PREVIEW: Aida Cuevas with Mariachi Aztlán

What: a mariachi concert performed by Aida Cuevas, award-winning traditional mariachi singer and recipient of a Grammy (2018) and a Latin Grammy (2010), supported by Mariachi Aztlán, nationally recognized mariachi band from the University of Texas Rio Grande Valley

When: Friday, November 4, 8:00pm

Where: Hill Auditorium

Tickets: free for students with a Passport to the Arts voucher, available at Residence Hall Community Centers, the Pierpont Commons Info Desk, Trotter Multicultural Center, and the Office of New Student Programs in the SAB; otherwise, student tickets are $20 each

Aida Cuevas with Mariachi Aztlán is sure to be a lively performance, showcasing both the richness of traditional mariachi and of Cuevas’s powerful voice. Cuevas last visited the University of Michigan in the fall of 2018, the same year she broke barriers as the first woman to win a Grammy Award for Best Regional Mexican Music Album in the male-dominated field of Mexican ranchera. Known as the “Queen of Ranchera,” the artist is known for her vocal range and impeccable falsetto, drawing comparisons to powerhouse vocalists like Aretha Franklin. The audience atmosphere at Hill Auditorium tomorrow evening should also be festive, with audiences often singing and dancing along in their seats. Consider grabbing a Passport to the Arts and spending Friday evening enjoying this unique cultural experience.

REVIEW: Conduct Us

Even though mornings are always rough, especially on Fridays, attending Conduct Us made waking up worth it. Contrary to what I assumed in my preview, the weather was very warm: suitable for the festive and relaxed atmosphere at the event. Warm cider and donuts were provided too, so I even got free breakfast with the free live music (not to mention the free “Ono. Oh, Yes!” stickers)! I’m sure it was a very welcoming sight for the students heading to and leaving the MLB as well. Surprisingly, though, most of the audience was actually adults: most likely because it was a Friday morning.

Out of the many song choices, I recall hearing the Carmen Suites and In the Hall of the Mountain King the most. To those not well-versed in classical music, these titles may sound very unfamiliar, but trust me that if you look it up you’ll definitely recognize the tunes. Although I myself didn’t get to conduct, if I had the opportunity to I would have chosen In the Hall of the Mountain King too for its fun and exhilarating melody (in addition to The Victors of course). It’s a piece that starts quiet and slow like you’re sneaking inside the halls of a castle before rapidly speeding up when the king spots you! It was a lot of fun to listen to the giggles of the conductor and musicians accompanied by the sight of the conductor aggressively waving the baton (which at Conduct us, was a clothespin).

One of my favorite performances had two friends take upon the challenge of conducting the Michigan Pops Orchestra as a duo. It was very creative and inspiring to see people so interested in participating and enjoying the event: it really emphasized the point that the event is simply to create good vibes. It’s hard not to say, though, that Ono’s conducting was the highlight. Saving the best for last, the event ended with The Victors. To be honest, it was funny to watch him be flustered about conducting. It was also very endearing that afterwards the cellists invited him to play their part on The Victors, which unfortunately Ono declined. I’m sure we’ll see him play the cello one day though (he does actually play cello and pretty well too).

If you didn’t have the opportunity to attend this Conduct Us or want to attend once more, there will be another one coming up soon. Unfortunately, I don’t think Santa will be coming to town again. You can also support the Pops Orchestra at their end of semester concerts!

PREVIEW: Conduct Us

Santa’s coming to town! Specifically, Santa is coming to Ingalls Mall outside the League this Friday morning. During Santa’s meet-and-greet, the Michigan Pops Orchestra will be providing festive music for all to enjoy. They’ll be holding Conduct Us, an event where anybody (literally anybody) can take on the task of being their conductor. A variety of pieces will be at your disposal, like Les Mis, E.T., Forrest Gump, Star Wars, How to Train Your Dragon, etc. In fact, Santa himself will be conducting The Victors: it’ll be a sight I don’t want to miss out on! Conduct Us will be a good opportunity to also hear the pieces Pops has performed at their past concerts if you missed out, and also give you a sneak peek into what kind of atmosphere their next concert will be.

I’m very excited to come watch and hopefully conduct their ensemble, and I’ll be getting two birds with one stone by also taking this chance to see Santa.

Come watch and conduct the Michigan Pops Orchestra this Friday Morning from 11:30-12:30pm! Make sure to dress up warm too, since it’ll feel like the North Pole.

REVIEW: Faculty Recital: Jeremy David Tarrant, Organ

I was first introduced to the haunting melody of the organ through the film Interstellar, directed by Christopher Nolan. Not only did I fall in love with the film itself, but with the resounding brilliance of the organ that shone throughout the soundtrack. If you haven’t seen the film, I would highly recommend it; the soundtrack is very moving.

The organ is a fascinating instrument and a very difficult one to master as it requires great precision, technique, and coordination. There are multiple keyboards or “manuals” stacked on top of one another that an organists hands must move gracefully and deftly between. And at the same time, the organists feet are dancing along an array of foot pedals at the bottom of the instrument. I can imagine that playing the organ can be quite a work out. Jeremy David Tarrant, however, made it seem as though playing the organ was as simple as breathing. Of course, I’d expect no less. Tarrant’s resume is an impressive one. He is a Lecturer in Organ at the University of Michigan as well as an active concert organist. Tarrant has performed across the United States as well as abroad and has been featured on several records. It was an absolute joy to watch him perform. I knew the organ was a versatile instrument, but the way that Tarrant played opened my eyes to the countless ways organs can produce sound. There would be moments in the performance when the pipes would breathe so softly over the audience, only to explode in a thunderous wave that vibrated the seats. There would be moments  of whining sound that came close to hurting my ears as well as velvety tones that could put a baby to sleep. The sound was so much more than just loud and quiet, soft or hard. There were even moments where it seemed as though the music was coming from somewhere far beyond the confines of the stage as if in another room. The concert was an amazing experience and the music was superb. But what was also superb was the skills of the page turner that assisted Tarrant as he played. You can see the gentleman in question featured in the picture to the left. I found that he was creating his own performance alongside Tarrant. The gentlemen would wait patiently at Tarrant’s side; a single hand creeping up when he saw his moment approaching and then, with a swift flick of the wrist, the page would be turned, allowing Tarrant to continue his performance unfettered by the constraints of paper. I noticed that the rate of enthusiasm with which the page was turned was equal to the mood of the performance at that time. For example, if the page needed to be turned in the middle of a fast moving, sound swollen section, the gentleman’s whole arm would be involved in the turn of the page. It was a fast, sharp, extended motion. And when the page needed to be turned during a more soft spoken section, his actions would be soft spoken as well. It was a part of the performance that I found unexpectedly fascinating and very appreciative. I admire your talent unnamed page turner gentleman.

REVIEW: Trace Bundy

After an exam-dense week, Trace Bundy’s show was a breath of fresh air to end my Friday. On top of his flashy fingerstyle techniques, Bundy’s playful personality shined through. Maintaining a conversational tone throughout the performance, he truly created an environment that felt much like a laid-back living room jam session with friends.

Because it was my first time at The Ark, I did not know what to expect in terms of layout or general audience demographic. The venue seems to be run by volunteers who are all very passionate about sharing great music. I was pleasantly surprised by the casual seating around mini tables scattered across an open floor plan, so my friends and I grabbed a couple of hot chocolates from the stand and settled down in the front.

Bundy opened the show by giving a quick overview of the different fingerstyle techniques he typically incorporates into his compositions, including tapping, percussive thumping, and looping. This really set the stage for an ongoing discussion about the technical elements that were showcased throughout the set list, which was great if you like to geek out over that stuff (like me).

Each of the songs Bundy included in the set seemed to highlight a different concept, which kept the performance engaging and showcased his range. Here were some of my favorite bits:

  • Frankie Valli’s Can’t Take My Eyes Off You. Bundy introduced this as a recent project he took on inspired by the song’s ambiguous chord progressions, which he achieved using a myriad of customized capos (all at the same time, of course). Capos work by clipping to the neck of the guitar and pressing down across all the strings so that the resulting notes you play are shifted up by the same interval. However, by sawing the end off a capo or drilling a tunnel through, Bundy is able to only shift certain strings at a time.
  • Dueling Ninjas. This is one of Bundy’s original compositions from his Adapt album. Played entirely by finger tapping, he explained how each hand represented a ninja with a different personality.
  • Overtime. Bundy demonstrated how he used a delay pedal to create an underlying beat at one tempo and play in between at a slightly different tempo. This created an interesting rhythmical texture and hurt my head trying to grasp how he kept track of the beats.
  • Love Song. My personal favorite! Once again, Bundy brought out a handful of capos and somehow incorporated the procedure of clipping them on/off and sliding them around into the song like a choreographed dance.

I encourage everyone to keep Trace Bundy on their radar! I have a lot of respect for musicians who are not only eager to share their thought processes but are also able to present them in an accessible way to get everyone excited about something like music theory. Speaking to him after the show, I found that he is also just a kind and down-to-earth person. 

REVIEW: Superblue- Kurt Elling with Special Guests Huntertones Horns

What a night.

I can safely say that I’ve never enjoyed jazz music. The few times I’d been exposed to the genre, having stumbled across a jazz tune on Spotify or a video on Youtube, only served to cement my views on the subject: jazz was longwinded, jumbled, and didn’t make much sense. Let me now say that my past self was unequivocally wrong about jazz.

Stepping into the Blue Llama Jazz Club on a Saturday evening was like stepping into an alternate realm. The dark interior was dimly washed in hues of blue and orange light, highlighting the stage. Tiny pinpricks, akin to stars dotted the ceiling and each table had a single candle flickering in a bronze cocoon, beckoning us to our seats…And then the food began.

Right now you’re probably thinking to yourself: “Food? Isn’t this blog  post supposed to be about the jazz show??”

Yes, it is about the jazz show, but that will come in good time, because this show came with a meal, and by meal, I mean a seven course tasting menu sent from heaven. I, having the palette of a five year old child, had never imagined food could have so many flavors or textures. There wasn’t a single dish that wasn’t impeccably plated and served to perfection. As soon as we finished one dish, another would magically appear in front of us. I couldn’t understand half the words the server used to describe the delectable foodstuffs, but I was too focused on trying to keep from salivating to care much. I’ve attached some pictures of the meal for your enjoyment. The frozen grapes featured on the charcuterie board were a particular favorite of mine. We consumed a total of five tasting courses before the show began. At this point, I’d been enjoying the food so much that I couldn’t have believed that the night could become any more magical.

But then the band began to play. And Kurt Elling opened his mouth. And it was beautiful. And it was Jazz. There was this energy that was so potent at times that you could feel it raising the hair on the back of your neck. It wove its way through the crowd and up onto the stage, bouncing off each performer as they gifted their souls away to the river of sound powering into the room. I could feel the beat of the drum in my chest and the whine of the sax shivering down my spine.  You could see that they weren’t performing for us. Yes they were up on stage, yes we’d paid to see them, but they weren’t performing so much as giving in to the passion of the music.

I have never liked jazz music.

But, what a night. How could I not love Jazz music?