My Name is Minette, Chapter Eleven: Paw’s Plan

“Irma’s right,” Minette said. “It’s a little early to talk about this, isn’t it?” She tried a smile. Maw and Paw liked to get serious sometimes, to impart Elder Wisdom upon the Youths, but those moments never lasted long. Minette just had to get through this one.

“I met a boy who goes to school in town,” Rhys piped up. “He’s my age, and he’s the son of the candlemaker. If they can–”

“It’s never too early to get your affairs in order,” Maw said, barely blinking at Rhys’ words.

Rhys went quiet. Minette had nothing to say, either, and definitely not Irma.

“I thought you’d be happy,” Paw added after the silence hung around too long, and Minette didn’t miss the edge of hurt in his tone.

Minette’s heart fell into her tummy. She sighed. “I… I just don’t think I’m ready yet,” she said. “I could use some more time. To practice. At the smithy.” It was the most and the least she could say to appease Paw and eliminate any suspicion. Minette didn’t know how to explain herself if he learned that she didn’t want to be the man of the house. She didn’t want to run a smoky, choking business for forty years and then die because of it and consign her beefy son to the same fate. She didn’t want to impregnate some woman. She didn’t want to drop her kids on a wife locked at home while Minette compared her muscles with other men at the pub and complained about naughty children and nagging.

“Of course y’are!” Paw exclaimed. “We’ll go to the mines tomorrow. I want you to find me the softest ore. Something good to work on on your own. Once you do that, we’ll start your partnership, and let the women in town know you’re eligible. It’ll all fall together.”

Minette nodded, running a sweaty hand through her hair. She schooled the look on her face. He made it sound so easy, like she’d stumble into the forge and then stumble home to bed her wife. Easy peasy. She’d thought he would back off, give her time. Some pointers, maybe. But instead, he’d only doubled down. 

In that moment, Minette had already run through a million and one different scenarios where she sabotaged Paw’s copper test or intentionally pulled out the grossest, worst piece of copper ever, but she crossed them all off her mental list. Paw knew her too well to fall for a trick like that. Plus, if he did think she was that brick dumb stupid, it still wouldn’t stop the part Minette was truly afraid of: the siring of sons. The sense of duty. The unseen woman, the loyal wife.

“That hair,” Maw added, nodding over at Paw. “That goes, too.”

My Name Is Minette, Chapter Ten: The Lecture

The table went silent. Minette waited for someone to say something, anything, but there was nothing. Even the forks and spoons had stilled.

“She just needs more time,” Minette spoke up. “She can learn just the same as any of us can. But sometimes you’ve got to be patient.

When Maw said “Morton…” in That Tone of Voice, Minette had no choice but to shut her mouth and look up at Maw. “Enough about that, then.”

Minette knew what that meant. She held back a sigh. “Yes, Maw?”

“Paw tells me you’re doing well at the smithy,” Maw said. It wasn’t a compliment.

Just get to the point, Minette wanted to scream. No need to draw out the agony. She knew this was about more than just hammering metal. This was about the Good Son they wanted.

“Yes,” Minette said, proud of how her voice barely trembled.

“We’re thinkin’ of your future,” Paw butted in, popping a bread roll into his mouth whole. “I’m getting old.”

“I know you are,” Minette said. She thought again of his froggy, chipped voice, of how his whiskers were more white than brown. His aging appearance was another reminder of her future–and how the little world she inhabited was soon to change in a big way.

Paw frowned. Rhys stomped on her big toe under the table.

“Rhys,” Maw said, spoon in hand, without even looking at him.

His foot retreated.

“Anyway,” Paw continued, clearing his throat, “it’s time you weren’t my apprentice, but my partner. I’ll teach you how to run the business by yourself, and you’ll take over. We’ll take you out courting to find you the right woman. She’ll move in with us, and start keeping house soon after that.”

Minette couldn’t help but laugh at all he left unsaid. Minette would take over the smithy when he was dead. Her future dainty, submissive wife would take over the house when Maw was dead. Couldn’t they see how absurd it was to speak so frankly about their own untimely demises?

Irma huffed. “Can we talk about something else?” she asked, echoing Minette’s thoughts. “May I be excused?”

“No,” Maw and Paw said, in unison, answering both questions. Irma slouched in her seat.

Minette nudged Irma’s knee. Irma hated all this talk about death even more than Minette did–her future was just as uncertain. Lots of townsfolk talked about the blind girl down the way, but it was the things they didn’t say that gave away their true feelings. They just didn’t know what to do with her. Minette knew that feeling, that dread, and she knew that Irma must be feeling like she was toeing the edge of a great, dark, chasm.

9/21

I will not write a race poem

So I’ll liken the trees to brown sleeves

With leaves tracing a pattern reaching 

Toward hearts

 

I will not write a love poem 

So I’ll imagine backpacks 

pushing back against lower backs 

Aching for a release 

 

I will not write a disorder poem

So I’ll write about food 

Itching to be eaten 

To enter a full stomach 

I’ll write about the mind 

Cautiously telling a cautionary tale

About candy and obesity and health 

While also singing songs and admonitions about body positivity Fighting and unlearning the things taught by tv screens I’ll write about life and regret and wonder why Why we just have to keep trying and keep fighting and 

Think of that as fun. In writing to the mind I’ll again and again call attention to how it’s all about your mindset and yet somehow I can never quite get my mind to set. I’ll remember that hunger means you need to drink more water and hunger means you want something so you need to keep going but hunger is never satisfied. In race, I’ll remember that every day is a race against time against each other against my own That there is this pressure to be the first the first the first when white people just get to live

I’ll… 

I…

Art Biz with Liz: Women Artists and Unsung Keyboard Stories

Last week, I had the pleasure of attending several events for a conference called “Diversity and Belonging: Unsung Keyboard Stories.” The conference, presented through the Westfield Center for Historical Keyboard Studies and the University of Michigan School of Music, Theatre & Dance, was held from January 26 to the 30.

When I was a child, I loved watching pianists play. It fascinated me how each touch of the key resulted in a specific sound. I begged my parents for lessons and eventually got my wish when we found a local piano teacher. It was easy to imagine that she represented what it “looked like” to be a pianist. But what does the “typical” keyboardist look like? As I grew up and met all kinds of people who were accompanists, artists, and more, I realized that there wasn’t a “typical” instrumentalist (though the music I had been exposed to seemed to suggest so). Even though I didn’t believe I had preconceived notions on the concept, the conference set out to test my ideas.

To start, “keyboardist” does not just mean “pianist.” Though I didn’t learn about many of them until I started college, the keyboard has a variety of different interfaces, including the organ, harpsichord, carillon, clavichord, piano, and electronic descendants. Accompanying these instruments is a rich history, though with that that comes room for discussion as to whether or not it has always been inclusive to everyone. A range of musical artists have been ignored or discounted, and the conference created an opportunity for keyboard scholars, performers, and instrument makers to explore what it means to be a keyboardist—even if that meant questioning history itself.

Both in-person and online, over sixty presenters and performers touched on topics such as diversity, disability, and empowerment in keyboard music. As a carillon student, one event I attended was “Broadening the Carillon Repertoire,” which was a recital presented by my peers featuring a diverse selection of music played on the Baird Carillon. This included a range of pieces, from the Taiwanese folk song “Alishan De Gu Niang” to “The Boy with the Axles in His Hands” (1866) by Thomas Greene “Blind Tom” Wiggins (1849-1908). I also virtually attended the world premiere of Connor Chee‘s “Melody for Kinyaa’áanii Nos. 1-2,” played by Professor Tiffany Ng on the Lurie Carillon. Connor Chee is a Navajo pianist and composer, and it was interesting to hear his work on a carillon.

I also (virtually) attended a presentation by Alissa Freeman, a doctoral candidate at U-M studying piano pedagogy and performance, on the topic of “A New Liberation: Exploring the Keyboard Works of Classical Era Women Composers”. I was aware of the fact that women composers are often erased or ignored in history, but I was stunned at just how underrepresented women composers are in current music history textbooks and concerts across the globe. It was interesting to hear Freeman speak on social commentary surrounding women composers, including how historically, regional differences in Europe led to very different experiences. I enjoyed hearing Freeman play Josepha Barbara Auernhammer’s “Set of Variations.” As I listened to the music, I couldn’t help but think about Auernhammer’s history; Freeman had explained that she held the position of Mozart’s star pupil despite not being of nobility. She sounded awesome and her piece equally so, which was bright and lighthearted. Freeman also played “Sonata in C Major, Op. 7” by Maria Hester Park. Park’s piece was melodic and pretty, though it shifted into a slightly more serious and virtuosic tone at times.

When I played the piano as a child, I had a large book of classical pieces that I often played from. Looking back, I can’t recall playing a piece that was by a woman composer. I’d like to apply the insight I gained from the conference to being more conscientious about whose piece I play and not just what piece I play, whether on the piano or carillon.

If you are interested in learning more about the conference and its presentations, various recital livestreams are still available on the Westfield YouTube channel.

My Name is Minette, Chapter Nine: The Dreaded Dinner Table

That night, Minette sat at the dinner table already dreading Paw and Maw’s imminent interrogation. She didn’t want to hear them call her a boy or a suitor. She wanted to ignore her fate. They were all huddled around their little round table, knees knocking, toes fighting. 

Rhys was humming to himself, gnawing on his porridge spoon, and Irma was devouring her food like a mouse who’d found its way into the cookie jar. Minette hid her anxiety by chastising her siblings’ manners as usual and teasing them as much as she could without starting a ruckus.

Maw and Paw were, predictably, surveying the table and its inhabitants like a king and queen on a haughty dais. They noticed any green beans hidden under a napkin, any elbow pinching of an irritating sibling.

This evening, try as Minette might, each child received their time in the sweltering spotlight.

Irma came first. Paw leveled his molten stare at her, and she looked up, swallowing, even though her eyes couldn’t see it.

“Irma,” Paw said, in that deceptively quiet, even tone. “You went to the shop with Rhys today.”

“Yes, Paw,” Irma said. Minette glanced at Rhys and found him observing his peas with altogether too much fascination. Uh-oh.

“Well? How did it go, then?”

“It was… fine,” Irma said, with just a squick of hesitation. “Rhys was there the whole time. He helped me count the copper Drunes.”

Paw’s head swiveled like an owl’s to peer at Rhys. “Is that true?”

Rhys nodded, his moppy hair falling into his eyes. “Yes,” he said. “We got the bread and the flour, like Maw asked. Irma did great, Paw. You should really let her–”

“Really?” Paw interrupted, and Rhys’ jaw clamped shut. “I should let her do what? Overpay for Thom’s clumpy flour again?”

Irma opened her mouth to respond, but Paw dropped a bunch of copper-colored Drunes onto the middle of the table before she could say anything. They rang out and clattered against one another. “You gave me two Drunes short. Two Drunes we could have saved longer. Two Drunes your father worked hard for.”

Irma lowered her head. “I’m sorry.”

“This is why you can’t be doing things like this, Irma. You’re just not like the rest of us.”

Minette flinched. She looked to Maw for any protest, any resolution, but Maw was silent.

“It was my fault,” Rhys interjected quickly. “I was the one who should’ve–”

“Quiet,” Paw barked.

My Name is Minette, Chapter Eight: The Future

The ladies carried themselves without a second thought, but with a hearty heaping of grace. They moved differently from Minette. Their dresses weren’t royal or anything, weren’t attire for a ball, but their simplicity was beautiful. Minette wanted to feel the black buttons in her hands, slip her arms through a shapely sleeve. Maw could make a dress like that. But not for Minette.

Paw clapped a giant, calloused mitt on her shoulder, startling her. He nodded his chin out toward them with a grunt and a grin. “Nice to look at, ain’t they?”

The ladies scurried off at the sight of Paw’s scruffy mug. Minette watched them go, face going hot. She didn’t know what to say.

Paw chuckled, finding something funny about her silence. “I remember those days with your mother,” he said. “Courting is fun, but marriage is work. You don’t want the prettiest girl, you want the one that can keep house. Remember that, boy.”

Minette wanted this conversation to be over. “Yes, Paw.”

“And go out for once,” Paw said, brow wrinkling. “One drink wouldn’t kill you. You need the experience, the hair on your chest.”

“Yes, Paw.”

“We’ll find you a good woman. Summer’s end. Guaranteed. It’s past time, Mort. We’ll get your hair cut and your shoes polished. Your mother and I will sort it out. Don’t you worry.” Paw clapped her on the back hard enough to make her cough and turned around, wheeling back into the forge and leaving Minette alone.

Minette tightened her jaw, watching the skirts bounce lightly above the ground as the girls turned a corner and disappeared out of sight.

Summer’s end, Paw had said. Brushing her hair out of her face, she looked at the sun-burned hills, the broad Oaks with some leaves already littering the dappled sunlight at their roots

Summer’s end was already here, along with the end of Minette’s freedom.

The real fantasy was how delusional she’d been. She’d assumed she could put it off forever, keep training, keep to herself, and maybe fall into something worthwhile, something that didn’t make her want to scream.

But reality was knocking, and she had to answer the door sooner or later.

She was so screwed.