REVIEW: Black Christmas (1974)

Before seeing Black Christmas (1974), I thought that the market for Christmas-themed movies was already saturated with titles. Having seen this film, I’m convinced that Christmas scripts face far less scrutiny than their non-holiday affiliated counterparts. Scary Christmas? You got it. Action hero Christmas? Easy. Low budget Thanksgiving-Christmas-New Years romcom with live action reindeer flights and pyrotechnics? Why not. As far as holiday movies go, Black Christmas, without a doubt, is one of the strangest and most unique titles that I’ve ever seen.

Initially, I decided to see the movie because I was very, very curious to see how Bob Clark blended two seemingly opposed themes: slasher violence and Christmas cheer. I didn’t really expect a masterpiece in Black Christmas, but the film pleasantly surprised me. Instead of getting the wacky, shocking-for-all-the-wrong-reasons hodgepodge that I’d thought the film would be, Black Christmas turned out to be a palatable slasher film with great acting and thoughtful set design.

Although the title of the film is Black Christmas, the character of the picture is truly that of a horror movie, as the plot could absolutely stand on its own legs without the help of holiday synergies. Further, the film truly embodies the spirit of the classic 70’s Slasher: the deranged killer constantly calls the landline to make threats to his victims, the murders are overwrought with gore, and the real identity of the maniac is concealed throughout the entire film. If you enjoy the unsophisticated rampages of Jason Voorhees and Freddy Kreuger, then you’ll surely appreciate Black Christmas.

Additionally, the film contains a few genuinely hilarious moments that occur at very well-timed intervals: the script actively provides for moments of levity, usually using supporting characters, while retaining the emotional gravity of the situation. As such, the movie has a great balance of different character types: instead of relying on the protagonist or the antagonist to provide moments of emotional color outside of their respective arcs, the supporting characters Black Christmas are able to provide humor without compromising the suspense of the plot. I especially appreciated the film’s usage of mischievous characters and painfully cringey situations.

While Black Christmas didn’t disappoint, it didn’t really impress. No single aspect of the film fell short of my expectations, but the overall lack of originality in the movie served to significantly constrain my opinion of it. I was hoping that Black Christmas would have integrated more “Christmassy” paradigms into its plot, but essentially, the movie is a standard Slasher-horror film neatly wrapped in gingerbread wrapping paper. Instead of drawing inspiration from both thematic centers to create a completely original idea, the film just, albeit cleverly, mixes the two distinct film styles. It’s weird, kind of scary, kind of funny, and a great conversation starter. If you have time, give Black Christmas a go, but if you don’t, you’re not missing out on a whole lot.

 

6.3/10

REVIEW: Happy Death Day 2U

I watched Happy Death Day and Happy Death Day 2U in somewhat close conjunction with one another, which made for a somewhat bizarre and disorienting (or weirdly orienting?) viewing experience. A large part of this is due to the eerie, albeit absolutely deliberate, similarities between the structures of the two movies. At their very heart, the central problem is almost the same: Theresa “Tree” Gelbman (Jessica Rothe, La La Land) is stuck reliving the same day.

Anyone who has seen Happy Death Day (2017) is familiar with this conceit and with the problems it spells for Tree, a college student. There are the typical Groundhog’s Day-style frustrations of retaining her memories of previous days — falling in love, for instance — while everyone around her forgets. And then there’s the somewhat more distressing problem of the killer in a baby mask, who stalks Tree and murders her every time on the night of her birthday.

The sequel, Happy Death Day 2U, directed by Christopher Landon and released recently through Blumhouse Productions, presents a new complication. Not only is Tree stuck reliving the same day—it’s now the wrong day. In the completely wrong universe.

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The film sets itself up in an interesting way, holding a close focus on Ryan Phan (Phi Vu), who had a marginal role in the first movie as the roommate of Tree’s love interest, Carter Davis (Israel Broussard, To All the Boys I’ve Loved Before). It seems at the beginning like the focus of this movie is going to be on Ryan, but this remains the case just long enough to explain to the viewers that Ryan and his science friends are responsible for the strange time-looping that Tree has experienced. After a strange altercation involving multiple Ryan’s and the panicked pressing of Ryan’s student-made quantum reactor, Tree wakes up back at the beginning of the previous day. Only this time, she’s been thrown into another dimension, and things are a little different: The original Babyface culprit, Tree’s roommate Lori Spengler (Ruby Modine, Shameless), is no longer the killer, and Carter is now dating Tree’s sorority nemesis, Danielle Bouseman (Rachel Matthews). Perhaps most significantly, while Tree’s mother (Missy Yager) was dead in her original timeline, she is now alive and well.

Tree’s transplantation into this new world kicks off a wild journey, as she is confronted by the simultaneous problems of learning how to navigate the changes to her life in this new world and the implications of those changes, figuring out how to get back to her home dimension (and indeed, whether she even wants to), and solving the Babyface killer mystery all over again. Although interestingly, the latter of these winds up taking something of a backseat. While the original Happy Death Day was a black comedy slasher film, working largely within the sphere of horror, its sequel ditches the horror almost entirely in favor of comedy, emotional drama, and adventurous science fiction. The segues into hallway-creeping and killer-unmasking don’t feel out of place at all, but they also don’t feel particularly haunting or scary, especially not in comparison to some of the emotional scares that Tree must deal with instead.

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On the whole, Happy Death Day 2U is a success not because it delivers scares, but because it recognizes and builds on the elements that worked so well in its predecessor: comedy, irony, and a real sense of heart that carries emotional resonance. A great deal of this is concentrated in Tree’s character, actualized by Rothe’s wonderful acting; we spend almost the entire movie in Tree’s head, and we’re along for the ride as she finds herself forced to tackle conflict after conflict, eventually having to choose between a life that’s not hers that would mean reuniting with her mother (albeit under somewhat false pretenses) and the world she knows, where her real friends and loved ones are back waiting for her, but her mother is not. The implication that her choice is as simple as her mother versus her boyfriend is a bit of a red herring, and the film tries to stay attentive to this, stressing how the memories everyone else has of Tree in this new dimension don’t align at all with her own. Ultimately, Happy Death Day 2U is an adventurous and captivating success, demonstrating how the continuation of Tree’s story can again have more profound and intriguing implications — not only for her, but, in the end, for the people around her as well.

PREVIEW: Happy Death Day 2U

Directed by Christopher Landon, Happy Death Day 2U is a follow-up to 2017’s slasher hit, Happy Death DayHappy Death Day told the story of Theresa “Tree” Gelbman, a college girl who is murdered by a masked killer on the night of her birthday — and then wakes up and finds herself reliving the same day over and over. Happy Death Day 2U takes place immediately after (or, in a way, concurrently with?) its predecessor, as it follows Tree after she is transported to a different dimension, where she must again relive that same Monday while figuring out a way back to her home dimension.

Jessica Roth (La La Land) reprises her starring role as Tree, with Israel Broussard, Phi Vu, Rachel Matthews and Ruby Modine also returning. Happy Death Day 2U is currently showing at local theaters such as the Quality 16 and the Ann Arbor 20 IMAX.