REVIEW: Mark Morris Dance Group

The Mark Morris Dance Group performance was certainly a new experience for me. I have never been to such a mixed arts event in the past. Walking in, before the first people came on stage, before even the lights began to dim, you are immediately aware of the art of the performance because of the backdrop of the stage. There is this brilliant painting that sets the background for the entire performance, consisting of what appears to be large brush strokes sweeping across the canvas. The entire painting consists of only 3 colors, but as the lighting changes on stage, the painting changes colors as well. This sets the mood for the performance, as the rest of the dancers come out dressed in similarly bright colors.

At the beginning of the performance, a group of 4 musicians come on stage and perform a short piece that also begins immersing the audience into the world of Layla and Majnun. The music is accompanied by English captions above the stage, translating the story being told by the two singers in the group. Immediately, from the key of the music and the poetic quotations being presented in the captions, the audience gets a feeling for the tragic nature of this story.

Then, the entire music ensemble walks on stage. As the musicians begin playing, the dancers start to walk out two at a time. All of the female dancers are dressed in these brilliant pink flowing dresses, and the men are dressed in bright blue. This choice of colors perfectly contrasted the men from the women, as well as made the aesthetic of the stage come together beautifully with the painting in the backdrop. This can be seen in the image below, taken by Susana Miller.

layla
Photo by Susana Miller

Throughout the performance, one is entranced by the beautiful singing of Alim Qasimov and Fargana Qasimova, seated directly in the middle of the stage and surrounded by the music ensemble. They demonstrated an incredible control over their vocal range and ability to express such deep emotion in their voices. I do have to say I was biased towards focusing on the musicians more than the dancers, since my training is in music, not dance. This also meant I was new to the style of dance the Mark Morris group utilized. It was predominantly lyrical, trying to showcase the tragedy of this love story through the movements of the body. However, this also meant there was not a focus on showcasing skill, so the performance was much more centered on telling the story of Layla and Majnun rather than exhibiting the dancers. In this way, the choreography often included simple physical movements that demonstrated love and loss, repeated by each male/female pair in the dance group.

Overall, I fell in love with the beautiful colors of the stage and the voices of the singers and the talents of the musicians, but I found myself unable to stay focused on the dancers. My eyes kept drifting back to watch Alim and Fargana perform extraordinary cadenzas effortlessly. I would love to see the Mark Morris Dance Group perform in a more dance-central piece, but I was not able to experience the character and skill of the group in this performance.

by Kim Sinclair

PREVIEW: Moth Night at Circus Bar

The Moth
The Moth

The Moth is a well-known podcasts and stand-up format where professionals and amateurs alike tell personal stories based on a theme.

Circus Bar hosts The Moth on the 3rd Tuesday of every month, including this Tuesday, October 18th. This week’s theme is Hot Mess. Taken from the web site:

“Prepare a five-minute story about spectacular chaos. Faux pas and flamboyant fails. Calamitous confusion. Wearing two different shoes to work, butt dialing your ex, tanking an interview. Disheveled dramas and situations so tangled there is no hope of straightening things out.”

Stories begin at 7:30 and tickets are $10

REVIEW: Layla and Majnun

I bought my tickets last-minute to be at the performance of Layla and Majnun, which meant I’d be all the way at the top of the balcony at the Power Center. Granted, the view wasn’t the greatest — especially when the dancers were active on house left. However, I was still able to fully receive the emotions conveyed through music and movements on stage even when I was practically the farthest from stage. Colors, poems, and artists skillfully created a space where a tragic love story can be told. It may be an understatement to say I was impressed.

The first time I saw the Silk Road Ensemble perform was four years ago. I was curious about how the so-called Western and non-Western instruments can come together and form a cohesive ensemble. They proved me at that performance that it’s totally doable, and music can, indeed, transcend borders. The ensemble reinforced that again at this performance, where a group of string players — violin, viola, cello, bass, Persian kamanche, and Chinese pipa — supported the two Azerbaijani singers and the entire dance crew as a true ensemble. I was also moved by Mr. Evan Ziporyn for his skill on clarinet to be able to be mellow and flexible enough to adapt to the Azerbaijani musical tradition on an instrument made for Euro-American settings. I also appreciated the production team for making the music just loud enough, but not overpowering. With the music so sensitive, all it needed was a slight amplification to reach an audience afar (like me!) — which I thought was executed very well.

layla-majnun-1080-4-by-susana-miller-1620x1080
Photo by Susana Miller. Father-and-daughter Alim Qasimov (left) and Fargana Qasimova (right) are incredible singers!

I had never heard of Mark Morris Dance Group, but the fact that Mr. Yo-Yo Ma has referred to the group as “the preeminent modern dance organization of our time” made me look forward to seeing them. Their movements on stage were very convincing, even to my non-dancer eyes. I was most impressed in the last act, titled “The Lovers’ Demise”, where the dancers fall down one-by-one to the ground after what seems to be a despairing moment but none of them fall exactly the same way. Their control over their own bodies and connections with other dancers and musicians are incredible and memorable.

Going to this performance was a great way to wrap up my busy week and start off my fall break. I was also happy to see many other students in the audience experiencing the same beauty, in an art form that I’m sure most of us were not very familiar with. Ann Arbor offers so many different performances that are new to me, and they never seem to disappoint.

REVIEW: The Drowsy Chaperone

If you have yet to see a show done by University of Michigan’s School of Music, Theatre, & Dance, I highly recommend you start by seeing this show.  The seats weren’t completely full but by the laughter that filled the room, one would think it was oversold.

psp_3582
Cast of The Drowsy Chaperone-Press Release Photo

The show begins in the dark with a monologue from the star of the show, Man in Chair (Alexander Sherwin).  He describes what it’s like waiting for a show to start and he captures it spot on.  The Man in Chair puts in his favorite record, The Drowsy Chaperone, and the show comes to life onstage.

psp_3608
Janet Van de Graaff (Hannah Lynne Miller) and Robert Martin (Kyle McClellan)-Press Release Photo

The big opening number, Fancy Dress, drew the crowd in immediately.  All of the characters are introduced and you fall in love with them right away.  Mrs. Tottendale (Isabel Stein) is the sweet, confused hostess who can’t seem to remember that everyone is there for a wedding.  Her spit-take with her employee, Underling (Aidan Ziegler-Hansen), is priceless.  Robert Martin (Kyle McClellan), the dashing groom has a high-energy, fun tap number called “Cold Feets” with his frazzled best man George (Christopher Campbell), which was personally one of my favorite numbers!  Broadway producer Feldzeig (Riley McFarland) will do anything to stop the wedding from happening so he won’t lose his leading lady Janet Van de Graaff.  Kitty (Jo Ellen Pellman) is a ditzy wanna-be-star constantly trying to convince Feldzeig that she’s fit for the role of the leading lady.  Gangster #1 (Joseph Sammour) and Gangster #2 (Simon Longnight) stole the show every time they were onstage!  Both disguised as pastry chefs for the wedding, the gangsters were hilarious as they made pastry puns and starred in the exciting number of “Toledo Surprise”.  Adolpho (Charlie Patterson) was another audience favorite.  As a Latin “lover of ladies”, he was put on a mission by Feldzeig to seduce the bride, but amidst the chaos, ends up seducing the wrong lady.  Bride Janet Van de Graff (Hannah Lynne Miller) can’t seem to give up the spotlight, as we see her “Show Off” in her large number, doing cartwheels, high kicks, and smiling for any camera around.  Miller played a stunning leading lady.  The Drowsy Chaperone (Nkeki Obi-Melekwe) killed it in her song titled “As We Stumble Along”.  The chaperone is supposed to be making sure that Janet Van de Graaff doesn’t see Robert Martin on their wedding day, but always seems to be stumbling around with a drink in her hand.  She hits every comedic line perfectly and wows the audience in any and every song she sings.  Definitely another audience favorite.  Trix (Cydney Clark), the aviatrix, also has a stunning voice as she sings “I Do, I Do in the Sky”.  The Superintendent (Griffin Binnicker) makes an appearance at the end of the show.  He may have few lines, but he definitely makes the most of them!  And finally, you can’t forget about the ensemble (Spencer Crow, Audrey Kennedy, Carina Kay Louchiey, Christopher Washington)!  Their dancing was phenomenal and they seemed to have such a fun time onstage!  Whether they were news reporters, maids, or a plane, they helped make the show complete.

The Drowsy Chaperone (Nkeki Obi-Melekwe)-Press Release Photo
The Drowsy Chaperone (Nkeki Obi-Melekwe)-Press Release Photo

There were many people in the show within the show, but the Man in Chair was the true star.  He deserves a huge pat on the back for this role.  It must not have been easy to memorize the pages of lines, and to make sure he is continuously connecting with the audience.  A job well done on Sherwin’s part.

Man in Chair (Alexander Sherwin)-Press Release Photo
Man in Chair (Alexander Sherwin)-Press Release Photo

The music, choreography, and acting was simply spectacular.  As the Man in Chair says “Musicals take you into another world; they help you escape the dreary horrors of the real world.”  And that is exactly what this show did.  Whether you are an actor, a theatregoer, or someone who has never seen a show, I promise that you will form some sort of connection with this musical.  I highly recommend seeing this once, if not more.

Tickets are on sale online at http://tickets.music.umich.edu/single/eventDetail.aspx?p=2923, or you can get them at the door.  $12 for students with a valid ID and $22-$28 for others.  The show runs October 13-16 and October 20-23.  Thursdays at 7:30pm, Fridays and Saturdays at 8:00pm, and Sundays at 2pm.

PREVIEW: Mark Morris Dance Group

What? A performance of Layla and Majnun by the Mark Morris Dance Group, presented by UMS

Where? Power Center for the Performing Arts

When? Thursday October 13 at 7:30pm, Friday and Saturday October 14 and 15 at 8:00 pm

How much? Starting from $30

Why? The Mark Morris Dance Group is one of the most well-known dance companies in the world, and this September is their world premier of Layla and Majnun, a tragic and beautiful Persian love story. It is a performance not to be missed.

layla

by Kim Sinclair

PREVIEW: The Drowsy Chaperone

The Drowsy Chaperone is literally a musical within a comedy, as the poster states.  It is a hilarious story about the chaotic events occurring before a wedding.  I had the pleasure of performing in this musical a year ago and it was honestly one of my favorites.  The show is so light and fun, and is bound to make you fall out of your seat laughing at one point or another.

14713610_10154488417255340_2878424557609143008_n

U of M’s School of Music, Theatre, and Dance is putting on this wonderful production and I am beyond excited to see it tonight!  The music is so much fun and the story is extremely loveable.  Later, I will be posting a more in-depth summary of the show with my review.

Shows run October 13-16 and October 20-23.  Thursdays at 7:30pm, Fridays and Saturdays at 8pm, and Sundays at 2pm.