REVIEW: Hubbard Street

Dance is somewhat of a challenge for me to understand. I lack the proper vocabulary and background knowledge to truly and accurately describe what I see performed in front of me. That said I thoroughly enjoyed Hubbard Street Dance Chicago’s amazing performance of, One Thousand Pieces. I will do my best to tell you why.

First off, it’s beyond beautiful. The dancers move with such grace and precision – I sort of made up this game to try and see if I could see someone’s knee twitch or foot slip out of place, but I never caught any slip-ups. Every move was deliberate and precise. They would rush to complete a phrase then slow to a gentle glide across the sleek dance floor. It was spectacular. Their performance also featured a mist curtain, hanging as a billowy and ever-changing backdrop to their movements. The scene change with the mist curtain also left the stage littered with water droplets, in which the dancers continued to glide and float on stage to the rhythms of Phillip Glass’s music. The sound of the water could reach me in the balcony. I was even able to make out sparkling droplets of water dancing through the air as the artists flipped their arms in the mist.

This dance performance was not a story ballet or anything – the aim, as defined by Hubbard’s first resident choreographer, Alejandro Cerrudo, was to show how images are shaped and distorted through stained glass. Why stained glass? The choreography was inspired by Marc Chagall’s America Windows, as seen on display at the Chicago Art Institute. The props were simplistic but did include a few mirrors, tilted this or that way. It was also cool to watch the dancers when the lighting adjusted to show a vibrant reflection in the floor beneath their spinning bodies. So many of their movements seemed to me to be in a singular plane, moving within some sort of field of restraint. When I would glance at the dancers’ reflections in the mirrors or the floor, their movements seemed flattened and more distant – as if I were watching the performance through a window. It was unlike anything I’d seen before. It gave a whole new dimension to the work for sure.

Hubbard Street is an amazing company and worthy of all the praise they receive. Bravo to the dancers and thanks to UMS for bringing this fabulous company to our Ann Arbor stages.

PREVIEW: Hubbard Street Dance!

This weekend come check out the UMS presentation of Hubbard Street Dance. Performing a piece inspired by Marc Chagall’s America Windows and written by Hubbard Street’s first resident choreographer, Alejandro Cerrudo, the performance is sure to take your breath away. Cerrudo, when interviewed, commented on how windows shape and distort images – this is the inspiration of the piece. They use water effects, like mist curtains, and special backlighting to exemplify the beauty of the dancers. It is sure to be a spectacle of a performance, so get on those tickets, folks!

PREVIEW: Friars’ Concert

One of the University of Michigan’s most beloved a cappella groups, the Friars will present their 57th annual Best Concert Ever, Friday April 19th, 8pm in Rackham Auditorium. Wowing us with their vocals, humor, and terrible dance moves, I’m sure they will not disappoint. Tickets are $5 for students, $10 for adults. Hope to see you there!!

PREVIEW: Julian Allen Senior Recital

Julian Allen Senior Recital

It’s recital season. This means that every venue in Ann Arbor is jam packed with parents, friends, and artistic talent on any given day of the month. On Saturday April 27th, The Yellow Barn hosts the Julian Allen Senior Recital. A musician in the School of Music, this performance will feature original music and lyrics by Julian Allen and multi-media collaboration with local artists. Both jazz and electronic, vocals and rap, this dynamic and varied recital will explore a number of themes, techniques, and messages. In conjunction with Dance BFA student Julia Smith-Eppsteiner, local hip-hop artists Tree City and Kadence, and a number of U-M School of Music students and alum, this performance will run the gamut of Ann Arbor talent. The show starts at 6 pm. The Yellow Barn is located on 416 W. Huron Street. See you there!

REVIEW: UMGASS presents Pirates of Penzance or, The Slave of Duty

Friday night, I had the privilege of seeing UMGASS’s presentation of Pirates of Penzance, or The Slave of Duty. It was such a great show – whimsical, cheery, and largely optimistic, I am officially an avid fan of UMGASS and the work that they do.

The play itself was actually pretty similar to what I was expecting for my first Gilbert and Sullivan show. The humor worked on so many levels. There was, of course, the absurdity of pirates in this bizarre setting in Cornwall, the main character Frederic having an identity crisis and wondering what a “true beautiful woman is” when all he has known is his charming yet elderly guardian Ruth, and of course who could forget the Major-General, an attested genius who asserts the depth of his knowledge while insulting his own at the same time. The whole concept is absolutely crazy.

The other operating level of humor was of course that of intellectually-based, political satire. Beginning with a rendition of “God Save the Queen,” audience participation insisted, we are immediately placed in a time period where everyone respects, yet mocks the queen to which they serve. Not to mention the lyrics of the songs are all at once brilliant and thought-provoking. It is almost too much to see it once and understand all that is going on in the show.

Job well done to the fine folks at UMGASS – can’t wait for what’s next!

REVIEW: GROOVE

GROOVE

On Friday night, the student group Groove put on an energetic, fast paced performance in the Michigan Theater. The bi-annual event has a different theme each year and this season the subtitle was “Innocent Until Groovin’ Guilty.” The evening opened with a spoof film of a criminal case in which Groove members were prosecuted for making too much noise. The convicts were detained in a cell and when they were finally freed, they sprang forth from the silver screen onto the stage and began drumming with spirit. Using non-traditional instruments, such as garbage cans, bicycles, ladders, umbrellas, newspaper, and more, the show turned regular objects on their heads and made them entertaining in a whole new way. The performers also demonstrated their talent with traditional instruments, like guitar, drum set, electric violin, and keyboard. Each scene told a story using a variety of wild costumes and lots of bold singing and acting. One of the funniest sketches was a rap battle between two sections of a middle school band in which the lyrics spoofed off of popular rap songs but using lyrics associated with pre-pubescence and the terrible awkwardness of middle school. Another memorable sketch was a play on the James Bond theme, where some Groove members were taken hostage while others came to the rescue, all the while hammering away a beat.

The audience was totally packed and seemed to love every second of the show. It takes a lot for a student group to pack a full house at the Michigan Theater!  Some fans were also there to support to opening acts, EnCore and Rhythm student dance groups, as well as interluding musicians James Cornelison and Julian Allen.  The exciting evening concluded with a sentimental- albeit comedic- farewell to the senior Groovers as well as an audience shout out from a large sum of Groove alumni who had returned to Ann Arbor for the special event. It was a totally energetic evening, full of comedy, musical talent, and pure entertainment.