REVIEW: M-agination Film Festival

After two years away due to the pandemic, the M-agination Annual Film Festival made a reappearance at the Michigan Theater this week. The film festival showcased 13 short films, all of them written, produced, and acted by students.

I was largely impressed by the range and quality of these productions. There were a good amount of comedy sketches, some of which fell flat and felt like a group of friends just messing around on camera. Some of them, however, had me laughing out loud in my seat. I particularly enjoyed “Buster,” a gruesome short film about a sentient pet rock, and “Dunked,” a well-executed comedy in which nothing really made sense. There were also a handful of more serious, dramatic pieces, including the spooky, suspenseful short “Familiar,” which I was surprised to find out was partially filmed in my campus residence. I was particularly struck by a piece called “Leisure Activities,” which told a story with no words at all about someone going into the woods to paint. The cinematography and coloring in this one in particular that made this one stand out to me as a masterpiece. 

Overall, I really enjoyed this film festival. The “short” nature of short films meant that we got to see 13 different stories, and there was something for everyone. M-agination created a fun night out–I hope they are able to host their festival next year as well! 

REVIEW: Oscar nominated shorts – Live Action

I admire short films because their shortness does not represent the depth of the message they carry but only shows the limitation to the time they are allowed to trap the audience’s attention. Due to these resources, they have to be clever in picking what to show and tell. This will mean that the audience will be on a quick, dramatic ride. The five films, although very different in the subject of the emotion they are telling, shared the common theme of pain and fear. It could be pain from a man having to ‘turn off’ his wife after her brain death(On my mind), fear of being imprisoned by machines that run the jurisdiction system without the flexibility to correct a mistake(Please hold), the pain of not having ‘a normal’ body and being laughed at(The dress), racism and violence conducted under it that comes without warning(The Long Goodbye), or the pain of a girl who dreamt of continuing her studies in the city where she was kidnapped to a rural village to do an unwanted marriage under the village and family’s approval(Ala Kachuu). They are communicated concisely and strongly, resembling a roller coaster with five peaks.

On My Mind – Great connection between scenes to make a complete story. The interesting buildup keeps the audience curious and engage during the first half.

Please Hold – The exemplary model of criticism toward the status quo. Intelligently designed reference to current digital society’s dehumanization of operations (we all have the experience of being frustrated by the neverending loop of ARS that does not have the option I want) and digital advertisements that nag you to spend money on options, and the necessity to have money even to fix something that went wrong. A thriller that has amazing communication: it was really easy to connect to the horrors and frustrations of the protagonist. However, I think the real horror was not the mechanic voices. The ones who saw this will remember the scene where the human attorney exclaimed ‘not again!’ before ending the $1000 call in a few seconds-will this mean that the protagonist was not the first wrongly accused? Why was the system not discarded after the continued horror of sentencing 40+ years to innocent men?

The Dress – A deep sorrow told of an unfamiliar world.

The Long Goodbye – The bewildering transition from a peaceful family home to a scene of murder and violence told the emotion of horror very well, but the part that was very unique to this movie came at the very end by a monologue from one of the characters. The rage, sorrow, and desperation break through the fourth wall with the character speaking directly at the audience. The poetic, POWERFUL monologue; it can also be found on the main actor, Riz Ahmed’s youtube channel.

Ala Kachuu – I wondered why the protagonist did not throw a fight against her kidnappers after she was forced into marriage, and then I fully realized the horror of the situation. The dread of being someplace where she knows not where, where everyone is acting kindly but on the watch for her escape, being abandoned by her family, and having no one to trust is just horrible. To seat in a theater may make the rebellion look easier, but in her situation, she did not know whether the people will attack her depending on how she reacted. The message at the very end saying that this kind of kidnap is being continued in the world was dreadful. This movie did a great job of emotionally converting the dreadfulness of such situations.

REVIEW: Oscar nominated shorts-Animation

Don’t expect kids’ favorite stories when you think of Animation. One (Robin, Robin) of the five of this year’s Oscar-nominated shorts (Robin, Robin / Boxballet / Affairs of the Art / Bestia / The Windshield Wiper ) did fall into this category, but the others either hold confusion, bizarreness, obsessions, and horror of the world. Here I’ll focus mainly on ‘Affairs of the Art’, an animation in a pencil-drawn style that reflects on how modern society defines art and allow strange things to happen in its name while giving short comments on others.

Robin, Robin – very cute, fluffy animation with the ever-selling theme of finding your value despite the environment that says otherwise. Cliche told again but not boring.

Boxballet – Very interesting visual contrast of the characters, explaining very much through this visual information. Surprising and bitter point-back to the political reality at the very end.

Affairs of the Art – Strong, grotesque criticism on ‘Arts’. This features a story of a middle-aged woman who gloats that she is doing ‘Art’ while forcing a model to move for her even when it’s clear that the model is suffering from it. Her story expands over her family members, who each seem to have a weird obsession. The main character gives an example of art as her sister’s obsession with dead and rotting things which occasionally involving animal abuse points could refer to obsessions and grotesque, even immoral things being allowed as ‘Art’, and her sister’s success seems to refer to the society’s funding poured to that form of ‘Art’ when it catches people’s attention and is demanded by the market. The main character’s gloat of finally doing art also criticizes how Art is praised like something divine and desired the snobbism, or the neglecting of questions asking whether the deeds done in the name of art are acceptable or right. The story tells about how obsessions for such art could be bizarre and grotesque, and even expands it toward a more commercialized form of art, the art of ‘the body’, by the main character’s sister saying that her reformed body is like ‘an exhibition’. The sweet art style of pencil drawing did not prevent this animation from conveying disturbing emotions. This one is a strong one.

Bestia – Chilling cross-showing of reality and mental breakdown based on a horrible historical villain of Chile. Dolls made of Regin were a perfect choice to convey the character. Because of its storyline crossing over reality and imagination, sometimes it was hard to tell whether a scene was in reality or not without the historical background.

The Windshield Wiper – Visually very satisfying and colorful. In this collection of short scenes, the scenes of each very short that last less than a minute, even with chunks of dialogues or not at all, tell a strong story and conveys emotions, and for that, I praise this film. However, how the scenes will add up was not as clear.

PREVIEW: Oscar nominated Shorts – Live Action

Shorts TV annually released oscar nominated short films. This year’s nominations are:

On My Mind (Martin Strange-Hansen and Kim Magnusson / Denmark)

Please Hold ( K.D. Dávila and Levin Menekse / USA)

The Dress (Tadeusz Łysiak and Maciej Ślesicki / Poland)

The Long Goodbye (Aneil Karia and Riz Ahmed / UK/Netherlands)

Ala Kachuu – Take and Run (Maria Brendle and Nadine Lüchinger/ Kyrgyzstan/Switzerland)

Ranging from 12-38 minutes, they all seem to tell strong stories within a short time span. Click here for trailers.

Among the movies, the synopsis of ‘Please Hold’ was especially interesting. It’s based in the future in a mysterious jail controlled by the ‘computed bureaucracy of the privatized American justice system‘. The trailer of ‘The Long Goodbye’ also intrigued my interest as well – the irony between bright, cheerful rap music as the background and something serious and dangerous seems to be happening to the characters made me wonder what’s going on.

Again, U of M students can get a ticket to the Oscar-nominated shorts series free if they use the Passport to the Arts before March 22th. The movie is playing on the 19th and 22nd at the Michigan theater. Please refer to the webpage of Arts at Michigan for further information on where to find the ticket / how to use them.

REVIEW: Ann Arbor Polish Film Festival, Short Films

Short stories, done through any medium, have always felt the most challenging and striking to me. Reading Neil Gaiman in high school English really sealed that feeling for me, especially the story collection Smoke and Mirrors: Short Fictions and Illusions. There’s a good amount of slack inside a full-length text that simply doesn’t exist for short story tellers, and in losing that there is a whole lot of additional meaning, interpretable and explicit, that invites itself in. Maybe that’s why I think and write and feel only in vignettes.

So let’s not waste any more time: here’s what I thought:

Tumble, style-wise, did not meet my expectations. True, the colors were moody and there was an interesting rabbit motif hanging around (symbolic of timidity, hiding away, uncertainty in oneself, I think), but it was weirdly repetitive even while having a small running time. The lack of explanations for how Adam’s guardian angel becomes visible to others and solves the problems Adam shares with his mother (they fight to the very end, and nothing is resolved) had the potential to be open-ended mysteries for the audience to consider, but they just feel too much like actual plot holes.

Marcel was no doubt my favorite; I will always, always be a sucker for a soft and quiet romance. The frank tone of the film’s setup reminded me of my favorite movie, Amelie. The idea of a stark change like that happening (going from virtual invisibility to becoming a member of society) as a result of a chance event has so much magic in it. I was also a fan of the division of warm and cool colors/lighting throughout the movie; the glow of little changes. The ending was a point of disagreement between my friend and I, though–for whatever reason I assumed the last line implied she had jumped from the balcony while he slept, but my friend argued that Marcel was only expressing his happiness that the two were together in the same apartment. The ability to have two wildly different interpretations like that makes the movie all the more powerful. 

View to the Wall had a physical pull to it, like I was being closed into a clearly-defined, small space, drawn into Larysa and Borys’ new home.

While I describe that like affection, I was cold throughout. Being artists, the characters were appropriately expressive, the actors who played them able to communicate minute, complicated emotional shifts very well. So much of the hopefulness of starting a family and starting anew as immigrants felt quite tragically earnest. Making a life for yourself is such a fragile thing.

Ricochets was more austere than I thought it would be, or maybe had hoped. The relationship between the brothers was not as thoughtful as it could have been, made a little too dichotomous. Still, it spoke quite clearly to how easily the state of the world can dissolve closeness.

While these movies are no longer available to stream on the Michigan Theater site, be sure to check back periodically for more–the Michigan and State Theaters have been hard at work providing opportunities to see movies while their capacity for in-person viewing remains altered. Keep up to date at https://www.michtheater.org/blog/

PREVIEW: Ann Arbor Polish Film Festival, Short Films

Movie Night Clipart

This weekend is Ann Arbor’s 27th annual Polish Film Festival! If you’re anything like me, you’re constantly searching for ways to put off doing actual assignments or anything remotely productive. Lucky for you, here’s another opportunity to do just that!

I’m a big fan of foreign film; it seems that many countries are far more in tune with the creativity is takes to make a truly weird, mind-bending movie (I have a lot of French and Thai favorites in that category). It’s interesting to note the differences in styles of acting and plot progression as well.

There are a few different sections of the film festival, so if you have the time, I’d encourage you to check out all of them. But I’ll just be watching the short films section; I have a whole list of other things I’m using to avoid work this weekend. On the menu are four 2019 movies, all dramas with some interesting spice, from political tension to a supernatural entity.

The short films are free to stream Friday, November 6 at 7pm through Saturday at 7pm, via https://www.michtheater.org/aapff2020/