REVIEW: A Night of Swing at UM-Dearborn

Earlier this week, the University of Michigan-Dearborn campus came alive with the sounds of brass horns and swing beats, as Swing Dearborn hosted “Dance Night” with its own performances. What I witnessed was a vibrant celebration of dance, led by Swing Dearborn Vice-President Gabriel Fritz and while I did not know what to expect walking in the room, I walked out with my heart filled with appreciation.

The performances were split into four sets, each offering a different flavor of swing dance. The first routine opened with a classic Jitterbug, with Fritz leading the group. From the very first beat, I was being told a story. His movements were crisp and full of energy, and the way he was able to connect both with us, the audience, and his partner, was enthralling. There was a joyful bounce in every step, and the chemistry in the air was palpable. The playful dips and spins were perfectly timed with the music, creating a visual feast that drew me in. The movements were a conversation.

The second set introduced the Lindy Hop, a faster, more intricate dance style. Here, you could really see what Fritz specialized in. His footwork was precise, and his command of rhythm was impeccable. He transitioned from one complex move to another and it all felt very effortless and smooth. His partner mirrored his energy, and together they created a dynamic performance full of bold aerials and impressive lifts. It reminded me of the sheer physicality required for this style of swing, and I found myself in awe of their stamina and grace.

By the third performance, the mood shifted to something slower and more intimate, with a sultry blues number. The fluidity of his movements during the slower tempo was mesmerizing, and it showed me a different side of swing.—one that’s more about connection and subtlety. This performance felt personal, as if I was ”people watching” the dancers as they communicated with each other through their dance.

The final set was a group performance, featuring both experienced dancers and newcomers and although the ensemble was slightly less polished, it added to the charm of Swing Dearborn. It reminded me how swing was about having fun, rather than it being perfect all the time. I was surrounded by laughter, missed steps, and joyful recovery. Watching everyone be so immersed in the moment was beautiful.

After the performances, the audience was invited to join a 15-minute hands-on lesson and joining them is one of the best decisions I made that night. I thoroughly enjoyed the end of it all. Overall, the event showcased not just the technical brilliance of swing dance but also its capacity to connect people and spread joy. Whether you were an experienced dancer or stepping onto the floor for the first time, the energy of the evening was contagious, leaving everyone with a spring in their step.

REVIEW: UM’s Jazz Ensemble puts on a Big Swing Face

University of Michigan’s SMTD Jazz Ensemble

Rackham Auditorium

October 23, 8:00 p.m.

On Thursday, UM’s Jazz Ensemble put on their ‘Big Swing Face’ and transformed the Rackham Auditorium into a nostalgic 1940’s concert hall. The concert showcased mostly contemporary pieces of up-and-coming big band composers, such as Christine Jensen and Alan Ferber, but paid homage to classic favorites like Duke Ellington and Leonard Bernstein.

I was disappointed that of the 22 musicians in the ensemble, zero of them were girls, especially considering that it is not an “all-boys only” group. Nevertheless, the musicians gave an outstanding performance. Each soloist perfectly intertwined their own creativity and soul with the common themes and emotions of each piece, and passed the improv torch between each other effortlessly. Even when there wasn’t a solo, the collective group played with a very colorful energy. The ensemble jumped right into the swing of things with Bill Potts’ “Big Swing Face,” a piece that showed off the ensemble’s brilliant talent from the first measure. Music Director Ellen Rowe had so much trust in her group that she stepped to the side and let the group take full command of the audience.

A highlight of the performance was the Duke Ellington piece, “Day Dream,” which truly painted a picture of love-filled haze in my mind. The ensemble accompanied U of M student Lauren Scales, whose vocal range and singing talents are off the charts! I could close my eyes and pretend that I was in a smoky bar with Ella and Billie serenading me until dusk.

Overall, the concert was fantastic, but that should be expected from the top Jazz Ensemble on campus! Mostly, the audience was made up of parents and other relatives of the musicians. The pep and nostalgic atmosphere is a must for students who have ever suffered from “Midnight in Paris” syndrome and wish that they could time-travel to an earlier decade, and perfect for a free escape from the campus world.  I definitely recommend staying up to date on when their next concert is! You’ll be jumpin’ and jivin’ all night.