Tag: jazz

REVIEW: The Short and Suite Nutcracker

IseeUsee Leave a comment

While watching this show I kept thinking of what words to use to describe how awesome this is.
The Short and Suite Nutcracker by the Randazzo Dance company was a dance show featuring different dance styles. It had ballet, jazz, tap dancing, and more. For the tap-dancing, and some jazz performances there was live music which added a cherry on top. The kaleidoscope of genres kept the show refreshing and fun. I am not exaggerating when I say there were no dull moments.

All the dancers performed extremely well. There were dancers as young as, I might say, 5 years old to the oldest being seniors in high school. It was such a joy and privilege to watch all these young performers. It was wonderful to see them flaunt their skills and months of hard work. Despite the sheer number of performers, dance genres, set changes, etc. the show went smoothly. Thereby showing how well organized it was and how much practice the performers had done.

No part of this show was left unpolished. The costumes were simply gorgeous. They had been designed to really shine on stage and make every child look like a professional. The choice of music was tasteful and never boring. The lighting was well done as well as all the fun props and backgrounds.

In the second half of the show, the dances became more festive. There was a plot following the dances and it was a lot of fun. The dancers performed acrobatics, played with giant soft toys, did costume changes, and much more. It was a lively time. Their holiday energy was infectious and the pacing of the dances made the ending really extravagant and over the top in the best way possible.

I am glad I got to see all these extremely talented performers. No praises are enough for them. I know I will be on the lookout for any showcases from the Randazzo dance company!

REVIEW: Blue Bop Jazz Orchestra Winter Concert

Himaja Leave a comment

When a band says they only rehearsed their set for two months, I do not expect the level of quality and pizzazz that I heard at the Blue Bop Jazz Orchestra’s Winter Concert last week.

The Blue Bop Jazz Orchestra is a student-run swing band at UM! As they warmed up in the Hussey Room at the Michigan League before the concert, I marveled at how they got the whole band to fit in such a tiny space, music stands and elbow room and all. The rhythm section was tucked away behind the piano so sadly from my seat I couldn’t see them very well. The advantage was that their sound truly filled the whole room.

They alternated between classic jazz pieces and holiday songs, lending each one a great interpretation of swing and mood. Complicated, syncopated rhythms are one of the trickiest parts of playing jazz music. The student leader/conductor of the band was also playing guitar, so the players only got a quiet count off at the beginning and then had to find their own way without a conductor for the rest of the piece. They did a fantastic job of it and had such a strong sense of rhythm with each other.

Improvisation is another defining element of jazz. I could never do improv but it’s one of my favorite things about jazz. It involves players spontaneously coming up with melodies over the chord progressions and accompaniment lines played by the rhythm section. It’s basically music composition on the spot!

The improv soloists were all so impressive. When a player was about to solo in the middle of a piece, they would stand up from their chair and rock the room for anywhere from a few seconds to a minute while the other sections backed them up, then sit back down to wild applause from the audience.

Overall I’m so glad I discovered this group and I cannot wait for their next concert. Their last piece of the evening was my favorite. I included a short clip of the beginning of it down below…let me know if you recognize the tune in the comments 🙂

REVIEW: Jazz at Lincoln Center Orchestra with Wynton Marsalis

Madison Krumins Leave a comment

One of the best parts of living in Ann Arbor is its many performance venues, which draw performers and artists from around the world. I’ve been a fan of the Jazz at Lincoln Center Orchestra since high school when I myself played in jazz bands, and it’s been a treat to be a student with such easy access to concerts such as JLCO’s nearly annual appearances. This Sunday, I took my seat in the packed Hill Auditorium and waited with anticipation for this year’s Jazz at Lincoln Center Orchestra experience.

Holiday music, at least the popularized songs I always heard on the radio as a kid, are rooted in the big band and swing style, evoking a certain kind of nostalgia when hearing familiar tunes. But that’s exactly what jazz happens to be, a musical oral history passed down from those who came before. Trumpet player and co-director Wynton Marsalis embodied this with his in-between-song banter, telling stories of the legendary jazz musicians and the rich histories of the popular songs we often take for granted.

JLCO was joined by jazz vocalist Alita Moses, who dazzled the audience with her smooth, warm vocals and joyful stage presence. Moses led the band in the spiritual “Mary Had a Baby,” showcasing her beautiful, crystal-clear voice and also giving the band a chance to sing some, too. I thoroughly enjoyed a Coltrane-inspired arrangement of “My Favorite Things,” where a saxophone section completely comprised of soprano saxes each took a whirl at solos, and a killer piano solo had me laughing in my seat. Near the end of the performance, a more emotional moment came when the band debuted a new piece composed by co-director Marcus Printup titled “I’m Still Here This Christmas,” written in memory of those we have lost in the past few years in the pandemic.

With true Michigan spirit, Wynton Marsalis opened the performance with talking about the OSU game, and ended it by quoting “The Victors” in a solo during an arrangement of “Go Tell it on the Mountain.” One of the things I love most about jazz is the beautiful spontaneity of it, creating moments like that which carry and twist lines of music like a private joke.

I left feeling happy, warm, and in the holiday spirit, cheered by the energetic, danceable swing of their Big Band Holidays music.

REVIEW: Kittel & Co.

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I found myself back at the Ark Sunday night, listening to the five piece band that goes by the name of Kittel & Co. Combining elements of classical, jazz, celtic, and bluegrass music, the group played music spanning from Bach to Charlie Chaplin, adding new arrangements and spin to these pieces. They also played many new compositions which can be found on the band’s album “Whorls.”

 

The show featured Jeremy Kittel on fiddle, Josh Pinkham on mandolin, Ethan Jodziewicz on bass, Quinn Bachand on guitar and Simon Chrisman on hammer-dulcimer. I had never seen this combination before, let alone seen a hammer-dulcimer in concert, and I was blown away by the skill and communication shared between all of the players. 

 

Kittel & Co. define themselves as a contemporary string band who progressively fuse together elements of folk, classical, Celtic, bluegrass, and jazz. Their first album “Whorls” was released in 2018, and the track “Chrysalis” composed by Kittel, was nominated for a Grammy that year. 

 

Starting off with a set of tunes called the Boxing Reels, the band brought an exciting energy to the stage. The first reel started with the mandolin with the fiddle joining in on the second time around to build up for the much faster second reel. The two tunes flowed effortlessly into each other, carefully building excitement and interest for the audience. 

 

Kittel looked comfortable on the stage of the Ark, having played there many times before. As a U of M grad, his roots tie back to Michigan, and the venue was packed with friends, family and familiar faces. A picture of Kittel hangs on the Ark wall in direct eyeline with the stage which he remarked was the best marketing he could have ever asked for:) He had many stories about their experiences at the Grammys (including a run-in with Cardi B), and really connected with the audience. 

 

As a fiddle player myself, I find Kittel’s tunes catchy and distinct. He is a technical player with lots of control, but sounds free on stage. I am amazed by how he is able to fuse genres and create his own new identity through his compositions. I am excited for what he will compose next and for what’s to come with Kittel & Co. 

 

Band Website:

https://jeremykittel.com/pages/kittel-co

 

Purchase Whorls:

https://store.compassrecords.com/products/whorls

 

Artist Spotify:

https://open.spotify.com/artist/3uRqP5x3yw7M7lLOD4oRLz

REVIEW: Flying DOWN to RIO with P.O.R.K.

Emma Pinchak Leave a comment

The Zal Gaz Grotto Club, it seems, never disappoints.

I had a grand evening watching a Fred Astaire classic and tapping my foot to some hot jazzy tunes played by local ensemble P.O.R.K. The movie was everything you could hope for in a theatrical 1930s musical–the dancing scenes alone were enough to bring this film great fame. The choreography was excellent, each pair a carbon copy of the others in their motions and timing. Elaborate, multi-textured costumes added infinite flair, the skirts on dresses in flight with dance. The love triangle that formed the major tension in the movie was enticing, all-encompassing, and the plane choreography was superb despite the physical constraints of the dancers. I was most shocked by how well the humor works today; I am woefully untickled by most old movies, given the difference in speech patterns and slang. The whole experience was vibrant enough to pull me right into the 1930s; inexplicably, I felt the urge to light a cigarette and dance in glamorous clothes, touching foreheads and moving every which way in the wild Carioca. Everyone seems impossibly beautiful, skin so smooth and clothing so stylish and perfectly suited for each character. And, I must say, Gene Raymond is built. 

The live music portion of the evening furthered our education in America’s rich artistic past, bringing life into the antique. Had I come with a partner, I would have joined the dozen or so couples who got up to dance to the passionate music that snaked and drifted through the dimly-lit space. While the others got up to waltz and swing, I and the lady in the motorized wheelchair next to me sat and watched. She tells me that many in the band are university professors, and I’m surprised to find that they never rehearse, only playing together at gigs. Besides songs from the movie, they play a few old hits, like “Sleepy Time Down South.” All the instruments worked well together as one, though their individual solos were enjoyable. I was reminded then how mournful a dampened trumpet can sound, ripping through the air to cry directly to you.

My favorites were the ones that involved singing, as there are some great sets of pipes in the group. Bonnie channeled the exact energy of a time so long before her own, so that I could picture her in costume singing to the dancers of the Carioca. She is quite a strong alto, perfect for this style of song. Jean’s voice was soft, understanding of the mournful themes of his solos. Justin (or “America’s heartthrob,” as he was introduced) made a lovely contribution to one of the ending pieces, somewhat reminiscent of Bublé, and maybe even a touch of Sinatra. Most of all I thought of my favorite cartoon frog, George Washington. There are videos below if you’d like to compare for yourself.

They played for two hours with minimal breaks, which did seem unnecessarily long for both the audience and the dead tired band. I would suggest that in future evenings they cut a few songs from their sets, to reduce the likelihood of depleting the energy of everyone involved.

P.O.R.K. plays every first and third Sunday evening at the Grotto, so you have a chance to swing by soon. Their next performance will be December 8th.

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PREVIEW: Flying DOWN to RIO with P.O.R.K.

Emma Pinchak Leave a comment

Sundays are all too often reserved for the results of a week of steady procrastination. Or perhaps various responsibilities have tugged you every which way and through the mud despite constant work. The end of the week turns from an intended relaxation day to a horror-filled scramble to finish everything at once. We must fight this international tragedy, by starting to save time for ourselves to self-educate in the matters of the heart and spirit.

And so I invite you to join me at the Zal Gaz Grotto Club (2070 W Stadium Blvd) at 4pm on Sunday, November 17 for an evening of old-time jazz and film. We’ll be “Flying DOWN to RIO with P.O.R.K.,” in which Phil Ogilvie’s Rhythm Kings (P.O.R.K.) will be playing all the songs from the hit 1933 musical adventure comedy Flying Down to Rio after its screening. The cover is $10.

They say 1930s dress is encouraged, though not required, but I will be deeply hurt if I’m the only one in full costume, so I had better see some other participants in there.