REVIEW: A Little Night Music

Stephen Sondheim and Hugh Wheeler’s classic musical A Little Night Music is brought to life in a new production by the School of Music, Theatre & Dance. A Little Night Music presents the story of long lost lovers Desiree Armfelt and Fredrik Egerman, who, after 14 years, 2 children, and 1 new marriage find themselves together again. Of course life, and love, is never simple and this play seeks to discover what happens when the past and present collide during a summer weekend in the country.
Although slow to start, A Little Night Music found its stride during the very end of the first act and presented an interesting reflection on the nature of love and what can happen when love is lost but not forgotten. The strength of the production was the portrayal of the two leads, Desiree (Eleanor Todd) and Fredrik (Conor McGiffin), and the humourous supporting couple Count Carl-Magnus (Elias Wygodny)  and his wife Charlotte (Jordana Grolnick). Todd and McGiffin had great on-stage chemistry and the ease with which they bantered and laughed with each other made all of their scenes together extremely enjoyable. Although they represented a different kind of love, the characters of Carl-Magnus and Charlotte were similarly fun to watch. Wygodny’s portrayal of jealous lover and mostly proper soldier Carl-Magnus was intriguing and humorous, and Grolnick’s deadpanned depressive one-liners provided a hilarity that often stole the scene. Together Wygodny and Grolnick presented a wonderfully amusing couple who shone in every scene they were a part of.
While the music was mostly enjoyable and the bits of witty dialogue were definitely appreciated, the overall production was not completely compelling and oftentimes I found myself wishing we were at the closing number. The plot itself was rather predictable and there were moments full of exposition and almost no action, which made it hard to be fully invested in what was happening onstage. Although not all of the cast’s individual performances were as strong as the leads, they did perform well as an ensemble, which made up for some of the awkward and duller moments.
Overall A Little Night Music was an interesting production. Although somewhat predictable, it did have humourous moments and some well sung songs, including the most recognizable “Send in the Clowns.” I’m glad to have seen it once, and am looking forward to see what the School of Music, Theatre, & Dance do next.

The School of Music, Theatre & Dance, brings Stephen Sondheim and Hugh Wheeler’s classic musical A Little Night Music to life in a new production. A Little Night Music presents the story of long lost lovers Desiree Armfelt and Fredrik Egerman, who, after 14 years, 2 children, and 1 new marriage find themselves together again. Of course life, and love, is never simple and this play seeks to discover what happens when the past and present collide during a summer weekend in the country.

Although slow to start, A Little Night Music found its stride during the very end of the first act and presented an interesting reflection on the nature of love and what can happen when love is lost but not forgotten. The strength of the production was the portrayal of the two leads, Desiree (Eleanor Todd) and Fredrik (Conor McGiffin), and the humorous supporting couple Count Carl-Magnus (Elias Wygodny) and his wife Charlotte (Jordana Grolnick). Todd and McGiffin had great on-stage chemistry and the ease with which they bantered and laughed with each other made all of their scenes together extremely enjoyable. Although they represented a different kind of love, the characters of Carl-Magnus and Charlotte were similarly fun to watch. Wygodny’s portrayal of jealous lover and mostly proper soldier Carl-Magnus was intriguing and humorous, and Grolnick’s deadpanned depressive one-liners provided a hilarity that often stole the scene. Together Wygodny and Grolnick presented a wonderfully amusing couple who shone in every scene they were a part of.

While the music was mostly enjoyable and the bits of witty dialogue were definitely appreciated, the overall production was not completely compelling and oftentimes I found myself wishing we were at the closing number. The plot itself was rather predictable and there were moments full of exposition and almost no action, which made it hard to be fully invested in what was happening onstage. Although not all of the cast’s individual performances were as strong as the leads, they did perform well as an ensemble, which made up for some of the awkward and duller moments.

Overall A Little Night Music was an interesting production. Although somewhat predictable, it did have humorous moments and some well sung songs, including the most recognizable “Send in the Clowns.” I’m glad to have seen it once, and am looking forward to see what the School of Music, Theatre, & Dance does next.

REVIEW: Rachel Mazer

Rachel Mazer

A few weeks ago, U of M School of Music Jazz singer/saxophone player extraordinaire Rachel Mazer performed her very own songs at the Canterbury House on 721 East Huron Street.With the accompaniment of a medley of musicians from the School of Music as well as several alums, Rachel amazed the intimate audience with her incredibly luscious voice. As classic as Billie Holiday and as fresh as Beyoncé, Rachel delivered five original songs and one inspired by the greats. In fact, after her performance I asked her what her vision had been for her show and she said something along the lines of  “to make jazz approachable, easy, and hip to our generation.” The possibility of adding  Jazz overtones to some Beyoncé covers is one of the projects she has up her sleeve- one day, after hopefully recording her own work first. I have heard Rachel play saxophone before, but until her show I had never had the pleasure of hearing her belt it out on stage.  It was a treat for all who were present, and I will definitely be waiting for her Beyoncé remixes to come out on vinyl.

REVIEW: Hubbard Street

Dance is somewhat of a challenge for me to understand. I lack the proper vocabulary and background knowledge to truly and accurately describe what I see performed in front of me. That said I thoroughly enjoyed Hubbard Street Dance Chicago’s amazing performance of, One Thousand Pieces. I will do my best to tell you why.

First off, it’s beyond beautiful. The dancers move with such grace and precision – I sort of made up this game to try and see if I could see someone’s knee twitch or foot slip out of place, but I never caught any slip-ups. Every move was deliberate and precise. They would rush to complete a phrase then slow to a gentle glide across the sleek dance floor. It was spectacular. Their performance also featured a mist curtain, hanging as a billowy and ever-changing backdrop to their movements. The scene change with the mist curtain also left the stage littered with water droplets, in which the dancers continued to glide and float on stage to the rhythms of Phillip Glass’s music. The sound of the water could reach me in the balcony. I was even able to make out sparkling droplets of water dancing through the air as the artists flipped their arms in the mist.

This dance performance was not a story ballet or anything – the aim, as defined by Hubbard’s first resident choreographer, Alejandro Cerrudo, was to show how images are shaped and distorted through stained glass. Why stained glass? The choreography was inspired by Marc Chagall’s America Windows, as seen on display at the Chicago Art Institute. The props were simplistic but did include a few mirrors, tilted this or that way. It was also cool to watch the dancers when the lighting adjusted to show a vibrant reflection in the floor beneath their spinning bodies. So many of their movements seemed to me to be in a singular plane, moving within some sort of field of restraint. When I would glance at the dancers’ reflections in the mirrors or the floor, their movements seemed flattened and more distant – as if I were watching the performance through a window. It was unlike anything I’d seen before. It gave a whole new dimension to the work for sure.

Hubbard Street is an amazing company and worthy of all the praise they receive. Bravo to the dancers and thanks to UMS for bringing this fabulous company to our Ann Arbor stages.

PREVIEW: Hubbard Street Dance!

This weekend come check out the UMS presentation of Hubbard Street Dance. Performing a piece inspired by Marc Chagall’s America Windows and written by Hubbard Street’s first resident choreographer, Alejandro Cerrudo, the performance is sure to take your breath away. Cerrudo, when interviewed, commented on how windows shape and distort images – this is the inspiration of the piece. They use water effects, like mist curtains, and special backlighting to exemplify the beauty of the dancers. It is sure to be a spectacle of a performance, so get on those tickets, folks!

REVIEW: The Olllam

The Olllam

Earlier this month, The Olllam performed at The Ark. What is The Olllam you ask? It’s funky, groovy, contemporary Irish music performed by Ann Arbor resident celebrities Tyler Duncan and Mike Shimmin, and a true Irishman himself John McSherry.  John McSherry is an internationally recognized traditional Irish piper and one of the most respected musicians of his trade. He teamed up with local musicians, some of who are alums of the School of Music, to put a fresh, up-to-date twist on sounds reminiscent of classic Irish folk tunes for their newest album.The instrumental album features eight tracks. Each is completely different, representing varying degrees of Irish-ness and electronic infusion. The group appeared in Ann Arbor as a segment of the trans-continental tour, including two weeks in Ireland, and two weeks in the mid-west at an Irish music festival (where they made a sweep of awards). It must have been a treat for the artists to perform in their home town, but really more of a treat for us! I have never heard such a unique and current sound. I am caught off guard by how much I like it- I never thought that Irish music would be my tune of choice when driving on the freeway!

I intended to post my article immediately after the show, but somehow the year started and things got busy…how did that happen? That being said, I have listened to the entire album every day since the show, so its as if a private performance has been perpetually playing in my ears. To get a listen yourself, check out their website. For a deeper insight into the creative process behind the music, watch this gorgeous short documentary on the history of The Olllam. Enjoy!

REVIEW: Audra McDonald

Vocal perfection? Thy name is Audra McDonald.

This evening, I had the absolute pleasure to hear Audra McDonald perform for the second time in the always amazing, Hill Auditorium. She began the first half with several numbers that were classically-Audra but never overused: “Stars and the Moon,” “I’ll be here,” “When did I Fall in Love” to name a few. Some interesting new additions, at least for me having seen her two years ago, were a moving rendition of the classic, “Somewhere Over the Rainbow” as well as a number from the not-too-popular Kandor and Ebb musical Steel Pier entitled “First You Dream.” The latter was dedicated to her father who sadly passed away in a plane crash, a plane he was piloting himself. The song is sung by the main character, a pilot who dies but doesn’t yet know he is dead. His final piece of advice to the woman he is trying to inspire is a clear message on how to begin: “first you dream.”

With a rousing first half, it was hard to imagine anything could be more impressive. Of course, Ms. McDonald never begins something to finish with anything less than her best. With her on stage for the second half came the entire University of Michigan Music School Orchestra to back her up in a slew of Gershwin songs, paying tribute to the new pact between the Gershwin family and the University of Michigan. This new collaboration project with provide a collected and accessible database of Gershwin repertoire, complete with original manuscripts and composer notes. Judging by the gasps of excitement from the Musical Theatre majors I was seated around, I’d say this is more than fantastic news for wolverines cravin’ that Gershwin swing.

What a fantastic performance by a truly special talent. I feel incredibly fortunate to have had the opportunity to see Ms. McDonald perform once again while here at Michigan. She’s a goddess in her own right and knows how to wield the amazing gift with which she’s been blessed.