PREVIEW: Fun Home

 

Fun Home is a 5 time Tony Award winning musical adapted from the graphic novel by Alison Bechdel, Fun Home: A Family Tragicomic. In this memoir Bechdel reflects back on her relationship with her father, her dysfunctional family dynamic, understanding of sexual orientation, and the use of literature to unpack our identities. Lisa Kron and Jeanine Tesori adapted the story for the stage to great acclaim. Fun Home is the first broadway musical with a lesbian protagonist; it has won praise for breaking boundaries and its fresh, raw narrative voice.

In Winter 2015 the University of Michigan put together an exhibit of Alison Bechdel’s work. This video does a great job of discussing some of the themes present in both the graphic novel and musical of Fun Home.

During the musical’s entire run at Fisher Theatre, until December 11th, Broadway in Detroit will be offering a great deal on rush tickets for college students. Rush tickets begin 2 hours before each performance at the box office and are limited to 2 tickets per valid student ID. They are $25 cash tickets. This is a great deal and amazing opportunity to see an inspiring piece of theatre! And as University of Michigan students, the Connector makes getting to Detroit easy and affordable (its free). Don’t miss your chance to see Fun Home!

The Details:
Dates: Now- December 11th
Times: Tuesday -Saturday at 8pm
Sunday at 7:30pm
Saturday and Sunday matinees at 2pm
Where: Fisher Theatre in Detroit
More information: Broadway in Detroit

REVIEW: MUSKET’s Avenue Q

Saturday evening I arrived out of the cold winter air of the first snowfall in Ann Arbor, to the warm lobby of the Power Center. The atmosphere of the crowd making their way to their seats for MUSKET’s Avenue Q was festive; joy at the first snowfall is precious and limited, as snow soon turns into a miserable obstacle to plans and getting places in later months.

But Saturday, the audience was still enthralled with snow and the good mood grew as the show began. The musical’s energy and satirical nature had the audience laughing from the first opening animation. The masterful use of puppets occasionally invoked giggles at the interactions between human characters and puppet characters, as the relatable struggles of being adults enfolded. Princeton, the main character, strives to discover his PURPOSE while he and his friends battle making rent, holding jobs, and finding love.

I was pleasantly surprised by the numerous touching moments this production teased out. Scenes showcased friends supporting each other, sad moments of disappointment that elicited “oohs’ of sympathy from the audience, and beautiful technicolor numbers about love. I came expecting the songs about topics like sex and “Schadenfreude” whose satirical tones seek to create discomfort to further prove their point about the changes each of us can make in society, but I was pleasantly surprised by the balance between satire and kindness. The audience was engaged and eager; you could feel the good energy all around your seat and we showed our appreciation for the laughs by standing at the curtain call. College students like myself, happy we have yet to face many of the difficulties awaiting us in adulthood as portrayed in the musical, and parental adults alike, both enjoyed MUSKET’s energetic romp along Avenue Q!

PREVIEW: MUSKET’S Avenue Q

Tonight is the opening evening of MUSKET’S Avenue Q! The musical explores coming of age stories as the characters navigate the struggles of entering adulthood. Robert Lopez and Jeff Marx created the concept that was eventually made into the Broadway musical familiar to us today. Featuring a combination of puppets, their puppeteers, and human actors the production reinvents the use of puppets in storytelling. Don’t let the idea of cute puppets fool you- this is not a children’s show. When buying my tickets for the show, the ticket master had to read me a warning: “The show is intended for mature audiences only”.

In recent years, Musket has brought the UofM community both loving classics and new edge theater; Into the Woods, Spring Awakening, and Big Fish are just examples of the diverse performance this organization has put on. I look forward to seeing how they’ve put their own unique touch on the 3 time Tony award winning musical, Avenue Q!

What: Avenue Q
When: November 18th, 19th at 8pm AND November 20th at 2pm
Where: Power Center
Buy Tickets: Students $7/Adults $13 (at door $10/$15)

REVIEW: Dorrance Dance

Before Dorrance Dance began on Friday, October 21, I was in the ladies room of the Power Center. There was this little girl in her polka-dot dress and tights washing her hands, as I stood in the inevitable line for the stalls. She was dressed up for the theater and held her mother’s hand as they left for their seats. Suddenly, I had a longing to be that little girl, when going to the theater still had a shine of novelty to it, and everything was wondrous because it was new.

20161022_180508Michelle Dorrance and her collaborators created a show where I got to be a child again; as her collaborator Nicholas Van Young wrote about “ETM: Double Down”, they created a playground “Where you can let your imagination and your feet run wild”. A show in two parts, their movements were mesmerizing. We as an audience sat stunned in our seats, afraid to clap for fear of missing some vital part of the music their feet were creating. It was tap like I’ve never seen it.

Photo Credit: Christopher Duggan
Photo Credit: Christopher Duggan

The first act was excerpts from Dorrance’s “SOUNDscape”, where the only sound was the precise tapping of their toes. One moment their legs are moving too fast to see and the next there is an exaggerated slowness to their movements where you see, rather than hear, the ensemble breathing together. While this act featured no background music, “ETM: Double Down” was a mixture of music, beats, and notes played by the tappers themselves and their collaborators. Never was there a more perfect marriage between tap and technology.

For two wonderful hours I sat enthralled; everything was novel and everything was new because I was constantly surprised about what might happen next. I was a child again- transported up there on that playground with them.

PREVIEW: Dorrance Dance taps to the Power Center

Join Dorrance Dance for the second performance of their two day run in Ann Arbor. Former STOMP member, Michelle Dorrance and her dancers are set to rattle the Power Center’s rafters with the rhythm of their shoes.

Traveling with their own floor may seem a little extreme, but you won’t be sorry they did! Michelle Dorrance is the winner of the 2015 MacArthur “Genius” Grant and her stunning choreography continues to gain praise. Friday night’s performance features segments from both ETM: Double Down, which uses platforms with sensors linked to computers, and SOUNDscape.

I was never very good at tap, despite my mother’s continued attempts to change this by enrolling me in classes. I was always jealous of the girls who could just tap their toes and create music. I’m sure I will be both very jealous and wondrous watching what Michelle Dorrance has in store tomorrow!

The performance starts at 8pm on Friday, October 21st at the Power Center and is approximately 2 hours with an intermission. Tickets at this point are very limited! Check out this video for a sneak peek.

REVIEW: Concert on the Hill is Where Dreams Go Blue

Walking out of Hill Auditorium, I couldn’t believe I’d never been to the University of Michigan Women’s Glee Club before. Their show on Friday was a fun mix of classic choral scores, Disney music, and school spirit! I will definitely be attending some of their concerts next year! Audience members at Friday’s show also got to hear songs that they will be singing later this summer in a tour to Florida that, yes, includes Disney World!

The first half of the performance focused on the more classic choral pieces. These songs really showed off the strength and range of the choir’s voice. “To Be Sung on the Water” was a beautiful piece and the women’s voices sounded like they were gliding peacefully through the very water they sang about. “The Seal Lullaby” also made an appearance, which is often the staple of many female choirs. The music is beautiful but can be tricky because it features a lot of “oooh”ing instead of words, so vowel formation has to be spot on. In the hands, or should I say vocal chords, of the Women’s Glee Club though there was nothing to worry about and they performed this classic with an air of sweet energy. “Chindia,” the last song the Club performed in the first act, was upbeat and lively. The rest of that act had been slow, and beautiful, pieces and as an audience member I would have liked to see more variety in the tempo of the pieces selected.

Just before intermission the Glee Club filed off and Midnight Blue treated us to a few songs. Midnight Blue is an a cappella group made up of some of the members of Women’s Glee who get together and sing on their own. Their selection of pieces included pop songs, a mash-up, and a song sung in the barbershop style. This combination made for a perfect set-up for the second half of the Glee concert.

The second half featured some Disney music along with some good old school pride. Leading off was “Eatnemen Vuelie” which is featured as an opening number in Frozen. This song received immediate recognition from the audience; part of their excitement could also be that this song featured Ellen Cealey on the drum which added to the fun! For their Disney Princess Medley, each princess song had props that the Glee members used such as bubbles, streamers, and sheets. This was only mildly successful as some club members were better at incorporating them than others; but I have yet to see a choir use props in a way that I love. To honor their seniors, during the song “Seize the Day,” seniors stood in the a group at the front of the stage. I thought this was a nice tribute and a creative way to frame the song. They even had coordinated movements, which were very together!

Closing the concert, they had a series of songs promoting the UofM school spirit. Some of them I hadn’t heard before! Alumni that were in the audience were invited onstage to sing these songs and I enjoyed that touch. It was nice to see multiple generations of Women’s Glee Club members singing together and a great way to end a wonderful concert!