the same time.

Anyway, I won’t have any more cons until January, so I probably won’t be talking much more about conventions until then and I’ll focus on other art and art business-related topics. Next week I’ll discuss different ways to make prints (at-home printing, outsourcing, etc.) including a few on-campus or local options for UMich students!

S3 Scribble #6: Underneath

“There is no difference in what we’re doing in here,”

I’m in the home stretch of the semester. Lots of final papers, exams, and projects are coming up, but in the back of my mind, I know that there is a month of rest waiting for me once I complete them. I haven’t spent much time at home in the past year, and I’m looking forward to being able to have more than a few days at home for my upcoming winter break. 

“That doesn’t show up as bigger symptoms out there.”

Today, my mom bought Alanis Morissette tickets so we can go to her concert together this summer. Music has always been something that my mom and I have bonded over, and even though the concert is over six months away, I am very excited for it and grateful that my mom is as well. This inspired me to listen to Alanis Morissette on my walk to class today, and I was reminded of how her music makes me feel so understood. Right now, the song “Underneath” resonated with me because of its emphasis on the need to heal yourself before you are able to most effectively extend that healing outward.

“So why spend all our time dressing our bandages?”

This past year, I’ve learned something very important: in order to do my best externally, I have to feel good internally. This internal healing can happen through many activities: recharging alone, going on a run, spending time with friends, journaling, calling my loved ones, going to therapy, and more. For me, it’s been a combination of things, but as I gear up to finish the Fall 2023 semester, I feel great inside – I feel satisfied, hopeful, and capable. Of course, I occasionally feel doubt, anxiety, and unease. This is natural, and I now know that these feelings are not permanent and never are. As I keep working on myself and my inner mentality, I am confident that my strength, courage, and positivity will continue to see me through.

“When we’ve the ultimate key to the cause right here, our underneath.”

Listen to Underneath by Alanis Morissette here: https://www.youtube.com/watch?v=uVfz74FayzM

Wolverine Stew: Painted Mountain

There is a deep rolling green at the

Base surrounding a small, clear lake, where

If you tilt your head to listen to the ground, you can see

How the waters make a still reflection

Of the perfect circle of leaves to each tree

The lake is fed by streams of thawed lightning

Coming down from the grey clouds that are

The gold-wood upper borders of this world

I wonder if there is a peak

The greens meld together on the mountain

Unsure whether to be trees or grass or moss

But there is a gentle slope to it all

One to get closer to, to walk and rest at one’s own pace

And maybe you will cross that rainy border of the world

Into some vast sky, blue and shining

But me, I am content here at the base

Wrapped in green reflections and that thought

Of going just a little further up each day

Mixed on Campus #13 – Naomi Rodriguez

Name: Naomi Rodriguez
Mix: Black & White (Colombian-Puerto Rican)
Major & Year: Interarts Performance (Stamps & SMTD); Junior

Born and raised in Miami-Hialeah, Florida

Q: How has being mixed affected your campus experience?

A: I never realized how my looks are perceived until I was placed in the context of a predominantly white space. Being mixed began to cause confusion to people I meet to the point where I became confused with myself. I became so insecure about my closeness to a community and what community would even claim me. Because of that, it took me such a long time to find people I can relate to and feel welcomed. Even to this day, sometimes I feel hesistancy, from myself mainly, because of my lack of confidence in a space. However, the friends I’ve been making in these communities have helped me feel more comfortable being me; the combination of what my ancestors came to be.

Q: What do you wish more people knew about the mixed experience?

A: That it is very complicated. Sometimes people ask me questions about things as if I know, or I’m expected to speak for a community. Especially as an artist, a lot of my work is informed by my experience and the stories of my family, and sometimes I’m tired of my art being seen as a ‘protest.’ I make things to tell stories of my family and the ancestors I never got to meet, it helps me understand my story and bring communities together. It’s tiring having to educate people especially when your history is tied to colonialism and slavery.

Q: What is your proudest moment?

A: I finally made a piece titled “chains & links,” that comments on my mother heritage and ancestry, which is Afro/Indigenous Colombian. It finally felt like a perfect combination of what my mother has taught me growing up while teaching her about the care of textured hair.

Q: What are you most anxious about right now?

A: I’m anxious about the stories of my people disappearing. In Latino America, a lot of history related to slavery and indigenous peoples are becoming lost especially through immigration, and I think it’s our generations love and honor that needs to continue thee stories.

Q: What kind of person do you aspire to be?

A: Someone who is a listener. There is so many people with their own stories to tell and I hope to become a space that can have people feel welcomed and heard.

Q: Who is the most influential person in your life?

A: My mother. Everything I do has been in honor of her. My work is an extension of her passion and I hope to one day bring her into my work and we both become creators.

Mixed on Campus was inspired by the Humans of New York project. The purpose of Mixed on Campus is to give a voice to this university’s mixed community and shed light on its members. Being mixed means to be multiracial, multiethnic, and/or a transnational adoptee. Through Mixed on Campus, mixed students have the opportunity to have their portrait drawn and share their experiences!

MediaScape Musings # 4 : PointAt

Greetings, everyone! Today, I’m thrilled to share a sneak peek into an exciting work-in-progress team project from my PAT 515 class: PointAt.

In the evolving landscape of interactive experiences, PointAt is set to redefine the boundaries. This project seamlessly integrates cutting-edge technologies, including visual motion capture, movable hand installations, a dynamic visual eyeball projection, and immersive sound design.

Picture this: a visual eyeball projection that never wavers, meticulously tracking your every move with precision. Simultaneously, a movable hand installation dynamically points at you, forging an immediate and responsive connection. This unique amalgamation creates an immersive ambiance, inducing a subtle yet palpable sense of “pressure” for the user.

PointAt is not just an intersection of visual and auditory elements; it’s a journey into the unexplored realms of multisensory engagement. As a work-in-progress, we are pushing the conventional boundaries of interactive installations, redefining the very relationship between users and their interactive environments. Stay tuned as we delve deeper into this exploration and the final concept video!!

Fiber Fridays #4: Freehand Crochet

Difficulty: Hard

Hey everyone!
I have been so busy as of late working on a super big crochet project. The Stamps undergraduate exhibition deadline is coming up and I am binging a bunch of Gen Z podcasts and crocheting nonstop. The theme this year for the exhibition is “resistance”. I want to save getting super into the meaning of my project in February, after the exhibition.
This week, since I am doing so much freehand crochet, I figured that I could show you some of the process work, and try to give as many tips and tricks as I can. In order to under stand how to freehand crochet, one must know how to read and execute crochet patterns. Knowing how these patterns form and hope the stitches interact with one another is extremely important in developing your own design with no instruction. You must have a strong grasp on how increasing and decreasing stitches can affect your work. You also might need to know how to sew depending on your design, or learn how to mattress stitch panels together. I would recommend that you know how to crochet in the round.

On the most basic level, what I am trying to achieve physically with this piece is a stylized rendition of a geode. I am a geology minor and like to incorporate that interest into my work. You can start out your freehand crochet however you’d like, but since I know the general shape of the form that I want, I started with an outer border and worked my way in. I am using scrap/ reclaimed yarn/ donated yarn to create this piece. You can see in the picture below the general idea of where i’m going with this.
I’ll post the final piece after the exhibition.
If you have any additional questions, comment below!
See you next Friday,
Marissa