poco piano: senior recital

I had my senior recital last night. It was kind of a big deal to play for my family and friends after such a long time of not having public performances. As my degree recital it was my culmination of studies as a pianist in this program. It was about a 90 minute program since my Bach Partita is around 27 mins and the Schubert Fantasy is about 25 mins while the last piece, Davidsbundlertanze is about 32 mins.

Since I was playing a large program with pieces that had a lot of background story, I spoke a little bit before each piece to give it some context and connect with my audience a bit more. I recognized almost everyone in the audience and I was so grateful to see everyone there. I will post my recital sometime on here once I get my recordings.

Here is my little blurb before my 2nd and 3rd piece:

Wanderer Fantasy

This next piece I’m about to play is one of the most virtuosic pieces that Schubert ever wrote, It’s so hard to play that Schubert himself couldn’t play it! The name, wanderer fantasy originates from a song he wrote, Der Wanderer, which he quotes in the slow movement. The verse this music is from is

 

““The sun seems so cold to me here, /

The flowers have faded, the life old, /

And what they say has an empty sound; /

I am a stranger everywhere.”

 

The music he quotes here actually inspires the whole piece as all the ideas stem from this music which unfolds outwards into this grand fantasy. The Wanderer Fantasy is a 4 movement work that is played continuously, it starts with a quasi-sonata allegro movement and melds in an adagio set of variations which turns into a fun scherzo that sets up for a thunderous fugal finale.

 

Thank you all for coming, I would just like to say thank you to my teacher, professor greene. And a big thank you to my parents who have supported me with love for many many years.

 

Davidsbundertanze

So this last piece is this big German word , dances of the league of David. The league of David is a musical society that consists of real and imagined characters, such as his wife, Clara Schumann and his two personalities, Florestan and Eusebius. Each of these 18 character pieces is a musical dialogue between Florestan and Eusebius, Florestan representing the side of Schumann that is extroverted and impetous, and Eusebius which represents Schumann as the introverted poet.  He quotes Clara’s music at very beginning as she is the main source of inspiration for this piece. The music burns of love for Clara and narrates the struggle of the trying to marry her.

 

I leave you with the epigraph he wrote before the piece.
In each and every age
joy and sorrow are mingled:
Remain pious in joy,
and be ready for sorrow with courage.

Round green shapes of varying sizes glow against the black background. The text reads, "Immersive."

Immersive #15: Terminal

Creator’s Note: Coding is often used as a way for us to communicate with computers, to create a list of instructions for the computer to follow under certain conditions. And while we aren’t robots spray-painted chromium with a network of wires supporting our entire being, the push towards integrating artificial intelligence into all aspects of our lives indicates a desire towards harmony between the between human beings and machine. In all of our actions, there lies a system of logic that causes us to intake and act upon stimuli given prior knowledge, and through this week’s article, we explore this system through outlining the decision making process for interacting with a stranger. I hope you enjoy this foray into coding!

Evolving Emotions: Awaiting the Boom

A lingering anticipation

Tenses your muscles

The very fibers of your being

Alert

Waiting

 

Your throat constricts

A thump in your chest moves you

Something screams inside your skull

 

For the thunderous booms

That will invade your ears

 

Lingering

Pleading

Everything is still.

 

The drums erupt.

 

Pummeling the shingles

The wind howls in grief

At the loss of it all

Everything is washed away

A barren, hard wasteland

 

A rain of tears mourns for you

What once was hard, softens

Tremors pulse

In the aftermath

 

After a short while

And a long eternity

It ceases.

 

The anticipation begins once more.

 

Art Biz with Liz: A Time of Reopening

It’s been over a year since I’ve been to an in-person concert or performance (besides my own for Grand Night for Singing). While I’m not very well-versed when it comes to classical musical, I’m ecstatic to be seeing the Ann Arbor Symphony Orchestra at Hill Auditorium tonight. I don’t know much about Pictures at an Exhibition, but the A2 Symphony describes it as a 10-piece suite “originally composed for piano in 1874.”

Thinking about the concert tonight, I can’t help but reflect on how the pandemic has affected the arts. It still wows me when I consider the changes that have taken place to keep the arts alive. Prior to the pandemic, I never considered how a concert or other live event might have to navigate public health advice or consult with public health professionals to get the okay to go on. It’s interesting to think about the way some venues have even connected with a team of public health professionals to get advice on reopening strategies. While COVID-19 is an ongoing concern, groups have implemented policies to keep people safe. The Ann Arbor Symphony Orchestra, for example, requires proof of vaccination or a negative test.

Whether live or online, people in the arts have to be resilient. Early on, theaters and art galleries shut down in efforts to mitigate the spread. At the same time, people need the arts to survive dark times. They give us meaning, expression, and a sense of community. For many, the arts help us form connections to family, friends, and strangers around the world. Creativity is one of the key things that has sustained us throughout the pandemic. With means of livelihood threatened, there was no other option for some artists and groups but to adapt quickly to new circumstances. Museum collections moved online, collective concerts were put together, and art classes sent people materials for crafting at home. Artists bonded together, concentrating on their artistic visions and goals just as much as survival.

Moving forward, the unexpected will continue to happen. It’s important for people in the arts to be transparent when it does, which means communicating new information promptly to artists, donors, or the public. Even before the pandemic, I was impressed by the communication and camaraderie of many arts organizations with their staff and public. Throughout the pandemic, these factors have been even more valuable. There’s a mutually beneficial relationship between patrons and artists, and it was tested during a period where everything else fell apart. Sustaining this relationship, which endured even a pandemic, will be key to the arts’ continued success. If there’s one thing I’ve learned, it’s the importance of community support in giving vitality to the arts.

I’m glad to be supporting the arts tonight, and I look forward to be back in Hill Auditorium. We bought tickets before we knew the concert would appear in Passport to the Arts, but if you’re strapped for cash and would love to attend tonight’s concert, you’ll be delighted to find it in this week’s Passport to the Arts. Have a great weekend, everyone!

TOLAROIDS: Fallin’ for the campus!

There is simply no way I would start a photography blog at UMich without posting any photos of the campus during the fall season. I think I will make it a theme for a few of the future posts as we grasp the last moments of fall before the cold comes. This week’s series is simple though: it’s just a daily walk through the campus that we all have in our schedules but sometimes don’t get to appreciate the beauty of.

 

*Don’t worry, the Arb will get its own appreciation post 😉

 

If you want to tell me which place is your favorite or have any other comments, thoughts, or questions you can contact me here or at @akilian.jpg on Instagram!

– Tola

The Rise of the Band Geeks, Episode 5: Beanie

O pom-pom graced atop the knitted dome

Secured by laces tipped with aglets clear;

Beneath thee soft-striped stitches tightly roam

In chevrons spanning from thee to the ear.

O stitches stretched into a snug caress

Around the fragile flesh and mind and hair

You trap soft heat and ward off cruel duress

That would arise were this pale pate left bare.

O flesh, that warmth may bless thy frigid heart

Nestled within thee, that the stitches may

Envelop fragile you from the game’s start

And shield you till night voids the might of day.

May ev’ry precious strand upon your head

Of the band beanie undermine cold’s dread.