REVIEW: The Ark’s 32nd Annual Storytelling Festival

In The Ark’s 32nd year of its storytelling festival, we were graced with a mix of personal and traditional tales from three wonderful performers. Each storyteller had their own style of storytelling, all of which were appealing and intriguing and full of lessons to be learned.

Ivory Williams of Detroit started the night off with his stories that very much involved the audience. He started with a story about God’s creation and dispersal of people, putting the best people in Ann Arbor obviously. His story about a monster blocking the bridge highlighted the meaning behind obstacles, which you don’t always have to fight with force, since they are meant to be embraced. The young girl of the story, who embraced the monster and become successful in life, did the two most important things a successful person must do: she returned to her village to share what she learned, and she told stories. The morals of kindness and love guided Williams’s stories, and his use of repetition tied the story nicely together, making it twice as nice and twice as powerful.

Next was Edgar Oliver, who had a very timid yet enthralling voice, as he performed for us snippets of his shows and some pieces of poetry as well. His vivid imagery and meticulous details of his stories set the stage for some absurd twist in the story that he delivered with such deadpan emotion, the audience loved it. From the albino watermelons trapped under a swimming pool to the trash can goddess and his love for red wine to the trampling pig, Oliver regaled us with his very distinct storytelling. He took us all over the world, telling us stories about his hometown of Savannah, Georgia, his time spent in France, and his life in New York City. His stories were sprinkled with entertaining comedy, though there was a hint of sadness and regret in the last snippet from a show he’s still writing; however, through his words and stories, Victor lives on in his memories and in ours.

Finally, Laura Simms finished the night with her love stories, which took on a variety of forms. She told us about the fairy she met on the New York City subway, and the time she saw Nina Simone perform, which was the first time she fell in love with the world. Then, she told a long and humorous story about a prince’s long and desperate journey looking for true love, emphasizing the importance of true companionship. She ended with the story of her mother’s seal skin coat and the powers it had in transferring good to the world.

Williams, Oliver, and Simms all captivated the audience with their engaging words and stories. Their stories taught us to think about the good in ourselves and in others, and to look for true love in every moment of our lives. This wonderful tradition at The Ark gives the people of Ann Arbor a night of entertainment filled with kindness and love through the simple power of words. As Williams repeated throughout the night, stories must be told.

PREVIEW: The Ark’s 32nd Annual Storytelling Festival

As a beautiful Ark tradition, The Ark’s Storytelling Festival brings together some of the greatest storytellers for an evening of humor and wit with a touch of heartfelt emotions. This year, the 23rd Annual Storytelling Festival features Laura Simms, Edgar Oliver, and Ivory D. Williams.  Come out to the newly renovated Ark on February 23 at 7:30 PM for some engaging and entertaining stories. Tickets are $25 and can be purchased at MUTO in the League Underground.

REVIEW: Frances Luke Accord and The Western Den

As I entered the building on Main Street after a long day of academic obligations, I rushed in to escape the wintry air, feeling hesitant to enter completely as I was surrounded by scaffolding. After learning that the Ark was having construction done on its box office, I understood why I was greeted upstairs by a polite woman who was a designated volunteer for the event. Despite the initial impression of it being run-down and unprofessional, I was quickly reassured that this was a venue for legends as I walked down the long hallway that was at the top of the stairs, gazing at the professional photos taken of every musician that had performed there. After buying concessions, I took my seat in the dark performance room; the room housed a small stage that was glowing in violet lights and seats for the public at tables near the stage and in rows throughout the room. This was the Ark, and I couldn’t wait for the intimate performance to begin.

The night began with an opening by The Western Den, a contemporary folk group based in Massachusetts whose first collaborative performance with the main musical act had been that night, I would come to learn. She was a singer and keyboardist, he was a singer and guitarist, she was a violinist and bassist, he was a trumpeter, and he was a drummer. I failed to remember their names, but I remembered their images, their personas. All five members of the group suited the instruments they played strikingly well, and I was emotionally intact with the way they had orchestrated themselves even before they started playing. The music they shared was eccentric and refreshing; they played unpopular chords almost in a melancholic way, but with a rich tone and heavy bearing that came off as passionate rather than temperamental. I was completely relaxed during their performance, taken aback by the impressive compositions that this small, relatively unknown group had to offer.

This performance was followed by a short intermission, during which I acquired more tea from the concessions, and then the main musical act. Unlike how the name suggests, Frances Luke Accord is a group of two men; however, they were able to convey a solitary essence as they merely used their voices and a few of their instruments to create their music. Both of the men transitioned between their several acoustic guitars between their songs, all while using their sole two voices to successfully create vocal layerings that are more often achieved by groups with several members. Since we were able to focus only on their voices and their guitars, I was able to follow the mood that they wanted to convey for each of their songs. I noticed when they would play more percussively to portray a chorus or other musical release, when they would take long strums of their guitars to fill up the room, and when they would quietly pluck the guitar strings to create a soft, mellow mood as the end. I was on edge throughout most of the performance, eager to see what new direction they would take us in with each second that passed.

Overall, I left this event very pleased and I felt like I wanted to stay in the Ark forever. While I was unsure what the outcome of my experience at this event would be, I am happy to say that I can trust my curiosity in new experiences to lead me towards the things in life that bring me true joy.

PREVIEW: Frances Luke Accord and The Western Den

On Wednesday, February 6, 2019, The Ark in Ann Arbor will be hosting Frances Luke Accord and The Western Den, two duo groups whose legacies have been established and are continuing to flourish in the indie folk genre. These duos will be performing music from their newest and older releases, all the while combining unique, progressive sounds in a timeless and precedent art form.

Hailing from South Bend, IN, Frances Luke Accord members Nicholas Gunty and Brian Powers have known each other since attending the University of Notre Dame and have collaborated on nonprofit projects, full-length albums, and exploratory compositions. Hailing from Virginia and the island of Bermuda, Deni Hlavinka and Chris West met over experimental music compositions and have collaborated on several EPs in addition to establishing an inseparable relationship between themselves.

As these duos take the stage this week, I am ecstatic to experience the music and the emotion that they have to offer. As a note, this event is available to all students for no cost through the Passport to the Arts offered by the Arts at Michigan program from the University of Michigan.

REVIEW: Folk Fest

What is folk? After attending the first night of the 42nd Annual Folk Festival, my definition and understanding of this genre of music has both expanded and blurred. Folk isn’t just banjos and mandolins with a Southern drawl. It is so much more, and Folk Fest is the perfect venue to show just how diverse and magical folk music can be.

Peter Mulvey. Credit: Andrew Rogers on All About Ann Arbor

Peter Mulvey was the MC for the night, offering his music in between sets, along with Ford car giveaways and a little story called “Vlad the Astrophysicist,” which he performed, partly by reading from the illustrated children’s book but mostly as a memorized spoken word piece that took you through an existential crisis of time and the universe. Who knew Folk Fest was going to get this deep?

Michigan Rattlers. Credit: Andrew Rogers on All About Ann Arbor
Parsonsfield. Credit: Andrew Rogers on All About Ann Arbor
Sam Lewis. Credit: Andrew Rogers on All About Ann Arbor

As the first act, Michigan Rattlers started off the night, the three-member band getting the audience excited with its folk-rock set. Sam Lewis gave us the clapping song we all craved for the night. Parsonsfield was a very talented band featuring an exciting variety of instruments, including the mandolin and harmonica.

Haley Heynderickx. Credit: Andrew Rogers on All About Ann Arbor

One of my favorite performers was Haley Heynderickx, a very calm and sweet soul with a gentle yet mystifying sound. She said, “If someone is scared of bugs and you collect them, this song is about you. Everything else has already been written.” Her sing-along song, “Oom Sha La La,” was so soothing and unique, I’m now looking forward to seeing her back at The Ark in March.

Gregory Alan Isakov. Credit: Andrew Rogers on All About Ann Arbor

After the intermission, a dim blue light illuminated the stage for Gregory Alan Isakov, setting the stage for the thundering music that was to come. Just as Peter Mulvey said in his introduction, there’s an immense stillness through his music. Bright globes matched the songs about space that moved you through time and the universe, all from a seat in Hill Auditorium.

Brandi Carlile. Credit: Andrew Rogers on All About Ann Arbor

Finally, the headliner brought the audience to their feet as she closed out a night of amazing folk music in style. Brandi Carlile is the most Grammy-nominated female artist this year with six nominations, including best album of the year.Alternating between guitars and the piano, her songs about life, love, and motherhood brought the emotions and power we all love her for.

Folk Fest was a phenomenal night filled with the best folk music around. Catch the second night tonight, or come back next year for the 43rd Ann Arbor Folk Festival that will definitely revolutionize how you engage with folk music and its deep and powerful meanings.

PREVIEW: Folk Festival

The annual Ann Arbor Folk Festival is a fundraiser for The Ark that takes place in Hill Auditorium with two entertaining nights filled with the best folk music around. For the 42nd Folk Fest, the first night on Friday, January 25 features Brandi Carlile, Gregory Alan Isakov, Haley Heynderickx, Sam Lewis, Parsonsfield, Michigan Rattlers, and Peter Mulvey. Then, the folk fun continues on Saturday, January 26 with the exciting lineup of Rufus Wainwright, I’m With Her, Pokey Lafarge, Ahi, The RFD Boys, and Peter Mulvey. Tickets can be bought at MUTO in the League Underground, at the Ark box office, or online at www.theark.org.