LOG_024_THE_BARKEEP

E.Y. 2743-11-12
SECTOR G43, DELTA OUTPOST

This, she thought to herself, was becoming a problem.

Look for no trouble and you won’t find it here, was her policy, and it had served her and her customers well for a long time. Besides the occasional troublemaker looking to prove something, there was little out here in the way of fighting. God knew how even the most gung-ho and bloodthirsty of mercs tired of conflict from time to time, and her establishment was meant to be a place away from all of that.

There had been some unrest, lately, when a foreign peacekeeping unit decided to hunker down in their small port town. Ostensibly, they’d only been passing through, but as the days stretched on with no signs of their leaving, their week-long stay at the inn north of the city center said otherwise—they were here on the hunt. But nobody knew what they were hunting, so everyone who had a working brain (or brain-adjacent) between their ears had been on edge (well, more than usual, that is); a low-level thrum of tension colored every conversation, hands never straying far from concealed weaponry.

On this particular day, she discovered an unpleasant gift: trouble had arrived at her doorstep. As always, the troubles of men had inevitably spilled over like slow-moving molasses oozing city streets, leaving not even this sector unsullied, a shadow darkening the brow of an otherwise unremarkable and sunny afternoon.

This particular problem took the shape of a factory-standard sim slumped against the tavern’s disposal bin, near the back entrance. It was alive—for a given definition of the word—but with no signs of consciousness—also for a given definition of the word—returning anytime soon, battered as it was. This particular problem’s markings suggested prison break, or illegal indentureship, or one of many other nasty insinuations. She’d bet a lot of money that the peacekeepers were looking for this particular problem, and that spelled trouble for her.

As if just to prove her right, her portable comm unit crackled, and the tinny voices of the peacekeepers filtered through: they were on the move. And as if just to prove her wrong, the sim also chose this moment to stir, something that should have been nigh impossible for a sim this damaged. Even if it blocked all sensory input, self-preservation protocols should have shunted its systems into recovery shutdown. Nevertheless, it was definitely awake now, and dully staring at her, though it made no attempt to prop itself up or speak. Probably couldn’t, anyway, given its limbs and the lack thereof. And the concerningly dented cranial casing. It blinked at her.

“Oh, bother,” she said, and holstered her gun. If she handed them over to the peacekeepers, there was a good chance they’d implicate her anyway, and that would mean a definite end to the fragile peace she’d carved out for herself out here. There wasn’t a real decision to be made. She was not in the habit of picking up strays, she told herself firmly as she hauled them up. Her bleeding heart wouldn’t let her do anything less, and the annoying thing she picked up called morals would nag her about it to no end. In an unwelcome wash of déjà vu, she dragged the thing in behind her, kicked closed the back door, and set it on a stool in the storage room. It blinked at her again, and remained mum. Right. She’ll just keep the sim out of the way until the danger’s passed, and then send them on their merry way, somewhere preferably far from this sector. 

(In the back of her mind, a soundless voice laughed at her.)

Fiber Fridays #4: Freehand Crochet

Difficulty: Hard

Hey everyone!
I have been so busy as of late working on a super big crochet project. The Stamps undergraduate exhibition deadline is coming up and I am binging a bunch of Gen Z podcasts and crocheting nonstop. The theme this year for the exhibition is “resistance”. I want to save getting super into the meaning of my project in February, after the exhibition.
This week, since I am doing so much freehand crochet, I figured that I could show you some of the process work, and try to give as many tips and tricks as I can. In order to under stand how to freehand crochet, one must know how to read and execute crochet patterns. Knowing how these patterns form and hope the stitches interact with one another is extremely important in developing your own design with no instruction. You must have a strong grasp on how increasing and decreasing stitches can affect your work. You also might need to know how to sew depending on your design, or learn how to mattress stitch panels together. I would recommend that you know how to crochet in the round.

On the most basic level, what I am trying to achieve physically with this piece is a stylized rendition of a geode. I am a geology minor and like to incorporate that interest into my work. You can start out your freehand crochet however you’d like, but since I know the general shape of the form that I want, I started with an outer border and worked my way in. I am using scrap/ reclaimed yarn/ donated yarn to create this piece. You can see in the picture below the general idea of where i’m going with this.
I’ll post the final piece after the exhibition.
If you have any additional questions, comment below!
See you next Friday,
Marissa

Wolverine Stew: Arboretum in Autumn

Shining dried leaves of gold coins

Cool but not cold, crisp but not desiccating

Sky painted over with light, pale strokes

Sanguine ivy creeping through bark skin

Nestled past the graveyard encircled by hawks

As the last of the bees gather 

Wooden fairy house staged from sticks and latched with leaves

Hushed hill of degrading green

The sun still hangs above, yet the crickets chirp

Wilting daisies and remnants of Black-eyed Susans

Squirrel waits by the amphitheater for a concert I suppose

Dry lake of reeds and towering Queen Anne’s lace 

Brush your hand over them to hear the waves

Or wait for Eurus to kindly produce them

Snapdragons swim in shallower parts

Sandy coasts of stampedes surround the waters

I can hear mechanical echoes on the empty railroads

I wonder what their destination is

Never have I found a stiller willow

The Spanish graffiti says “you are my world”

Is it rustling leaves or something else beneath this creaking bridge?

Logs long-covered in lichen

There’s a forest of stinging nettles

I can see gold reach toward the sky

As I exit towards the graveyard 

LOG_023_BRINLEY

icwr@t001:~$ cd CC213/AAR/2743/11

icwr@t001:~$ ls
  AAR_30J1-002.log
  AAR_5E02-001.log
  AAR_5E02-001-A.jpeg

icwr@t001:~$ AAR_5E02-001.log
OPENING FILE AAR_5E02-001.log

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Report ID:   	 #3039532209
Date Reported:   2743-11-04
Reported By:   	 Richard Brinley RB7830 - CC213

Report Summary
This report details the events and results of Operation 5E02, also known as the Ociys Offensive. The purpose of the operation was to ensure KSA control of interstellar ports within KHEPRI-3 local space. 

KSA control was successfully maintained in the sector, but not without significant losses: three KSA Horizon starships were destroyed or deemed otherwise unsalvageable, and an estimated additional 930 personnel were lost in the subsequent creation of an uncontrolled artificial black hole within local space. HIC forces suffered similar losses: two Horizon starships and an estimated additional 2,300 personnel were lost. 

Observations made by surviving personnel in several post-action reports, debriefs, and individual concerns raised indicated that the black hole appeared to [CORRUPTED]

################################

REACHED END OF FILE AAR_5E02-001.log

icwr@t001:~$ AAR_5E02-001-A.jpeg
OPENING FILE AAR_5E02-001-A.jpeg
Fig. A: thermal image transmitted from KSA Station Delta on KHEPRI-3a, shortly before loss of communication and assumed total destruction of the Station.

Wolverine Stew: Happy Halloween!

My nights this time of year are made of

Home-made cemeteries and their hundred lights

Laughing in the forest made of

Bony twenty-sided dice

The candy corn tree and strings

(both web and metal)

Of an open mic echoing in halls I once walked

My own breath becoming fog in

The lamplit snow falling as we passed out candy from

An antique plastic pumpkin

Watching together as skeletons dance in gourds

Every porch lined with grinning faces

Their night-sky mold interior lit by electric candles

The sky clearing just in time to see the Hunter’s

Moon hanging in those last moments of running

In the dark, in my mask, in the cold, content

I will wish everyone I know and those I pass

That feeling of being at home in all this

My ideal is to be a worm-infested caramel apple

Hoping to be sickly sweet and full of life

Sometimes I worry I make a ghost of myself

But tonight, I get to come back

And this time, I’ll remain a little longer  

Fiber Fridays #2: Dying Fibers

Hello everyone!
This post is coming to you a bit late due to wifi issues so I apologize for the delay! This week I want to discuss with you guys what it is like to dye your own fibers for your work. Spoiler alert! It’s hard, at least in my own experience. Getting the perfect shade that you are imagining in your head can prove to be difficult.

My original intention for this fabric was to weave a really long sheet on a loom and use it to sew little purses and bags. I imagined almost “forest-ish” colors, such as deep orange, dark green, and a pale yellow for my weft. I wanted to weave in brown and beige colors and have a soft look to it.

I had to start out by measuring yards upon yards of threads for my warp , and spending hours in the weaving studio spinning them into the perfect measurements. I then took them to the dye studio, where things quickly felt more complicated. I had to mix the appropriate amounts of each dye with other chemicals in order to get the colors I wanted, and I had never dyed anything besides my hair.

When I finally got the bundles of threads into their respective dye buckets, I felt confident. The colors looked dark and moody, exactly what I wanted! I let these colors sit longer than the yellow. The yellow seemed like if I just pulled it out quickly it would be the lighter yellow I wanted.

The above photo was the result. I was embarrassed. These look straight out of a lemon lime ad. They looked citrus themed, far from what I ever wanted to work with. Far from anything I even care about. I was stuck on how I could make this work. I turned to a color palette generator, and put in the colors I had created in the fibers. The computer gave me a variety of different colors that could work as the weft. I decided to turn the cloth into an experimental project. At random intervals, the fabric would have a new colored weft.

Shifting gears with this project is what I believe really saved it. I ended up loving the end cloth and was able to use ti for the small bags that I wanted to use it for, as well as reupholstering a vanity chair. Weaving is always a rough journey for me, and dying my own fibers made it even harder. I would do it again though, and recommend it to others who would like to try!
See you guys later this week for actual Fiber Fridays!
-Marissa
Below is some of the final products: