REVIEW: Here Be Sirens

Before tonight, I had never been to an opera. The idea of attending one has always felt like a faraway dream; so alien to me is the concept of high society, or even adulthood, that I could never really picture myself amongst Opera-Goers. Not sure how to dress, I assumed a hyper-formal ensemble: a blazer and starched white blouse, dress slacks and sensible kitten heels I’d bought for a funeral last year.

I was shocked to find that the Kerrytown Concert House is an actual house. The place wasn’t the cathedral-like, built-in-the-1800s monster of a building with an elaborately painted ceiling that I was for some reason expecting. I’ve probably seen Phantom of the Opera too many times to realize opera can be performed on a stage of any size. The room was shining though, with a beautiful Steinway front and center and a smooth hardwood floors. Though I was definitely the youngest attendee, I felt at home in the audience, if a bit overdressed for the occasion. Again, I have not so much as dipped a toe into the opera world, so I had no idea what to expect.

This opera was not at all what I expected.

Much of the tone was humorous, even whimsically off-beat. While singing, melodic and haunting in its trio harmony, comprised much of the performance, there was far more dialouge than I had thought there would be. This is refreshing; many musicals I’ve been in and attended have been overpowered by song, which despite its vocal quality is typically incomprehensible. The speaking sections add the dimension sirens are denied in literature.

Kate Soper (writer of the opera as well as the actress playing Polyxo) relates her characters to links in an evoluntionary lineage. Polyxo needs escape, from the literal island but also the prison of the stereotypes of her kind; Peitho is younger and more naive, full of love for sailors that pass her way, but beginning to question how she’s viewed; Phiano is the cavewoman of the group, incapable of thinking beyond the island and what she’s been made out to be. Led by Polyxo, the opera investigates what it means to be so severely misunderstood that those around you begin to internalize the message they hear repeated over and over.

This idea does not end with Greek mythology. Its meaning extends out through the larger world: just as the sirens have been framed in a negative light, so do we draw caricatures based on gender, race, religion, sexual orientation. And those whose faces are drawn with exaggerated features might begin to think like Polyxo, or maybe Peitho, and some, sadly, like Phiano.

If you are interested in upcoming performances at the Kerrytown Concert House, check out their website www.kerrytownconcerthouse.com.

REVIEW: Xylem’s Crazy Wisdom Open Mic

Poetry has never been something I can simply sit down and write. If ever I attempt to do this, I end up with an oversimplification of the same few themes (love, sadness, anger, death) every time. So, I’m forced to be the submissive partner in the relationship, listening to an idea whenever it decides to show up. In terms of neat scheduling, the pursuit of poem writing is majorly inconvenient.

But beyond my personal gripes lies a reluctant reverence for poets and their poems. There is difficulty in writing something in a tone from another dimension of being that also doesn’t make everyone in the world roll their eyes back into their heads.

In general, when people try to write a poem, they do not succeed. English teachers may yell at me for saying that it’s only possible to either succeed or fail at an art form, that that simple dichotomy could even exist. They may argue that instead of two boxes marked pass and fail there is a whole grey spectrum of middle ground. Personally, I would disagree; it is very clear to me when a poem is striking, while others are dull or trying too hard, or relying on overused subject matter.

At any open mic, there will be a real variety of performances. This is why I find these events so much more promising than a single artist presenting their work: no matter how many pieces there are that fall short, at least one will stick with you.

This is the thought I had when I walked into the cozy room in the second floor of Crazy Wisdom Bookstore and Tea Room. There were cookies and hand-clapper noisemakers (maybe snapping has gone out of style?), and the house was packed.

At least 15 or 20 people read or sang, coming from both comedic and tragic angles. Even I, possessed by something not of this world (probably), stood to read a poem I’d written for a class.

Most of the readings were good; in the writing world at least, most people who have confidence in their work have it for good reason. Of course, there are so many more good writers out there who lack confidence entirely. I’m certain that there were some of those talents among us who didn’t read.

My favorites from the evening are the ones I can remember now, a day later. One of the first was a poem about a serendipitous encounter with amazing lettuce at a Wendy’s, another a published piece by a reluctant reader, an extended metaphor of a jar of honey, a spot-on cover of “Oh Comely” by Neutral Milk Hotel. The audience was responsive, quick to laugh and clap when the writing called for it. A few of the writers came up twice, displaying the different facets of their writing styles. The room was warm with the glow of poetry and evidence that Crazy Wisdom pays their heat bill on time. In more ways than one, I felt the place a shelter from the cold.

Xylem Magazine hosts open mics often, as well as other events like writing workshops. Check out their website xylemmag.wordpress.com for more information!

 

PREVIEW: Here Be Sirens

Were you the weird kid in middle school who was obsessed with Greek mythology? Can’t believe that anyone hasn’t seen the Percy Jackson movies? Love listening to people scream-singing while wearing large wigs and formal clothing?

If you answered “yes” to any of these questions, you’ll just love Here Be Sirens, an opera telling the tale of the lives of a trio of sirens. Oftentimes, these creatures are made out to be one-dimensional monsters, evilness being their only characteristic. Composer, performer, and playwright Kate Soper approaches her main characters with a more open mind, giving them internal desires and dreams that conflict with the caricature that outsiders typically see.

Come on down to the Kerrytown Concert House this Thursday, November 29 at 8 PM to experience Soper’s masterpiece. Tickets are absolutely FREE with your passport to the arts ticket, or $10-35 if you are PTTA-less.

REVIEW: Master’s Recital–Jordan Smith On Flute

It’s amazing the little worlds we discover throughout the course of this life. I’d never thought that the flute could stand so tall as a solo instrument, instead of a part of an orchestra or a marching band. But its soaring, cascading voice held a truth deeper than I had thought was possible.

The flute is far more nuanced than it seems in a sweaty middle school gym while performing with the school band. Far from being the out-of-tune, squeaky instrument students and their parents grew to hate, Jordan Smith’s recital was moving. He pushed past the limits of the sound barrier like it was nothing, pulling out sweet music from only the air.

But the performance was not your standard recital; though it began with Mozart (whose brilliance at age eight makes me incredibly jealous), it dove into the contemporary, first paired with the standard piano, then percussion (drum, clapping, sticks), then a wondrous video of life emerging from a fallen tree. Smith brings life and youth to what is more commonly the property of old folks ancient enough to have known Mozart personally.

If I had to say anything negative about his performance, it would be the occasional loudness of his breaths in between long musical phrases. This is understandable given the air required to play these passages, though I must admit the sound did distract from the melody quite significantly.

There were a few things out of his control that were less than desirable. The first was a technical difficulty that mangled the audio of the video that was projected behind Smith as he played (though his show-must-go-on attitude and beautiful timing still allowed the video to play a part in the performance). Secondly, all of the selections that incorporated percussion repeated the same tune of a few beats over and over. A livelier, more varied beat could have worked well with the flute’s melody.

I assume Jordan Smith started playing quite young, by middle school at least. Seeing him perform at the level he does now, it is almost impossible to imagine his own off-key first foray into the band geek world, torturing his parents with hours of painfully bad practicing in his bedroom, obligating them to attend all of the soul-crushing school performances.

For most of us, the end of the flute road comes with middle or high school graduation–most of us don’t have the dedication it takes to develop talent like Smith has. For most of us, quitting the instrument was the highlight of our musical careers. Thank god Jordan Smith is not like most of us.

 

PREVIEW: The Room

Although described as a cult classic, I have never even heard of this movie. Its description is beyond bizzare, warning that I will “never see a football the same way again,” which is terrifying, and brings me to a very specific memory of this poem I read from a book I picked up for 50 cents at a used book store. Reviews of this movie range from calling it a masterpiece to the worst movie ever made.

Basically, I have no idea what watching The Room will do to me, but I will die from curiousity if I don’t see it.

You should join me in this odd venture into the unknown. It’s showing one night only, Friday, November 30 at 10 PM, in the auditorium of the Michigan Theater.

One last thing: the Michigan Theater website requests that audience members do not bring metal spoons or footballs to the show (???), so be sure to remove the spoons and footballs you normally carry before arriving.

PREVIEW: Xylem’s Crazy Wisdom Open Mic

Some people look to celebrities for fashion or lifestyle inspiration, fawning over their manicured looks and multi-million dollar homes. Personally, I aspire to be half as cool as Beret Girl from An Extremely Goofy Movie.

You know her, that poet from the Bean Scene coffee shop. Definitely the ultimate cool girl, even though she’s a fictional character.

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Anyhow, if our dreams to become anything like her are to come to fruition, we need to first bust into the open mic scene.

We’re in luck: Crazy Wisdom Bookstore and Tearoom is hosting an open mic night Wednesday, November 28 from 7-9 PM. Bring your poems, your spoken word performance, those bars of slam poetry you’ve been waiting to give to the world. Or, you can just bring your ears and absorb the cool atmosphere, find a good book, and drink some tea. Whatever you choose, this is the place to be this Wednesday night.