Tag: music

My Most Anticipated Albums of 2021

Jackson Mott Leave a comment

Though the year is nearly halfway over, there are still a lot of releases that I’m looking forward to in 2021. While a few artists have actually announced records to be released this year, there are many who have only hinted at the possibility of future projects. As such, this list will include both artists who have set details for their upcoming releases, and those that I’m just keeping my fingers crossed will put out something.

St. Vincent – Daddy’s Home (5/14)

As I’ve already talked about in this column, lead single “Pay Your Way In Pain” did not give me high hopes for this record. It was just too weird, and not in a good way. Second single “The Melting Of The Sun” is actually pretty cool, though! The background vocals are a bit overbearing at times, but overall it’s a groovy, well-written piece of old-school pop. The production is warm and clear, and it sounds like it could be an interesting new direction for her. It definitely appears like she’s going for a full reinvention of herself on this album, as seen in her new look complete with blonde wig and vintage fashion, and I’d love to see how that might be shown in the new sounds she’s working with. That being said, I admittedly didn’t love her last project Masseduction, so I’m nervous about her working with Jack Antonoff again (who seems to work with just about every female pop artist these days). I guess all I can do is trust in her immense talents as a songwriter and musician, and hope for those talents to be realized.

Black Midi – Cavalcade (5/28)

While not entirely familiar with experimental rock band Black Midi, I’d heard a lot of buzz around their 2019 debut Schlagenheim but never quite got into it. However, by the recommendation of a friend, I checked out the singles for their album Cavalcade due out at the end of the month. My feelings on the three songs (one of which is a b-side not included in the tracklist) are pretty mixed, to say the least. Lead single “John L” is, put simply, absolutely insane. The track is characterized by a squawking, stuttering melody, ominous spoken word vocals, uncomfortably long moments of silence, and each instrument making as much noise as possible. I certainly can respect the raw talent and creativity of the members, but I can’t say I fully “enjoy” it, per se. On the other hand, b-side “Despair” is a gorgeous alt rock ballad akin to something off Radiohead’s In Rainbows with its yearning vocals and twinkly arpeggios. It’s a real shame it didn’t end up on the album. The most recent single, “Slow”, features a sharp, panicked melody similar to the one on “John L”, but it’s pulled off a bit better here due to its variations throughout the song. It’s not my favorite track of the year, but it’s a great piece of supremely off-kilter rock music complete with strings, horns, and incredible drumming. Despite having mixed feelings on the tracks so far, the idiosyncrasy of the music as well as the colorful album art have me looking forward to see what the rest of the album has to offer. If nothing else, it’ll be an experience.

Wolf Alice – Blue Weekend (6/4)

Wolf Alice have never fully wowed me with an album, unfortunate as that is. Earlier this year, I heard their popular single “Don’t Delete the Kisses” and was floored with how one song could capture adolescent angst and yearning so beautifully and succinctly. I checked out their two records, My Love Is Cool and the Mercury Prize-winning Visions Of A Life, and was only somewhat impressed. There were certainly great songs, like “Bros”, “You’re A Germ”, and “Yuk Foo”, that showed there’s some real genius present in the band, but I couldn’t get into many of the songs from either album. I pretty much forgot about them after that, until they released the lead single from their upcoming record Blue Weekend, “The Last Man On Earth”. I listened to it out of mere curiosity, and can now say it is easily one of my favorite songs of the year. The song shows so much growth from the band, as if all of the potential I’ve heard only in small parts from them has finally been fully realized. It swells from a somber piano ballad to a swaying rock anthem, with some of the best vocals and lyrics I’ve heard from singer Ellie Rowsell as she bemoans the arrogance of people who act passively in their lives with the expectation that God will “shine his light on [them]”. The following single “Smile” isn’t quite as mature with its half-spoken, half-rapped vocals and muscular riffs, but it’s a strong song. The performances are energetic, and I like that the band sounds like they’re having fun, something I’ve always admired about their music. If the band keeps things as well-written and engaging as the singles, they just might release an album I love from front to back.

Deafheaven (2021)

While nothing’s been officially announced, Deafheaven’s management Sargent House confirmed in a tweet last month that they will be releasing new music in 2021, along with labelmates Lingua Ignota and Detroit band The Armed. They’ve received acclaim for just about everything they’ve released so far, including their most recent and arguably most accessible album Ordinary Corrupt Human Love, and I’m excited to see how they continue advancing the sound of modern metal.

Lorde (unannounced)

The world needs another Lorde album. It’s been nearly four years since her incredible sophomore record Melodrama, and she’s remained largely out of the public eye since touring in support of it. She’s given occasional updates to fans through her mailing list, detailing her time mourning the loss of her dog Pearl,  working with Jack Antonoff (again), and a trip to Antarctica documented in a new photo book. She says the new album is “so f**king good”, and I’m inclined to believe her. I just hope I can verify that claim sooner rather than later.

Beach House (unannounced)

There are no set plans for a follow-up to 2018’s 7, but Beach House have remained busy since, most recently soundtracking a Las Vegas art exhibit by the collective Meow Wolf. In an interview on the exhibit in Rolling Stone, the duo claimed to be working on new music, but “without any set endpoint in mind”. I personally would love to hear them explore a bit sonically, despite loving how consistent their sound has been throughout their career. I thought 7 was a decent record, but it just didn’t have the same otherworldly quality present in their best work (and some of my favorite albums of all time; more on that next week). Nonetheless, they’re one of my favorite artists for a reason, and they’d have to do a lot to disappoint me.

 

From Audio File to Spotify

Josie Faith Leave a comment

A question I got a while back was how someone would take a piece they’ve been working on and actually go through the process of putting it up on Spotify/iTunes/etc. I’d like to take this post to share how I’ve personally gone about doing this!

The song I am releasing is not up on streaming platforms yet–it’s currently under review to make sure it abides by all copyright laws, etc.–but the process for getting to this point was actually a lot easier than you might think it would be! So here we go: my step-by-step guide to putting something on Spotify:

  1. The first thing you’re going to need to do is figure out what third-party website you want to use in order to manage your release. There are a lot of good options including songtradr, TuneCore, etc. but these all require you to pay a subscription fee. I personally recommend using a website called Routenote (https://www.routenote.com/) Routenote has the option to use a free version or a paid version of their service. The free version allows you to keep 85% of your royalties, while the paid version allows you to keep 100%. If you don’t really care about the monetization of your work, then the free version of Routenote is a great plan for you.
  2. Creating a Routenote account was the second step for me. It lets you log in through Soundcloud, Twitter, Facebook, Google, or by manually signing up, so there are tons of options! I’ve found for some reason if you use an incognito window there are fewer glitches while signing up/logging in.
  3. Once you’ve created your Routenote account, you’ll be able to create a new release. You’ll give your release a name–this is the name of the album. My song is just a single, so the album was the title of the song, but if you’re releasing a multi-track EP or full-length album, you’ll have to come up with a title!
  4. After you’ve submitted your title, Routenote will send you to a page where you’ll have to edit four different things: Album Details, Add Audio, Add Artwork, and Manage Stores.
    1. In Album Details you’ll provide artist details, titles, any copyright info, etc.
    2. Add Audio is where you submit the actual audio files for your release. These have to be uploaded in a very specific format. The website only accepts MP3 or FLAC files–though this is easy to convert in Apple Music if you’re using a Mac like me!
      1. In Apple Music, go to “Music in the upper lefthand side of your screen.” Click preferences, and then “files.” You should see ‘import settings.
      2. Once you’re in import settings, under the settings menu, click “custom.”
      3. Set your stereo bit rate to 320 kbps and your sample rate to 44.100 kHz.
      4. Click okay.
      5. Now go back to your music library, click on the song you want to convert, go to “File,” “convert,” and “create mp3 version”
      6. Music will create an MP3 version of your song, which you can then drag and drop to your desktop, and upload directly to Routenote.
    3. Add Artwork is where you can upload the artwork you want to show up as your album cover. This must be at least 3,000 by 3,000 pixels, so make sure your image is big enough!
    4. Manage Stores is where you choose what platforms you want your release to be available on. I am personally only releasing to Spotify, iTunes/Apple Music, and TikTok, but there are dozens of other options available!
  5. Once all of this information is filled in and correct, you are able to confirm your release. The website will put it under review, and once this is complete, it will be sent to streaming platforms within 14 days!

 

That’s really it! Not too hard at all. I hope this helped, and if anyone ends up releasing some of your own work, I’d love to give it a listen!

Laying Down the Sound: Unraveling – Episode 4

Dominic Manzo Leave a comment

Hello everyone! This is week 8 of Laying Down the Sound. In this video, I highlight the various constituent guitar, vocal, and percussion parts that comprise the second half of my song “Unraveling.” Most of the video features commentary on recordings present within Ableton, but some segments are instead dedicated to demonstrating how certain guitar parts are played. The entire second half of the song is here covered, meaning that this video marks the last episode of the series focused on “Unraveling.” I did not intend for this video to be so long, but I hope you enjoy the in-depth dive! Thanks for watching!

When You Don’t Know What to Write

Josie Faith 1 Comment

Often times I find myself in the mood to write a song, but unable to think of a single lyric. Honestly it’s one of the most frustrating feelings because the songwriting bug only bites me every once in a while, and when I’m in the right mood to hash out a new song, I want to jump on the writing train and ride it all the way to the last line. But this can be super difficult to do if you don’t have any specific inspiration.

Because of this, I’ve come up with a list of ideas and topics over the years which really help me focus and usually can provide enough momentum to get the ball rolling. I figured I might as well share a few of them here!

  1. Treat the song you’re trying to write like a diary. Fill it with the things that seem to personal to share with the entirety of the world. Usually the more personal something is, the stronger you will feel about it, and the greater investment you’ll be able to put into the song. You don’t have to use specific names or places from your personal life, but real experiences are a lot easier to write about than fake ones.
  2. On that note: DON’T try to write about something you know nothing about. If you’ve never experienced a heartbreak, it’s going to be very hard to write a breakup song, etc.
  3. DO write about things that you are passionate about. This can be anything from your career, to a specific hobby, to a charity you have an emotional investment in. I remember when I was younger my mom sent me an article about this tradition overseas where people would go hunt dolphins for sport for a week or something like that (I was one of those weird pre teen girls obsessed with dolphins for a while) and I ended up writing a song inspired by how sick and sad that story made me.
  4. DO build up from the bottom. Let’s say you think of one really awesome line for a song–maybe it’s the hook; maybe it’s the end of the chorus. Perhaps you just think of the title. Sometimes one good line is all you need to start with. Think of the song like a puzzle: you have one key piece, and now you have to fill in the picture around it.
  5. Building from the bottom can also start with an image instead of a line. I wrote a song in high school that I ended up calling “Mason Jars,” which was born from a picture I saw on Pinterest of a group of girls sitting in a field with a bunch of mason jars and those little fairy lights that were trendy for a while. I ended up combining that image with a personal experience I had at Relay for Life that also used mason jars, and the song became an anthem about remembering things of the past but looking forward with hope.

Basically, there is no RIGHT way to write a song. There are so many different approaches you can utilize. If you get stuck, don’t sweat it. Everyone experiences writer’s block at some point or another. Just take a step back, and don’t try to force it. Try thinking about the song in a different way. Maybe just focus on one image or one line. Establish a personal connection. Whatever works for you!

Laying Down the Sound: Unraveling – Episode 3

Dominic Manzo Leave a comment

Welcome back to week 7 of Laying Down the Sound! This is the 3rd episode of the series focused on my song “Unraveling.” After finishing up with the acoustic composition last time, I shift my focus in this video to the recording side of things, going through the various parts that comprise the song. I explain the reasons for the decisions I made along the way and demonstrate how certain parts are played. In total, this video covers everything up until the second verse. Next time, I’ll pick up where I left off and likely bring the “Unraveling” series of videos to a conclusion. Thank you for watching and I hope you enjoy!

What’s it like recording during COVID?

Josie Faith Leave a comment

Hey, all!

I’ve had a really cool opportunity these past two weeks–as well as the next two weeks to come–to spend some productive time with my a cappella group, DJs A Cappella, and the company Liquid 5th in order to record our 1st-place-winning ICCA set from last winter (Think Pitch Perfect).

Over the last two weeks, I’ve gotten to take an inside look at how different recording studios are handling the pandemic and the inability to have people face-to-face while recording music. I figured this might be something interesting to some of you, so here we go!

Liquid 5th is the company my a cappella group has worked with for years. Our contact with the company is located in North Carolina, and specializes in working with collegiate a cappella groups. My freshman year we took a road trip down during our spring break in order to finish recording an EP the group had started the previous year, and I can honestly say it’s one of my top 5 college memories.

You can check out that EP here! https://open.spotify.com/album/1vkjsGmjdfUSPqhMegWz1k

During that recording process, we had 5 or 6 members in the studio at once, each in our own sound-proof boxes, and recorded together. Liquid 5th worked closely with our music director and the person who arranged the specific songs we were recording in order to make sure the final product was as close to what we had imagined as possible.

 

This time around, things are a little different. We’re still working very closely with professionals in order to make sure the outcome of our sessions is high quality, but instead of recording in North Carolina, I have 18 people recording one at a time in my tiny studio apartment off of Liberty Street.

Our contact with Liquid 5th and I had a zoom meeting a week or so ago to install a bunch of super crazy software on my Mac, which not only allows him to control my computer from where he is in North Carolina, but to directly transmit all audio recorded by the equipment here in Ann Arbor to his home studio hundreds of miles away.

Each member of the group has a 2-hour time slot where they are charged with recording their specific voice part for all of the 12 minute set. Instead of singing along simultaneously with other members as we did last time, we sing with a pre-recorded MIDI track of the voice parts on a piano, as well as the vocal tracks of any members who’ve already recorded before us. It’s a little different, but it works.

The equipment we’re using was rented from another contact of the group’s, and we cart it back and forth from the studio to my apartment before and after every day of recording.

In general, it’s meant a lot more of the responsibility for things to go well lands on our individual members of the group. We’ve had to be very on top of scheduling, locations, driving, and drop-off/pick-up times.

Overall, however, we are super psyched to be able to put out new music even though we cannot travel or record like all the past members of this group have in their own respective times as members of the DJs!

If you’d care to give our award-winning set a listen, it can be found here: https://www.youtube.com/watch?v=-D6ok1iWRDU