REVIEW: The Accidentals at The Ark

The Accidentals started the show by coming onstage as the 15 and 16 year old “Tree Huggers.”  It took me a bit to understand what was happening, but when I figured it out, the show became really cool.  The band was sort of acting out their own growth as a music group – the opening act was the band’s initial indie duo phase, with Larson and Buist dressed in casual high school attire.

They played the first song the pair ever played together: “We Are Gonna Be Friends” by The White Stripes.  Then, they played “Eye To Eye,” the first song Buist ever wrote.  Later, they played “Rainy Day,” which is the first song they ever wrote together.

Michael Dause, the current band’s drummer, acted as an announcer during this portion of the show.  He came onstage and introduced the “next act” – which turned out to be The Accidentals during their second phase as 16 and 17 year olds.  Larson and Buist returned to the stage wearing new clothes: most significantly Buist in a dress and her signature cat tights.

The Accidentals write a lot of songs based off books.  They would introduce each song and give its backstory.  Because of this, I was able to puzzle through the lyrics of most of their songs, which was a cool experience.  For example, Larson wrote her song, “Lemons and Chamomile,” while doing calculus homework in the middle of dreary January.  She also wrote a song based off a dead bird she found in the road – her friends though the song was about her boyfriend at the time.

Finally, the current Accidentals took the stage.  They had changed clothes again.  Dause took his place as drummer, singer, and occasional guitarist; their new sound was invigorating and really documented the band’s musical evolution.

According to Savannah Buist, the word “bittersweet” really sums up what touring is like.  She described the sensation of “living in skips and hops,” coming home every now and again to find her brother “like seven inches taller.”

My favorite song the band played was called “Crow’s Feet.”  I liked it because it reflects how the band was displaying their growth.  The song began with Buist singing without any instrumental backup, and eventually the song’s energy built up and the entire band was playing alongside each other (pictured above). The song eventually ended with Dause’s drum solo.

They talked a lot about their new album, which will be available for free in a few months (more information below).  They have a song called “Michigan And Again And Again,” which they played at the end with the music video in the background.

“Big reveal”

For the encore, Dause’s mom requested that he sing “All About That Bass” by Meghan Trainor.  Dause introduced the song by informing us that initially, he had said, “No way – you’ll have to pay me!”

The band was available for photos and conversation at the end of the show near their merch table.

The Accidentals with my friend and I

REVIEW: The Mountain Goats at Blind Pig

William Tyler, a guitarist from Nashville, TN, opened for The Mountain Goats last night at the Blind Pig.  He started his set by playing “a song about the desert,” which turned out to be a beautiful acoustic Travis-pick style number.  An example of his music is my recording of “We Can’t Go Home Again,” wherein Tyler displays his inverse knowledge of the guitar and his plentiful talent.

My favorite song Tyler played was called “A Portrait Of Sarah” (his album, Impossible Truth, is also dedicated to a Sarah).  It was incredibly complex, changing tempos in the middle, and really painting an image of Sarah in my mind.

Throughout Tyler’s performance, he would record himself in the middle of a song and play it back while creating a self-harmony.  Sometimes, he would lean down to adjust the recording and just keep playing almost absentmindedly with his left hand.  As a guitarist myself, it was truly refreshing to see someone with such a passion for the guitar.

Tyler was even kind enough to take a photo with me, which is pictured below!

William Tyler and myself

A few minutes after Tyler left the stage, The Mountain Goats made their appearance (much to the excitement of the sold out venue).  What struck me the most about their performance was how the audience really seemed to connect with the band.  John Darnielle, the main singer of The Mountain Goats, would announce a song by saying, “This is a song about professional wrestling,” and the entire building would shake with the answering roar of the crowd.  I haven’t been a fan of the band for too long, so at the time I didn’t understand this, but my friend later told me that there is an album called Beat The Champ (which concentrates on the professional wrestlers Darnielle admired as a child).

The only song I caught in full on video was “Maize Stalk Drinking Blood.”  Throughout the show, the band (Darnielle especially) proved themselves to be genuinely happy to be playing for us.  There was a wonderful, positive dynamic around them as they exchanged grins during sax solos or simply shut their eyes and listened during one of the amazing clarinet pieces.  Darnielle was not the man I was expecting – instead of being cool and calm, accustomed to fame, he was vibrant and funny and very good at dancing.

There was a time during one of his four solo songs where he abruptly stopped, obviously confused.  He explained himself as he remembered his place, stating that “I can’t absolutely guarantee I know them as well as I think I do.”  Much to the amusement of the gathered crowd, he did this a few other times, laughing at himself and picking the scattered fragments of the song right out of the air.  Apparently the band only plans set lists halfway through, producing a genuine, spontaneous performance.

The Mountain Goats played “The Day The Aliens Came,” “Get Lonely,” “Game Shows Touch Our Lives,” “This Year,” “Up The Wolves,” a Merle Haggard song, and a Grateful Dead cover (as requested via Twitter).  Peter Hughes, the band’s bassist, reminded me at times of Pete Townsend with both his appearance and dramatic hand movements.  Jon Wurster proved himself to be an extremely talented musician, playing saxophone, clarinet, keyboard, and other instruments throughout the show.  The band’s stage presence and overall talent made me realize how lucky I was to witness them in such an intimate setting.

PREVIEW: The Accidentals at The Ark

An indie folk, folk-rock, americana, progressive bluegrass, classical, alternative rock, jazz, country, contemporary folk, and folk-pop group from Traverse City, MI, The Accidentals are coming to The Ark!  I’ve seen them in shows a few times, as they’re from my hometown.  They always amaze me with their energy, talent, and lyrical genius.

The band consists of Savannah Buist, Katie Larson, and Michael Dause.  Buist was born in Nashville, TN.  As taken from the band’s website, “the question is ‘what doesn’t she play?'”  Larson graduated from the Interlochen Arts Academy in northern Michigan in 2014.  Dause, from Detroit, MI, began drumming on common kitchen appliances when he was nine and “never really stopped.”  His first album came out in 2012.

The band as a whole has released two studio albums: Tangled Red & Blue (2012) and Bittersweet (2013).  Although their concert tomorrow night is sold out, stay tuned for more news from this wonderful group!

REVIEW: Run River North with The Lighthouse & The Whaler

The Run River North with The Lighthouse & The Whaler concert was amazing!  It took place in The Blind Pig last night at around 8:30pm.  I had never been to the venue before, and I was surprised by its intimacy.  It only fits around 400 people, and there are places to sit lined along the walls.  My friend and I stood in front of the stage.

The Lighthouse & The Whaler played first.  I was struck by their music’s resonance.  Michael LoPresti’s voice was sometimes entrancingly quiet, but at other moments he sang with a vocal power that reminded me a bit of the energy of Mumford & Sons.

They played songs from their new album, Mont Royal; “Venice,” their most popular song (according to my friend); and occasionally lapsed into instrumental verses that carried a genuine, raw passion.  It was infectious, and whenever they launched into one, I found myself grinning.

Their songs had a certain “exponential energy,” meaning the song gained momentum as it went on.  Their entire performance soon made itself out to be that way, as well.  There was a certain beauty in that style of performing because it made each song like a new chapter in an exciting book.

They played “Pioneer,” which I managed to record.  The entire band would sort of mimic the feel of the song they were playing, like they were trying to embody it.  It was very cool to witness.  Another example is on video here.

To make a great night even better, after the band was finished playing, we got to take a photo with Michal LoPresti!

My friend and I with Michael LoPresti!

A few minutes after The Lighthouse & The Whaler, Run River North took the stage.  They opened their set by playing the song from Jurassic Park.  This was the band’s second time at The Blind Pig, their first time inspiring a (successful) marriage proposal.  The now married couple was in the audience!

They played a few of my favorites, including “Run Or Hide,” “Ghost,” “Foxbeard,” “Excuses,” “Anthony,” and a song from their new album called “Intro: (Funeral) Parade.”  “Foxbeard” was different from some of their other songs because it was much more melodic and initially slow.  It too built energy as it went on, ending on a very empowering, sonorous note.

Alex Hwang, the lead vocalist, gave the audience a bit of an insight about their new album, Drinking From A Salt Pond.  He said they didn’t want to come back to Ann Arbor and make the audience pay money for the same show, so “I grew out my hair and wrote some new songs.”

He also discussed how in playing his songs for an audience, he is giving them away to us.  It was an interesting concept.  It’s true – once we hear a song, we associate certain memories and emotions with the song for the rest of our lives.  In that way, we make the song ours.  He described the process as “giving away” songs.

The last song Run River North played was beautiful.  It’s called “Growing Up,” and I highly recommend you listen to it.  Hwang encouraged the audience to “scream the lyrics” if we knew them, and the result was this beautiful, all-encompassing harmony of the band and the audience singing together.  It was a wonderful moment and I will always remember Run River North because of it.

PREVIEW: Run River North with The Lighthouse & The Whaler

Run River North is an alternative / indie band from San Fernando Valley, CA.  Its members consist of Alex Hwang (Vocals/Acoustic Guitar), Daniel Chae (Electric Guitar/Violin), Jennifer Rim (Violin), Joseph Chun (Bass), John Chong (Drums), and Sally Kang (Vocals/Keys).  They just release a new album, called Drinking From A Salt Pond.  It is available to pre-order from iTunes here!

The Lighthouse & The Whaler, who will be opening for Run River North, is a band from Cleveland, OH!  Its members are Michael LoPresti, Matthew LoPresti, Mark Porostosky, and Ryan Walker.  Their new album, Mont Royal, is available on Spotify and iTunes / Google Play.

I’ve never seen either of these groups before, but from what I’ve heard, they’re definitely bands to listen to!  They will be playing tomorrow at The Blind Pig.  Doors open at 8pm!

 

REVIEW: That Brown Show

Michigan Sahana music, a coed team, began the show.  They featured singers and musicians of various sorts playing calm music.  There were different kinds of drums, a violin, a keyboard, and more.

Michigan Taal was next, performing their routine flawlessly.  I’ve seen them dance a couple times now, as I have a friend on that team, but they had a different, amazing energy with them last night.

TAAL

Michigan Raas team went next.  Their routine was based on Avatar: the Last Airbender.  They are a coed team.  There was an Aang character, too!

Maya was the next team onstage.  They are all girls, and only had 5 people onstage at a time.  Their dance involved lots of hand movement.  They were calm, but not boring; it was very different from the other teams.

Michigan Manzil, a coed team, did a routine based on The Wolf of Wall Street.  It was a love story about two college kids who graduate. The guy lands a prestigious job in New York and gets really involved in work and starts to change as work takes over his life. Their relationship crumbles. He begs her to stay so that they can start over and things begin to turn around.  There was a crazy energy from this team!  Two bhangra dancers came out and danced with them for a little bit, as well.

Maize Mirchi, a coed a Capella group sang for a few songs, then Michigan Bhangra team danced.  They are coed and were joined by 3 people from Manzil and Sahana near the end.

Michigan Izzat was after Mirchi.  Their performance was about a police officer in Chicago. His brother is worried about his safety so he lies to him about being a police officer. It turns out that the brother was part of a gang running from the police. This team was all male.  Some guys wore bunny ears and they threw in some ballet routines.

IZZAT

Michigan Sahana, an all female team, danced next.  They featured several classical styles.  Their outfits had a lot of bangles and accessories that made noise as they danced.  Namely, they wore jewelry on their ankles, so whenever they moved or stopped they added to the music.

Overall, That Brown Show was amazing!  It certainly didn’t disappoint.  I look forward to it next year and encourage you to check it out!