PREVIEW: Tales of the Maya Skies

 

Have you ever been to a planetarium? Did you think the dome theaters were only for looking at the stars? Have you ever wondered what is possible in this science museum theater?
To really push your imaginations on what can be done here, you might want to check out the latest show at the Museum of Natural History: Tales of Maya Skies. It is a show combining science, cosmology, and myth and how Mayan scholars developed a sophisticated understanding of astronomy, architecture, and mathematics.
If you love astronomy, ancient civilizations, planetariums, or unique media, this might be the show for you!
This show happens every weekend so you have plenty of time to enjoy this awesome exhibit.

 

This show is also available in Spanish on Saturdays!

REVIEW: Happy Death Day 2U

I watched Happy Death Day and Happy Death Day 2U in somewhat close conjunction with one another, which made for a somewhat bizarre and disorienting (or weirdly orienting?) viewing experience. A large part of this is due to the eerie, albeit absolutely deliberate, similarities between the structures of the two movies. At their very heart, the central problem is almost the same: Theresa “Tree” Gelbman (Jessica Rothe, La La Land) is stuck reliving the same day.

Anyone who has seen Happy Death Day (2017) is familiar with this conceit and with the problems it spells for Tree, a college student. There are the typical Groundhog’s Day-style frustrations of retaining her memories of previous days — falling in love, for instance — while everyone around her forgets. And then there’s the somewhat more distressing problem of the killer in a baby mask, who stalks Tree and murders her every time on the night of her birthday.

The sequel, Happy Death Day 2U, directed by Christopher Landon and released recently through Blumhouse Productions, presents a new complication. Not only is Tree stuck reliving the same day—it’s now the wrong day. In the completely wrong universe.

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The film sets itself up in an interesting way, holding a close focus on Ryan Phan (Phi Vu), who had a marginal role in the first movie as the roommate of Tree’s love interest, Carter Davis (Israel Broussard, To All the Boys I’ve Loved Before). It seems at the beginning like the focus of this movie is going to be on Ryan, but this remains the case just long enough to explain to the viewers that Ryan and his science friends are responsible for the strange time-looping that Tree has experienced. After a strange altercation involving multiple Ryan’s and the panicked pressing of Ryan’s student-made quantum reactor, Tree wakes up back at the beginning of the previous day. Only this time, she’s been thrown into another dimension, and things are a little different: The original Babyface culprit, Tree’s roommate Lori Spengler (Ruby Modine, Shameless), is no longer the killer, and Carter is now dating Tree’s sorority nemesis, Danielle Bouseman (Rachel Matthews). Perhaps most significantly, while Tree’s mother (Missy Yager) was dead in her original timeline, she is now alive and well.

Tree’s transplantation into this new world kicks off a wild journey, as she is confronted by the simultaneous problems of learning how to navigate the changes to her life in this new world and the implications of those changes, figuring out how to get back to her home dimension (and indeed, whether she even wants to), and solving the Babyface killer mystery all over again. Although interestingly, the latter of these winds up taking something of a backseat. While the original Happy Death Day was a black comedy slasher film, working largely within the sphere of horror, its sequel ditches the horror almost entirely in favor of comedy, emotional drama, and adventurous science fiction. The segues into hallway-creeping and killer-unmasking don’t feel out of place at all, but they also don’t feel particularly haunting or scary, especially not in comparison to some of the emotional scares that Tree must deal with instead.

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On the whole, Happy Death Day 2U is a success not because it delivers scares, but because it recognizes and builds on the elements that worked so well in its predecessor: comedy, irony, and a real sense of heart that carries emotional resonance. A great deal of this is concentrated in Tree’s character, actualized by Rothe’s wonderful acting; we spend almost the entire movie in Tree’s head, and we’re along for the ride as she finds herself forced to tackle conflict after conflict, eventually having to choose between a life that’s not hers that would mean reuniting with her mother (albeit under somewhat false pretenses) and the world she knows, where her real friends and loved ones are back waiting for her, but her mother is not. The implication that her choice is as simple as her mother versus her boyfriend is a bit of a red herring, and the film tries to stay attentive to this, stressing how the memories everyone else has of Tree in this new dimension don’t align at all with her own. Ultimately, Happy Death Day 2U is an adventurous and captivating success, demonstrating how the continuation of Tree’s story can again have more profound and intriguing implications — not only for her, but, in the end, for the people around her as well.

PREVIEW: Happy Death Day 2U

Directed by Christopher Landon, Happy Death Day 2U is a follow-up to 2017’s slasher hit, Happy Death DayHappy Death Day told the story of Theresa “Tree” Gelbman, a college girl who is murdered by a masked killer on the night of her birthday — and then wakes up and finds herself reliving the same day over and over. Happy Death Day 2U takes place immediately after (or, in a way, concurrently with?) its predecessor, as it follows Tree after she is transported to a different dimension, where she must again relive that same Monday while figuring out a way back to her home dimension.

Jessica Roth (La La Land) reprises her starring role as Tree, with Israel Broussard, Phi Vu, Rachel Matthews and Ruby Modine also returning. Happy Death Day 2U is currently showing at local theaters such as the Quality 16 and the Ann Arbor 20 IMAX.

REVIEW: Star Wars: The Last Jedi

There are certain things that make me really glad that I’m alive at the point in history that I am. I’m glad to have grown up with Harry Potter, for instance, and to be alive at the same time as Paul McCartney. One of these things is that I’m glad to be able to go and see Star Wars movies in theaters.

Seeing a Star Wars movie in theaters is, I think, a great experience no matter which movie it is. There’s the wave of almost tangible happiness that washes over everybody with the opening notes of the theme song, and the yellow letters beginning to scroll out backwards through space. There’s the clapping and cheering whenever familiar characters like Leia (Carrie Fisher) and Luke Skywalker (Mark Hamill) show up onscreen.

Star Wars: The Last Jedi, the eighth episode overall and the second installment in the latest trilogy, delivered in pretty much every major way. We got to see interesting developments in terms of the characters that we already know and their relationships with each other, and we also received the pleasure of being introduced to new characters and new relationships.

One of the definite highlights of The Last Jedi was the addition of Rose (Kelly Marie Tran), who teams up with Finn (John Boyega) to try to sabotage an enemy ship that has the ability to track the rebel forces through light speed. Rose was charming and relatable (even fangirling over Finn’s hero status when we first meet her), and she’s also gritty and layered. She’s not afraid to let images get in the way of the way she sees things, and we actually get to see some of her backstory up close with the death of her sister, Paige (Veronica Ngo). She also acts as our introduction to one of the previously un-glimpsed sides of Star Wars: the back characters. Rose is a technician, normally a behind-the-scenes role in the Star Wars universe. For this reason, it makes a lot of sense in this movie to pair her with Finn, who was a background Stormtrooper before he joined the rebellion in The Force Awakens.

To me, The Last Jedi felt overall like an embrace of the idea that anybody can be a hero. Rose, for one thing, was brought to the forefront. Rey’s (Daisy Ridley) parentage, a lingering question for fans, was largely dismissed, which was a fresh turn in a franchise that has long been preoccupied with the power-infused lineage of Darth Vader’s family. Wealthy circles of society were outright criticized for their reliance upon forced labor, exploitation, and war profiteering. The film also ended with a glimpse of a young peasant boy using the Force to grab a broom, then looking up to the stars with a close-up of the Resistance insignia on his ring.

Finally, when Rey claims that the Force is “a power that Jedi have,” Luke Skywalker himself tells her that that is completely wrong. The Force is not exclusive to Jedi and Sith; it’s the balance between all things and all people. By removing the Force’s explicit attachment to the Jedi, and by showcasing heroes from all backgrounds and walks of life, The Last Jedi comes closer than any previous Star Wars movie to espousing what the series is all about: that anybody can be a hero if they decide to choose good over evil. Obviously, the Force doesn’t appear everywhere, but this movie shows us clearly that it can come from anywhere.

There are almost too many good things in The Last Jedi to count: the performances of newcomers Laura Dern, Kelly Marie Tran, and Benicio del Toro; the development of Kylo Ren (Adam Driver) as a villain and of his terrifically interesting relationship with Rey; the immortal strength of Leia and of Carrie Fisher. There’s the fun cameo from the eternally awesome Maz Kanata (Lupita Nyong’o), and the affection between pilot Poe Dameron (Oscar Isaac) and his droid BB-8, and the chemistry shared between pretty much every single character onscreen.

In short, Star Wars: The Last Jedi is doing pretty much everything right. It is a more than worthy follow-up to The Force Awakens and to the rest of the Star Wars franchise, and hopefully a very good indication of things to come.

PREVIEW: Blade Runner 2049

Blade Runner 2049 has gotten a lot of hype recently, with critics lauding the lead performances of Harrison Ford and Ryan Gosling. I first became interested in the movie when Ryan Gosling promoted it by hosting SNL, and since then it’s only come up more and more in conversation. Blade Runner 2049 is the follow-up to the 1982 film Blade Runner— thirty-five years have passed and a lot has changed, so it should be very interesting to see how the film responds to the franchise’s preexisting legacy. Most good sequels—of which there are notoriously few in the world—have to find a balance between remaining faithful to the original and taking the franchise in new directions. It should be very exciting to see whether or not Blade Runner 2049 delivers on this.

Blade Runner 2049 is currently showing at the Rave Cinema theater in Ann Arbor, and will be for much of the rest of the season.

PREVIEW: The Maze Runner

The Maze Runner

You’ve probably of James Dashner’s best-selling book The Maze Runner, or even the other books in the trilogy (technically, a quadrilogy). Set in a post-apocalyptic future where a group of young boys live in a maze and long to escape…

It’s a simple premise, but aren’t most dystopian stories deceptively simple? (cough, cough, Hunger Games).

Where: The Maze Runner is playing at both Rave Cinemas & Quality 16 Cinemas

Cost: $10 for evening shows, cheaper for matinees.

When: The movie just opened so it will be around for at least a couple of weeks

You can view the trailer here