PREVIEW: Joy, Despite

Poetry Night in Ann Arbor has been an event for 18 years now. But in my four years of living in Ann Arbor, I had never heard of it until I happened to open (and actually read) one of the all too frequent “upcoming event” emails that find their way into my saturated inbox. For some reason this one I didn’t immediately delete and now, I’m so excited to share a few details about the upcoming Poetry Night in Ann Arbor that I’m going to attend!

The title for this year’s performance is “Joy, Despite”. Their Facebook event describes this idea as: “The despite is obvious- despite hate, despite division, despite racism, sexism, homophobia, Islamophobia. Despite natural disasters and man-made disasters. How do we love ourselves and each other?”.

The performance will feature local artists Kyndall Flowers, Dylan Gilbert and Zaphra Stupple. All of whom have won recognition within the community as excellent artists of their craft. In addition, 10 youth poets will be showcased in performances of spoken word and music. Located in the Keene Theater in East Quad, this event is sure to have something for college students and Ann Arbor residents alike.

Basic Info:
When: Saturday 11/11, 7-9pm
Where: Keene Theater
Tickets info

REVIEW: A Far Cry with Roomful of Teeth

I listen to classical music for studying. I find the genre soothing when I need white noise in the background to my work, without the distraction of words. Not being a classical music enthusiast, that is what I think of when I hear the words chamber music and string instruments. I could not have studied to the music performed at Wednesday evening’s performance by A Far Cry and Roomful of Teeth. It was distracting and simultaneously hypnotic, it was empowered to give voice to the feeling of powerlessness and powerful when just voiceless music.

A Far Cry is a 17 person self-conducted orchestra with a lively and spritely sound. Not knowing much about classical music, I can’t speak in depth on their musicality except to say it was brilliant. As they played I was constantly surprised by the changes in movements, the way the musicians but their whole selves-moving vigorously to the music- into their playing. My notions of what strings’ classical music is were completely subverted. And in this subversion I found something inside of me relaxed; I was able to just enjoy the music. I felt comfortable in the space and allowed to let go of the stressful rush of deadlines for the end of the school year.

The same phenomenon occurred during the peices by Roomful of Teeth. The mesmerizing sound lulled me into a sense of ease when I would have expected to feel unsettled by the disregard for what I thought of as “Chamber”.  But instead, I was eased and astonished that 8 human voices could makes so many sounds. That they could blend, create dissonance, and fracture in such a myriad of ways!

The final piece was one with the two groups together, written specifically for them by Roomful of Teeth’s member Caroline Shaw. The two seemed for one moment to do a fun exchange passing the melody and featuring one group, just to then tightly intertwine groups the next moment. The interplay of friendship and musicianship was wonderful to watch.

I would recommend catching these two groups perform if given the chance; for both the classical music enthusiast and the non alike, they will change your perception of chamber music.

Roomful of Teeth
Photo credit: Bonica Ayala (UMS website)

PREVIEW: A Far Cry with Roomful of Teeth

Wednesday, April 12th vocal chords will meet violin chords at the performance of A Far Cry with Roomful of Teeth. Both groups are inspiring artists when alone. I can’t wait to see them perform together in the open space of Rackham.

A Far Cry is a 17 member chamber music ensemble. See some of their past work directly below. Lively and innovative, this self-conducted group is sure to invigorate even the most non-classical music listener.

Roomful of Teeth’s sound, as their name implies, is biting and hypnotic all at once. You will be amazed at the range of sounds the human voice is capable of. Check them out below!

Details:
When: Wednesday, April 12th
Time: 7:30pm
Where: Rackham Auditorium
Tickets

 

REVIEW: Prison Creative Arts Project 22nd Annual Exhibition

On Wednesday, I journeyed to North Campus for the Prison Creative Arts Project’s annual exhibition. This collection was curated from art submitted by prisoners within facilities across Michigan. This exhibit is a form of self representation from a group that lives on the fringes of our society and is so frequently misrepresented. All of the supplies used to create each piece were paid for by the artist with their wages from jobs they held within the prison; most wages for these jobs is far below the minimum wage.

Walking around the room, where white walls were plastered with art of every type and variety- including sculpture and 3D models- I was struck by the range of emotions conveyed through this art. Instead of being curated around a single theme or emotion, this exhibit seemed to strive to provide insight into the whole lived experience of life behind bars. Just as PCAP strives to encourage this population to be seen as whole people; prisoners and artists, instead of prisoners or artists- but first as people.

“The Lifer – A Self Portrait” by Martin Vargas (photo from Michigan Radio)

One painting that stayed with me was “The Lifer- A Self Portrait” by Martin Vargas. A simple black and white drawing, you can feel the frustration and endlessness of the pathways through its vivid use of shading. Objects, obstacles, twists and turns keep one from being able to see what is a dead end and what connects. It is a mesmerizing piece.

Just as the materials to create the work was paid for by the artists themselves, with every painting sold during this exhibit the artist receives the money for their work.. If a painting was not sold, artists can specify that it be sent to someone, perhaps a family member or loved one. It was encouraging to see how many red sold dots the painting had as I walked around. Prison Creative Arts Project 22nd Annual Exhibition has created a space where wonderful, otherwise unseen, works have a platform to be showcased in the art world.

PREVIEW: Prison Creative Arts Project 22nd Annual Exhibition

The Prison Creative Arts Project’s mission is to gather “those impacted by the justice system and the University of Michigan Community into artistic collaboration for mutual learning and growth” (www.prisonarts.org). Founded in 1990 as an solitary theater workshop, today it’s home in the RC on campus has grown to encompass courses, exhibits, and programs.

“We hope to find the very best of what’s going on with people in prison and show it to the outside world, and to help the folks inside know also that we do see them for things besides what sent them to prison.”

-Ashley Lucas (in an interview with Michigan Radio) Click here for the full article.

The Prison Creative Arts Project 22nd Annual Exhibition of Art by Michigan Prisoners is open now through April 5th in the Duderstadt Center Gallery (yes, North Campus). It will be worth the bus ride.

Gallery hours are 10am-7pm on Tuesday-Saturday and 12pm-6pm on Sunday-Monday. The gallery is free and open to the public; so stop on in and see where art and social justice meet.

REVIEW: Mr. Burns, a Post-Electric Play

Mr. Burns, a Post-Electric Play speaks to the very nature of storytelling, its ability to evolve and change as society does. It’s like one long drawn out game of telephone- one in which the pop culture icons The Simpson’s star. The production put on by the University of Michigan’s Department of Theatre & Drama this past weekend was inventive and entertaining, featuring a cast that was diversely talented and dynamic.

Visually the show was vivid and full of beautiful surprises. The set was at turns grungy and battered, dazzling illuminated, and later terrifyingly imposing. Moving through three distinct locations, one for each act, each was unique and reflected the changing times after the end of the world. And the costumes tied the scenery together. At first, they were everyday clothes that you and I would wear, but battered and obviously routinely slept in. Then the first leap 7 years after the world-ending-electricity-lost event they are still familiar but as the actors attempt to re-enact a live performance version of The Simpsons the costumes become slightly off. They have obviously been scavenged and the actors are making do with what they can find. The last leap puts us 75+ years after that ominous event. Actors are wearing caution tape and paint as dresses. Pencils function as Bart’s hair, as his mother, sister, and father wear pieces of plastic bottles and cut up solo cups. When Lisa walked out in a garbage bag of a dress covered in solo cups, I almost lost it- it was that ridiculously funny!

What also got me was when in the second act (7 years out) the actors are all suddenly singing. I was very unaware there would be singing at all in this play but we took a short break, from the serious possibility that they were all dying from radiation, to listen to a well executed mash-up of hit songs. This act really allowed the actors to stretch themselves into their characters and flesh-out the relationships we’d begun to see in the first act. The interaction between actors during this first act was key to setting up the rest of the show, though it was by far the most serious- it took place shortly after the worst of the power loss. The well enacted backstories become key in the second act because we’ve become invested in their fates.

I was sad to lose them in the third act and to never know for sure what had killed them- guns, old age, or radiation. The third act was strange and fun and startling as we saw how 75+ years had transformed the idea of The Simpsons; it became strangely merged with the tale of the end of the world as we currently know it.

It left me wondering; regardless of if we have electricity or not 75 years from now, what will be the part of culture that survives? For all the brilliance of Mr. Burns, I really hope The Simpsons isn’t the one thing that future generations hold on to.