REVIEW: Dance Mix

Dance Mix

Last Friday at The Power Center, Dance Mix took the stage and blew the audience away. The show was high energy, exciting, and full of variety. The program included dances from about ten student dance groups. The Dance Mix Core- comprised of Impact, FunKtion, Element 1, Encore, and Rhythm- organized the event. Earlier in the year, other dance groups auditioned to be featured. Among the groups selected, Cadance, Groove, Photonix, Outrage, Michigan Raas, Bhangra, and Manzil performed. From jazz, to tap, tap, from  lyrical to hip-hop,  from  traditional Indian dance to dance theater, from glow sticks to STOMP style drumming, the evening exhibited a vast array of techniques. Some groups were all female, others were all male. Some were athletic while others were dainty. No matter who showed what,  everyone brought great energy but with their own style. The audience was packed and, throughout the nearly three hour event, remained equally as hyped as the performers. It was a fantastic event and a wonderful culmination to a year of hard work for these dancers.

PREVIEW: Looking Back, Moving Forward

MFA Dance Performance: J. Lindsay Brown and Jessica Post

On Thursday, Friday, and Saturday (April 4th, 5th and 6th), two MFA candidates in the Dance Department will showcase their long-time-coming theses. I will be there for several reasons. One of which is that I love watching student dance performances, no matter who is dancing. And two, because these two lovely ladies are both instructors of mine. J. Lindsay Brown (who is crouched ever so gingerly  in the tree on the left) teaches a Composition/Improvisation class and Jessica Post, the lady in pink on the right, teaches Body Conditioning. Both are productive and challenging courses  in all the right ways, though  very different from each other. By the sound of it, that’s very how these two dancer/choreographers are, so their collaborative performances will be dynamic and interesting to watch.

Lindsay’s piece is an extension of her undergraduate BA performance, where she explored fairy tales and the untold stories behind them. Through an independent study of German and other European fairy  tales, she gathered inspiration and channeled it into movement. Imagining what Rapunzel’s heavy hair must feel like, or Sleepy Beauty’s groggy slumber, Lindsay choreographs a piece that tells  age old fairy tales in an unexpected way. And unike many classic  stories, this narrative features the female character instead of shunting her to the side to stand prettily in the shadow of the Knight in shining armor.

Jessica’s performance, called “Moving from the Inside Out,”  is less theatrical than Lindsays’, and perhaps more athletic and physically oriented. As a somatic study, this dance explores  how different bodies perform the same activity, or how the same movement looks different on every body. Using movement techniques which she perfected in her study abroad in Vienna, Jessica designed a three person piece that forces an interaction between muscle and mind. About her process, Jessica said, “It was not enough to make a dance just about movement, I had to include the mind and spirit as well.  A new question emerged: “How does one continuously shift between a quest for optimal and idealized movement and the reality of daily stresses and the messy nature of the human condition?”

One thing about this performance that is anomalous to most  is the stage. The first piece will be performed by three people (some undergraduate dancers) on a three sided stage and the second will  be performed by four dancers on a four sided stage. This non-traditional space reflects the boundaries that will certainly be pushed by the concepts and the movements addressed in these theses. Both Jessica and Lindsay will both perform in their choreographed productions alongside the dancers with whom they spent months collaborating.

Each evening, the show will be held in The Betty Pease Dance Studio in the Dance building. For more information, check out the press release. The show starts at 8pm but $5 tickets sold at the door go fast so get there by about 7pm if you mean business. Enjoy the show and see you there!

PREVIEW: UMMA’s Student Late Night

UMMA’s Student Late Night

On Thursday April 4th from 8-11 pm, the UMMA will host the annual Student Late Night. Since September, the UMMA Student Programming Advisory Council (SPAC) has been planning for this multi-media evening. The venue will be jam packed with activities, performances, and prizes.  WCBN Radio will be DJ-ing all night; live music  includes Music School senior Peter Felsman and friends who will accompany a performance by Cadance Dance Company.  The Ann Arbor Art Center will host an art-making activity. The SPAC has arranged a scavenger hunt throughout the museum, featuring pieces from the permanent collection. But there will also be ample opportunity to explore the visiting exhibits by El Anatsui, Florencia Pita F/P Mod, and Francis Alÿs. There will also be  a photo booth for you and your friends as well as free snacks and refreshments. The evening is partially  sponsored by Arts at Michigan and a number of local businesses and restaurants whose goods are up for prizes. Come get your UMMA gear, including buttons featuring images from the permanent collection, and so much more.

Bring your friends! In the meantime, check out the SPAC’s blog The Annex. See you there!

PREVIEW: UMMA AFTER HOURS

UMMA AFTER HOURS

Twice a year, the UMMA stays open late for visitors to explore the artwork After Hours. On Thursday March 14th, the spring celebration of the late night event will take place in the museum. There are a number of exquisite permanent collection pieces, as well as a series of visiting exhibits that are worth checking out by night. If you can’t find time during regular hours, this a great opportunity to get your art fix. In addition to the usual artwork, there will be live music performed by the Ingrid Racine Quartet, playing Jazz and Afro Pop tunes. From the UMMA’s site, After Hours is about:

Standing before the shimmering fields of color created by West African artist El Anatsui in the career retrospective El Anatsui: When I Last Wrote to You About Africa, taking a walk around London with the Queen of England’s guards in Francis Alÿs’s video work Guards, traveling to the Himalayas with Buddhist Thangkas and Treasures: The Walter Koelz Collection, Museum of Anthropology, and finding out what an architect does with Alice in Wonderland and Andy Warhol’s dessert recipes in Florencia Pita/FP mod. The

After Hours runs from 7-10 pm. Click here for more info. And for more updates about happenings at UMMA and around campus, check out the blog The Annex. See you there!

PREVIEW: DANCE MEDITATION

Dance Meditation

Dance Meditation is a meditative, community dance party happening in Ann Arbor this Sunday. Originated by Michael Patrick Peters, the practice started in Detroit and has migrated toward our town for the weekend. Based on the yogic movement techniques, the practice is inspired by an experimental healing ideology called Transforming Tension Through Creativity. Dance Meditation involves letting loose and moving the body however it needs to in order to expel tension or creative blockage. Two of my friends wo are U of M grads that recently moved to Detroit attended the original Detroit variation. They claimed it was the most invigorating experience they had ever shared with their new community.

For an energetic, cathartic, liberating, rejuvenating, creative evening of dance, don’t miss this unique opportunity to let loose and be free. The event will start at 5:30 pm on Sunday February 24th at Concourse Hall (4531 Concourse Drive). $15 at the door includes space to dance and tea following the meditation. Check out the Facebook event for more details and directions. See you there!

PREVIEW: Dobet Gnahoré and Acoustic Africa

Dobet Gnahoré and Acoustic Africa

On Thursday February 21st, Hill Auditorium will present Dobet Gnahoré an Acoustic Africa. An array of musicians from all over Africa, the group will perform rhythms and dance inspired by their native countries. Dobe Gnahoré,  a vocalist, dancer, and percussionist, will be accompanied by bassist/singer Manou Gallo from the Sierra Leone, guitarist/singer/dancer Kareyce Fotso from Cameroon. In addition, the performances will feature Aly Keita on Balafon (from the Ivy Coast),  Wendlavim Zabrone on percussion (from Burkina Faso) and Zoumann Diarra on guitar (from Mali).  The performance will be eclectic and powerful.

In conjunction with the UMMA’s El Anatsui Exhibit, the Center for World Performance Studies is sponsoring the visit of these gorgeous African artists to celebrate their culture and their art. On Wednesday February 20th, there will be a roundtable discussion in 2435 North Quad. My Thesis Advisor Frieda Ekotto will be moderating in both French and Engish. The title of the round table is Music and the Experience of Female Performance. The discussion will be  a great prelude to the fantastic show.

7 pm at Hill. Click here to check out the flier for more details. And click here to watch  a video preview of the kind of performance you will see at Hill.