Preview: The story of Macbeth’s power lust unfolds @ the Power Center

‘Macbeth’ is Shakespeare’s most intriguing and bloody tragedies ever. It has all the elements for a perfect thriller. We have sinister witches with their equivocal prophecies, a power- hungry wife who eggs her husband on to get a crown that doesn’t rightfully belong to him, a war-hardened man who kills his way to the throne, visits from ghosts,  lots of bloodshed (like in Tarantino’s “Inglorious basterds’- this one’s not for the queasy too!), cunning plots and then of course, the tragic  and dramatic climax. Though it was Shakespeare’s shortest tragedy, it was one that left the readers/viewers with shudders. No one can forget Lady Macbeth sleepwalking and lamenting thus- “Here’s the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand. Oh, oh, oh!”

The U of M production of ‘Macbeth’ by the Department of Theatre & Drama and directed by Philip Kerr, is set in a military hospital during the early 20th century. ‘Macbeth’ is about the erosion of the soul by guilt and how one’s deeds will catch up with them eventually. War also ravages the soul quite a bit, often leaving everybody involved with a question as to its point  (if not convinced, see  “Saving Private Ryan”, my personal favorite among war movies) .  All things are fair in love and war – and in politics and in gaining power! So it will be extremely interesting to see how Philip Kerr’s production is staged and how they portray the story as this play has so much of potential for the actors to really bring out their talents.

They say that Shakespeare had used real witch spells and that “the Bard’s play” brings  bad luck to actors and the theatres, so much so that actors and other theatre people often consider it bad luck to mention Macbeth by name while inside a theatre. So people, don’t mention “Macbeth” inside th Power Center and bring a horseshoe for some extra good luck, ok?

Show times:

Dec 10th @ 7.30 pm; Dec 11th & 12th @ 8 pm; Dec 13th @ 2 pm- Power Center

Tickets @ the Michigan League Ticket Office (Students $9)

Yours truly,

Krithika  for [art]seen

P.S. Hmmm… did the weather in Ann Arbor get so bad because ‘Macbeth’ is playing and there was “Double, double toil and trouble;fire burn and cauldron bubble”?

Review: I Can’t Handel Handel

I know, I used the same pun, sorry. But this one kind of sucked out my creative juices. I realized before going in that the concert, Handel’s Messiah, was about Jesus, but since it was near the holidays, I thought it would be more like a happy Christmas story. Instead, I spent three hours listening about how Christ died for our sins. Kind of depressing.

Now don’t get me wrong. The performers were absolutely fantastic; the content was boring. Both the orchestra and the choir displayed an incredible amount of talent, passion, and listening. Harmonies were perfect, timing was sharp and precise, and the overall performance was beautiful. But a giant choir dressed all in black singing to you about the downfall of sinners and resurrection of Christ the lord is one of the most oddly terrifying experiences that I’ve ever had. I realize that they’re not Westboro Baptist Church, but certain moments of the night gave me chills.

Another problem with Handel’s “masterpiece” was that lines were repeated over and over and over again. It lacked in content. A full three hours of lyrics would fit in half of a Microsoft Word Page, all of which were different verses from the Bible (something that I thought was a great idea and if it had been executed well than it would be a wonderfully creative piece).

To shine a better light on the concert, please click this for an informational video

I had never been inside Hill Auditorium before, but I gotta’ say, I’m impressed. It is one of the most incredible concert halls that I’ve ever seen. I just looked up and soaked it all in with my mouth open. And the acoustics are unbelievable. I think that you could probably stand on the stage and clap and people in the balcony would hear it. The sounds were that clear. Which brings me to the best part of the concert. The soloists. More specifically, Mr. Anthony Costanzo.

Anthony Costanzo
Anthony Costanzo

Mr. Anthony Costanzo…The most dreamy voice, and the cutest face, Anthony achieves the highest octaves and perfectly delivers each note like a letter in a mail slot, easy and perfect. His dynamics were fantastic and he has obviously been training his vibrato since he was quite young. What makes Costanzo stick out among the other three soloists is his surprisingly high range. I also want to compliment the amazing choir looming behind them and the talented orchestra surrounding them. All of the performers brilliantly follow the Grammy winning conductor Jerry Blackstone.

This link goes to a fantastic sample of Costanzo’s voice.

For those that are like me and are unacquainted with Handel’s Messiah, I’m sure that you would recognize one piece in it. “The Halleluiah Chorus.” The audience was invited to join in the rejoicing, but it was really just nice to hear the song.

So overall, I wouldn’t suggest that you attend the Sunday Matinee performance (Sunday Afternoon, December 6, 2009 at 2:00 PM), unless of course you are a fan of this annual concert. I feel as if I wasted three hours and next time I will go to a 58 Greene or Dicks&Janes concert. It was an interesting experience, but I think that it was the wrong thing for me.

This is my first bad review, and it’s hard to post it, but you gotta’ do what you gotta’ do.

Danny Fob: Artist and Art Reviewer

Preview: Too Hot to Handel: Handel’s Messiah

Tonight I’ll be attending UMS Choral Union’s production of Handel’s Messiah. The UMSCU is a Grammy Award-winning ensemble that puts on an annual holiday performance of this concert. This event has loyal guests that attend every year and are always so impressed with the UMS group. I personally had never heard of it before some friends suggested that I attend, and now I am very excited to go tonight at 8:00 PM at Hill Auditorium.

Review: After “Coco Before Chanel”

I always forget how interesting the State Theater is, but then I go and am astonished by the antique business that still has incredible artistic integrity. The theater is old, so old even that the bathrooms still have those waiting rooms with benches where the people with perfume used to sit. The advertisements are for classic movies, or maybe some independent films. People that work there seem artistic and very friendly. And the theater itself… it’s old, but it has a certain ambiance that the dollar theater in Briarwood could never muster. I was able to realize these things about the building because I happened to be the only one in the theater on Wednesday night around 9:30. Sad Face Land. There were people seeing “Serious Man” which I’ve heard is very good, but I was the only one watching “Coco Before Chanel.”

If I knew how to type with a French accent I would, but since I can’t, I’ll just ask you to imagine one before I go on. … Got it? This is important because the movie was in French… Ok, I think you’re in the right frame of mind now. “Coco Before Chanel” was an absolutely fantastic story. It composed the tale of Gabrielle Chanel’s life for us to see. Gabrielle, known by most as “Coco,” was placed in an orphanage with her sister at a very young age when her father traveled to America. She grew up an impoverished orphan, raised by nuns, and became a lounge singer/seamstress. Throughout the entire movie, Coco has this blunt confidence in herself and speaks her mind, no matter who it might hurt. As her sister runs away with a Baron, she is left alone to achieve what she hopes will be a fantastic performing career. She fails early on, but finds a “friend” in Etienne Balsan, a man whose money has bought him friends, lovers, and arrogance. Coco sort of pushes herself into his Paris country home and doesn’t leave. By the way, you shouldn’t be reading this with an accent; I just wanted you to feel the setting a little bit. Yeah, I know, I saw you there struggling trying to speak French. Don’t worry about it.

Coco learns to ride horses and starts reading, while also beginning what will become her legacy. Having only brought two dresses to her new home, she begins making new cloths from Balsan’s supply. Now I know that Chanel has one of the most artistic and fabulous clothing lines in the world, but in her meager beginnings her clothing was just awful. So many different plaids and flannels. It’s sad to say, but her clothes were terrible. Not what I expected. But her style was unflawed. A basic philosophy Chanel held about fashion was that one should remove one article of clothing before leaving the house. She disliked ornamental flowers, laces, and jewelry because she felt that they made women like peacocks, or show animals. Throughout the movie she wears a simple straw hat that is the essence of Chanel fashion, and that is the first step to the rest of her fantastic career.

Now Thats Chic
Now That's Chic

Chanel promised that she would never marry, because “A woman in love is helpless. Like a begging dog.” She is so confident in herself, and perhaps one of the first feminists in France, that the idea of being owned by a man was repulsing. That is, up until she met Capel, lovingly nicknamed “Boy.” They fall madly in love and the story takes a turn for the better. But like any true story, it can’t work. He is forced to marry another woman for social status, and Coco never marries, perhaps never falls in love, again.

Finally! Fantastic Clothing
Finally! Fantastic Clothing

I don’t want to ruin the movie for anyone, because it is so wonderful, so that is all I’m going to say about the plot. I will tell you that it ends with a fantastic scene of models showing off Coco’s clothing line. Remember though, that the State Theater, and the Michigan Theater for that matter, are both fantastic old venues that give us an idea of the past. Student tickets are only $7, pretty average, just bring your own concessions, because they are way over priced. It’s always a great experience, especially when other people are in the theater with you (it gets pretty lonely all by yourself, and I’m a talker). So overall, the setting was great, the clothing was mostly terrible, but the movie was amazing. It had a historical value and a pleasing muse. Definitely an 8 in my book.

Once again this is
Danny Fob: Artist and Art Reviewer

P.s. See you at Handel’s Messiah this Saturday!

PREVIEW: An Evening with Frank Warren


Sometimes -Frank Warren
"Sometimes we don't keep secrets, our secrets keep us" -Frank Warren

An event not to be missed, America’s “most trusted stranger,” Frank Warren, will bring his most inspirational stories and secrets to Ann Arbor this Friday.  Warren is the mastermind behind PostSecret, a community art project he started in 2004 that has since exploded into numerous publications across the globe and the largest ad-free blog, PostSecret.com, where every Sunday new secrets are posted.  Click here to see a moving collection of Postcards submitted to PostSecret.

“When I started PostSecret my motive was to create a “place” where people could feel free to share their private hopes, desires and fears,” says Warren, “A place where the secrets they could not tell their friends and family would be treated with dignity in a non-judgmental way.”

Read more: http://blog.guykawasaki.com/2007/10/ten-questions-w.html#ixzz0YeXhHojq

PostSecret is a place not only for those to share their own secrets but for readers as well who identify with those secrets, possibly giving them the courage to release their own.  Even Warren himself was inspired to send his own secret on a postcard to his house about a supressed childhood incident.  The secrets sent in are so personal, heartfelt, and insightful that the ones you identify with make you feel that you are not alone.

An example of the artistic and emotional confessions of the postcards
An example of the artistic and emotional confessions of the postcards

His fall tour to colleges across the U.S. coincides with the release of his new book, “Confessions on Life, Death, and God,” which will also be available for signing during the event.  Warren says the live events usually consist of background on the project as well as display of postcards that were banned by the publisher, and also a chance for audience members to share their own secrets in an open atmosphere.

Confessions on Life, Death, and God
Confessions on Life, Death, and God

If you’ve got something to get off your chest, or you just plain love PostSecret,  I highly suggest you get your tickets asap.  Tickets are still available through MUTO or on the ticketmaster website.

Recap:
Who: Frank Warren, creator of PostSecret, shares his stories as part of the ConversA2tions series.
When: Friday December 4th, 7:30 p.m.
Where: Michigan Theater
How much: $15-$35 a ticket

Hope to see you all there!

-Sarah

Preview: Chanel on the Big Screen

‘ >Coco Before Chanel
“Coco Before Chanel”… A film that I’ve been looking forward to seeing and didn’t think I’d get the chance. But here I am, writing about it before I get to watch it, knowing that in three hours I’ll be sitting in the State Theater enjoying a medium popcorn and watching previews with a friend. The part of the famous fashion designer is played by Audrey Tautou as the movie moves from Coco’s sad beginnings to her huge success in the design industry. From what I’ve heard, the movie is supposed to be a fantastic story with wonderful acting. This drama is a classic Rags-to-riches story with sentimental and romantic backstage themes. I’m so excited! Everyone should hurry and go though, because there are only two nights left, tonight and tomorrow (Wednesday and Thursday, December 2 & 3). Both nights the show plays twice, 7:15 and 9:30.

Link to preview \"Coco Before Chanel\"

Only $7 for student tickets! So just to remind everyone…
Fantastic show
“Coco Before Chanel” rated PG-13
Wednesday, December 2 at 7:15 and 9:30
Thursday, December 3 at 7:15 and 9:30
State Theater, Ann Arbor
$7
Go see it!
Danny Fob: Artist and Art Reviewer