REVIEW: The Rocky Horror Picture Show

“I wish to lose all morals, and accept decadence into my heart.”

The night starts off with crowds of people in sparkles and lingerie and all black  piled up outside of the Michigan Theater, eager to begin their Rocky Horror experience. An experience that is varied and cannot be restricted by just one adjective. An experience that is energetic, erotic, campy, and…. scientific?

With an introduction from a moth, who welcomes all of the groups who are out – the straights, the gays, the sorrorities – the crowd is riled up before the film has started. Prohibited items include: ice, confetti, water guns, candles or lighters, whole rolls of toilet paper, hot dogs, and prunes. But the moth pointed out that squares of toilet paper, or streamers, or 3/4 of a roll of toilet paper, are allowed. It is only the Leather Medusa’s second year putting on a shadow cast show of RHPS at the theater, but they’re sold out.

I stand for my virgin pledge, with about half of the audience who are marked with red lipstick Vs. Surprisingly, such a prominent cult classic still remains unseen by many. Not so surprisingly, the Rocky Horror virgins of the world are curious about the film and its culture, intrigued by its ostentatious reputation and loyal followers. And tonight, our curiosity is to be fulfilled. Soon everyone stands together, for the Rocky Horror pledge and with much anti… cipation – the show begins.

Newly engaged Brad and Janet get stuck in the rain, and wander into Dr. Frank-N-Furter’s castle, where they have a long night ahead of them. The shadow cast saunters around the stage, their costumes and movements perfectly matching those of the film’s characters. The audience yells “ASSHOLE!” at Brad, “SLUT!” at Janet, “WHERE’S YOUR NECK?” at the criminologist, and a variety of other more specific, seemingly-scripted, comments. The film can barely be heard. This culture is not exactly for the prude or sensitive – although they are the ones that the culture loves to deflower the most. Similarly to the audience culture around Tommy Wiseau’s ‘The Room’, some describe this movie-going experience as wildly inconsiderate and vulgar. But the lines of accepted norms are blurred in the midst of such a cult classic, one that drew counterculture crowds as a midnight movie at its release and still draws those audiences (or those who shapeshift into such for a night) today.

Attempting to watch the film over the yelling of the crowd, I do my best to stay in-tune while actively participating. But the participation doesn’t take away from the film’s grandeur. The unusual set, defined characters, theatrical costumes and makeup, peculiar sci-fi characteristics, lively songs and dances, canted angles, effective use of various lenses, irony, and sexual notions, are enough to interest audiences even when they are unclear of the plot (which is somewhat unclear, anyway.) I’m sure all of the other virgins sometimes sat just as confused as me, but also pleasantly entertained.

Seeing Rocky Horror is a uniting experience: the audience, together, are just as important as the film. Dancing the time warp, throwing cards and pieces of toast, everyone is in tune with one another. Even the virgins. We catch on. If all goes as planned by the Transylvanians, by the end of the film you’re going to want to dance and yell and touch everyone and be covered in sequins and dramatic makeup.

PREVIEW: The Rocky Horror Picture Show

Halloween is here, and what better way to celebrate the spooky season than with The Rocky Horror Picture Show? In the 10th hour of the night on October 20th, the Leather Medusas, a group of University of Michigan students, are bringing the cult classic show in the annual Ann Arbor showing. In a sing-along, shout-along, and dance-along fashion, come out to the Michigan Theater to do the Time Warp with the Leather Medusas this year.

REVIEW: Reverence by Salto Dance Company

It’s not too often that you see dancers en pointe, wearing Hawaiian shirts with sunglasses and holding up a beach towel.

But that’s exactly what Salto Dance Company did in their winter show, Reverence. And though unexpected, it was a move that cemented Salto’s identity as one of the most unique, innovative dance groups on campus.

Reverence is a French word meaning “a feeling of great respect.” At the end of performances, dancers perform a gesture called a reverence to show respect to the audience, and the audience applauds to return that respect to the dancers. After Salto’s opening number, the club presidents came onstage to teach the audience how to perform a reverence. Then they continued the show and put the crowd under their spell.

Salto is known for its blend of many different styles of dance; they are the only student dance group on campus that performs en pointe, but they also perform contemporary and lyrical pieces. Many of their dances transcend genre entirely. And indeed, Reverence provided a perfect blend of tempo, genre and mood.

Say My Name was the first piece that really stuck out to me.  A contemporary piece, the choreography pulled me in from the beginning and the leaps and turn sequences were technically impressive.

Several dances evoked nature with their movement. Revolution, a contemporary pointe piece, flowed like water, and San Francisco, the second act finale, made me envision birds. The technique and choreography were beautiful and captivating.

The solos — mostly classical variations — also impressed. The audience oohed and ahed over the difficulty and quality of movement. However, where Salto really shined was when it went outside its comfort zone.

Sunshine was the first example. Set to the song by Kyle and Miguel, it featured dancers en pointe wearing beach clothes. In the middle of the number, they held up a towel with the words “Salto brings the sunshine.” The dance was full of personality and evoked an almost Broadway feel. It was unexpected from a ballet and contemporary company, but it worked.

And when Salto came on for the second act, their opening number was entitled simply Broadway. Set to a medley of songs from Chicago and A Chorus Line, the musical theatre number was different from anything else in the show. It showcased a completely different side of the dancers and brought out a performance quality that was sometimes lacking in other pieces, especially in the first act.

Another unique piece was Focus, which featured three dancers using contemporary technique and three dancers en pointe. The choreography blended the two styles seamlessly and highlighted the strengths of each individual dancer.

When the show ended and the dancers came out for a curtain call, they did their reverence. And while the gesture was meant to show respect to us to thank us for coming, all I could feel was respect for them for blending so many styles, for displaying a full range of emotion, for pulling me in and never looking back.

PREVIEW: Reverence by Salto Dance Company

My lasting impression of Salto Dance Company was this: as their first act finale in their winter show, their dancers came out wearing pointe shoes and Chance the Rapper’s signature “3” baseball cap. They danced ballet to Summer Friends. And it was captivating.

In my first year writing for ArtSeen, I’ve learned that Michigan has a lot of dance groups, and it especially has a lot of contemporary dance groups. But what Salto — a self-choreographed contemporary ballet company — brings to the stage is completely different from all the others.

In their fall show, they mixed the technical mastery of classical ballet with the artistry of contemporary. They performed both variations of well-known ballets and original pieces — many en pointe — both solo and in groups.

After the first impression, I’m ready for more. That’s why I’m going to Reverence, Salto’s spring showcase. Of all the dance shows I’ve seen in my first year here — and the number is close to 10 — Salto’s winter performance was one of my favorites.

I’m supposed to write what to expect in these previews, but the truth is I don’t know. I thought I knew what to expect the first time, and I was wrong. This isn’t your traditional ballet company. Instead, I’ll say this: expect to see something you’ve never seen before, something you’ve never even thought about seeing before. Something like ballet to Chance the Rapper.

Reverence by Salto Dance Company runs Saturday, April 21 at 7 PM at the Mendelssohn Theatre. Tickets are $8 for students, $10 for adults and free for children under 12 or with a Passport to the Arts.

REVIEW: M-agination Film Festival

The M-agination Film Festival this year was, as always, long and full of many varied and excellent student films. Instead of reviewing all 15 films shown at the festival, I will select a few highlights.

Cereal Theft: What begins as a classic noir-inspired student film ends in a refreshing twist. No student film festival is complete without a pseudo-noir, and though usually these films are basic parodies, Cereal Theft manages to set itself apart from the crowd–if only because of the last ten seconds.

Dana: An unusual addition this year was Dana, a min-documentary about Dana Greene who kneeled in the Diag for 20 hours back in September. While this documentary does a good job at capturing the moment, it is unfortunately rather underwhelming. Viewers receive some additional information about Dana and his motivations, but it does not feel like there is enough there to justify the documentary–if you read the original letter and passed through the Diag on that day, this documentary won’t give you much more information. Still, it is nice to have this record for future generations.

Vine Addicts Anonymous: This film centers on an AA style support group for individuals addicted to vines. During the movie, the afflicted individuals tell their stories of vine degeneracy while the referenced vines are played. As someone who has never been much into the vine scene, I still found this short funny, though it was certainly carried by its actors.

Not Delivery: The story is simple: two stoned college students on a mission to get frozen pizza from a local liquor store. There isn’t a crazy twist or strange occurrence, just weed, pizza, and paranoia. It’s classic college. Funny, good-natured, and a decent PSA about the dangers of buying food when stoned. Enough said.

Planet Earth: Endangered Species Special: No student film festival is complete without a mockumentary and this year was no exception. This Planet Earth spoofed centered around the plight of pubic crabs, which face extinction (this is actually true). It’s a bit uneven and some scenes feel unnecessary or repetitive, but the concept is solid and they land a few good jokes now and then. Overall, a cute short.

Settle for Nothing: Now, this film was refreshing. I haven’t seen a student film tackle heists movies before, and Settle for Nothing not only pays homage to our favorite aspects of heist films, but does so in a way that feels very college. The plot revolves around three guys on a mission to retrieve a Settlers of Catan game from a vindictive roommate’s home. In the course of this short film, they face various setbacks and come dangerously close to being caught–the tension is mild, but there, and the film focuses on humor more than seriousness. Still, it’s pretty enjoyable.

Home Grown: The festival ended with a SAC Honors Thesis, Home Grown, which was the best film of the night. Home Grown is a pilot for a TV show centered on two queer persons as they return home after a failed stint in New York. Not only is it funny as fuck, but it also explores gender and relationships in a non-typical, non-trivializing way. Not to mention the high quality production that evidently went into this pilot–scenes are well shot and colors pop. Though it has a few rough patches, Home Grown almost feels like a real pilot for a TV show, and is far above the usual quality of student projects. Highly recommend watching this if/when it becomes available online.

PREVIEW: M-agination Film Festival

The best showcase of student films is back. This Thursday join M-agination Films for their 17th annual festival, where they will be playing 15 student films (including a SAC Honors thesis). As someone who went last year, I assure you these are not clumsy films you and your friends used to make for Youtube, but relatively high-quality shorts that students spent months writing, shooting, and producing. Furthermore, admission is free and attendees get free popcorn and t-shirt. The festival will take place tomorrow at the Michigan Theater. Doors open at 7:30 and films begin at 8:00.