REVIEW: Winter Blues Cabaret by Olivia Van Goor

January 16 | 9pm | North Star Lounge

 

 

Got the winter blues? I sure do. But Olivia Van Goor has a remedy—sing about it.

The North Star Lounge welcomes the fourth installment of Olivia Van Goor’s vocal jazz cabaret, where she hosts an evening of vocalists based in Southeast Michigan backed by a jazz trio. I caught the second show at 9 pm, (first set sold out) where the neon green walls of North Star were crowded with full tables and assorted cocktails. Four singers each performed three tunes, with hostess Olivia Van Goor bringing the set home.

The band included Rowan Tucker-Meyer on piano, Trevor Lamb on the bass, and Phillip Buchman on drums. This tight trio was swingin’. Sensitive, but not too careful. Tucker-Meyer’s solos were particularly impressive—he’s playful and concise with sprinkles of Oscar Peterson licks.

First to the bandstand was seasoned vocalist Ellie Martin—a jazz scholar who teaches at The University of Toledo. She has a deep and thorough jazz education, which shines through in performance. Her set included “Blossom’s Blues”, “Snowbound” and LHR’s “Blue (I think it’s called..?)”. She was an engaging and hip improviser; full of ideas and vocal freedom.

Hadley Rasnick mentioned she is firstly a pianist, and has been picking up singing in recent months. Second to the bandstand was a young vocalist with a humble, but charming presence. She offered a bit of a variety: Gershwin’s “Not For Me”, The Queen of Soul’s “Ain’t No Way” and “Ain’t No Sunshine” by Bill Withers. I could sense an ethereal attachment to the piano, but her performance was nonetheless endearing. She shined on the Franklin—perhaps most comfortable in R&B.

The multi-faceted Pia Broden Williams was third on the bandstand, a classically trained coloratura, educator, pianist, and tonight, a star jazz vocalist. You can hear the breadth of her vocals the moment she began singing. She brought out the classic “Blue Bossa”, “Afro Blue” and “I Was Born To Be Blue”—tunes with contrasting energy and spunk. Three of my favorite tunes were performed by the penultimate vocalist Anna George: “I’ve Got My Love To Keep Me Warm”, “Mood Indigo” and “I Let A Song Go Out Of My Heart”. Ms. Van Goor even popped up to hit a few “Mood Indigo” harmonies.

Ms. Van Goor closed the gig with the Antônio Carlos Jobim tune “No More Blues”, a killer latin staple. Right when we thought the gig was done, she passed out papers to the bar with lyrics on them…the words to “Centerpiece”. Perhaps the first time 25 people at North Star chant a blues together. Ms. Van Goor, she’s a stellar vocalist—lively, dedicated, and committed to tradition. So PSA: a doctors prescription for vocal jazz in the dead of January works swimmingly.

 

Images thanks to The North Star Lounge. 

REVIEW: Stella Cole at the Blue Llama

December 15 | 8:30 pm | Blue Llama Jazz Club

 

 

There are few jazz vocalists more in demand than Stella Cole, an up-and-coming jazz singer from New York City who’s got as much glitz and glam as she’s got vocal chops. The Blue Llama Jazz Club welcomes her for the first time on the winter leg of her US tour.

Ms. Cole’s silky voice will surely transport you into a newly colorized film from the 1940s. With a sound reminiscent of The Golden Age of Hollywood, it’s no secret that Ms. Cole admires the aesthetic. The 25-year-old gained popularity during the pandemic singing jazz standards and Great American Songbook tunes on TikTok. Today, she boasts over 12 million likes on the app and nearly 770k followers on Instagram. Her debut single was released with Scott Bradlee’s Post Modern Jukebox in 2022, and now Ms. Cole has two studio albums: the newly released “Snow!” and the self-titled “Stella Cole”.

Her trio included Michael Kanan (piano), Mikey Migliore (bass), and Henry Allen-Barfield (drums). She began her set with the Jerome Kern and Johnny Mercer tune “I’m Old Fashioned,” which was a perfectly fitting introduction considering what followed.

 

There was no shortage of Christmas magic from Ms. Cole either. “White Christmas,” “I’ve Got My Love To Keep Me Warm,” and “It’s Beginning to Look A Lot Like Christmas” (to name a few) all made it into the set.

“I’m singing on the “Today” show later this week…” she said, introducing the next tune. “Is it okay if this is a practice run?” Audience members smiled, knowing they had received a first glance at her solo version of “Snow!”.

Her set was modest, focusing on her sumptuous vocalism as she performed primarily “Songbook” tunes in a fairly traditional style. The Songbook tradition can be stifling to some modern jazz musicians, but Ms. Cole fully embraced the beauty and relevance of that tradition in her more “straight-ahead” performances.

 

“The Boy Next Door” was one of my favorites of the set, plainly revealing her influence from the great Judy Garland. The ghost of the Hollywood star surely beams over Ms. Cole’s studio recording of the tune, as well as “Over The Rainbow,” which is featured on her first album. Ms. Cole’s suggestive tribute made me consider the history of American music and its influence on our modern times—Songbook tunes pop up all over modern jazz records. They are taught thoroughly in academia, and holiday songs released over 60 years ago play on the radio year after year. The pop music of America’s past carries into the future, thanks to its beautiful melodies and heartwarming lyricism, preserved through dedication to tradition.

“So many people of my generation aren’t familiar with these songs, and I’m excited about the opportunity to introduce this timeless music to a new audience,” Ms. Cole says. There is an endurance behind jazz’s relevance, which Ms. Cole is clearly devoted to preserving.

 

 

 

Images thanks to The Blue Llama Jazz Club.