REVIEW: Arab Xpressions

When my friend and I arrived at the venue, over an hour before the show started and still minutes before the doors opened, we were surprised to see a long line already waiting for us. As we waited to be let into the theater to claim our seats, those around us mingled and greeted each other like old friends, immediately establishing a comfortable atmosphere.  My friend and I delighted in the fact that the event had not one, not two, but three separate geo-filters for snapchat devoted to it. By the time the show was about to begin, the theater was absolutely packed, almost every seat on the ground floor was filled.  

Finally, the show began and our three hosts for the night walked onto stage.  The show was divided into two parts with a 15 minute long intermission in between.  Each part had a good mix of performances and other various short segments, such as some vocal performances, quite a few different energetic Dabke dances, and several short, humorous video clips that were played between segments.  I also was impressed by the mix of tones they were able to balance throughout the night.  There were several touching spoken word pieces about the struggles of being Arab in America, but immediately following it would be lively dance performance.  

While all of the performances were enjoyable, there was a couple segments that particularly stood out to me.  The first one was a video clip in which the Arab Student Association asked various students on the Diag basic questions, like if they could name 5 Arab countries or name a single friendly Arab character in American media.  Only one student out of those interviewed could accurately name 5 separate countries, and everyone was stumped by the second question, revealing some real issues we have with representation in media.  The other segment that particularly stood out to me was a fashion show, where students modeled the fashions of various Arab countries.  

Overall it was a wonderful night, and I applaud the Arab Student Association for making everything run so smoothly.  I can’t wait to attend Arab Xpressions 2018!  The event was just one of the many events planned for this Arab Heritage month, you can check out the full schedule here! 

REVIEW: Dragnet Girl

Ichiro Kataoka performing

This Monday Ann Arbor was treated to something special, a screening of the Japanese silent film Dragnet Girl narrated live by of a modern-day benshi, Ichiro Kataoka. Benshi are traditional “narrators” of silent movies in Japan, that bothwrite and perform scripts for silent movies of all types.  Benshi were extremely popular in Japan during the silent movie era. Now there are about 10 benshi still performing for audiences both within Japan, and across the globe. Ichiro Kataoka is one of the very best amongst this selective number, and he travels the most out of the 10, this night gracing our town of Ann Arbor.

Dragnet Girl is a 1933 Japanese silent film about a gangster, Joji,  who meets the innocent and kindhearted Kazuko.  Kazuko enlists his help in looking after her brother who is slowly getting swept up in the dangers of the udnerworld. Joji’s girlfriend, Tokiko, gets lost in  a haze of jealousy, but eventually falls for the Kazuko’s wholesome charm.  Influenced by the innocent Kazuko, Tokiko dreams of finding redemption herself.

Most surprisingly, I was was able to be completely immersed in the film despite not understanding a word of Japanese myself.  I credit most of this phenomenon to the sheer talent of the benshi, Ichiro Kataoka.  While the intertitles were subtitled in English, the rest of the dialogue was pure, untranslated Japanese.  Despite this setback I was able to understand immediately the gist of what was being said by a mix of context, visual cues, and the pure emotion in the benshi’s voice.

During one particularly emotional scene, instead of focusing on the screen I tried to focus on Ichiro Kataoka’s performance.  I was shocked to see his face contorted into the very picture of despair, his expression matching perfectly with the crying girl on the screen. As he continued his narration and performance, he wasn’t just emoting with his voice but with his entire body. You could see the shift in his face and body as he switched from one character to the next, being able to go from a young crying girl to a gruff aging man in an instant.

This screening of Dragnet Girl was a part of the film series, KURO: The Dark Edge of Japanese Filmmaking.  There are two films left in the series, Ichi the Killer and The World of Kanako.   For more information about the film series and other series held at the Michigan Theater please check out this page. 

Specifically interested in seeing a live benshi in action? Ichiro Kataoka will be coming back for a special screening of an experimental Japanese film during the upcoming Ann Arbor Film Festival, so keep your ears pricked for upcoming news.

PREVIEW: Arab Xpressions 2016

This weekend, 6PM Saturday, March 11th, join the Arab Student Association’s show “Arab Xpressions” at the Mendelssohn Theater.  There will be performances by students in the group, as well as skits and dances by an arabesque dance troupe.   Refreshments will also be served promptly at 6.

Tickets will only be $5 at the door to students.  Half of all the proceeds from the night will be donated to the humanitarian organization Zaman International. There are also several free tickets left at the Office of Multicultural Ethnic Students Affairs left to the first students who show up!

PREVIEW: Dragnet Girl

This Monday the Kuro Japanese film series brings a special treat to the Michigan Theater, a screening of the classic Japanese silent film Dragnet Girl with live narration by a trained Japanese Benshi.  Benshi is a term for the narrators of silent films and foreign films that were vastly popular in Japan in the early days of film.  There are still some practicing Benshi in Japan, like Ichiro Kataoka who will be flying in to Ann Arbor to give this presentation.  This is a truly unique experience that breaths new life and dimension into the film by giving it a live element.

Dragnet Girl will be playing this Monday, March 6th at 7:00 PM at the Michigan Theater.  Student tickets will be 8$ with a valid student ID. It also will be included in the passport to the arts which will give students a free entry!

REVIEW: Beyond Sacred: Voices of Muslim Identity

There was a decent audience filling the spacious power center on this unseasonably warm Saturday night.  I saw people of all backgrounds represented in the audience as I filed into my seat for Beyond Sacred: Voices of Muslim Identity.  I was seated on the balcony, with a perfect, if somewhat distant, view of what was going on onstage.

The lights dimmed, and the five cast members in the show filed onto stage one by one. They introduced themselves in their native language, only three of the five speaking English.  They started off chronologically, talking about the muslim men and women who have been part of America since the very beginning.  Then they slowly dove into  each of their personal stories, still going chronologically. Each speaker spoke their words with a loud and well rehearsed tone of voice, accentuated by clapping and parts of the performance that were done in unison.  At two different intermission-like segments music was played as the performers got up and moved, carrying their binders with them only to sit back down at different chairs.  I was struck by how well these non-actors were able to perform, as well as how tightly the story was woven together despite telling very real stories of these people’s lives.  I enjoyed learning a little bit about each of their lives, be it the muslim-convert Tiffany who has found a community in her faith or Amir who worked at Chuck-e-Cheese for several years to make ends meet.  If any more of this performance series, Undesirable Elements, by Ping chong come to town I won’t be able to keep myself from going.

Full Cast of Beyond Sacred

The end of the show presented the cast members various thoughts on the first month of the Trump administration.  Some were fearful, others hopeful, still others largely pessimistic about what this signified. The only shared characteristic is that each and everyone of them was reading their lines with a raw intensity. We later learned that this was the very first time the cast members had performed this part, which was why it sounded so raw.

Directly following the show, the cast members were invited back on stage for a brief Q&A session. I was able to find a seat downstairs for this part after half the audience had left.  A fair amount of people stayed behind, and while I’m no expert as guesstimating numbers I would guess several hundred people remained in the theater for the Q&A. It was interesting to get to hear them talk outside of the scripted performance, you could tell that several of the cast members in particular, Maha Syed and Amir Khafagy, were naturally ver adept at public speaking.  I appreciated the Q&A session and was glad to have attended, however there were quite a few times that the questions asked were intrusive or combative.

Overall I had a wonderful experience, and think I gained new insight into the diversity of muslim experiences in America as well as the real damage islamaphobia causes.

REVIEW: PMS I love you- Comco

The room was just as packed as the last time I had gone to a Comco improv show, thankfully this time my friend and I had arrived a good half hour early and managed to find ourselves decent seats near the front.  The show apparently had 364 people in attendance, so you can only imagine how packed the lecture hall ended up being, but that only added to the lively atmosphere.  The show opened with a short video clip detailing a meeting of the fictional “hookup culture club.”  The video quality was extremely impressive, very reminiscent of the pre-recorded SNL skits that air in between live ones, and it got quite a few laughs from the crowd.  You can watch the the full clip below.

After the video set the mood for the night’s performance, they started with a relatively simple “freeze”-like game, where the actors run in and replace their fellow actors in scenes, changing the scene as they do so.  Very quickly a running gag appeared that would end up resurfacing several times throughout the night.  The joke was that “double frappuchinos” needed to be made with two people. Once again, I was struck with how quick witted and versatile the entire cast is, being able to play off that relatively simple joke in a wide variety of ways.

Another one of my favorite games was where a selection of cast members came up to play various “radio stations,” either real or fictional, all derived from audience suggestions.  For this game the lights are turned off and a single cast member shines a flashlight onto each one of the cast members when it was their turn to speak.  We had a variety of radio stations such as “NPR pets” where a cast member droned on in a dry tone of voice about the various antics of a dog “fluffy,” or the charming musings of “Grandma radio” played by one of the male cast members.

Another one my favorite games the whole night, and one I personally hadn’t seen before, was one where one comco actor was made to guess basic activities, and extreme strange details about those basic activities chosen by the audience, while three other actors who knew the details had to act out the scenes using only non human language. It was interesting to see how the four actors ended up coming up with a similar sounding nonsensical babble that resembled a real language, even coming up with a few words for certain established objects and meanings throughout the course of the game.  While not getting all of the answers right the actor doing the guessing was able to figure out she was doing wild things such as doing laundry with keys instead of detergent with the pope and water skiing in a wedding dress.

At this point a previous cast member who had been sitting in the audience was invited to join them on stage.  Judging by the rousing chorus of cheers from the audience he was well known among the crowd.  After a quick game, they finished the night with what apparently is a Comco tradition, “I like my men like I like my ___.”  for this game the audience would shout out random words and the cast members would have to come up with witty one liners beginning the the aforementioned phrase.  By the time the night was over my cheeks hurt from smiling and I was ready to begin my weekend on the right foot.

Comco’s next performance is March 24th and you can find all the details on their Facebook page here.