PREVIEW: Who is Luther Burbank?

Who is Luther Burbank?

WHO IS LUTHER BURBANK?– a new piece in eighteen parts. Three students from a variety of arts related disciplines have teamed up to create an original work of experimental theater. Willie Filkowski, an Interarts Performance major, Corey Smith, a composition major, and Nola Smith, a dancer major, have designed an extracurricular, innovative performance involving a variety of curious media: “dancing, text, video, original music, potatoes, prizes, costume changes, a LOT of dirt.” Inspired by a 1914 found text, Our Wonder World Vol. X: The Quiz Book, the collaborative event will entertain and puzzle, but ultimately answer the questions “Who is Luther Burbank?”

Presented with support from Basement Arts and Arts at Michigan, “WILB?” will run Thursday April 18-Saturday April 20. Performances are FREE and begin at 7 pm each night, with an additional late show at 11 pm on Friday the 19th. The show will be held in the Walgreen Drama Center on North Campus. See you there!

PREVIEW: UMGASS presents, Pirates of Penzance

April 11-14 the University of Michigan’s Gilbert & Sullivan Society will present Pirates of Penzance; or The Slave of Duty at the Lydia Mendelssohn Theater in the Michigan League. Now, I have never seen a Gilbert & Sullivan Society production, so I am very much looking forward to seeing this one. Pirates of Penzance is always one of those shows that high schoolers put on…or attempt to put on…so I feel like it’s an important one to see done for real, you know? According to the UMGASS website, Pirates of Penzance is the only G&S show to premier in the United States, due to a desire to upstage a show of theirs that was “pirated” by a bunch of other companies throughout the United States shortly before the arrival of Pirates on Broadway. They succeeded, and Pirates of Penzance is one of the duos most well-known and restaged productions! A story of both adventure and love, this play is sure to keep you on the edge of your seat – perhaps laughing, perhaps cringing, but, nonetheless, entertained.

For more information, tickets, etc., check out UMGASS at their website here!

PREVIEW: UM Men’s Glee Club Spring Concert

This Saturday, 8pm in Hill Auditorium come check out the University of Michigan’s Men’s Glee Club in their Spring Concert; commemorating 100 years of Hill. One of the oldest collegiate choruses in the United States, UMMGC is composed of men from a wide range of departments on campus. Come see these fine gents display their immense vocal talents as they aim to impress, with a whirlwind of stunning pieces and brilliant flourish, as always. I invite you to cheer on our fellow Wolverines and support the Men’s Glee Club – and Hill Auditorium!! Should be a great show.

REVIEW: Dance Mix

Dance Mix

Last Friday at The Power Center, Dance Mix took the stage and blew the audience away. The show was high energy, exciting, and full of variety. The program included dances from about ten student dance groups. The Dance Mix Core- comprised of Impact, FunKtion, Element 1, Encore, and Rhythm- organized the event. Earlier in the year, other dance groups auditioned to be featured. Among the groups selected, Cadance, Groove, Photonix, Outrage, Michigan Raas, Bhangra, and Manzil performed. From jazz, to tap, tap, from  lyrical to hip-hop,  from  traditional Indian dance to dance theater, from glow sticks to STOMP style drumming, the evening exhibited a vast array of techniques. Some groups were all female, others were all male. Some were athletic while others were dainty. No matter who showed what,  everyone brought great energy but with their own style. The audience was packed and, throughout the nearly three hour event, remained equally as hyped as the performers. It was a fantastic event and a wonderful culmination to a year of hard work for these dancers.

PREVIEW: Looking Back, Moving Forward

MFA Dance Performance: J. Lindsay Brown and Jessica Post

On Thursday, Friday, and Saturday (April 4th, 5th and 6th), two MFA candidates in the Dance Department will showcase their long-time-coming theses. I will be there for several reasons. One of which is that I love watching student dance performances, no matter who is dancing. And two, because these two lovely ladies are both instructors of mine. J. Lindsay Brown (who is crouched ever so gingerly  in the tree on the left) teaches a Composition/Improvisation class and Jessica Post, the lady in pink on the right, teaches Body Conditioning. Both are productive and challenging courses  in all the right ways, though  very different from each other. By the sound of it, that’s very how these two dancer/choreographers are, so their collaborative performances will be dynamic and interesting to watch.

Lindsay’s piece is an extension of her undergraduate BA performance, where she explored fairy tales and the untold stories behind them. Through an independent study of German and other European fairy  tales, she gathered inspiration and channeled it into movement. Imagining what Rapunzel’s heavy hair must feel like, or Sleepy Beauty’s groggy slumber, Lindsay choreographs a piece that tells  age old fairy tales in an unexpected way. And unike many classic  stories, this narrative features the female character instead of shunting her to the side to stand prettily in the shadow of the Knight in shining armor.

Jessica’s performance, called “Moving from the Inside Out,”  is less theatrical than Lindsays’, and perhaps more athletic and physically oriented. As a somatic study, this dance explores  how different bodies perform the same activity, or how the same movement looks different on every body. Using movement techniques which she perfected in her study abroad in Vienna, Jessica designed a three person piece that forces an interaction between muscle and mind. About her process, Jessica said, “It was not enough to make a dance just about movement, I had to include the mind and spirit as well.  A new question emerged: “How does one continuously shift between a quest for optimal and idealized movement and the reality of daily stresses and the messy nature of the human condition?”

One thing about this performance that is anomalous to most  is the stage. The first piece will be performed by three people (some undergraduate dancers) on a three sided stage and the second will  be performed by four dancers on a four sided stage. This non-traditional space reflects the boundaries that will certainly be pushed by the concepts and the movements addressed in these theses. Both Jessica and Lindsay will both perform in their choreographed productions alongside the dancers with whom they spent months collaborating.

Each evening, the show will be held in The Betty Pease Dance Studio in the Dance building. For more information, check out the press release. The show starts at 8pm but $5 tickets sold at the door go fast so get there by about 7pm if you mean business. Enjoy the show and see you there!

PREVIEW: Esperanza Spalding

2011 Grammy winner for “Best New Artist” and 2012 Grammy for “Best Jazz Vocal Album,” Ms. Spalding returns to wow Ann Arbor audiences this Saturday, April 6 at 8pm at the Michigan Theater. Singer, bassist, and composer, Ms. Spalding will demonstrate how her talents encompass various stylings and rhythms. Young, beautiful, and vibrant, she is going to rock the stage Saturday night, and you’re going to want to be there. Billboard writes, “Whether exploding into vocalese or making her bass solo sound like a horn, she’s a spark plug who dances as she grooves through a funked-up and rock-out repertoire.” Esperanza Spalding will blow you away as she returns to present her new album, Radio Music Society.

More information can be found at her website: http://www.esperanzaspalding.com/