REVIEW: Glenn Miller Orchestra

October 6 | 7:00pm | The Michigan Theater

 

 

Who says swing music is a thing of the past? Certainly not the hundreds of fans inside the Michigan Theater last Sunday, awaiting the legendary Glenn Miller Orchestra (GMO).

If you think you’ve never heard of them—think again. Hits like “In The Mood”, “Moonlight Serenade,” and “Pennsylvania 6-5000” have woven their way into American culture, appearing in films, TV shows, school band concerts, weddings—you name it. Iowa-born Glenn Miller formed the band in 1938* and quickly gained popularity as a jazz and dance band throughout the Northeastern United States. After Miller’s mysterious disappearance in 1944, the band continued to perform under various bandleaders, including Buddy DeFranco, and later Ray McKinley. 85 years later, the Glenn Miller Orchestra is still touring the country, delivering its timeless, heartwarming sound.

The band made the final stop of their fall tour here at The Michigan Theater, with a packed house of varying ages. The show was 2 hours with a 20-minute intermission—nicely paced with intermittent dialouge from Music Director Erik Stabnau and their vocal quartet “The Moonlight Serenaders”.

Stabnau led a busy evening as the lead tenor saxophone player and emcee, also performing a few vocal tunes as well as leading the vocal quartet.

Jenny Swoish performing with “The Moonlight Serenaders”.

“Unfortunately, there are no original members performing tonight…”, Eric joked. While this is true, each player remained a stand-out musician, sensitive to stylistic differences of the swing-era sound.

Joining the GMO was vocalist Jenny Swoish, a jazz singer by the way of Nashville, Tennessee. She performed well-known vocal standards including “I’m Beginning to See the Light” and “These Foolish Things” as well as an original song from her debut album entitled “Never Gone”. A glamorous and energetic performance, Ms. Swoish maintains the delightful charm of jazz vocalists.

While the Michigan Theater is gorgeous and historic, it does not always produce the best sound for live music. A few soloists were lost from the mics, and besides wishing there was a bit more resonance from the hall—there is not much else you can ask for from an establishment that is almost a century old.

This band has its schtick down. Their performance was complete with hat choreography (as seen above) and cheerful demeanor by each member—gimmicks that are well-received by audiences. Their focus is clearly on maintaining tradition, a commitment that has kept them touring into the 21st century. They’ve found success in many American audiences but as the changing music industry shifts away from older jazz styles, who knows if the future will leave this beloved band behind?

I hope to see the Glenn Miller Orchestra make it another 85 years. They serve as a joyful reminder of Glenn Miller’s lasting contribution to the tradition of big band music.

 

 

 

Photos thanks to Jaron Jenkins.

*A more cohesive history of the band is found here.

REVIEW: SMTD Jazz Ensembles Concert

The University of Michigan SMTD jazz bands came together last Thursday night to present a double-bill performance containing early jazz music, student arrangements, and classic big band repertoire. The two ensembles are led by Chris Smith (Early Jazz Ens.) and Dennis Wilson (Jazz Lab Ens.). This musically diverse concert contained a wide spectrum of jazz music.

The first hour and a half of this concert showcased 13 tunes, most of which were transcribed and arranged by Chris Smith, the interim band leader. None of these tunes were written any later than 1929, which intrinsically implies a specific style. The band was sensitive to the ensemble sound and rendered nuanced improvisational solos that supported the style. Two band members from the horn line (Callum Roberts and Houston Patton) lifted their voices in song during the tunes “Mr. Jelly Roll”, and “Six or Seven Times”. The audience adored this unexpected performance.

The Lab Band brought us back for the second half of the concert. The band’s repertoire was developed 10-20+ years later than the early jazz set, bringing a much different sound into the mix. They included two student arrangements: “This Little Light of Mine” arr. by Gavin Ard and “Dinah” arr. by Liam Charron. Both arrangements were equally impressive and enchanting—it’s inspiring to see such polished original student work within SMTD ensembles. 

The Lab Band later featured singer Stephanie Reuning-Scherer on the tune “The Song is You”. Ms. Reuning-Scherer wonderfully adhered to the jazz style and was a satisfying performer to watch. It is wonderful to hear vocalists with the jazz bands continuing the tradition of vocal jazz in community settings. 

The final song of the concert was a world-premiere piece written by director Dennis Wilson, entitled “Rhythms From The Flint Hills”. Additional players joined in, including tablas, bassoon, violin, flute, and electric bass. This was a long and harmonically complex work and offered a unique sound texture that contrasted the music before the concert.

The entirety of the performance allowed the audience to indulge in a historical journey through jazz history, including compositions spanning over 100 years of music.

There are numerous events around campus hosting jazz music. The Blue Bop Jazz Orchestra’s annual holiday concert is on Friday, December 8th at 6 pm in the Michigan League Ballroom. The next concert for the SMTD Jazz Ensemble will be back at Rackham on February 20th at 8p.  

 

 

Image thanks to @UMICHSMTD on Instagram.