REVIEW: Israel Philharmonic Orchestra

When’s the last time you listened to music by itself? Not in the background, not while walking to class, not as you’re watching the music video, but just on its own; when was the last time? Before the evening of March 15, I probably could not have given an accurate answer. It seems that we’re always multitasking nowadays, and that being busy reduces our ability to sit and listen. That’s what I did during the performance from the Israel Philharmonic Orchestra, and I would recommend it to you.

The music hardly paused once the first note was played, and the entire performance was rather intimidating. Hill Auditorium’s stage was filled with extraordinarily talented musicians who played Bruckner’s 8th Symphony, a rollercoaster of tempo and dynamics, for 90 minutes. 90 minutes that flew by because so much of the audience was entranced by the sounds the Israel Philharmonic was able to produce. I don’t know why I keep being surprised by how talented professionals are at their professions, but all of the musicians occupying the stage played their parts passionately (especially you, triangle player and cymbal player. You both played for just a handful of measures an hour into the performance and stole the show, at least from where I was sitting).

Of course, I’m no expert because most of the time, if I am listening to classical music then I am also studying. This time, however, there was nothing else to pay attention to but the orchestra. While listening to them, I got the full force of fortissimo without the ability to turn down the volume, not that I would have wanted to. I felt the floor shake under my feet with the vibrations emitted from the low brass section. When’s the last time you avidly observed someone play the timpani?

I would imagine that most of the audience would agree that what we heard was a brilliantly executed performance from the Israel Philharmonic Orchestra. I feel privileged to have received that performance live; I know now that live symphonies are so much better than a YouTube playlist can produce.

Again I’m no expert, but I think that should make the following advice mean even more: don’t be afraid of classical instrumental music. I don’t think you’ll be bored, and I hope you’ll enjoy yourself. The university gives us great opportunities to see extremely talented people, so take advantage of it! In a few years you’ll have to pay full ticket price.

PREVIEW: Coriolanus

Photo from the National Theatre website

This Sunday, February 9 at 7:00PM the Donmar Warehouse’s production of Coriolanus will be shown at the Michigan Theater.

Broadcast by National Theatre Live, this Shakespeare play stars Tom Hiddleston (probably best known for his role of Loki in the Marvel franchise) as the title character who must defend the people of his city from imminent attack while also addressing their call for political change. This production is sure to be an intense spectacle not to be missed.

Tickets to see the recorded stage production at the Michigan Theater are still available and can be found through the University Musical Society here.

REVIEW: Royal Shakespeare Company: Richard II

David Tennant as Richard II   (photo courtesy of The Daily Mail)

 

In his first production as artistic director of the Royal Shakespeare Company, director Gregory Doran presented a expertly crafted and wonderfully mesmerizing production of Richard II. Set in its own time period, this production details the downfall of King Richard II, a vain and somewhat villainous king who bases his power on divine right. Through the use of a simple stage design, lighting, and beautifully sung music, this production felt as if it were in a church, which heightened the religious undertones of the play. King Richard’s assumed god-like authority was further highlighted through the costuming choices, most notably his long mane of hair, white or light colored flowing robes, and the ever present cross around his neck.

The simplicity of the stage design and prop choices allowed the audience to focus on what was really important in the production–Shakespeare’s diction and the spectacular acting of the ensemble. David Tennant’s portrayal of Richard plays up Richard’s powerful and vain nature with a gold manicure and a sense of haughtiness. The real strength of Tennant’s performance, however, is the emotion he pulls out of the character. In one of his best moments on stage, Tennant forces everyone to sit on the ground with him and, as he pulls his knees to his chest and rocks with grief, tell the sad stories of the deaths of kings. Showing Richard’s vulnerability in the moment he realizes his power as king is gone allows Tennant to succeed in attracting the audience’s sympathy for a king who throughout the play is seen as wasteful and abusive of his power.

Although Tennant drew a lot of the attention, in no way was this production a solo act. With Nigel Lindsay’s portrayal of Bolingbroke as an intense and powerful man who is not afraid to mock and scorn Richard’s theatricality, Oliver Ford Davies’s emotional and somewhat comedic portrayal of the Duke of York, a man torn between two loyalties, and Michael Pennington’s portrayal of John of Gaunt as a dying man enraged with Richard’s actions, the entire ensemble worked together to create a production that was nothing short of fantastic.

There will be another broadcast of the play December 11th at 7pm at the Michigan Theater. I highly recommend it to anyone with any interest in Shakespeare.

PREVIEW: Royal Shakespeare Company: Richard II

David Tennant in Richard II

WHO: Royal Shakespeare Company featuring David Tennant

WHAT: Willam Shakespeare’s Richard II

WHERE: The Michigan Theater

WHEN: Sunday 12/8 at 7pm, Wednesday 12/11 at 7pm

COST: $12 for students, tickets available online or at the Michigan League Box Office

David Tennant (of Doctor Who fame) returns to the stage in the title role in the Royal Shakespeare Company’s production of Richard II. This is a cinema broadcast from the RSC stage in England where the production is currently running. Given Tennant’s quality acting and his previous success with Shakespeare, this is sure to be a fantastic production.

For more information, visit this website

REVIEW: Ukulele Orchestra of Great Britain

What I truly love about UMS is the variety of their performances. This season, we have classical pianists, Indie rockers (as I’m calling James Blake…sorry if that makes anyone mad), traditional Sufi music, and this: an orchestra of ukulele players from England. It was so unlike anything I’ve seen before at UMS. There wasn’t anything to analyze or interpret. Nothing to look at and be like, “Wait…why are there lambs on stage?” It was just exactly what you were expecting: an hour and a half of covers of songs performed on the ukulele. Don’t get me wrong; I like risqué, innovative, renegade material as much as the next person, but it was a nice change to know what was coming.

And it was fun too! Everyone left with a smile on their face. Prior to the performance, audience members were asked to bring their ukuleles and several people did! In the middle of the show, they played Tom Petty’s “American Girl” and uke-playing audience members took up the challenge and played along! It was a really cute way of engaging the audience. And such a great way of utilizing the smallness of the ukulele! It’s such a lap-friendly instrument! I mean, if they had brought a harp orchestra to Ann Arbor, you couldn’t necessarily ask people to bring along their harps to play along mid-show. It was the perfect way of getting the audience involved without making people nervous or annoying those who didn’t want to participate.

One thing that seemed to detract from my personal experience of the show was my age. All the songs were covers and while I did recognize “Pinball Wizard” and a truly fabulous rendition of Lady Gaga’s “Born This Way”, the rest of the songs were from a time before my generation. I understand that UMS audiences tend to be on the older side, so I know there were a lot of people who got more out of the performance than I. Which is fine – I’m happy that they enjoyed the show (and I think they did because oftentimes just after three chords were struck on stage, I’d hear elderly whooping erupt behind me). It was still good music and fun to watch just how awesome all the band members were at the ukulele…I just think I would have liked it even more had I been more familiar with more of the songs.

Great show, lots of fun, and super cute. Glad I went. Going to shop around for a ukulele so I can learn too!

Review: James Blake – Blown Away

James Blake came into my auditory life about a year ago through a friend who’s taste in music I hold in high regard. After adding Blake’s music to some play lists and burning a couple CD’s for car trips (yes, I still make mix ‘tapes’) Blake became a staple. It wasn’t until this past summer that I started learning more about this phenomenal musical talent.

Blake released his first EP “Air and Lack There of” in 2009, at the ripe age of 21. It was picked up by BBC Radio 1 where he was later asked to come in and do some mixes. In 2010 Blake’s single cover of Feist’s “Limit to Your Love” was released and made 47 on the UK Singles Chart. After this rating Blake received nominations for awards in the UK as well as increasing interest from the press. His self titled album was related in February 2011, later that year he collaborated with Bon Iver. His second album “Overgrown” was released in April 2013. This album awarded him with the UK’s Mercury Music Prize for best new album, Blake has previously been nominated for this award in 2011. This past Summer Blake toured Europe and entered the states to continue his tour in October.

Which brings us to his performance on Monday night at the Michigan Theater, sponsored by UMS. Michigan Theater has beautiful acoustics. It was an interesting choice for this type of music because of the permanent seats, which aren’t very conducive to ‘grooving’ to the music. However, the audience compromised by standing in their rows or clustering against the lip of the stage.

Nosaj Thing (http://www.nosajthing.com/) opened with an excellent DJ set whilst people were milling about the lobby sipping beer and wine. He could hardly be seen as a black silhouette illuminated by a strikingly blue light.

When James Blake and his fellow musicians Ben Assiter on drums and Bob McAndrews on guitar and sampler, the light show began and the crowd was captivated for the next two and a half hours. James Blake’s music isn’t just something you listen to, it is something you experience. I have never said this about any other musical talent I have had the pleasure to witness live; Blake’s music goes inside your body and captures you in an entirely unique way. The beats he uses in his music reverberate through your bones, his smooth, versatile voice slides into your ears and activates something within you. Seeing Blake live was a visceral and emotional experience. I have never been so affected by a performance in my life. In addition to the sound, this performance had the added sensory experience of Chris Bushell’s lighting design. Light of red, orange, white, blue and purple flickered in rhythms and patterns. They reflected off the walls, the audience and the atmospheric fog blown on to the stage. The musicians were alternately lit from above, behind and from all sides creating beautiful silhouettes and visual landscapes.

James Blake is by far the most talented musician I have ever seen perform live. This performance completely blew my mind.

Do yourself a favor and go listen to him immediately. If you are able to buy one of his albums on vinyl and put it on a decent sound system you will be much happier than digital. Barring that, hook your i-whatever up to some speakers and ride the wave.

James Blake: Measurements