aSoSS 54 | Shorthand

I’ve got sixteen thousand books, alphabetized to the second letter… upstairs, downstairs, all around the house. Whenever a kid moves out, L-M-N-O-P moves in!

Ann Arbor Thrift Shop, 12:00PM, 3/20/2025

after Mark Dunn, no AI–or perhaps all AI–

writing with limits is intrinsically artificial. it is a rapid trial, a radical thrill. it gnarls a typist’s script and mars a stylist’s paint. it is an infant child’s Christmas gift, a first kiss, a last wish. addicting—is it?

a man’s brain is marginally plastic, and static rigidity will stymy skill. insipid filth brings implicit bliss—this is a fact that all “first-drafts” will highlight. a rising military captain, lacking instinct, will miss critical tactics; an aspiring artist, lacking clarity, will stain fancy paintings. war, art, and writing: a barbaric trinity that pairs familiar fabrics with variant stitching. anticipating a lack in standard instills faith in a man’s final ability, balancing titanic affairs as if by magic.


They can’t call it KFC…

Why not? It’s Korean fried chicken!

Stamps Auditorium, 12:30PM, 4/11/2025

the recipe book is scrawled in shorthand, and you have left me to decipher it. a witches’ brew, a distortion of the highest order: in the bowl i mince garlic and seashells, add sugar to taste, substitute mint for jalapeño. a slap–to bring out the aroma, tainted or otherwise–and i don’t ask where you’ve learned it. a flutter of resistance: you tilt your head in the same way your mother does, did you know that? a scribble that asks for a constellation of lemon and thyme, no bigger than a pinch, no stronger than a drop. a signature, a token of unrequited silence, a butterfly beating its wings across the backdrop of the night.


What’s a DILF? It says that on the shirt over there.

Don’t worry about it.

Michigan Union, 2:30PM, 4/18/2025

the present tense is a disaster of unprecedented magnitude. whether it is labeled a tragedy or a comedy lies in the aftermath: what has ever been borne out of company except misery? we are pulling the weeds and uprooting the corners of the house, a currency assigned to choice. the spiderwebs have long vacated; the ones that escaped are the first to be buried away from their ancestors. the neighbors are identified by the dogs that they walk–who is the one that is truly leashed?

Crooked Fool: Stories

Weave

Branching off, coming together, growing, multiplying

From one to the next back further than we can perceive

Whispered into little ears until voice vibrations turn to dreams curling like smoke

Shouted in streets, danced on stages, resonating into song

And never, ever silenced

Even when we think they are

Endings growing into the new

Breathing again and again and again

From before living on in us

And in those who will continue after we turn to dust and wind

Each struggle necessary to make whole

And to be

May this be a blessing

May each story take root in body and deeper

Connecting us to the infinite

Tell me a story

So I can breathe in all that has come

And all that will

Never to be silenced

Capturing Campus: 21st

21st

Clouds stretched thin

like dead end

roads or frayed hair

sharpen the pencil to the point.

of breaking 

of knowing

the answers

| watch |

the world weeps to celebrate

cross the street

meet a friend

and another

for lunch and a book

that reminds you of someone

watch the sky die

let the bold moon

speak to you

drink loud music and vodka  

shake the floor with your tongue 

sway and smile 

desperate and dizzy

on the night you agreed to 

nod and say 

it’s time to leave

and wake to the rising sun

aSoSS 53 | Parasite

I’m a moocher, I mooch off my friends, and my parents, and my ex-girlfriend, and my ex-girlfriend’s friends…

Duderstadt Library, 1:00PM, 3/28/2025

those bygone years make fools of us all. the cherry blossoms trace the streamline of the river breeze and i wonder if the petals will reincarnate, if the koi will nibble at the pink and grow streaks of coral and rainbow. there is a songbird in the harbor and it sings of a better time, a distorted dimension, a eulogy, or perhaps a confession: who i would have become, and who would have taken my place. in another spring, the sky is falling on our heads–the impact will, for better or worse, make us none the wiser.


Plus it opens up a whole ‘nother half of the world.

Yeah, and it shows that you are capable to love so much.

7-Eleven, 9:00PM, 4/10/2025

the art of imitation: copy the sleight of the smile, the sway of the hips, the twitch of a thought that pulls the corner of the mouth upward. i would like to love you, i think, incandescently. how did Humphry Davy feel when he invented the arc lamp? when he watched a wire burn without flame, cleaving light from darkness? a black so deep, a pull so strong, a filament that shines with the weight of the world. a backdrop, illuminated: i am removed from my thoughts, scaffolded, sterilized. destiny is chaos and chaos is disorder and disorder is the fabric of the universe, the term for a man with nothing to lose.


I’m growing less tolerant of the people I work with, the people I live with, the people I want to be around.

North Quad, 5:00PM, 4/3/2025

the drip of the faucet, the stutter of the metronome. a parasite of the mind, i know that now–i see it in your face, a quiet strength, the concentration of someone trying to forget someone else. we must grow into death, an acquired object permanence: a child playing peekaboo and looking for a parent who is not there. a grandfather clock chimes from the ashes; winter weeps for the man buried below, and as persephone turns her cheek the snow dissolves without a trace.

Capturing Campus: This ain’t his house

This ain’t his house

a man lives in my attic

I don’t know if he knows that I know that he lives in my attic

but he sure as hell knows that I know that this ain’t his house

his feet don’t hit the floorboards right

the house squeaks to let him know

he fuzzied the bristles on my toothbrush  

and the cabinet doors are wide open 

he lets them breathe

speakin’ something sad

Every night is a rhythm:

stomp the steps

lift the door 

plump the pink 

pillow in my attic—not his but mine

because this ain’t his house

though he snores like he owns it

I’ll talk to him tomorrow