Review: Ghostface Wears A Different Hat

Wrong In So Many Ways
Wrong In So Many Ways

Baseball season is over.  For the Red Sox, it was over one month ago today, the Red Sox were exposed as the subpar franchise that they are in a season-ending sweep by the Los Angeles Angels of Anaheim.  Although largely unchanged from championship teams of years past, this Red Sox team lost the talent and the spark of other years- while gaining a steroids scandal (in David Ortiz) and a washed up relief man (in Billy Wagner).  So, while Dustin Pedroia and Jon Lester munched Flamin’ Hot Cheetos, watched The Notebook, and cried themselves to sleep, the New York Yankees of New York, New York rampaged their way through the World Series.  They finished off the defending World-Series Champion Phillies in six games, never really giving them any hope.

So, I ask, why was Ghostface Killah sporting a green and red Boston Red Sox New Era cap at his Blind Pig performance on Monday night?  Ghostface Killah, man of the Stapleton housing projects of Staten Island, NY.  Take the Staten Island Ferry to the 4 train to Yankee Stadium.   Or, if you have to, even take the Staten Island Ferry to the 1 train to the 7 train to Shea Stadium (or the new Citi Field).  But, come on Ghost, you have to paddle across the river Styx to get to Fenway Park.

Although my barber, Bob, has explained to me on multiple occasions that the handshake and first 20 seconds of meeting someone new is the most important part of a good relationship, Ghostface quickly redeemed his horrendous first impression.  At 39 years old and over 15 years after the Wu-Tang Clan debut, Ghostface still has an intense and demanding stage presence.  Perhaps he is no longer the perpetually high, in your face, attention grabber of the 90’s, but as hip hop has grown, so has Ghost.  He still coaxed the audience to scream in support of their love of weed and conducted a vote of the crowd’s alcohol preference: Hennessey vs. Grey Goose.  But that doesn’t seem to be Ghostface’s gimmick anymore.  He still holds the crowd with his intricate word plays and boasting banter but he no longer seems to need to hold a blunt to connect with his audience.  With the tracks from the new album, he has also let some catchy hooks grab the audience as well.

Despite a bit of a persona change from Ghostface, the crowd remembered exactly who he is.  He could (and on a few occasions did) let the beat drop and let the sweat-soaked, cigarette-drenched crowd do his bidding, reciting every line to his fast paced stories.  He commanded an even greater response for the Wu-Tang hits (including “Wu-Tang Clan Ain’t Nothing To Fuck With” and “C.R.E.A.M.”.

Not that Ghostface has never been sentimental – because he has- but it marks a different path when his best-known song is a track about his love for his pregnant girlfriend, complete with a light-hearted R&B loop.  As was apparent by his on-stage demeanor and set choice, Ghostface is content with the maturing of hip hop, the development of the Wu-Tang Clan, and his own, highly regarded status.

(Also, in my concert-going experience openers are generally not worth mentioning.  However, worth mentioning is local local, DJ Chill Will was on the ones and twos in between sets.  Chill Will has a show called The Prop Shop every Saturday night from 9pm-midnight on 88.3 WCBN– a show that I would very highly recommend to any dabbler in the art of hip hop)

Preview: Ghostface Killah- aka Ghostdini, Wizard of Poetry In Emerald City aka Tony Starks aka Ironman aka Pretty Toney- aka the Greatest Wu-Tang Solo Artist, Visits The Blind Pig

Yes, Hes Doing What You Think Hes Doing, Sort Of.
Yes, He's Doing What You Think He's Doing, Sort Of.

Ghostface Killah, founder and foundation of the Wu-Tang Clan, a rap crew from Staten Island, brings his solo act to the Blind Pig tomorrow evening, November 9, in support of his new album, ‘Ghostdini: The Wizard of Poetry in Emerald City’.

The Wu-Tang Clan gained world fame in 1993 with the release of “Enter the Wu-Tang (36 Chambers)”.  A raw, innovative work of genius, ’36 Chambers’ continues to rank as one of the greatest rap albums of all time (with hits such as ‘C.R.E.A.M’,’Method Man‘, and ‘Protect Ya Neck’).  Since, the Wu members have continuously released Wu-Tang albums and collaborations as well as their own solo work.  Ghostface Killah, I declare after an extensive and ongoing internal debate along with a very public and popular debate, has had the greatest Wu-Tang solo career. Topping the list of solo albums is his year 2000 masterpiece, “Supreme Clientele” (featuring the hot tracks ‘One‘ and ‘Apollo Kids’, among others).

Ghostface has recently toured with Ann Arbor-born Mayer Hawthorne (Ghost professes his love for Mayer in this New York Times interview) and now brings his solo-act to the Blind Pig tomorrow night.  In support of the new R&B and soul savvy album, Ghostface will bring the motherfuckin’ ruckus as he has done throughout his career.

Blu & Exile, Fashawn, and Skyzoo open the show. Blind Pig @ 208 S.First St. Doors at 9:30.  Cover: $23 (Surcharge free tickets available at 8 Ball Saloon, Underground Sounds, and Vault of Midnight.  Or you can let the internet scam you for all you’re worth).

Video below is from the new album.  It is Ghostface at his grossest.  Enjoy.  (Potentially Not Safe For Work.  But I guess it depends where you work…) (Update: Video removed due to venturing “too far into porn and misogyny area”. Track is called Stapleton Sex, if you so have a desire to find it yourself. I don’t think it goes too far to say that “porn and misogyny” is a large part of the current state of rap music. Although, as a culture, we claim to reject porn and misogyny, hip hop is the largest art form in the world today. I think this is a topic for a post of another day, but it is one worth thinking about. Who is responsible for misogyny in hip hop? Why does it still exist? Where does hip hop go from here? Where does our culture go from here?)

Here’s a different video from the new Ghostdini album-a track called Baby. This one shows a pretty different side of Ghostface.

(Very unrelated but check out the new J.Dilla/Michael Jackson mix from J.Rocc. Pretty unreal)

Bennett. bstei@umich.edu ‘No Shirt, No Radio’ Wednesday Nights, Midnight-1:30am WCBN

REVIEW:Gal Costa and Romero Lubambo

Sat, Nov 7,2009

Today was one of those rare days in fall when it feels like a perfect summer day with a cool breeze and a benevolent sun. It also turned out to be one of the most beautiful evenings  with the Gal Costa and Romero Lubambo performance at the Hill auditorium.   I just LOVE  the Hill auditorium. Its awesome acoustics and ambience add that special something to every performance. Close your eyes and you will feel as if the performers are putting an exclusive performance only for you. The Hill just seems to have so much of positive vibes to it and there’s magic in that place.  I just can’t get enough of it.

Ok, now back to the evening’s performance.

Mr.Lubambo started  by playing a medley that involved  a blend of  jazz  improvisation and  Brazilian music, showing a glimpse of his commendable repertoire.  It was superb. He has such command over his  instrument and is a master guitarist.

Then, the much awaited Gal Costa, in a lovely flowing red and lavender dress entered to thunderous applause. She started with a lovely slow song.  I was amazed. Her age (she was born in 1945) doesn’t show either in her voice or appearance. I, at once, knew why she was one of Brazil’s most famous pop divas.

Her voice is smooth, deep and at the same time, so melodious.  In these days, with the auto tuning and with singers who lip-sync all the time, it is such a treat to hear a singer who hits her high notes with perfect clarity and so effortlessly, especially in a  live performance.  I don’t think she ever missed a note in the entire show that lasted one hour and forty minutes.  Some singers are born with the magic in their vocal chords and Gal  Costa is one of them.

Ms .Costa and Mr. Lubambo shared such a  nice camaraderie that comes only when two artists truly respect each other for their mastery in their respective fields.  Her deep full-bodied voice blended very well with the twangs of his guitar perfectly.  They complemented each other so well and it was evident that they enjoyed it as much as the rest of us.

Mr. Lubambo cracked us up with his humorous introduction of the songs and comments. During the performance, Ms. Costa sang close to Mr. Lubambo’s ear playfully. He was thrilled with it and he said  that it was so good to be listening to her so close, something he could get only in a live performance where the musician feels “the love energy” of the audience and responds to it and there is such a  synergy of good vibes. Like true performers they also engaged the audience. For one of her other songs, the audience doubled as her backup singers and it sounded so good as if they had rehearsed before.

As for the songs, I wished I knew Portuguese so that I could relate to the lyrics in spite of the fact that I could totally  connect with the music. I guess this only proves how music truly appeals to the soul.  I noted some of the songs though (by noting words by their sound) and looked the songs up after the show (ah, Google, where will I be without thee?). I loved her  “Triste” ,”Aquarela do Brasil” and “As time goes by” .

As the show ended, we wanted more of course and there were two encores. My only regret was that with UMS’s policy, I couldn’t get a picture/video of the performers on stage at the Hill. 🙁

Luckily, I can still listen to their music on the net. Hope you guys do that too.

Krithika Srinivasan

PREVIEW: Gal Costa and Romero Lubambo

Gal Costa

What: Gal Costa and Romero Lubambo

Where: Hill Auditorium

When: Saturday, November 7, 8 pm

Tickets: http://ums.org/s_tickets/

According to Wikipedia, Gal Costa’s mother Mariah listened to classical music  for hours during her pregnancy so that  her unborn child would grow to appreciate music.  Little did she know that her daughter would go on to be Brazil’s most famous diva, with over 35 albums and a successful career in music spanning  over 40 years (and still counting).  I listened to a sample of her music on her website (http://www.galcosta.com.br/index.php?language=en). In her  deep full-bodied voice, Brazilian pop sounds so refreshing.  She will be performing alongside Romero Lubambo, whom Herbie Mann,the 1960s’ jazz music’s preeminent flautist, described as “the best Brazilian guitarist there is”. When artists get such glowing reviews, it is one’s duty to go check them out. Don’t you think so?

Krithika Srinivasan

REVIEW: Halloween Concert 10/25

Halloween Concert – Costumes Galore!

University Symphony Orchestra and University Philharmonic Orchestra

Program:
March of the Little Goblins  —————————————— Adam Glaser
Overture to Die Fledermaus (The Bat) —————————– Johann Strauss, Jr.
Night on Bald Mountain ———————————————Modest Mussorgsky
The Fairy Garden from Mother Goose —————————-Maurice Ravel
Funeral March of the Marionettes ———————————Charles Gounod
Storm from Peter Grimes ——————————————- Benjamin Britten
Witches’ Sabbath from Symphonie Fantastique —————–Hector Berlioz
The Ride of the Valkyries ——————————————-Richard Wagner
Star Wars Medley—————————————————– John Williams

Wow – I never thought serious musicians would ever dress up in crazy costumes for a classical music concert! But when I walked into Hill Auditorium, the first thing I saw was the sea of bumblebees, angels, bunnies, and other, interesting yet occasionally unidentifiable costumes. Fully impressed, I thought back to my high school days when our conductor told us to dress up for the holiday concerts, and I was the only one in the violin section with reindeer antlers.

Before each piece, the conductor walked on staged and gave a little introduction to the piece through a comical skit which left the audience laughing. The conductor of “The Fairy Garden” frolicked and skipped on stage in an elaborate ballerina-like costume complete with a giant tutu and colorful leggings. My favorite was the “invisible” conductor for the “Witches’ Sabbath.” Creaky door sounds and footsteps sounds were played as the stage door opened and closed (no person passed through), but the most mysterious part was when the music, or rather, a giant piece of cardboard, on the stand flipped back and forth. This happened several time times during the piece and though I scrutinized every slight movement of the first row of musicians, I could not figure out who was moving the “music!”

All the pieces in this program were pretty short, living up to the advertised “fun for the entire family.” Maybe I’m used to long symphonies and concertos – I actually wished the pieces were a little longer, but the short concert is perfect for friends who may not be as interested in long classical pieces.

By far, the best part of the concert was the encore when the orchestra played the “Ghostbusters” theme song and the conductors danced on staged, especially since I knew one of the conductors from when I played in the Campus Symphony Orchestra!

At the end, one of the conductors asked the audience who had attended the concert last year. Many people raised their hands. Then he asked about the past 5 years. The past 10 years. And finally, the past 20 years – several people raised their hands! I loved the enthusiasm of the whole orchestra – they wanted to be there and they were excited to play for the audience. And we were all just as excited to watch the performance. 1 year down, 19 more to go!

PREVIEW: Halloween Concert

PREVIEW: Halloween Concert
Date: Sunday, Oct 25th, 2009
Location: Hill Auditorium
Time: 4pm and 7:30pm
Link to buy tickets online: http://purchase.tickets.com/buy/TicketPurchase?organ_val=3456&month_value=9&current_year=2009
$12/$8
Also sold at the league ticket office

Take a break from homework and get in the Halloween spirit! This spooky concert will be performed by the University Symphony Orchestra and the University Philharmonic Orchestra and conducted by graduate students. The music selections have not been released yet, so this concert is sure to be a fun surprise. The orchestra will be wearing costumes, so make sure you do the same!