REVIEW: Michigan’s Best Dance Crew

The Michigan’s Best Dance Crew Competition took place Thursday night at 8 p.m. in the Union Ballroom. The ballroom was packed with students and families cheering on their favorite dancers–the mood was electric. Many crews auditioned for a spot in the final show, but only 8 were chosen to compete for cash prizes in the finale. The ballroom was transformed to resemble MTV’s America’s Best Dance Crew (ABDC), complete with large projector screens on which videos of each crew would play before they made their entrance on stage. Also like ABDC, three judges were chosen to provide feedback after each crew performed. Unfortunately, the judges didn’t provide much helpful feedback for the audience. They said a lot of nice things to each crew, but they didn’t provide any sort of objective critique. And I’m not sure that they were all the most qualified judges. One judge had no dance experience whatsoever, but liked to party and knew how to dougie. How does this make one an expert on dance? (I should have been a judge!!)  The night was hosted by our resident comedian, Eli Yudin, who also opened up for Russel Brand at EMU.

First to take the stage was Encore, a huge hip-hop dance troupe. They provided a really great opener for the show. They were incredibly energetic and had a good mix of hip-hop and techno songs in their performance. I have to give them props for having so many people on such a tiny stage, all dancing in sync together. But, I thought there were too many songs mixed in their set, with awkward transitions. In part of the performance the music transitioned from a techno/hip-hop song that was building in intensity, to an R&B slow jam, where the dancers slowed down to some lyrical hip-hop, then picked up the pace in the next song. That song choice sort of caused them to lose momentum and energy in their performance.

The Arabian Dance Ensemble was next to perform. The belly-dancers were the most unique dance group of the evening. They were really entertaining to watch, and I loved their costumes. It made me want to take a belly-dancing class! However, it was really difficult to judge such a different dance style against the predominantly hip-hop style of the show.

Also not fitting into the popular hip-hop style was Rhythm Tap, a tap dance troupe,  and Impact Dance, whose dancers do a variety of styles including lyrical, jazz, and hip-hop. It was great to see a variety of dance styles represented in the show. However, I don’t feel that they really fit in to the overall idea of a “dance crew,” which insinuates a hip-hop style. I think they realized this too, so in order to compensate these groups chose hip-hop music to dance to in their respective styles, which I wasn’t a big fan of. I couldn’t hear the dancers’ taps when Rhythm performed because the music was so loud. Being able to hear the dancers’ taps is important in judging for accuracy and togetherness in the movements. Impact Dance also performed some jazz/lyrical steps to hip-hop songs, which didn’t seem to fit with the choreography. I think they sacrificed a lot artistically in doing this. Even though they may have stood out more from the other crews, and may have been more difficult to compare to the other crews as a result, at least they would have shown the audience the best of their respective dance styles, rather than trying to mesh with a style that isn’t their own.

Several other hip hop dance crews performed in addition to Encore, including an all-girl group called Dalliance, who performed to a montage of 80’s and 90’s hits by popular R&B and rap artists. The choreography also included a lot of popular dance steps from the 80’s and 90’s. Dalliance had a lot of great energy and really gave the performance their all. Vertigo was another hip hop crew that performed, unique in that the crew is comprised of only medical students. Though they were lacking a bit in technique, they really seemed to enjoy dancing, and they ended their dance with a cute medical reference–a heart monitor flat-line.

Dance 2XS is another hip-hop crew that performed. These dancers are incredibly professional–I was impressed. They were all dressed alike in white button-down dress shirts and red ties, boys and girls alike. What I really liked about Dance 2XS is that both the guys and the girls perform equally difficult technical dance steps. The other crews that performed hip-hop throughout the night were guilty of filling their choreography with cheaper steps–booty-popping and sexier movements. I really respected Dance 2XS for never letting up the technically difficult hip-hop isolations and movements throughout their performance. They used a lot of interesting formations, and persisted with sharp, strong movements in unison. Most of all, you can tell they all LOVE to dance. Even after the performance was over and the DJ played music while they were counting votes, they all got back up and starting dancing around, just for fun, while everyone was leaving. They never stop. (Can you guess who I voted for? 🙂 )

Finally, FunKtion finished out the night as the last performance before voting opened. This all-male, multicultural group was incredibly entertaining. The guys came out on stage to “Sexy and I Know It” by LMFAO, flexing their muscles and strutting their stuff like they were in the club trying to grab all the girls’ attention–it was hilarious. I liked how they could do a variety of things within their style, from comedic routines to more serious, hard-hitting hip-hop, to really sweet, romantic songs that charm the girls. They were pretty versatile as hip-hop dancers, and really fun to watch.

I’m sure by now you’re dying to know who won. And the winners were…. In third place, Encore! In second place, FunKtion! And in first place…. Dance 2XS!

I was so delighted to see how many great dance opportunities there are at the University of Michigan for non-dance majors. Watching everyone else perform made me really miss dancing myself. I’ll have to keep an eye out for auditions to some of the crews that performed at the show! Maybe next time you’ll see me up there dancing with them…

Preview: Who wouldn’t want to walk the Pink Carpet at a Celebrity Gala?

Spectrum Anniversary Doing it for 40 years!
Spectrum Anniversary "Doing it for 40 years!"

Have you heard? The University of Michigan Spectrum Center is celebrating its 40th anniversary of being here on campus and we have all

been invited to the multitude of events they are putting on, and have put on, all year long. This coming weekend is the biggest weekend of the year, full of events, shows, parties, alumni, food, football, and anything else you can think of to do here on campus. For those who don’t know, the Spectrum Center is the first ever office to deal with LGBT affairs on a college campus. It is now the oldest one and has inspired countless others in universities all over the United States. Founded by Jim Toy in 1971, the office helps students from all parts of campus to become active in the LGBTQA community, to become more comfortable with themselves, and educates the campus community about what it means to be LGBTQ or an ally.

That being said, let’s talk about this weekend! So many things are happening that I had to choose, so of course I went with the Gala full of Broadway celebs and David Burtka, American Actor and Chef, engaged to Neil Patrick Harris. The show includes performances from musical theater stars and also a tribute written specially for the Spectrum Center’s anniversary by Laura Anne Karpman, a UofM School of Music Graduate.

Cutest Dads EVER!
Cutest Dads EVER!

Feel encouraged to check out the Spectrum Center’s website for more info about other events happening this weekend and to explore a little bit more of their history and function.

The Pink Carpet Gala Event takes place at 8pm in Rackham Auditorium. Tickets are free, so I highly recommend coming to this event. How often do you get to see something so fabulous?

Sending you love and light (all that’s needed to make a rainbow),

Danny Fob

PREVIEW: Cloud Gate Dance Theatre

The Cloud Gate Dance Theatre of Taiwan will be performing at the Power Center on Friday October 21st and Saturday October 22nd at 8 p.m. The company will perform Water Stains on the Wall, artistic director Lin Hwai-min’s newest piece. The work is a metaphor for the exquisite beauty of Chinese calligraphy, the dancers’ movement like flowing ink on pure rice paper. With dancers trained not only in ballet and modern dance, but also tai chi, meditation, and Chinese opera movement, the unique quality and control of the movement is sure to be breathtakingly ethereal.

For tickets visit the UMS website: http://ums.org/s_current_season/artist.asp?pageid=662&gclid=CL6F5YOL-KsCFQ175QodAzRIJg

And to get a taste of the art of Chinese calligraphy before seeing the show, come to the Power Center from 7-7:45 p.m. on Friday and Saturday to work with local calligraphers.

Clip: Water Stains on the Wall

Review: Creation. Life. Legacy.

Metallic industrial, organic robotic, digital bug, fluttering verbs.

Form can sometimes be constricting, only allowing for certain expressions while disallowing others. While watching Merce Cunnigham Dance Company perform, I could not align what I was watching with any concrete words. How to translate a dance performance into a concise review seemed like a daunting task, but alas, I will do my best.

Merce Cunningham
Merce Cunningham

For those of you unfamiliar, Merce Cunningham is one of the most innovative choreographers of the last century. Spanning across genre and discipline, Merce Cunningham is perhaps most known for his longtime collaboration with partner and radical composer, John Cage, also working with fellow artistic visionaries such as Rauschenberg, Lichtenstein, and Warhol. The Legacy Tour honors Cunningham, who passed away in July 2009, as well as his 70 years of expansive work. Culminating in 2011 with the disbanding of the company, this is the last time his work will ever be performed and UMS was one of the lucky few locations to host the Company. (Check out this Merce Cunningham Interview)

The curtain was up before I had time to anticipate what was hiding behind it. Blinding spotlights on impossible elevation of cinderblock walls. Large green recycling bins and containers, exposed with sheet metal and wooden planks. As anyone’s guess, this was the natural look of the Power Center. My attention was drawn to an acrylic white court surrounded by luminescent astroturf as 4 dancers in steely athletic wear arched across space, while many others watched in the background.

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[V][S][A] Annual Đêm Việt Nam Culture Show 2011

It’s a night of Vietnamese culture.  It’s a night of dancing.  Most of all, it’s a night of great fun.

Saturday, January 29, 2011 was the night of Đêm Việt Nam, VSA’s annual culture show.  It was listed as a 7 pm show, and started promptly at 7:20 pm.  (Which, coincidentally, was exactly when I arrived – don’t try to park on Central when the folk festival is in town!)  This was the fourth Đêm Việt Nam show I’ve attended, and on Saturday night, I was delighted to see all the changes that have taken place since I started going.  I don’t know if it’s because I’m graduating, or if the effort was indeed larger this year, or a combination of both, but this 2011 show felt like a culmination of many years’ worth of work and publicity.

The first thing that struck me was attendance.  While the balcony of the Lydia Mendelssohn theater had been reserved for performers in years past, this year, it was almost full.  (It’s where I was sitting!)  The entire audience felt free to cheer for their friends on stage and converse with the emcees, giving the night a collaborative, comfortable atmosphere.  I could tell how much everyone onstage enjoyed and appreciated the energy from the crowd.

The show itself was bigger and better than ever, too.  One of my favorite segments was a dance that highlighted the way in which the Vietnamese have been influenced by Indian customs.  In a way, the night has always been a study of Vietnamese culture meeting and combining with culture in the United States, examining both the tensions and triumphs of living in a place where people from all over the world live and work side by side.  The addition of the Indian-inspired dance further explored the fluidity of cultures around the world.  The title of the show, “The Way We Are,” was especially fitting in this context.  In this day and age, nothing is static.

Speaking of collaboration, VSA had a lot of help this year:  CSN joined the women from VSA for a beautiful ribbon dance at the beginning of the show, and Element 1 joined in for the hip-hop portion of the evening.  The extra voices made the night even richer.

In addition to the new dances, all the old favorites were present on stage.  The traditional fan dance was energetic and well-choreographed, men and women danced together in Vietnamese garb, and B2Viet returned to showcase their boy band capabilities.  The highlight, as always, was the hip-hop segment, which is only getting longer and more popular as the years progress.  This year, there was even a song dedicated to breakdancing, which was an awesome thing to watch.  A fashion show closed the evening, showing off the traditional dresses that are so beautifully vibrant.  The hour and a half had passed by in a blur of color, music, and camaraderie.

Review: Grupo Corpo – Modern or Chorus Dancing?

This weekend I saw Grupo Corpo, a Brazilian Dance Company, at the Power Center for the Performing Arts. It was…interesting. They were amazing dancers, and all had background and technique in ballet, so don’t get me wrong. I thought the performers were very impressive, but the choreography had some issues, which is really unfortunate. But I guess I should start out with the Arts&Eats portion of the night.

Arts&Eats was great. The pizza was good, there were a lot of people, and the room was absolutely beautiful. The room that it was hosted in is in the Alumni Association building; it’s a very large room with blue carpeted walls and four fireplaces. There were small tables to eat and chat at and we even got to meet some new people. The tour director of the dance company came out and talked to us about the group. She told us how they travel all over the world for performances and how the same people who started the group 36 years ago are the people now administrating, choreographing, and training the group. It’s really quite amazing that they’ve stayed together so long and have been able to create a world renowned group.

The show itself started out with a very strange and dark dance. All of the performers were clad in black, full body leotards and they did this portion starting in a sort of crab walk position and sticking their feet up in the year on certain beats. It was strange, and even though it’s modern dance, I really didn’t expect some of the things that started happening. My largest complaint, which is not the fault of any performer on stage, was how synchronized and repetitive the entire performance was. Each move was incredible, but then we kept seeing it. Again, again, oh there it is again, and look! That pair of professional dancers can do the same move as the one we just saw! And now they’re doing it in rounds! And the music, it’s been the same rhythm for this entire section of the dance. What are they playing at?

Of the two shows they performed that night, Parabelo and Ímã, Ímã was the better show. Even though most of the show was the same dancing, each dance was interesting enough in itself to keep our interest and be artistically appealing. And the concept of the show was beautiful. Called Ímã, meaning “magnet,” the show embraces an idea of not falling apart, of always connecting with something else, or pushing away from it. The dancers push and pull, lean on and support one another like magnets. As they get closer to one another, the barriers start falling down and articles of clothing are shed one by one. Soon the dancers are open to each other and we can see it through their undressing process.
And of course the solos in both shows were amazing; so full of talent and character. Here is where I add in a shameless explanation of the reason I went to the show in the first place.

Yup, that’s right. I’m not even going to say it. You know what I’m thinking, and yes, this solo was fantastic! The crowd could barely contain themselves; at least that’s how I felt as my boyfriend constrained me. But all you have to know that it was so beautiful and sensual and creative and mmmmhhhmmmmmm!

I don’t want to bore you with too many of the details, but the last thing that I really thought was important, something really unique and revolutionary in the world of dance. The infusion of Brazilian culture into the dancing. The music and the movements were very Latin, especially the use of Cuban hips in the modern/ballet dancing. It was exciting to see such a mixture of ballet and dance culture and the sensual and exotic flavor of Brazilian samba. It really was wonderful and worth every minute of repetition.

As always,
This is Danny Fob: Artist and Art Reviewer