A New Project

I thought I would share the lyrics to the song I wrote about a month ago which I am trying to polish enough to put on Spotify. I’m currently looking for someone to collab with who will sing the guy’s part I wrote over the bridge, so the progress has been stalled for the present moment, but here it is!

The title is under construction, but I’m currently calling it “i used 2 sleep with my phone”

 

(I thought I saw you last night)

I’m setting a reminder in my phone for early May (across the bar, yeah you caught my eye)
saying if I’m still talking to you it’s time to go our separate ways (I went home with another guy)
yeah it’s harsh, kinda cold (you were never mine)
but I best do what I’m told (you were never mine)
cause now you’ve got her to hold, hold you (you were never mine)

thinking back on everything that’s happened; I’m feeling kinda down
all those late nights that I stayed up hoping you would come around
I would sleep with my phone
ringer on, all alone
wondering if you took her home again

you’re not mine to lose
but if I could choose
the place that you’d have is by my side
I know that it’s wrong
to feel so in love
with someone who’ll never change his mind
but I can’t excuse my feelings for you tonight

we had a good long while of talking every day
and I’d hang up with a smile; you made colors out of gray
but pack it up, signing off
won’t wait around for your love
now you’ve got her and that’s enough for you

you’re not mine to lose
but if I could choose
the place that you’d have is by my side
I know that it’s wrong
to feel so in love
with someone who’ll never change his mind
but I can’t excuse my feelings for you tonight

wake up faster (I thought I saw you last night)
make it better (across the bar with some other guy)
move in closer (true you were never mine, but when he held you tight)
remember (I said “I’m fine;” I lied)
all those evenings (tell me girl, did I hurt you?)
I spent feeling (I know I did, but what did I do?)
things I thought you (and when you took him home, I called a girl I know)
were also feeling (couldn’t be alone, would’ve lost control)

but it’s okay (now I’m with her instead)
I know you better now (but you’re still in my head)
I won’t wait (I bite my tongue and try to say, anything except you’re name)
not gonna wait around (would you ever wait for me?)

you’re not mine to lose (all those evenings) (I thought I saw you last night)
but if I could choose (I spent feeling) (Cross the bar with some other guy)
the place that you’d have is by my side (things I thought you were also feeling) (true you were never mine, but when he held you tight, I said “I’m fine;” I lied, can’t you see I’m crying?)
I know that it’s wrong (but it’s okay) (tell me girl did I hurt you?)
to feel so in love (I know you better now) (I know I did but what did I do?)
with someone who’ll never change his mind (I won’t wait) (when you took him home, I called a girl I know, couldn’t be alone, would’ve lost control)
but I can’t excuse my feelings for you (I’m so confused; I know I used you)
no I can’t excuse these feelings for you (I never knew that I would lose you)
no I can’t excuse my feelings for you tonight (how can I prove I’ll always choose you?)

(can we go back to last night?)

Looking Forward: BlueNote Vocal Jazz Ensemble

Happy Friday, everyone!

It’s another sunny day here in Ann Arbor. I don’t know about you, but that automatically boosts my mood – plus it’s practically the weekend already!

This week I had the opportunity to chat with Cinderella Ksebati, Co-Founder and Music Director of BlueNote Vocal Jazz Ensemble. As another fairly new organization on campus, I was excited to learn more about how they have adapted this year and what their upcoming plans for performances were like. Let’s dive right in!

Founded in 2019, BlueNote Vocal Jazz Ensemble aimed to help fill the void of limited opportunities for students to participate in vocal jazz on campus. The group consists of both undergraduate and graduate students, including a mix of SMTD and other schools. They were able to perform on campus at the SMTD’s “Collage” event, as well as a few off-campus opportunities before campus shut down in early 2020 due to COVID-19. This hasn’t stopped Cinderella and her team, though. They are still working just as hard to “revitalize the attending-a-jazz-concert experience and in 2020-2021”.

“We are thinking, okay, how do we present this using technology, using what we have at our disposal, and continuing to make art, create jazz music, and start to get people engaged with this genre. And bring it back to the forefront of the arts as is such an American tradition, we want to bring it back and take bits and pieces of those traditions honoring and paying homage to all the vocal jazz greats. Of the groups like, for example, Take Six, New York Voices, so some of our program for the upcoming project that we’re working on, “Let’s Go to the Movies”, encompasses a couple of those things. We are mixing the media, we’re doing a 30-minute jazz film and we’re using all vocal jazz repertoire.”

To prepare for that project, BlueNote has been meeting via Zoom 2-3 times a week and using an online audio workstation that allows them to hear a little bit of the “blend” that vocal groups work so hard to achieve in performances. They have also incorporated a few individual, in-person rehearsals, following county and university guidelines. 

Though Cinderella does miss in-person performances, she notes that there have been some interesting developments in vocal jazz, at least in BlueNote, that she hopes will continue after COVID. Specifically, adding more storytelling into their performances is something she has really enjoyed. 

“It won’t necessarily be a film next year, who knows, but I certainly think that that is going to be changing some things and just in terms of our passions of the group members.”

Check out their most recent YouTube video above, performing “Walkin My Baby Back Home”.

BlueNote’s newest project, a short jazz film titled “Let’s Go to the Movies”, will premiere in April. You can stay up to date on their upcoming events by following their Instagram and subscribing to their YouTube channel. Lastly, keep in mind that the group holds auditions every semester, so definitely keep an eye out this Fall if you’re interested in singing!

That’s all from me this week! 

 

Stay safe,

Lucy

Looking Forward: The Plush Project

Happy Friday, arts, ink readers!

I hope that you’ve all been able to get out and enjoy the sunshine that we’ve had the past few days (at least if you’re in the Ann Arbor area). It’s been giving me just enough of a “light at the end of the tunnel” that Spring may be coming soon after all. 

So far on Looking Forward, I’ve spoken with a lot of organizations that have had to pivot their typical operations due to the pandemic, with many moving traditions, rehearsals, and exhibitions online or finding ways to do them while socially distancing, pre-recording content to share with their members, getting creative with multi-media approaches to projects, and collaborating with other student organizations. But what if you don’t have any “typical operations” yet? How does a new organization pave its way through this overwhelming and complicated time? 

This week I had the pleasure of chatting with Amira Rabbah, President of a new organization on campus called The Plush Project. Over the course of quarantine, Amira found herself looking for new ways to keep herself busy and learn new things — enter: crocheting. She had always loved to knit, and crocheting seemed like a fun, new challenge that was also a continuation of her passion for yarn arts. She was particularly interested in the style of crocheting called amigurumi, which involves crocheting and stuffing different characters, toys, and plushes.

After she had gotten a handle on the technique, she found herself building up quite the collection of handmade toys. Rather than leave them to collect dust on a shelf, she wanted to donate these toys to children who are going through difficult times. This was the beginning of The Plush Project. Soon, Amira realized that yarn arts lovers across campus could contribute to this group, building a sense of community and practicing the hobby while giving children who are in the foster care system or who are sick a sense of comfort. 

After figuring out the administrative hoops of how to form a Voluntary Student Organization (VSO) on campus, Amira applied for a grant through Arts at Michigan to help provide materials to members. This way, she explained, the organization could be as inclusive as possible and not present barriers to potential members who would like to get involved but cannot afford to purchase yarn or needles, etc.

Since forming in the Fall semester, the organization has grown to about 15 members from a variety of experience levels. 

“Mostly, we have some seasoned crochet there’s a couple of new crocheters, but they’ve all, like, been introduced to some sort of yarn or fabric art, at least one of them, so either they sew or knit, all those are good avenues for making plush toys, so it doesn’t have to be crochet but that has happened to be the supplies that we have to give out.”

Although growing and running the organization has perhaps been more difficult than it would be if in-person meetings were possible, Amira has done great work and already set up donation relationships with Orchard Children Services, with the hopes of expanding to other places like Motts hospital in the future. And they’re still growing! Amria welcomes anyone who is interested in crocheting or yarn arts to get in touch:

“We’d love to obviously have more regular members, so if you’re interested in coming to our Zoom, but hopefully later in-person, sessions to crochet, get materials, whatever, the best way would be to email me or find us on one Maize Pages… they’ll both give me an email notification, so both are great ways to, like, reach out. I’ll give you a whole spiel about our organization up the zoom links to our meetings and everything!”

You can reach Amira and learn more about the Plush Project by emailing her at arabbah@umich.edu, or by visiting the Plush Project Maize Page and clicking on the “Contact” button.

I loved learning more about how a new organization has navigated this complicated year, and hearing how dedicated Amira is to this project was really inspiring. Definitely check them out!

That’s all from me today. Remember to take some time for yourself this weekend and decompress – students would typically be enjoying Spring Break right about now and I think a lot of us could use a break.

Take care and stay safe, 

Lucy

writing form: duplex

a “duplex” is a poetic form, created by jericho brown. it’s a poem of couplets (stanzas with only two lines) that grows off of itself, where the first line of each next couplet mirrors the previous line (the last line of the couplet before it) and then the last line of the couplet introduces a new idea or image. the very first and very last lines of the poem mirror each other as well. [i know hat could be confusing to be explained with no context, so check out the link and maybe read my description while going through the poem??]

while poems often involve a journey, my favorite duplexes from jericho display movement , or makes its intention moving closer to somewhere possibly more vulnerable or more honest. this feature of movement is what inspired me to attempt the form. (p.s. i’m not sure if the form has to be indented in this way, i just replicated his structure here to learn the form.)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

lightning flashes before my eyes can adjust

i’ve got too much white in my eyes

a static blade gathers iris and tongue

time be going by so fast

minutes turn into echo chambers of gravel and salt so quickly

learn, unlearn, learn — splinter on

petal open to get to the truth

every step i’ve taken has been to find myself

there are so many roads to get to the self

i study my veins in winter trees

the bloodrush means we existed

the heart beats, sends lightning before i can ask why

 

Looking Forward: This Week at the UMMA + New Interviews Soon

Happy Friday, Arts, Ink readers!

After a brief intermission, we will be back in action next week. I’ve spent this week reaching out to many exciting and diverse student organizations to learn more about how they’re handling the semester, and I’m excited to share what I’ve learned so far. 

In the meantime, I thought I would spend this week highlighting some events the UMMA is putting on this week that I found especially exciting.

If you’re a fan of spotify collaborative playlists and/or how art and music intersect, check out UMMA’s jukebox. Through that link you can fill out a form to suggest songs that pair with two of the museum’s newest art pieces. As someone who has always enjoyed interdisciplinary work, I found this project very interesting and I’m excited to see the results!

The UMMA is also putting together a virtual event called “The Adjacent Possible” on Feb. 18th at 8PM. They describe it as “[mixing] music performance, storytelling, and technology that converts the audience into an orchestra. The project culminates in the recording of an orchestral piece – the first and last ever to be performed.” If you need to transport yourself for a little while from the stress of schoolwork or job searches, definitely check it out – it seems like a really unique event. Pre-registration is required, so make sure you confirm ahead of time!

That’s all from me today. Check back next week for an interview with the co-presidents of Relevé – they had some really interesting points to make about the creative process and COVID!

Stay safe!

Lucy

Looking Forward: EnspiRED

Happy Friday, everyone!

Ashley King, Vice President of EnspiRED

We are back to our regularly scheduled content. This week I spoke with Ashley King, the Vice President of EnspiRED, to learn more about how they are adapting to the restrictions that COVID-19 has brought. This was a special interview, as Ashley is not only a talent and joy to speak with, but one of my good friends from high school. I was excited to learn more about the organization that she has fallen in love with.

In a normal year, EnspiRED is best-known for their annual fashion show with proceeds going to a charity they choose each year. Each show has a theme that is tied together through the outfits on the runway, the visuals that accompany the show, and even the wardrobes of those working the event. One of the most recent themes, astrology, was a personal favorite of Ashley. 

During the past year, EnspiRED has obviously had to adjust much of what they do in light of COVID. They can no longer host their fashion show in-person, as it can attract hundreds in attendance, but they are finding ways to fit what they usually do into this new world of COVID. 

I also asked Ashley about how she interprets the intersection of arts and fashion. She told me that to her, fashion is an art.

Current E-board for EnspiRED

“You watch a Marc Jacobs, or a Vera Wang, or anybody’s fashion show and you’re like, wow, it must have taken some ingenuity to put this together, or a really creative mind to come up with that. I very much feel that fashion is in our forum because not everybody can, like, pick up some fabric and make something that everybody wants, and that’s from high fashion to fast fashion. There’s an art to all of it.”

I couldn’t agree more – and the energy that has to go into a fashion show is way beyond just designing the clothes. The staging, the lighting, the music, the makeup, the hair, all add to the concept and sells the experience. 

If you want to get involved with EnspiRED, be sure to follow their Instagram account so that you can stay up-to-date on their upcoming events. Modeling and volunteer opportunities are also available most years, so be on the lookout for those. Lastly, their e-board will be opening up applications soon to lead the organization next year. Ashley’s advice? “Brush up on your interview skills.” Who wouldn’t want to be a part of one of the top fashion organizations on campus?

That’s all from me this week! Come back next week for more about the arts on campus this semester. 

Stay safe & stay healthy!

-Lucy