PREVIEW: Pls Hire Us–Comedy Sketch Show

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As we all know, exam season is a rough time to be alive. The work seems endless, the career goals start looking a little blurry, and dropping out feels like a more and more attractive option with each failed practice quiz.

It’s time to take a little break. The SAC 403 class will be performing a comedy act at North Quad Studio A, with the frighteningly relatable title “Pls Hire Us.” Showtimes are Wednesday, December 12th at 5 and 8 PM, as well as Thursday, December 13th at 10 PM.

Come on out to celebrate surviving your first round of exams with an entertaining show. It’s free, but seats are first come, first served, so arrive a few minutes early.

REVIEW: Keith Alberstadt

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It’s not difficult to make me laugh. In fact, anyone who knows me will inform you I laugh at my own jokes far more often (and loudly) than the average person.

However, when I came to the Ann Arbor Comedy Showcase this past Thursday, I was not in the best of moods. My friend wasn’t able to make it at the last minute, which would have been fine if I had known the seat I was assigned was at one of the little two-person tables directly at the foot of the stage, (where I would no doubt be at risk of having to participate in the show) with a place card that read “Reserved–Pinchak, 2.” The gaping hole next to me was especially conspicuous as every other seat was filled.

Despite the awkwardness of the seating arrangement, I was looking forward to Keith’s performance. As he began, I scootched my seat back toward the stage and listened in.

It’s hard to say what makes a person funny. It’s not often just the content; the same jokes told by different comedians have a different effect on people. While some fall flat, others are absolutely hilarious. Comedy is quite similar to theater in the way that stage presence plays a key role in its success. A comic’s ability to interact with their audience, use the space the stage provides, and work with timing in their set can make all the difference.

Keith Alberstadt seems to do all of this with ease. He made very direct eye contact with everyone in the audience, formed quick-paced dialogues with us, and moved all around the stage. In a lot of ways, he reminded me of the great Jim Carrey, one of my favorite actors. He’s known for his comedies like The Mask and the Ace Ventura movies, though he’s done solid work in dramas like Eternal Sunshine of the Spotless Mind. A lot of his success comes from one unique characteristic: his “rubber” face. The facial expressions he can make are nothing short of astounding, and have contributed quite a lot to the characters he’s played. Alberstadt has this feature too: the wide mouth seems to stretch infinitely, eyebrows able to shift and slide to convey dozens of different emotions. He could imitate an old man or a newborn goat with striking accuracy. He is officially in my book of truly talented comedians.

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Keith is currently on tour across the United States. More information on future shows can be found on keithcomedy.com, and aacomedy.com is your source for upcoming Ann Arbor Comedy Showcase events.

 

REVIEW: Whose Live Anyway?

I could barely contain my excitement as I sat in the Michigan Theater, processing that I was in the same room as Ryan Stiles and Jeff Davis, comedic legends who I have grown to love after watching them on Whose Line Is It Anyway, one of my favorite tv shows of all time. After spending months looking forward to this event, Whose Live was finally happening, and it did not disappoint.

Jeff Davis, Greg Proops, and Ryan Stiles were just as funny live as they are on Whose Line, proving that the television show really is improv comedy driven by audience suggestions. While Joel Murray is not a regular on the tv show, his comedic timing and improv was up to par with the rest of the more established improv comedians.

Classic improv games such as “Options” and “New Choice” were played, resulting in an interesting Dr. Seuss nihilism scene. Celebrity Jeopardy was also clever, with responses such as “What comes after Hamil-nine” in response to “Hamilton” and “What do you call a drunk grizzly” in response to “Beer.”

Music was present throughout the entire night, completely improvised by the musical director Bob Derkach, who was also musical director for Second City Toronto for 25 years. Jeff Davis sang a song for Stephanie, an avid fan of the show who was asked onstage at a previous show. He tried to serenade her in the style of Diana Ross but her love for Cathy, her partner, won out over her love for Jeff. The greatest hits infomercial about hairdressers resulted in wonderful duos by Jeff and Ryan in the style of country western, folk, and rock.

Audience participation was crucial, as always, to an improv show. In addition to all the suggestions shouted out as prompts for scenes, there was more direct participation in certain games. Ryan and Greg acted out the soap opera, “The Secrets of Saginaw”, with scripted lines written by audience members. The four comedians reenacted the first date of Karen and her partner of 17 years with a very similar name. The Polish and Macedonian couple kept the comedians honest in their improved reenactment by honking a horn when they got something wrong and ringing a bell when they got it right. Many truths were humorously exaggerated as their story played out onstage. “Sound Effects” was a game with two volunteers who provided the sound effects for Jeff and Joel, who were steel miners. Finally, for the encore, they invited Cathy, Stephanie’s partner, onto the stage. Ryan conducted a story of Cathy’s sick horse by pointing to each of the comedians and Cathy to continue the story, which ended in a injured and dead horse and zero sympathy from Cathy.

Many jokes were made about Saginaw and the Lions, probably because there are many jokes that can be made there. Stabs were also made at Canada, and Columbus, Ohio was booed, making this a true Ann Arbor show. The comedians also walked away enlightened about Michigan culture. Greg Proops learned the correct way to use his hands as a map of Michigan and about the delicious reputation of Zingerman’s. I couldn’t control the hearty and genuine laughter that escaped from my mouth, and getting to see Whose Live was definitely something I’ve always dreamed of and finally got to experience.

REVIEW: The Rocky Horror Picture Show

“I wish to lose all morals, and accept decadence into my heart.”

The night starts off with crowds of people in sparkles and lingerie and all black  piled up outside of the Michigan Theater, eager to begin their Rocky Horror experience. An experience that is varied and cannot be restricted by just one adjective. An experience that is energetic, erotic, campy, and…. scientific?

With an introduction from a moth, who welcomes all of the groups who are out – the straights, the gays, the sorrorities – the crowd is riled up before the film has started. Prohibited items include: ice, confetti, water guns, candles or lighters, whole rolls of toilet paper, hot dogs, and prunes. But the moth pointed out that squares of toilet paper, or streamers, or 3/4 of a roll of toilet paper, are allowed. It is only the Leather Medusa’s second year putting on a shadow cast show of RHPS at the theater, but they’re sold out.

I stand for my virgin pledge, with about half of the audience who are marked with red lipstick Vs. Surprisingly, such a prominent cult classic still remains unseen by many. Not so surprisingly, the Rocky Horror virgins of the world are curious about the film and its culture, intrigued by its ostentatious reputation and loyal followers. And tonight, our curiosity is to be fulfilled. Soon everyone stands together, for the Rocky Horror pledge and with much anti… cipation – the show begins.

Newly engaged Brad and Janet get stuck in the rain, and wander into Dr. Frank-N-Furter’s castle, where they have a long night ahead of them. The shadow cast saunters around the stage, their costumes and movements perfectly matching those of the film’s characters. The audience yells “ASSHOLE!” at Brad, “SLUT!” at Janet, “WHERE’S YOUR NECK?” at the criminologist, and a variety of other more specific, seemingly-scripted, comments. The film can barely be heard. This culture is not exactly for the prude or sensitive – although they are the ones that the culture loves to deflower the most. Similarly to the audience culture around Tommy Wiseau’s ‘The Room’, some describe this movie-going experience as wildly inconsiderate and vulgar. But the lines of accepted norms are blurred in the midst of such a cult classic, one that drew counterculture crowds as a midnight movie at its release and still draws those audiences (or those who shapeshift into such for a night) today.

Attempting to watch the film over the yelling of the crowd, I do my best to stay in-tune while actively participating. But the participation doesn’t take away from the film’s grandeur. The unusual set, defined characters, theatrical costumes and makeup, peculiar sci-fi characteristics, lively songs and dances, canted angles, effective use of various lenses, irony, and sexual notions, are enough to interest audiences even when they are unclear of the plot (which is somewhat unclear, anyway.) I’m sure all of the other virgins sometimes sat just as confused as me, but also pleasantly entertained.

Seeing Rocky Horror is a uniting experience: the audience, together, are just as important as the film. Dancing the time warp, throwing cards and pieces of toast, everyone is in tune with one another. Even the virgins. We catch on. If all goes as planned by the Transylvanians, by the end of the film you’re going to want to dance and yell and touch everyone and be covered in sequins and dramatic makeup.

PREVIEW: Second City

For all the comedy and improv lovers out there, Second City is coming to The Ark again this year, guaranteeing a night filled with quick wit and hearty laughter. As the first ever on-going improvisational theater troupe based in Chicago in 1959, the Second City enterprise continues to produce high quality, satirical sketches with its cutting edge artists on tour. With notable alumni like Steve Carell, Tina Fey, Amy Poehler, and Stephen Colbert, come out to The Ark on September 14 or 15 at 8pm to watch the next comedic hit. Tickets can be purchased at theark.org.

PREVIEW: First Date

We’ve all been there — first dates. The first date that brings dread or butterflies to your stomach. The first date that is either endless torture or an instant click. The first date that has you already setting up your next blind date or planning your wedding. And then there’s the first date that is perfectly average and leaves the future completely uncertain.

Meet Aaron and Casey, chronic singles meeting for their arranged blind date. Featuring characters such as Facebook, Snapchat, YouTube, Google, Instagram, Pinterest, and Twitter, this original comedy musical set in the modern technological age explores the possibilities of love and chemistry at a certain point in life between two people and all the doubting voices carried along the way. Do the sparks fly? Is love in the air?

A2CT is putting this production on at the Arthur Miller Theatre March 8-11 with showtimes at 7:30pm on Thursday, 8pm on Friday and Saturday, and 2pm on Sunday. Student tickets are $14 and can be bought online at www.a2ct.org or at the door. This event is also FREE with a Passport to the Arts voucher!