Review : Our Town

Our Town

University of Michigan Department of  Theatre and Drama

The thing that struck me most as the play started in the archaic Lydia Mendelssohn Theatre was the simplicity of the props and the lack of a set and how close to reality and a make-believe world this was. The theatre was filled with a lot of elderly people, as if to reminisce an age gone by. How would the young people of today fit into a play from the 1900s? That’s what I was curious about.

There were two sets of tables with three chairs each separated by a lone street lamp. Two staircases,one each  at the far end of the stage represent the rest of the houses of the two families, the Gibbs’ and the Webbs. The play started with the Stage Manager walking in and addressing the audience directly. This was a nice twist and it felt so right!

Here’s a brief synopsis of the plot for the uninitiated.  Dr.Gibbs and Editor Webb are neighbors in a fictional town with one street that could actually be anywhere in America. But we are told that it is a town named Grover’s Corners, in New Hampshire. Their wives are friends and go to the Choir together. Their children go to the same school. George Gibbs falls in love with Emily Webb and they marry. The plot involves around their lives as well as other characters like Howie the milkman who are present in order to show the continuity of life in the quaint little town. In three acts, we see the lives of these characters as they go from life to death. So what is special about this play?

Everything! The lack of the set, makes it necessary for the actors to set the scene by their actions while leaving no room for errors in interpretation. Mrs.Webb stringing beans, the two wives setting the breakfast table, the young ones falling in love, standing ladders used to represent their houses- these are all poignant scenes where we are  made to focus on the characters on stage. Every action and every line spoken by the actor thus becomes important for the success of the play.

The stage manager (the narrator who did a marvellous job) weaves in and out informing us about the characters and also acting as one (like a grandma hit by George’s baseball or the preacher) in some cases.

Act One centers on the daily lives of the people in the town. Each character tells us something about the dreary reality of human existence and questions its eternity. For instance, Mr. Stimson, the drunken organist  who is the center of attention of the town’s gossipmongers, reflects a darker side of ourselves. Howie the milkman represents a laborer who is happy with his lot. Mrs.Soames lends some comedy.

Act two aptly titled”Love and Marriage”  precisely is that. George falls in love with a bright Emily when she tries to help him with his math homework. They resolve to be together over ice cream sodas. The innocent young love is so touching. When they get married, they have their whole youth in front of them and look so fragile but hopeful  to face the world.  And so what happens in Act three comes as a shock.

In Act three, Emily dies in childbirth and she joins her relatives (the now departed Mrs. Gibbs and her brother Wally Webb) and her fellow townsfolk in the cemetery. This scene was really well done. There were white chairs and each “dead” character sat still in clothes that they would be most remembered in. This scene was so poignant and full of questions- a reminder of the transience of the human state.

Emily doesn’t want to forget the life she lived and despite the warnings from the dead, she decides to visit her past life. She decides to pick a day and Mrs.Gibbs says, “Take the least important day in your life,that will be important enough.”

Emily’s ghost returns to Earth to re-live just one day, her 12th birthday, and realizes just how much life should be valued, “every, every minute.” Poignantly, she asks the Stage Manager whether anyone realizes life while they live it, and is told, “No. Saints and poets, maybe. They do some.” She then returns to her grave. The Stage Manager concludes the play with a soliloquy and wishes the audience a good night.

The play is a wake up call focusing on the “stop to smell the roses” theme. But when it came out, I am sure it was considered to be way ahead of its times.

I was worried about the relevance of such a play in today’s times.  But under Jerry Schwiebert’s superb directing, today’s teenagers with their iphones and ipods and short attention span, did such a superb job. In the Q & A session that followed, they said that it was very easy to slip into the character once they knew what the character did. Not for a single moment did any one of the characters feel out of place or time.

The walk back home was slow as I enjoyed the lovely winter night and took it all in.

For [art]seen,

Krithika

In deference to Thornton Wilder, no pictures to distract attention from the writing.

The 100th post: Preview of Swedish Radio Choir :-)

I am so excited that this is the 100th post for [art]seen. To me, writing about the different art events that I go to, has helped me understand and enjoy the performances even better. Yeah for [art]seen!

So this sunday, FEb 21, the Swedish Radio choir are going to be in town. Made up of 32 professional singers and  sponsored by Sveriges Radio, this choir is one of the world’s best a cappella choirs that have a very wide a cappella and symphonic choir repertoire.They are the go-to choir for all the leading symphony orchestras in the world.

Maestro Ragnar Bohlin
Maestro Ragnar Bohlin

This tour is led by conductor Ragnar Bohlin, a Stockholm native who also serves as choral director for the San Francisco Symphony. He is another choral legend whose accomplishments are so many that it will take a long time to list them. He is one of the best in the field today.

The Swedish Radio Choir made its UMS debut in 2001 and their rendition of Verdi’s Requiem was a great hit. This time, the program starts with the sure crowd pleaser, Alven’s Aftonen (Evening). Also on the program are many choral pieces from various composers like Mahler, Bach and Sandström ,to name a few. This will be a treat for all of you who like a healthy dose of classical music to make your day.

When: Feb 21,2010 @ 4:00 pm

Where: Hill Auditorium

Tickets at the League Ticket Office or online at ums.org.

Yours truly,

Krithika, for [art]seen

Preview: All’s well that ends well

You can never get enough of Shakespeare. I caught a part of a soap the other day at the airport and suddenly it struck me as to how many of the twists were taken straight out of a Shakespearen play. We owe so much to the Bard of Avon- for his immense contributions to the English language, his insight into human nature, his amusing and wise quotes and so much more!

This week, University of Michigan’s Musical Theater Department, presents “All’s well that ends well“. Much as I adore Shakespeare, the play “All’s well that ends well” leaves me a bit unhappy as there are parts of it that I just don’t get.

“All’s well that ends well” is about a lowborn beauty Helena who falls in love with a foppish count, Bertram. Due to a set of circumstances,  Bertram ends up marrying Helena but he “hates” her.  Bertram lays down certain conditions that need to be fulfilled for Helena to become his true wife and goes out to the battlefield. The rest of the play is about how Helena tricks Bertram into accepting her after fulfilling all his ridiculous conditions.

Well, what I can’t get about this play is why a smart woman would go behind an apparently foolish guy who doesn’t see the value in her? Maybe it was so in Shakespearen times!

Ok, so if I don’t like the play that much, why am I going? Well, on paper, it is very tough to understand why Bertram would refuse Helena or why Helena would still want Bertram. But on stage, this confusion can be sorted out by the acting of the performers (which I will tell you in my review!). Will director Malcolm Tulip help smooth the hate-to-love transition convincingly and make it believable? That is what I am looking forward to!

On a certain level, it does show a smarter woman who knows what she wants (why is not ours to question) and gets it and I do love that part. As is typical of Shakespearen comedies, there is a lot of laughs and double entendres in this play. So, do come to the play and may it all end well!

What: Play “All’s well that ends well”

Where: Arthur Miller Theatre at U-M’s Walgreen Drama Center, 1226 Murfin Avenue

When:

Friday-Saturday, February 19-20, at 8 p.m.

Sunday, February 21 at 2 p.m.

Tickets at the League Office or online at the U-M Musical Theatre web site.

Yours truly,

Krithika, for [art]seen

Preview: Our Town

Thornton Wilder’s 1938 Pulitzer Prize winning play, “Our Town” is being staged by the University of Michigan Department of  Theatre and Drama, under the direction of Jerry Schwiebert, between Feb 18-Feb 21.

The play is quoted to be “the quintessential American play on life, love and death”. When it made its debut in 1938, it created a buzz  for its minimal props, no sets and  even lesser scenery. The plot revolves around the everyday lives of  two young people, George and Emily who fall in love with each other. The complex script takes us through their lives alongwith those of the other townsfolk. Hence, it’s also the character portrait of a typical American town with other supporting characters depicting the typical routines and life in a town.

Without the help of a set,scenery, etc., the complex script relies on superb acting skills of the performers. It will be interesting to see the director’s take on the play and it’s relevance to today’s life.

Where: Lydia Mendelssohn Theatre

When:

Feb. 18 at 7:30 p.m.;
Feb. 19 & 20 at 8 p.m.;
Feb. 21 at 2 p.m.

Tickets at the League Ticket Office ($9 with student ID).

Yours truly,

Krithika, for [art]seen

Review: Schubert Piano Trios…When love was in the air!

When it is Valentine’s Day, it is just impossible not to think of love. The “I love you” balloons, entwined hands, red roses, heart shaped everything, and of course, listening to a Schubert Piano Trio- it is just so difficult not to think of love.

It was a prefect setting to contemplate about love- a beautiful afternoon at the Rackham Auditorium with the best artists to perform a serenade for you and you only.  The program for the day comprised of both the Schubert piano trios- the B-flat Major and the E-flat major. Normally, these don’t get performed together. So everyone was excited.

The three artists entered and they took their positions. And the evening started with the mellow sound of the cello followed closely by the violin. Just three minutes into it, and that’s when I fell in love- with Schubert!

Schubert the genius composer
Schubert, the genius composer

Schubert composed both his piano trios close to his death (and after the death of Beethoven). So Beethoven’s shadows are seen in these compositions. But what is so impressive about each of the pieces in addition to their clear structure  is that if there is a musical definition of love,beauty and life- then this is it! It just doesn’t get better than this.

Let’s consider the B-flat Major. The Allegro Moderato was so pleasant and fluid. The long sustaining notes for the cello echoed by the violin and the piano punctuating each melody and everything complementary to everything else- it was so beautiful. The second movement embarks into a sense of longing and almost contented sighing with solos and duets that were just unbelievable. The third movement goes back into this happy phase- almost playful. The fourth movement was more passionate and aggressive with the piano parenthesising each melody played by the violin and cello and it ended on a triumphant gleeful note.

Artistled Recording
Artistled Recording

The E-flat Major followed after the intermission and it was a revelation. Each movement was so beautiful that it was just too good to be true. It gave a feeling that you get when you look at the pristine beauty of the majestic mountains of Yosemite  from the Tunnel view for the first time or when you look down at the Colorado river from the highest point at Guano point in the Grand Canyon or at a sunset over Lake Michigan at the Sleeping Bear dunes park! It was a piece where each melody seems to cite an instance of happiness and urges you to be happy.

To me, the E-flat Major is a joyous celebration of all there is to love and life when you have not an iota of doubt about a prosperous future or benevolent heavens.You just can’t help feeling happy when you listen to it.  The feeling you get when you look a baby’s smile or feel your mother’s touch- it is so so beautiful!It somehow directly connects to that part of the brain that creates happiness.The ending seemed as if a level of matured happiness has been achieved and it was a quiet joyous conclusion!With these pieces, you feel “safely” joyous as it is set in a familiar structure and yet there is so much going on.

David Finckel,Wu Han, Philip Setzer
David Finckel,Wu Han, Philip Setzer

It is definitely to the credit of the musicians that they were able to bring out of the genius of the composer by executing it so flawlessly. There was a harmony among these musicians and the mastery exercised by each musician over his or her field made the concert what it was- an absolutely beautiful evening!

There was an encore when they played a slow movement from Mendelssohn’s piano trio. Already you could see the difference in beauty between Mendelssohn and Schubert!It’s like looking at the beauty of two different rose buds.

I love the signing that UMS sets up these days after the concerts. It gave a chance to interact with the musicians. These world-class musicians are so down-to-earth and easy-going.

Overall, it was an enthralling evening…when love was definitely in the air in the garb of music.

Yours enamored,

Krithika

Check out the “Schubert piano trios” cd! It is definitely worth it.

Review: Three Cheers for the Luciana Souza Trio

Same time, last week, I was awaiting with bated breath  to hear some Latin Jazz. And why did it take so long for me to post, well.. where do I start! It has been one of those weeks when you never know what you are doing, why you are doing it but you know that you have to keep doing it as your life depends on it- aka exam week!  Also, there were three unique performances  ( Luciana Souza, Schubert Piano trios and Bela Fleck)  in store that week and my musical senses along with my academic were totally  overwhelmed. So anyway, here goes….

It started with a very Latin-jazzy tune with Luciana Souza crooning away to the lovely harmonising of Romero Lubambo on his guitar and then Cyro Baptista joined in with his percussion. So at the very beginning itself, I was spellbound by the magical phrasing, the perfect harmonising and the totally crazy but superb percussion!

Luciana Souza Trio
Luciana Souza Trio

I don’t know which artist to talk about first in the trio! You know what, let me do it in the alphabetical order (Ok, i was lying, i wanted to talk about Cyro first!). So first comes Cyro Baptista. Ok, this man is a crazy genius. He is like a mad inventor who just gets the most fabulous tunes out of ordinary things. He had a gas pipe whistle, a brush, some beads, a wheel like thing with balls embedded in it that made such a distinctive clanging sound, shakers made out of vegetables and gourds, metal sheets, rocks…. he was totally amazing in his percussion arrangement. Apparently, Cyro’s favorite store is Home Depot where he goes looking for new material for new percussion instruments.

Of course, in today’s electronic world, you can get whatever sound you want. But hearing those sounds (like a bird flying away or rain pouring down) live produced from real tangible instruments on stage? Well, the effect is totally different. His superb grasp of the rhythm and the way he blended all the funky sounds from his myriad  instruments into the music was just breath-taking.

Cyro Baptista

In his solo, he showed a glimpse of what he could do.  You could here the tides and the ocean one minute, then the next moment you were in a jungle with  the birds chirping and the whooshing of the wind. But then, suddenly you would be transported ina train to join an army parade. There were so many combinations of sounds – with echos, with tribal sounds, animal sounds- he was a true entertainer.To me, he was the highlight of the evening. But, that said, the others weren’t any less stars.

Luciana Souza has a voice that is made for this genre. She has this pleasant yet deep yet not too shrilly voice (it’s hard to describe it!). She can sing so fast (almost breathlessly) or slip into a very slow soul-stirring song that makes you cry. Her phrasing and the improvisation was impeccable. To me, “firewood” was a very memorable song with very very creative percussion.There was a song about a two exes on the dance floor dancing with their current partners respectively, with the female looking at her ex with a longing (ah…these songs are so melancholic). In this one, Luciana’s phrasing (like tatara or papparapap similar to solfeggios of a sort being put together),matched Romero’s harmonising so well. This was a fast number and she executed it so well.

The charming Luciana Souza
The charming Luciana Souza

Her song selection is very enjoyable. Her music flows like poetry and she is drwan by the sounds of nature too. “Tide”, “Amulet”- all these songs were thoroughly enjoyable.  She explained that she is looking at the bossa nova genre from a new perspective- that of a Brazilian who has settled elsewhere and that is where most of her songs come from. The deep sorrow in most of the Brazilian songs will be somewhat surprising to people from other countries. But it had a tinge of dark humor that was pleasant.

Now about the other star  of the trio- Romero Lumbambo. Remember when he had come alongwith Ms. Gal Costa? Well, I saw a different side to him today. He was totally in his element and was making “jokes with his guitar”. His  playing was just fun and complimented the singing and the percussion. The spontaneity was amusing and totally entertaining.

Romero Lubambo
Romero Lubambo

When the performers are true friends and have true respect for each other’s work, it shows. The camaraderie and as a result of it, the beautiful music and add the artists’ great sense of humor to it-it was a party that you didn’t want to miss!

At the end of the concert, there was an added bonus! We had a Q&A session with them and learnt so much more. Of course, I had to go ask a stupid question right. I asked them if they rehearsed (ok ,people, I don’t know much. me a jazz novice  you see).. And Luciana, smilingly said,” No. We know the arrangement of the song. Then it is based on the audience, the mood of the evening and it’s all spontaneous.  Maybe we should rehearse more (with a twinkle)”.

hmmm… nah! these guys are great doing what they do and I don’t think they need any practicing!

As for Latin Jazz- an art form where there is so much room for spontaneity and creativity-  I am loving it!

Yours truly,

Krithika, for [art]seen

Krithika is totally looking forward to Cyro Baptista’s ” Beat the Donkey” show on Mar 13th!