My Name is Minette, Chapter Five: The Smithy

Minette opened her mouth to respond, but Maw wasn’t done.

“And why do you keep it like that anyway? I keep me own hair shorter’n yours. It’s practical.”

“Practical,” Minette snorted. Sometimes that felt like the only label people slapped on her. That she was useful, like a tool.

“What’s that supposed to mean?” Maw demanded, hand creeping toward the dastardly wooden spoon. She jerked her head toward the open front door. “You’d better be off to your father. He’s redder than that apple of yours.”

Minette swore, curses drowned out by Paw’s laments about his lazy, tardy son. She popped the slice of bread in her mouth and ran out the door.

Paw was waiting by Lumpy, their beefiest workhorse, and one of their carts. His face was indeed ripening as Minette watched. He shook his head at her, climbing astride Lumpy with a grunt. “Fix that hair,” he barked.

There was no room for discussion. Minette nodded, swallowing the last of her bread. She hopped into the back of the cart just as it began to judder and rumble away from the house.

Paw’s hands were especially tight on the reins today. It was almost definitely about Irma. Minette knew better than to ask him about it when he was in a mood like this. Paw was an angry worrier. He meant well.

Minette watched the streets pass in silence instead, wondering at all the lives going on around her of people she’d never met, wondering if, hidden away in some shop, there was anyone else even remotely like her.

 

***

 

The worst thing about the forge was how hot it was.

Minette could admire the tools adorning the walls, the private space all to her and Paw. The run threading through the field outside, dry in this part of summer but still full of pretty stones and the occasional pot-bellied toad.

But the heat. The heat got to her.

The center of the room held the tall iron fireplace where they did the majority of their work. Inside it, a cross-hatched plating sat over where the flames roared. It was on this plating that they did what the Coppersmiths did best: smith the copper.

It involved a lot of gruntwork, heavy lifting, shouting, pounding, and blasting.

There was molten metal, soot, ashes, sparks, flames, and smoke. It was grimy work. Even working at the forge for just one hour turned her entire face black and made her feel like her lungs were clogged up. She worried over Paw, whose voice had turned from gravel to crushed up bones, to something throaty and crackly.

Minette did not want to be like him.

My Name is Minette, Chapter Four: Minette Sets Off

Every time Minette saw the dress, it gained form. It was simple, but it was royal and delicate, and it punched the breath out of Minette with each new dainty detail.

It was gorgeous, fit for one of Sir Edric’s many rescued princesses.

“Mort! Get your clouds out of your head!” Maw squawked, sending Minette careening out of her fantastical distant valleys and back into their cramped little kitchen.

“Yes, Maw,” Minette said, slipping past her mother. Maw was by the sink, scrubbing at some dirty dishes with a vigor that felt somehow murderous, like the dishes had wronged her.

Maw’s behind was large enough that Minette bumped into it as she wormed past, scooting her way over to the kitchen table on the other side of the room. The bread and butter was already set out for her, and a tasty-looking apple.

Minette collected her food, munching and crunching on the tart apple. Maw always had something out for the family to eat, and the kitchen was a natural congregation space where most of Minette’s fondest memories took place.

Speaking of. “Where’s Rhys and Irma?” Minette asked past a mouthful of fruit.

Maw dropped her brush in the sudsy sink slush and turned to face Minette, propping her broad hip against the counter. “Off in town, most like,” she said. “Paw sent them out on errands.”

“Irma too?” Paw was usually so careful with Irma, a fact Minette knew drove Irma absolutely bonkers. Sending her out on the town was a true test of faith for the man.

“Oh, yes,” Maw said. “She’s there to keep Rhys in shape. He’s going on about school again.

School. Rhys’s only dream, and the only thing he’d asked for for his last three birthdays.

It was also the only thing he’d never get.

Well, that, and a gilded carriage or an estate in the woods. The Coppersmiths were in no way rich or well-connected. And in Droz, there was only one school. Paw thought it a waste of a good working boy and Maw thought the few Drunes it required were too large of an expense.

Minette felt for Rhys. He was smarter than a crow. She could imagine him in some far off land, too; as a scholar or an inventor.

“That hair of yours,” Maw added, continuing from some long ramble that Minette had completely missed, “is gonna get you in some trouble with your Paw.”

“Don’t tell him,” Minette pleaded past a mouth full of apple.

“Tell him? Irma’s blind, not your father, dearie.”

My Name is Minette, Chapter Three: Minette and the Dress

When Minette had purchased the book, her father had shook his head and called it a waste and a farce. That all that fluffy nonsense would cloud her head.

Maybe he was right. The stories in the little novel did fill up her head. They set her to daydreaming, sighing as rainbow-colored visions filled her head. She could see Edric on his tall horse, galloping into the countryside without a care in the world, his only obligation serving his people.

“For justice!” he would scream, brandishing a shimmering sword given to him by a naked lady in a pond. He’d fight and swashbuckle and charm. Sir Edric had seen far-off lands, bewildering beasts, and fair maidens.

He’d been on breathtaking adventures, encountered heinous villains. He wasn’t tied down to any place or anything except helping other people. Everyone loved him, wherever he went. His valor and honor were unquestionable.

Minette could hardly imagine a life like that. All that freedom. Making decisions for yourself. Having people see you as you were. Seeing new sights every day. All Minette had ever seen was the walled-in town she lived in.

It wasn’t even that Droz-Upon-Wooton was all that bad, really–

“Mort! Morty! You’re late! Daylight’s dying, boy!”

And there was Paw, right on schedule.

Minette poked her head out the window. “Coming!” she screamed.

She got dressed, pulling on her scratchy shirt and hopping into her saggy pants. She grabbed her tool belt and saddlebag and slid down the rickety balustrade into the kitchen. She hadn’t even crossed the threshold when Maw’s voice barked at her, saying, “Oi, Mort, what I have I told you about sliding down the bannister? You’re a right sack of potatoes! If you fix it, you break it!”

“If you fix it, you break it” was one of Maw’s many backwards mantras. It was better to just nod than correct her. Minette had tried that only once. Maw was like a fat and loveable marionette, who reliably waved a spoon at you and fed you chunky soup and told the grossest stories you’d ever heard.

She was more than just a good Maw. She was a talented seamstress, though she did more as a hobby than a vocation. Right now, she was working on a dress for Irma’s tenth birthday. The tenth was a special occasion in their country of Treesia, a rare celebration with cake and candles and mirth and no talk of the plague or of taxes. And Irma was growing like a weed, blossoming into a headstrong young woman. Maw was making Irma’s birthday special in a way Minette had never experienced. 

That dress. 

That glittering, blue dress, made with a care and art that Minette thought turned Maw from a seamstress into some kind of magical fairy who’d waved her wand at a pile of fabric and turned it into a dream.

My Name is Minette, Chapter Two: Minette Muses Mournfully

Where was the beginning? Minette couldn’t tell you. She couldn’t track down any convenient, sparky “inciting incident,” couldn’t choke up while talking about a highly specific and traumatic childhood moment.

She’d always been like this.

And she’d always felt alone.

Minette had never met anyone that remotely operated like her. She’d never seen herself in someone else’s eyes. Not even sweet Rhys. No one thought and re-thought and triple-thought normal things the way she did. No one thought their clothes were weird or the body was weird or that something should be different.

Everybody seemed so happy in their skin. So unquestioning. Everything was Right and Good and Made Sense.

Everything except Minette.

But why? Why her–more specifically, why no one else? Minette asked herself this every day. Why was Minette the only one that saw the world as a stage, and not a welcoming one? Why did she look in the mirror and look away just as quickly?

And why did no one else give a single fly’s fart?

These were the thoughts that plagued Minette every morning like clockwork.

If there was one thing she was proud of, it was her reliable schedule: wake up, suffer in silent agony, read a bit, have breakfast, go to work with Paw, have dinner, stew in bed in an existential crisis, pass out, repeat.

That was where Minette lay in this very moment, staring up at the ceiling of her little attic room as roosters shrieked outside like the little blockheads they were. The clock ticking on her nightstand told her she only had about four and a half minutes before Paw would start shouting outside her window for her to come down and move her ass.

She sat up, her hair falling in front of her face. It was ratty and dull but it was long. So blessedly long. She carded her fingers through it, knowing soon Paw would take a knife to it and hack it all off. Then she’d be left with a nightmarish haircut that looked like a butchered coconut. She’d be indistinguishable from all the empty-headed squire boys and chest-puffing apprentices running around town with their muddy boots and loose-fitting tunics. It was her nightmare.

She shook her head, casting out all the annoying, flea-like thoughts. Minette didn’t want to be bitter or sad or grow into some gnarled, hunched curmudgeon screaming at kids in the street. But she couldn’t help the sinking spirals her brain wove her into.

She picked up the worn, doggy-eared copy of Edric’s Tale on her nightstand. She’d been reading a few pages every day to make it last. It was her thirty-seventh re-read.

NEW STORY: My Name is Minette, Chapter One: Minette Is Being Driven Mad

(Hi, readers! This next story is still fantasy, but set in Ye Olden Times. I am turning this story into my Senior Honors Thesis, and hope to publish it as a full-length book. I hope you enjoy! Sincerely, Theo.)

MINETTE did not have a bad life.

No, it was quite the opposite: she had a roof and four walls, a loving family, delicious meals, and a stable future laid out for her.

It was the little particularities that made it all so unbearable for her; the secrets she carried with her that she could not reveal on pain of death, the lies that built up and up and up.

She loved her family, she honestly did. She loved Maw’s crass jokes, how reliable and true Paw was. Her brother Rhys had a gentle heart, an irremovable sweetness, and a quick wit; Irma, her sister, was strong. Strong and spirited. Irma was born blind, and now, as a wiry twelve-year old, she was a loud talker, a fast runner, and a quick learner. Irma had a bright future ahead of her.

Even their homestead felt like a member of the family to Minette: the thatched roof, the sun-bleached boards on the walls, the little hallway upstairs with the circle window that spilled glittering dust motes in the late afternoon sun. The rug in the kitchen that was so worn down Minette couldn’t remember what the pattern or even the color used to be. The house groaned and creaked, but in a reliable way, in a way that spoke of the generations upon generations of lives that had been lived here.

And Minette did not want to be one of them.

You see, despite all the cuddly warmth of her little family and the reliability of the old house, Minette could not speak. Minette could not move. She couldn’t even breathe.

Every day, her family called her Morton, or, even worse, Morty. 

They talked about her with free lease, completely unaware of how it bothered her: our Morton is so strong! He’s built like an ox! He’ll manage the smithy just fine one day!

Minette hated it all to the point of madness. She felt like a perpetual actor, forced to read lines from a script, lines that were so wrong, so different from her reality. And the worst part was that her family, her whole world, they only knew the character, not the actor, and they loved him. They couldn’t tell the role didn’t fit. Minette didn’t think they would love her the same as him.

No one ever seemed to notice the fact that Minette was always onstage and in costume. Minette supposed that it was a good thing that her family never noticed anything wrong, never questioned her. If they did, she had absolutely no idea what she would say. She wouldn’t even know where to begin.

Femme and Fantasy

 

Queer people love fantasy. That blanket statement may not be entirely true, but I, as a queer person, love fantasy. There’s something so enticing about magic and inhuman creatures, the aesthetics of elves and dragons and sword fighting. There’s certainly something about escapism into fantasy worlds, for certain. Fantasy hasn’t always been the most queer-friendly genre, especially considering a lot of the classic, aggressively heterosexual examples that populated many of our childhoods. However, queerness in fantasy (and science fiction) dates back to Virginia Woolf’s “Orlando” from 1928, which featured a queer relationship and a transgender character. But what really introduced queerness into the fantasy genre were Tolkien and “Lord of the Rings”. While not overtly queer, there’s certainly a lot of queer subtext in a lot of the books, particularly noticeable in Frodo and Sam’s relationship. 

Today, thankfully, the fantasy genre has become a lot more welcoming for queer stories and characters. The past decade has seen authors such as NK Jemisin, Nisi Shawl, Rebecca Roanhorse, Rivers Solomon, and many more who have stories including and centering on queer characters and relationships, and arguably more important, on non-white queer characters particularly.

For myself, my love of fantasy comes more from tabletop RPGs such as Dungeons & Dragons and the shows surrounding it, such as Critical Role. While these were my reintroduction to the fantasy genre as a young adult, my interest has certainly grown from there. For a lot of my more fantastical or magical-inspired drag looks, I play into the fantasy elements that come with creatures from worlds like Tolkein’s or Gygax’s (the original creator of D&D). I draw a lot of inspiration from fantasy for a lot of what I create.

 

The look featured in this post is what I wore to the Michigan Renaissance Festival a few weeks back. My inspiration for it came from D&D, specifically the tiefling creatures who are half-demon spawns. There’s a certain safety I find in painting myself to look a ridiculous color or simply not even look human, because even if I play into being a more femme version of myself, I don’t have to be under the constraints of being something cis or “normal”. Walking around the Renaissance Festival, where many people were dressed up in similar, bizarre costumes like mine, my drag felt like it fit right in with the scene.