Meditative Rose: A Hidden Work of Art

The annual poster sale was going on these last two weeks, and I went, as many do, searching for a worthy poster to fill the barren spot on that one eggshell wall of my room. I flipped through the multitudes of posters, not really knowing what I was looking for, but keeping my eye out for something that would perfectly define the new academic year. There were a few notable works of art in the running, some Vincent van Gogh and Rene Magritte in particular, but one particular artist stood out, and if you know me then you won’t be surprised that it was Salvador Dali. I don’t love all of his art, but I can’t deny how unique his aesthetic is and how much it resonates with me. His interpretation of surrealism is so convincing and otherworldly, I just seem to get lost in the art and all of the tiny details he sneaks in. Anyways, I ended up with a 24″ x 36″ poster of Meditative Rose, and if you’ve never heard of this painting before, I’m honored to introduce it to you:

At first glance, it’s pretty straightforward: a solitary red rose, without a stem, front and center, with a pretty generic landscape background. The rose is beautifully done, intricate and detailed, giving it an almost hypnotic quality which draws the viewer’s focus. As a result, it can be easy to miss the bigger picture (quite literally), and upon closer inspection, a completely different work of art reveals itself. First, notice the two vague figures, standing underneath the rose, casting long shadows over a hard and barren desert. Then inspect the small town in the distance, which recalls images of vineyards in Italy, all under the orange glow of sunset. The sky is mostly blue with one, large white cloud, slowly floating across in the background. There is a single drop of water on the rose, closest to the foreground. The rose is glowing from the sunset. All of these little details turn a simple rose into a surrealist masterpiece.

Suddenly there is something foreboding about the rose, as it looms over the small figures and town, similar to how a U.F.O. might appear, and also glowing as if otherworldly. The palette of muted tones, complemented by the bright red of the rose, make the rose feel as if it doesn’t even belong to the same color spectrum of the universe it inhabits. The single drop of water raises many questions as to the origin of the rose, and creates endless little mysteries. The entire aesthetic bleeds surrealism, a haunting and desolate place of mystery. In this way, I think the name is apt: Meditative Rose, a rose that is so unexpected, out of place, and otherworldly, that it requires deep meditation and contemplation. As such, I found it perfect for my college dorm; now, in-between EECS projects and reading for Latin, I can take a break to study this strange rose, and slowly unravel its mysteries while appreciating the aesthetic that I love so much.

Enjoying Art on a Budget

As somebody who consumes a lot of art and media, I can tell you first-hand that it’s financially frustrating. I’ll hear about a book that I want to read, or an album that just came out, or a new video game that is stunning, and I always have to come to the same conclusion: I can’t have it all. This is easily attested to by the many lists on my phone of things I would love to get, and also by all the items saved for later in my Amazon shopping cart. Perhaps it’s something unique to me, but I doubt it; I think anybody who enjoys art wants something physical that can serve as a reminder of how great a work of art was. In this way, art is inherently nostalgic, and that’s a quality that I greatly appreciate, being a sentimental person myself. For example, the first video game I ever remember playing was Pokemon Sapphire on my brother’s GameBoy Advance; I absolutely loved it even though I had no idea what was going on (to be honest, I’m pretty sure I was stuck in Mauville the whole time because I didn’t know how to progress).

It was a combination of the style, the game-play, and the interesting Pokemon that kept me entertained, but more importantly, the game came to represent a simple time in my life. Eventually the game was sold, as it became obsolete in the face of iPods and iPhones, and I gradually forgot about it. Then a year or so ago I started to feel nostalgic about the simplicity of the GameBoy; it didn’t need internet, the battery lasted for days, it wasn’t cluttered with apps and social media, and it was a reminder of one of my first great experiences with art. Needless to say, I ended up finding and buying a used GameBoy and started collecting the Pokemon games, which eventually led to buying a used DS Lite for the nostalgia of playing Pokemon Diamond and Platinum. However, the cost was adding up, and I started to realize that I had forgotten the point entirely; I never wanted all of the games, I just wanted the one that was sentimental to me.

I learned a lot from that experience, but most importantly that art can be appreciated and enjoyed in small quantities. When I thoroughly enjoy a work of art, I no longer try to buy everything related to it, instead I focus on the one thing that I loved about it and try to find something that will represent that in a nostalgic way. As a result, I have a little bit from everything: the seventh book of One Punch Man (the style of the fight scenes in this book are especially impressive), the first volume of One Piece, a deck of tarot cards, and a poster from the anime Akira, just to name a few. Each of these things I would love to indulge in, but I’m glad I haven’t; it is essentially quality over quantity, which is perfect for somebody like me who already enjoys so much art to begin with. And as far as cost goes, I can appreciate a work of art without having to waste money; for example, if I wanted to own every manga from Akira, it would run me about $170, when instead I can appreciate it and remember how much I enjoyed it with a $15 poster. Obviously this is just my personal philosophy, and some people might think it’s outrageous to only own one book from a series. I can’t say they’re entirely wrong, and in a perfect world I would want the whole series too, but realistically this is what works for me. So consider this an alternative way of thinking about and appreciating art; perhaps you can find the same value in this philosophy as I do.

(Image Credits: Google Images)

The Timeless Appeal of Vinyl Records

April 13th was Record Store day across the world, an annual event created to keep the legacy of records and record stores alive. The local Ann Arbor District library set up a Record Store Day event, including a market of new and used vinyl records from various record shops in Ann Arbor, along with a DJ and other entertainment. I was lucky enough to be able to go, and it was a great experience: I didn’t expect there to be many people, and I was worried it would be an awkward and uncomfortable environment, but I was pleasantly surprised to see that there was a large turn out. Even more surprising was how diverse the group was, most notably in age. It was interesting to see so many young people talking to the older people about records, and it got me thinking a lot about the role of vinyl records today. They’ve reached an age where they’re obsolete in a practical sense, but have become a symbol of nostalgia and good taste: many people will boast about the unique and superior sound of vinyl records; if they’re being sincere or just trying to sound cool, it can be impossible to tell. Regardless, vinyl records have maintained their spot in popular culture and it doesn’t seem like they’ll be leaving anytime soon.

 

Personally, it’s easy for me to see why vinyl records have stayed relevant compared to other music formats, such as 8-tracks, cassettes, and CDs. I’ve always appreciated the artistic format of vinyl records: their size alone demands attention and respect, not to mention they can be great examples of quality art and design. They take the concept of album art to an entirely new level by making the entire product a unique piece of art, from the front cover to the back cover and everything in-between. Some of my favorite examples are actually newer albums that are being sold in vinyl record format; I find it especially fascinating that modern musicians are releasing new music on vinyl. Maybe they see the unique artistic potential as well and they want to sell a work of art that will never age. Either way, I hope it’s a trend that doesn’t die out.

 

(Header Image: Google Images)

Albums featured:

  1. Zaba Limited Edition by Glass Animals
  2. Monument Valley Soundtrack by Stafford Bawler, OBFUSC and GRIGORI

Understanding Abstract Art

abstract art ● art that does not attempt to represent external reality, but seeks to achieve its effect using shapes, forms, colors, and textures

Abstract art gets a lot of biased and unnecessary criticism from popular culture; ask anybody, even people who don’t care or know anything about art, about their thoughts on the abstract art movement and I’m sure they’ll give you a strong opinion that they believe is 100% fact. I’ve had personal experience with these types of people many times, and they always say something to the effect of “this doesn’t make any sense”, or “how is this in a museum, it isn’t even good”, or the worst and most common phrase, “I could’ve made that”. To the last one, put bluntly, obviously you could have, but you didn’t, just like anything else in life. When you see a surgeon perform brain surgery, do you say “oh, I could’ve done that”? Obviously not, because although you hypothetically could have trained and went to school for many years to be able to do that, you didn’t. There is an element of respect involved that abstract artists just don’t seem to get. It has become popular to invalidate abstract artists and dismiss their art for no logical reason, and that’s an absolute shame. I would instead argue that the abstract movement has resulted in some of the most interesting art pieces in recent history, and that the movement as a whole is doing something that has never been done before.

Piet Mondrian
Composition II in Red, Blue, and Yellow – Piet Mondrian, 1929 

When confronted with a piece of abstract art, the impulse is to turn away; it’s unfamiliar, daunting, and complex. In essence, it’s a challenge to the viewer, an attempt to make them work for something, to truly examine what defines art. This is what I love about abstract art: it goes beyond the shallow world of reality and travels into the world of form and feeling. You don’t just examine it like a photograph, in a methodical and information gathering way, but instead must approach it as something new and conceptual, not just seen, but examined thoughtfully. For example, when I first see an abstract painting I often ask myself questions, such as “what do I feel?”, “what colors are being used and how does that define the aesthetic of the piece?”, “what are the subtle undertones of the painting? Is there tension, freedom, chaos, or something else?”. These types of questions often reveal something that I didn’t see right away, and help me understand the piece in my own unique way. That’s the other great side-effect of abstract art: there is no right answer and everybody can interpret it differently. It makes the piece feel personal, like it was made for you, and that relationship with art is something entirely unique.

(Header Image: Convergence, 1952 by Jackson Pollock – Jackson-Pollock.org)

Swimming: Before and After Mac Miller’s Death

When Swimming was first released in 2018, I was quick to listen to it. . . and was quick to forget about it. It wasn’t that it wasn’t good, I just didn’t find it very interesting; it seemed monotonous and there was a lot more singing than rapping, which Mac Miller was known for. I saw it got a lot of negative reviews by music critics as well; one even gave it a 3/10. I remember around that time thinking “Geez, this isn’t a great year for Mac”, and the next thing I heard was that he had died from an apparent overdose. To me, the saddest part was losing someone so young who had so much to give, and who had always tried to make himself and others happy. The more I thought about how tragic his death was, the more I started relistening to his music, and eventually I came back to Swimming. I approached it with a new perspective, realizing that this was his last gift to the world, and it was a completely different experience. Suddenly it all made sense; his singing was heartfelt and authentic, and even though it was off-key (which critics emphasized in their reviews), it was a refreshing break from the over-autotuned rappers of today. The instrumentation was also incredible, featuring trumpets, pianos, and violins, along with great production value, proving just how much Mac cared about making Swimming a thoughtful and genuine album.

Most important though were the lyrics, in which he talks about finally having reached a peace with the world. He had been known to struggle with drugs before, and he talks a lot about dealing with his inner-demons. It takes on an existential attitude as he talks about living a simple life and realizing that what he had been looking for was looking for him all along. In the end, Swimming was his most mature album yet, and yet nobody had seemed to realize it. Some part of me feels as if Mac knew he wasn’t going to live much longer, and that this last album was going to be his meditations on life before death. However, it’s sad that it took his death to fully appreciate this album. It begs the question: would it be better if he had chosen a simpler life and lived, or should we be happy that he gave so much to the world through his music while he was alive? Overall, I can’t recommend enough listening to this album, it’s a masterpiece. My favorite songs are Self Care, Jet Fuel, 2009, and So It Goes, which is the closing track of the album. These songs are the core of the album and show the real depth of Mac Miller, both musically and personally. Hopefully you find the album to be as genuine as I did, or if you listened to it before and weren’t impressed, try listening again. Either way, Mac Miller will always be remembered by the music community, and also by the people like me, who were fortunate enough to realize how wise and kind-hearted he truly was.

(Image Credits: Google Images)

Relaxation

With final exams around the corner, now is the time of year that students are the most stressed.  There seems to be no free time during exam season, and the little free time that you do have is spent studying in the library.  There are some easy and fast ways to relax that will also destress you, which is perfect for exam season.

One easy way to relax that you can do in between studying, or even if you take a 10 minute break from studying is to create a pattern to draw all over a page.  You pick one design (bubbels, diamonds, spirals, etc.) and you fill the page with it. This allows you to focus on one thing while you take a break from studying, so your brain is not swirling around thinking about everything else you have to do before the end of the year.  It allows you to put all of your focus on this one task, which can be very relaxing because you are not stressing about anything else. This is also a great relaxation task because you don’t have to finish in one go. You can continue the doodle everytime you take a small study break.

Meditation is also a great way to relax and de-stress.  It is a great way to clear your mind and to make your body less tense.  Meditation can also be done during a study break, or it can be done in the morning when you wake up and at night right before you go to bed.  This way you start and end your day relaxed and on a positive note. There are many ways to meditate and different ways work for different people.  A popular tool is the mindfulness app, it is great for beginners and will walk you through many different medications. It also has meditations for different situations, like not being able to fall asleep.