Indoor Home Garden

Winter in the midwest is the time for everyone to stay inside and wait until April before venturing outside, it’s too cold to go outside and play.  In the southern hemisphere winter is the time for people to be outside and enjoy the nice weather. Over winter break I was lucky enough to take a 10 day trip to Ecuador and learn all about food sustainability.  The winter season for them is when they start to plant their crops so that they will grow nice and large for picking season in the late summer.

This got me thinking about planting in the midwest in the winter.  It is too cold to go outside and enjoy gardening, but it is the perfect time to start a small indoor garden of your own.  Some very good indoor plants that are hard to kill are string of pearls, succulents, and prayer plant. Succulents are already very popular and famous for not needing much attention, but these other plants are also easy to keep alive and they will add some color to your room/house.

Other plants are nice to have in your home because they have a purpose.  Some purify the air, some can calm you down. The Peace Lily and Snake plant are great for purifying the air, and they  only need minimum light to keep alive, which is great for winter months when there isn’t much sunlight. Other plants like aloe and lavender are great to have to calm down and help you sleep.

The last type of plants that are great to have indoors all year round are edible plants.  Some herbs that are easy to grow, and can be useful very often are basil, thyme, and parsley.  These plants are easy to grow, and will be very useful when cooking. Another good plant to grow is mint, but that is a little harder to grow inside.

While winter is a time to stay inside, it doesn’t have to be the time to stop gardening.  These are just some of the easiest indoor plants to grow, but there are almost unlimited options to start growing an indoor home garden.

Winter Olympics 2018: Curling, Speed Skating

The 2018 Winter Olympics in Pyeongchang, South Korea starts this Thursday.  The Winter Olympics has less sports than the Summer Olympics and with it a smaller audience.  The names of the sports of curling and speed skating are well known, yet their rules are not.

Curling is a team sport that is played on a sheet of ice.  Most people compare curling to shuffle board, only on the ice and with a team.  The teams of four players push a 40 pound granite rock down the ice and try to get it as close to a target as possible.  Two teams compete against each other, and the team who gets closest to the target wins.  One player throws the rock and the others sweep in front of it to try and help the rock keep straight and hit the target.  If no one swept in front of the rock then the rock would curl, or veer left and right.  The sweeping keeps the rock straight.  Each team throws sixteen rocks, with each player throwing twice.  Scoring the game is the team who has more rocks closer to the center than the other team.

When people hear the sport of speed skating  they think that it is pretty self explanatory.  Speed skating is essentially track on ice with players skating around the ice arena at different distances.  The races are separated between men and women with 7 different events, 5 individual, 1 team pursuit and 1 mass start.  The team pursuit is when three athletes start on opposite sides of the oval and skate six or eight laps.  The winning team is the team who has all three athletes cross first.  The winning team moves on to the next round and the losing team is eliminated.  The mass start event is a sixteen lap race where all 24 athletes race at once instead of only having two athletes racing in elimination style.  Mass starts also have sprint points which athletes can gain during laps four, eight, twelve, and sixteen.  In each of these laps the top three finishers get extra points.  These points are added to the points that the first, second, and third place athlete get.

The Winter 2018 Olympics are starting in less than a week and there are many sports to watch that are not always in the spotlight.  Curling and speed skating are two of them that will be in the spotlight over the next two weeks.

Fashion a la Polar Vortex

I feel like if I were to remember one thing about 2014 it wouldn’t be me finishing my thesis (GODDESS PLEASE LET ME), graduating, travelling, whatever . . . it would be surviving not only the first polar vortex but the second one.

The first day since ‘78 that the University of Michigan has cancelled classes. We all know this but BOOM. This is/was exciting. I had a four day weekend. I went out on a Monday.

Besides these obvious points, however, there are some other things that I cannot get out of my mind: snow/cold/chill protective outfits. In short, people’s clothing is heinous. I am (not) some queen heckling on the side of the road, but people have gone absolutely off the cliff.

1. It is -40 degrees.
I have been sick for months, and just got sick again. I’m feeling better but I know I need to cover my mouth. I have maroon skinny jeans on, a maroon winter coat with fake fur, I have a maroon baseball cap on with accompanying scarf and red headphones-as-ear-muffs. I have layers of glasses to protect my eyes and gloves on gloves on gloves. And then someone jogs by me in a spandex body suit and that’s it. And then someone saunters back from the gym in shorts. And then I see someone model walk with their coat WIDE OPEN as they cross the street. I don’t know who ya’ll are but I’m judging you. You might feel like you can stand the cold but your frozen flesh-skin-ice and I think differently. I try so hard not to judge or shame people for what they do or do not wear (because really why should I) BUT ITS SO DAMN COLD I GET COLDER JUST LOOKING AT YOU.

2. It is 30 degrees.
I’m healthy and have stopped putting a scarf over my face, and so people now walk on the same side of the road as me and don’t point as I walk down the sidewalk at them (apparently I look intimidating or eccentric as all get out). I have a reasonable amount of clothing on (basically the same thing as the -40 degree weather but this time I’m less hunched over and I might be singing/breathing the cool air in). And then someone walks by in a 7-layer black body suit and a yellow neon hat pulled OVER THEIR EYES. Hello?

3. It is 0 degrees.
It’s 11:30 at night and I leave my coat in the car; I have just arrived in Ypsi for the drag show. I start to run down the road at full speed in my skinny jeans, polka-dot top, necklace flying up and hitting my face, both hands on the hair to protect it from frizzing out . . . and then I slip. I’m screaming now, full volume, as onlookers, wrapped up in 15 layers, point at the disheveled queer sliding his way into the bar. We all can’t be winners.

The Polar Vortex has come and gone and come again. Each time we are surprised and we cope differently. But one thing remains constant: no one knows how to dress when its negative-you’re-going-to-die-temperature. And that is a subtle art of surviving in Michigan. Because at least if you’re frozen, you can still be one hot mess.

Moments of Sunfusion.

My professor started screaming. 20 of us sat still, stared in confusion, and waited for her to finish.

“Look! LOOK AT THE BOARD.”

There was nothing there. Well, besides, a chalkboard. Time slowed as we collectively tried to figure out what was going on. Our eyes widened, we thought if we tried to absorb as much as possible things would start to make sense. But, they didn’t. Confusion is like slow motion and you know if things would just speed up some type of conclusion would be reached, some explanation would be found. Every second drips down like a leaking faucet and all that piles up is blank, somber faces and a pool full of meaningless seconds ticking past, leading no where. Which could be beautiful, let’s face it; however, in this instance, all I could conclude was that the world had ended and we were breaking into millions of little pieces. Casual.

“WHAT IS THAT ON THE BOARD?”

In my mind I jumped out of my chair. Knocking it over, kicking the two-person table aside, I bolted forward (the mere 3 or so feet) to look, touch, taste, feel, hear, watch the board. Looking, I saw only bits of chalk. Sharp and jagged, cutting the board–was there a tear in the board? Were we looking into another possible world? As I tasted the board I realized, thankfully, David Lewis wasn’t lurking behind me–my tongue learned of linear algebra, the furthest cosmos, lines from Finnegans Wake, the greek alphabet–and my spine seemed to straighten out as the last bouts of goosebumps settled from off my skin. Dancing around, quaking (or honking) . . . what does the goose say? . . . I understood that something was in the air.

“DO YOU SEE IT COMING FROM OUTSIDE?”

There were massive amounts of glitter falling from the sky. As if we were in some 60’s discotheque in Paris, I looked down and only found leather. Chains and chaps and whips and all of a sudden I woke up in “A Room of My Own” to find briefcases. Briefcases, in this moment, of snow of light of waves of winter.

“IT’S LIKE SOME BIZARRE, OBSCENE ART THAT, AHHHH MY EYES.”

No. Breasts weren’t all angular on the board. There were no bombs. No urinals. Not even some smudged version of a sunset seen at a distance of 3 kilometres. There were no men, no Mary. Not even a signature. My eyes were not burning nor seething. The obscenity she saw lurked behind a cover? a wall? the air? a question?

“LOOK EVERYONE. IT WILL FADE SOON. DON’T WORRY. JUST CLOSE YOUR EYES.”

And everyone’s shut but mine.

The sun–a traveller with a case of wanderlust mixed with ennui–moves about and rarely even shows up. Hiding behind layers of wool, since is freezing this time of year, the sun wallows; the artic blast/vortex/shenanigans is worse in space, ‘tis eternal. So when the sun shows up to the party, I celebrate. I’ll let you all fade away into the walls and the sun and I can have the dance floor. Now that’s art.

Some sunlight strewn across the blackboard? Naw, not art–just a little glimpse of happiness, a moment of being, in between the silences of dull seconds piling up in the  clogged drain of yesterday.

Look Towards The Light

It’s about that time of the year, or, perhaps, way past that moment when Fall darkness sets in. I get home from class and work in the dark, I study and write in the dark, I socialize in the dark, and during the day (which is usually dark because Michigan) I’m kept inside tiny rooms within more rooms within more rooms. Life in winter is kafkaesque. Work seems to pile up around me and I’m overwhelmed. But there is something else going on entirely under my skin.

I used to romanticize the winter melancholia that would set in every year. I would feel terrible and love it. Wear moody clothing, quote Kierkegaard and Sartre about existential dread, and drink pots and pots of coffee so I could be not only be sad but also be ecstatically sad, performatively sad. My grades always seemed to suffer only a bit near the end of Fall semesters, which I attributed to the end of term finish line haze of terror; I usually ended up not exactly in fights but friendships always had more tension; and I would leave most social events angry. And then I’d be alone. And then angrier. I would look at my work and realize that I had no motivation to muster and that motivation seemed to exist only outside, in the leaves freshly fallen, decaying.

Last weekend, in particular, I felt I had to internalize “I had fun” so that when people asked me “How was your weekend?” I wouldn’t reply “real shitty.” People respond poorly to negative things, or I find that people build on the negativity, and I didn’t need more bad reactions. Little things got in the way, moments that were unexpected set me off into a chain of dizzying apathy, I began to really sink into the sadness and “thrive” there (aka more of me convincing that I’m fine). And then after watching Scandal on Saturday (which is a whole other thing that needs to be unpacked) I realized that I was NOT okay.

Now I had been to CAPS (Counseling and Psychological Services) before. After two semi-failed attempts at having therapy sessions, “Why do you feel this way?” “Well Heidegger in Being and Time  says this . . . and then Nietzsche really compliments this by . . . and the existential void, no? THE VOID.” In the end all of my problems seemed to come up philosophy (which is partially beautiful I have to say). But another factor that cropped up was the time of the year. Fall-into-Winter and Winter were dreadful to live through and then Spring and Summer were pretty much fantastic.

Adventuring to CAPS for different reasons also helped me be aware of the Wellness Zone, which, I have to say, is currently saving my happiness.

SUN SQUARES. These (roughly) two feet by two feet fluorescent-but-not faux sunlight containers that flood your body and eyes with an impenetrable light seem a bit terrifying. The Wellness Zone, in general, has soft mood lighting that is pretty much stomped out by this (amazing) light box. I feel like I’m a flower, or some weird vegetation, or some creature of the future.

sunsquarepls2_NoBkgrd

I have heard of SAD (seasonal affective disorder) before this moment, but I was not only angered at the passive aggressiveness of the name, “oh you’re sad, aw it’s the season *pinches cheek and shines a flashlight on you*.” And I have an aversion to a lot of mental health diagnoses that is due to, in part, the medical-industrial complex, corporatization and pathologization of health, etc. So, while I may not technically be diagnosed with anything, these sun boxes are extinguishing my autumntime/wintertime/no-sunlight-time overwhelming, life crippling, perpetual state of mourning.

But I wouldn’t be a humanities senior if I didn’t stare into, or just slightly off of, these boxes without imagining them framed in a museum, or put in hallways, or dorms, or classrooms. All of health I have problems with, especially mental health, because most services or areas of help are tucked away (3rd floor union, Wellness Zone in the back) out of reach/sight and they aren’t often advertised (well or enough). What if we could hang these modern art pieces, because to me that’s partially what they are, all around campus during the winter and flood everyone (albeit this is problematic) with artificial sunlight. A bit much, no? maybe not?

What does it mean for a square of designed stuff to cause happiness? Or destroy sadness? I mean, I partially don’t believe it still– but it works. So what’s to say? “Well this artwork affects me so much that I just have an overwhelming sense of OK.” If I were an artist, this would be my art.

When talking with friends, however, when they ask me how I’m doing this week, I’ve replied, “THESE SUNLIGHT BOXES OF JOY.” It gets people thinking and many have reached out for more information. When I feel this way its a problem, but when all of my friends act this way and try to unpack their feelings, its overwhelming, problematic, and we need the sun to come back.
This experience for me has been life-changing. Every morning I go to CAPS on the third floor of the union, next to where I work (Spectrum Center), and read or write (like now) in front of a light box. Everyday I leave a bit giggly (sunlight always makes me WAY happy) to live my life.

It’s important to talk about success. It’s important to share success.

And my success is feeling amazing.

 

Falling Down: The Paradise Edition.

My bones jolt backwards. “I’m lying in the ocean singing your song.” The ground seems wet, too hard for rain, disappeared. “Ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah.” My other foot lurches behind the other, legs rigid, now back is against ground. I hear the crunch of my computer—might’ve just been my pride—and the stars and snow shine overhead: dark paradise.

Her foot seems to quiver. Up 7 inches higher than any really intended, her feline tendencies begin to fail her. Tail as tool swishes between her limbs and the ground begins to quake as faces make an “O” and before long she is in ruins. Ankles in angles skin turns green-blue.

The stars still shine, people still pass by. She still sings. Phone case broken and computer maybe dented more. More. Moar. Moore. Clothes not ripped skin not—too—bruised. Someone lent her a hand and she seems to wobble like those newborn deer before they were trapped in appropriated film for kids to laugh at. No one laughs, they lend a hand or a look—sometimes that’s all you need.

Ice sheets the pavement like butter on a cookie sheet—what is Paula Dean doing right now? Remember when she made that donut—sausage patty—egg—sandwich? What if, as she was beginning to put it in her mouth, the sausage fell out? Hit the floor? Would the cameras stop? Would the reel unreel?

Needing things is a bit too strong. Liking things? Wanting things? People? Things seem so temporary, broken by pavement where people are less apt to crack. Crack like the limbs you think Bambi will but then doesn’t. Bruises fade and mine still isn’t gone completely. Its like distant music that always stays distant because no one stops and the earth still moves.

Blue-green like her eyes like the clouds mixed with trees when she resurrects her stance upwards 6 foot 4 inches from where she lay.

A bright hell brought about by time still moving leafs still crunching and people still talking. One foot in front of the other and it won’t ever end.  “You’re no good for me, baby, you’re no good for me.” Cement into dirt into espresso into awake. “Do you think we’ll be in love forever?” My eyes can’t close.