REVIEW: Sleeping Beauty

This past week, in collaboration with U of M, the American Ballet Theatre brought their hundred and twenty-fifth anniversary production of Sleeping Beauty to Detroit. Featuring the original choreography by the legendary Marius Petipa and a solo by the one and only Misty Copeland, Sleeping Beauty was beautiful, exquisite, and energetic. From the intricate and absolutely decadent costumes, to the beautiful, sweeping music and majestically towering sets, Sleeping Beauty transported me to another world—one in which a two and a half hour-long ballet can feel as sweet and fleeting as a daydream.

The feeling in the Detroit Opera House was electric, enchanted. I’m normally not a huge fan of the ballet; I grew up a musical theatre geek, so I’ve never been able to wrap my mind around how people could find a show without words interesting. Saturday night, though, I finally understood.

I also was incredibly struck by the fact that this production featured the original choreography by Marius Petipa. Here were movements originally executed in St. Petersburg in the 1800s, now on a stage in Detroit in 2016, unfolding before my eyes. I felt both small and like a thread woven into a much larger tapestry. I felt connected to history, to the humans who lived in that other place in that other time. And that kind of connection is magic. It is an honor to be a part of it.

Everyone knows the story of Sleeping Beauty, so I was less intrigued by the storyline as much as the dancing itself. The ballerinas and ballerinos leaped and twirled across the stage—executing perfect entrechat after perfect entrechat—like this was what they were born to do. They made it seem effortless; even their faces were part of the dance, expressions reflecting whatever emotion they wanted to convey at any moment, rather than showing the immense concentration and effort it must take to dance in such a manner.

All of the dancers were wonderful, and it’s clear why they’re part of one of the best companies in the world. The ballerina playing Aurora (Hee Seo) practically defied gravity—and, of course, Misty Copeland was spectacular as well. After waiting through the first two acts to see her, the crowd broke into applause and cheers when she appeared onstage, finally, in the third act. Everything about her was singularly focused and in the moment, precise and delicate and full of emotion. It was breathtaking to witness.

Altogether, American Ballet Theatre’s Sleeping Beauty showed me how much dance connects us and how gorgeous stories can be—even (and especially) the ones we think we already know. The ballet about sleeping made me feel somehow like I was both in a luscious dream and beautifully wide awake.

 

REVIEW: That Brown Show

Michigan Sahana music, a coed team, began the show.  They featured singers and musicians of various sorts playing calm music.  There were different kinds of drums, a violin, a keyboard, and more.

Michigan Taal was next, performing their routine flawlessly.  I’ve seen them dance a couple times now, as I have a friend on that team, but they had a different, amazing energy with them last night.

TAAL

Michigan Raas team went next.  Their routine was based on Avatar: the Last Airbender.  They are a coed team.  There was an Aang character, too!

Maya was the next team onstage.  They are all girls, and only had 5 people onstage at a time.  Their dance involved lots of hand movement.  They were calm, but not boring; it was very different from the other teams.

Michigan Manzil, a coed team, did a routine based on The Wolf of Wall Street.  It was a love story about two college kids who graduate. The guy lands a prestigious job in New York and gets really involved in work and starts to change as work takes over his life. Their relationship crumbles. He begs her to stay so that they can start over and things begin to turn around.  There was a crazy energy from this team!  Two bhangra dancers came out and danced with them for a little bit, as well.

Maize Mirchi, a coed a Capella group sang for a few songs, then Michigan Bhangra team danced.  They are coed and were joined by 3 people from Manzil and Sahana near the end.

Michigan Izzat was after Mirchi.  Their performance was about a police officer in Chicago. His brother is worried about his safety so he lies to him about being a police officer. It turns out that the brother was part of a gang running from the police. This team was all male.  Some guys wore bunny ears and they threw in some ballet routines.

IZZAT

Michigan Sahana, an all female team, danced next.  They featured several classical styles.  Their outfits had a lot of bangles and accessories that made noise as they danced.  Namely, they wore jewelry on their ankles, so whenever they moved or stopped they added to the music.

Overall, That Brown Show was amazing!  It certainly didn’t disappoint.  I look forward to it next year and encourage you to check it out!

PREVIEW: That Brown Show

Michigan Manzil, Maize Mirchi, Maya, Michigan Bhangra Team, Michigan Raas Team, Michigan Taal, Michigan Izzat, Michigan Sahānā, and many other groups are featured in tomorrow night’s sixth annual That Brown Show!  All of Michigan’s South Asian groups will perform.  There will be over 100 performances showcasing different types of music and dance.

The show is tomorrow at 7:30pm, located in the Michigan Theater.  Doors open at 7:00!

Tickets can be purchased here and are also available through Passport for the Arts.  For more information, the TBS website is located at this link.

PREVIEW: Sleeping Beauty

It’s been one hundred and twenty-five years since the ballet adaptation of Sleeping Beauty premiered in St. Petersburg to high acclaim. However, the classic fairy tale about Princess Aurora–cursed to sleep for years and years–still draws audiences today (probably in large part due to the fact that many of us wish we could sleep that long).

In celebration of the show’s big anniversary, the American Ballet Theatre is taking it on the road in a multi-city national tour. This production features many of today’s most talented dancers, including Isabella Boylston, Sarah Lane, Cassandra Trenary, Hee Seo, and Gillian Murphy, all of whom will be performing the role of Aurora in different performances.

Featuring the original choreography by the great Marius Petipa–considered to be one of the most influential choreographers in ballet history–this production of Sleeping Beauty is sure to do anything but put audiences to sleep.

The show will be at the Detroit Opera House from Thursday, March 31 through Sunday, April 3. You can read how the University of Michigan partnered with the Detroit Opera House to bring the production to Michigan here. Tickets are available now at www.michiganopera.org/dance/sleeping-beauty.

REVIEW: Impact Dance Leaps It’s Way To the Power Center

They didn’t just leap; Impact twirled, flirted, kicked, cartwheeled, and flipped their way through the weekend. Friday and Saturday evening dancers filled the Power Center with their movement and everything from The Cinematic Orchestra to Britney Spears. More than just the music was varied: Impact performed contemporary, modern, competition, and cheer inspired dances, along with one hip-hop piece. To add to there were also guest performances by Rhythm (a tap dance group), G-Men (an all male acappella group) and The Friars (another male acappella group). All the guests were amazing! At one point The Friars and Impact collaborated on a piece. Impact danced a visually dynamic contemporary performance, as the Friars sang “Run to You”.  It was a special treat!

Impact Dance Show Poster (from Impact Dance Facebook Page)
Impact Dance Show Poster (from Impact Dance Facebook Page)

But of course the headliners were Impact. Although at times the show reminded me of an end of the year dance recital, with the dad sitting two rows ahead of me filming the whole thing on his little tripod and many of my fellow audience members shouting out their friends names like we were at a sporting event, I enjoyed the variety of dance and it was visually pleasing. I was surprised by the number of costumes! There was a new one for every dance, a small fact that added to the story of each. In terms of movement, there were a few too many times that a hairflip counted as a dance move for my taste. The group as a whole struggled consistently with spacing, so that often at least one person was hidden behind someone awkwardly.

The actual patterns of movement themselves were pretty ingenious at times. The choreography and dancers used the stage space effectively. Perhaps my favorite example of this from the night was the modern dance to the song “9 Crimes” by Damien Rice. At one point there were three different groups dancing at the same time, each something different, but the movement’s complimented each other in such a way that it looked almost cohesive. And then the groups crossed and intersected in some really cool movement patterns. It took up the whole stage and got every dancer involved so the effect was really powerful.

Impact dances well in unison and together as an ensemble. They seem to have a strong intergroup connectedness, as well as a love for what they do. The show was highly energized, emotional, and vibrant! Having created all those dances themselves, their dedication translated to the audience and made for a night that almost had me leaping home.

REVIEW: A2 DHOOM AT THE MICHIGAN THEATER

A2 Dhoom attire

The Michigan Theater is a building whose beauty rivals even that of Hill Auditorium.  This was my second time visiting the theater and my first time sitting on the balcony, which is a whole new experience.  The setting itself was astounding, but that was nothing compared to the dance competition.

The event started around 7pm.  Nova Nassa was the first team to compete.  Their theme was “Finding Nima,” a spin off of the movie, Finding Nemo.  They kicked the night off with a high energy performance, the highlight, in my opinion, being when one of the team members did a back flip from the wings onto the stage.  The stunt was perfectly timed, with strobe lights beginning the second his feet touched the ground.  The team executed many synchronized lifts, creating depth within their members with some dancing on their knees.

The second team to take the stage was UIUC Fizaa.  Their theme was “Knockout” and it was about a girl who started boxing in order to better control her anger.  Their costumes were very well-coordinated with said theme, everyone dressed in reds or pinks.  At one point, there was an amazing mass lift in which every female team member onstage was lifted from the legs and spun around in a graceful, synchronized maneuver.  This team used lighting well, and during the final fight scene, their dance was made even more dramatic by the dark light sequence.

The third team, Broad Street Baadshahz, an all male fusion team from Philadelphia, danced for “The Pursuit of Happiness.”  They began under a colorful backdrop, with an upbeat dance number.  The mood, however, soon turned, illustrating that the pursuit of happiness isn’t always an easy journey.  Later, they used colored saaps to illustrate solving rubix cubes, which was pretty cool.  Their team was set apart from the others because they had a live singer in the front of the stage.

BSB

After BSB, UNC Chalkaa started their performance.  Their story was that a group of people got caught in a Super Mario Bros game, ending with the main couple getting engaged.  This team used lights onstage as opposed to just those on the ceiling, creating a more interactive performance in which the audience was further subjected to more dramatic parts of the dance.  There was an instance in which the male lead “died,” but was soon revived by the classic 1-up green mushroom dancing across the stage.

There was an intermission, and then the board members were introduced.

Board Members

The fifth team to dance was Temple Agni.  They were an all female group also from Philadelphia.  Their story consisted of a president coerced into sending her troops to war because her daughter was kidnapped.  The daughter was later murdered, and the president revealed the moral of the story: all lives are important.  She did not send her troops to war for that reason.  The dance itself was invigorating, showing the daughter’s metaphorical revival through dancing.

After Temple Agni, OSU Genesis took the stage.  They are an all male fusion team.  They reenacted the story of Peter Pan.  They had a very cool promo video, with very poetic narration.  This team also used onstage lights and they told the tale behind Captain Hook’s hatred for Peter Pan.  They used shadows against the far wall to create a more dramatic setting.  At the conclusion of the dance, their story seemed unresolved.  It ended with Hook taking Pan’s hand, almost an eye for an eye sort of theme.

OSU Genesis

The Slu Shakti team went next.  Their theme was a spin off of the movie, Brave.  They used lights on the brim of the stage (pictured below) and Roman themed columns and torches that had lights placed into them for effect.  Their costume colors also corresponded for most of the light sequences, their main colors blue and green.  This team also used shadows against the far wall (also pictured below) and discussed the necessity of breaking old traditions to create new ones.

Slu Shakti
Slu Shakti

The final team in this competition was Rutgers S.A.P.A.  They told the story of the struggles of a transgender student, using the popular movie, Inside Out, as their theme.  They even used light colors to illustrate which mood was being used (ex. green lights meant Disgust was telling her story).

After that, the main coordinators of the event came onstage and discussed their purpose for the event: to raise awareness for human trafficking.  They promoted endslaverynow.org, which is an awesome place for people around the world to get involved in solving this global issue.

The exhibition act, Furteelay Shokeen, appeared onstage next.  They are Detroit’s premier all-male bhangra team.  They were incredibly popular and used fire and a live drummer to pump up the crowd.

Exhibition act

OSU Genesis won the best mix award and they placed second in the overall competition.  The best male lead was given to Captain Hook from Genesis, as well.  UIUC won third place with Slu Shakti taking first.