REVIEW: Rocky Horror at The Michigan Theater

The Rocky Horror Picture Show is always an experience.  That’s how my friends describe it to people who’ve never seen it before.  It’s not a great film – in fact, the entire point of going to Rocky Horror isn’t even to see the actual movie.  It’s for the experience, the good and the bad.  One thing, however, is for certain: Rocky Horror gets better and better the more you attend.

This year, I went with a big group.  We had struggled finding seats last year with just four people, so we decided to arrive even earlier to ensure that we had a row to ourselves.  That was a mistake, seeing as the show didn’t start until at least 10:30.  Despite this, we were entertained by a talented organ player at the front of the theater, which added some antici…pation to our wait.

Once the show was about to start, the audience screamed their encouragement.  Most everyone was more than ready, so “encouragement” was anything from clapping and screaming to jumping around and throwing toilet paper in the air.  A lot of people were also dressed up to some degree, so we were surrounded by dozens of very enthusiastic Rockys, Janets, and Columbias.

My favorite thing about Rocky Horror is the audience interaction.  It’s not unusual to hear people shout during the film, almost like they’re having a conversation with the characters.  There are some scripted shout-outs, too.  For instance, whenever Brad (“Asshole!”) or Janet (“Slut!”) say their names, it’s very clear what the audience thinks of them.

There is also a lot of participation during songs.  The image below was taken during There’s A Light.  Despite the song being musically mediocre (in my opinion), the lights dancing off the already elaborate, golden walls of The Michigan Theater was beautiful.

Rocky Horror
Rocky Horror

The Time Warp is the commonplace Rocky Horror favorite, featuring its own dance and a melody that gets stuck in your head for months afterward.  When the song started, everyone immediately got to their feet in preparation.  The tension in the room during the first verses was almost tangible, everyone awaiting the chorus.

It’s always amusing to listen to the reactions of first-time viewers (“virgins”) after the show.  These reactions often range from confusion, amusement, and horror (perhaps the directors anticipated this while naming their creation).  The people I talked with seemed to enjoy their experience, but I overheard some more negative responses as we navigated our way through the crowd.

Despite this, I know I’ll be back for next year, if not before!  I have still never seen Rocky Horror with a shadow cast, and I would love to see what that’s like sometime soon.  Even without a shadow cast, though, the Rocky Horror experience is a unique one that I won’t easily give up.

PREVIEW: Rocky Horror at The Michigan Theater

The Rocky Horror Picture Show is coming to Ann Arbor!  There will be a screening tomorrow night at 10pm at The Michigan Theater.  Tickets are $8 with a student ID and you can purchase them in advance at the door or online.

I went to see Rocky Horror last year with my friends for the first time, and it was super fun!  Everyone dresses up, either as their favorite characters or simply to fit in with the theme of the movie.  The screening itself is also very interactive because everyone is standing up, dancing, and singing along with the film.  I’m really excited to go again!

If you haven’t seen Rocky Horror yet, I would highly recommend considering it!  If you’re planning on going, you may want to buy your tickets as far in advance as possible.  The showing last year was sold out very quickly.

Hope to see you tomorrow night!

PREVIEW: Train to Busan

If you’re  up for some pre-Halloween gore, head on over to the Michigan Theater this weekend, where acclaimed Korean zombie-thriller, Train to Busan will be playing. Follow a young father as he tries to keep his daughter safe in the middle of a zombie outbreak. It currently has a 94% on Rotten Tomatoes, so if you’re looking for a quality thriller, this is it. Student tickets are $8 at the Michigan Theater and the film has two showings on Saturday (2:30 & 10:15), one on Sunday (4:00), and one on Tuesday (7:00).

REVIEW: Penny Stamps Speaker Series — Performance Animation

One of the many wonderful things about new technology is that it can lead to entirely new genres of art. Performance animation is one of those genres.

First, we were introduced to two blank screens. Then, a flash of light and color as animated landscapes splashed across the screens. A silhouette stepped into view, and we watched it interact with the buildings and plants and animals that appeared. At times the message was a clear narrative, while at others it was more of a series of dreams transposed on top of one another. If that makes the show sound trippy in any way, then good, because it absolutely was trippy.

Miwa Matreyek is a multi-talented artist currently on tour performing the two pieces that formed this week’s Penny Stamps event. “This World Made Itself” seemed to be more of a love story, although love was by no means the only theme. The juxtaposition of her gigantic form with a city skyline, and her interaction with a tiny animated figure, had strong allusions to King Kong.

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Her second piece, “Myth + Infrastructure,” dealt with the biggest themes possible: the birth and death of the world, modernization, death, life, and the interaction of mankind with the natural world.

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Time and again we watched Miwa swirl through bodies of water, capture and free flying insects, blend in and become one with the Earth.

Several times it was like a magic show. The audience and I reacted with awe when Miwa sprouted wings out of thin air and her arm melted away into a swarm of white petals. “How did she do that?!” the people next to me exclaimed as they recorded the performance for their Snapchat stories. I wondered the same thing as I too recorded a clip for my story.

Shows like this are rare opportunities, and I strongly encourage you to see the show in Ypsilanti on Friday, October 7 if you can.

You can get a small taste of the performance in this TED video here.

PREVIEW: Penny Stamps Speaker Series — Performance Animation

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What: The Penny Stamps Speaker Series Presents Miwa Matreyek’s Dreaming With Your Shadow, a piece that blends animation with a live stage performance. If the image above doesn’t convince you, I don’t know what will.

When: October 6th at 5:10 PM

Where: Michigan Theater

Price: FREE. This is one of the many wonderful opportunities you can and should take advantage of at U of M!

REVIEW: Allegiant

(Please note: This review is written in such a manner as to not spoil the film for those who have yet to see it and/or who are yet to read the book.)

The film adaptation of the concluding novel in Veronica Roth’s bestselling YA dystopian trilogy, Allegiant, hit theaters on March 18th. However, the Divergent film franchise isn’t ending here–a fourth film, Ascendant, is scheduled for summer 2017. And this is disappointingly obvious when watching Allegiant.

Starring Shailene Woodley (The Fault in Our Stars) as Tris, Theo James (Downton Abbey) as Four, and directed by Robert Schwentke (The Time Traveler’s Wife), Allegiant follows its protagonists as they leave their isolated, dystopian Chicago behind in order to explore the (possibly even more sinister) world beyond.

More than anything else, Allegiant feels like a prologue to Ascendant, which seems as if it will be comprised of almost entirely new material, diverging the film franchise from the course previously trodden by the books (if you don’t mind the pun). This could be a good thing since–I’ll come right out and say it–Allegiant (the book) is not very good. However, the film preceding this one in the Divergent franchise (Insurgent) is also not very good. So the only hope, really, for Allegiant (the movie) was that it would find a way to surpass its predecessors and get the franchise back on track for this all-new, concluding fourth installment.

In some ways, the filmmakers do accomplish this. They’ve remedied a number of the weaker plot points of the book while also (thankfully) moving away from the worst of the cheesy cinematic elements introduced in Insurgent. Likewise, the generally talented cast continues to do the best they can with the material available, and a number of set pieces are detailed and stunning in such a way as to make it clear that the crew cares a lot about this story.

Despite all of this, however, Allegiant cannot seem to help being weak. Even with the shakiest plot points and some of the cheese eradicated, a lot still remain. (In particular, a long-take of James broodily showering under mood lighting cheapens the tone more than it feels artistic.) Additionally, the CGI that seems to populate half the movie looks like something from a decade ago and, despite the cast’s best efforts, they cannot mask how melodramatic and lazy the writing is.

Really, the chief problem of Allegiant seems to be that it thinks it is one thing (artistic and introspective and deep) while in reality, at best, it is something else entirely (fun and action-packed and tongue-in-cheek comedic). What both the book and the film versions of this story seem to have forgotten is what made the Divergent series so good in the first place: not political messages, but snarky banter; not deep philosophical concepts, but a plethora of twists and nerve-wracking stunts.

Ultimately, this film feels like what a bunch of old guys probably think teen girls like, rather than anything that actually reflects this target demographic. Add to that the fact that Allegiant feels like it’s mostly just build-up for Ascendant, and the film is a disappointingly weak installment in an increasingly disappointingly weak film franchise.

Of course, I do have to give Allegiant credit, though, for managing to get a commendable number of attractive people on screen at once. A+ job on the hot guys. If only they did a little less angsty-staring and a little more franchise-saving.

Allegiant is in theaters now. Tickets are available for showings at both Goodrich Quality 16 and Ann Arbor 20 (Rave).