The Artist’s Panel: Core

The 2020 STAMPS Juried Exhibition opened this Saturday! This comic is an illustration of my personal piece in the show, which is titled Four Letters To My Four-Year-Old Self. This piece a series of music boxes that, when combined, serve as an abstract self portrait. I’m excited to share a bit of my own work through this week’s comic, while also promoting a great show filled with amazing artists! If you haven’t already, please be sure to check out the exhibition. Due to COVID-19 restrictions, it is entirely virtual this year for your viewing pleasure. You can see the full exhibition at https://stamps.umich.edu/exhibitions/detail/2020_undergraduate_juried_exhibition .

©SKETCHES BY MAKO: 333repeat






I had a dream where
They told me
To stay the same, to
Say the same things,
Follow the same things,
Look at life from
Their angles.
Reality was skewed and
Bent, almost as if
R E A L I T Y
is but an image on a computer
and what we CALL reality
is simply a
careless photograph
taken of that image-
Infinite gridlines of 
Perpetual nature
with millions
of invisible fibers
pulling, pushing,
distorting,
the very fabrics of spacetime

Deep
Breathe
333repeat


Tal Kamin

This week I interviewed a peer of mine within the dance department: Tal Kamin. I have known Tal for two years and have had the amazing opportunity to watch her grow and develop into the artist she is today. Over a year ago she started her own non-profit: We Are Queens. I wanted to interview her and see how the first year of We Are Queens is going, and how COVID-19 affected this new and developing organization. She is a very impressive 20-year-old, and I am so honored to have the ability to dance and learn with and from her.

Tell me about yourself: majors, year, where are you from? 

“Hi I am Tal Kamin. I am a Junior double majoring in Dance and economics. I also am pursuing a minor in PAM. I was born in Israel but moved to New Jersey when I was 7 and have lived there ever since. I traveled to New York City to dance professionally ever since I was 15.” 

What do you want to do professionally? Dance, Business or both? 

Both, my dream is to be a radio city rockette, with a part time job with a marketing agency in New York City, I also would love to continue to grow We Are Queens. My dream is to be happy and celebrate those around me, so my goals may change to accommodate that.”

How do you balance your time between dance and business?

“What I have learned in pursuing a non-traditional path is that passion and resilience are the key to succeeding, anyone can learn time management, prioritizing, and balancing mental health, but at the end of the day what makes this so fulfilling is that I can wake up everyday and do what I love. Independently of what others think.”

How did you decide to major in dance in college? What led you to Michigan? 

Majoring in dance was never a choice, I knew that this is exactly what I wanted to do. I started dancing when I was 2 and started dancing professionally in New York City when I was 15 and my college application process was centered around a curriculum that would give me a rigorous dance training with a liberal education around business. Michigan had that, and the dance department had reached out to me so I already felt welcomed.” 

What is “We Are Queens”?

“We are queens is a female empowerment organization committed to fostering a groundbreaking future through the arts. The arts were more of a transformation because it’s a more powerful platform that brings people together, educates, and inspires change. It also gave me a personal outlet to employ my skills and talents. Focusing on art as a medium allowed us to be more specific in our mission, instead of branding for everyone we were being more diligent about our programming and audience.”

Did you ever think that queens would grow from one groupme of 300 people to this recognized organization today? 

“Absolutely not, it started with a very innocent goal: of spreading positivity and uniting girls to break the stigma against mental health through a 30-day challenge, however, the mass support and celebration of the women involved inspired me to recognize that this mission was way greater than me and it was a calling to continue and expand.” 

How did you start it? 

“Culmination of me as a person, I was born to a very big family in Israel where community is very important and I grew up dancing both competitively and professionally and saw how toxic the environment can be when competition is taken to the extreme. And both of these experiences always pushed me to spread positivity wherever I went.” 

Why did you decide to rebrand? 

“After Covid hit I felt a need to become more conscious in our organizations programming and branding, whether this means recognizing the social injustices in our world, the implications of Covid on our health and community, the lack of resources for artists and young women in developing countries. This inspired me, as a leader, to ask myself what our vision for the organization should be long term, and recognizing that this is a marathon and not a race. Consequently I became more focused, more open-minded, and more collaborative with my time to ensure that all voices are heard.”

Photo taken from We Are Queens first benefit concert

With the rebranding what was the most difficult challenge you faced?

I think the biggest challenge I faced was with myself, I am a perfectionist, problem-solver, and I enjoy getting things done and with every new idea or initiative it is not only important to dream big but also to take our time and fully fleshing out the details im implementation. As a result, I learned to abandon my mindset that I need to do everything all at one and all by myself, and learn to trust myself and my team within the beauty of the process to its fullest extent.”

What can we expect to see from Queens this year? 

With our newly implemented DEI plan to foster a more inclusive and empowering community of women, we are working on an upcoming music video that is focused on amplifying female BIPOC voices which will premiere in November. Be on the lookout for upcoming ambassador programs, music video submission, and merchandise as we continue growing.” 

Where can we find information about music video submission ideas for those that are interested?

Check out our website, for more information on how to get involved as well as our instagram. We would love to have you join our empire of kickass women!”

Tal:

Instagram: @tal.kamin

Website: talkamin.com

We Are Queens:

Instagram: wearequeens.joinus

Website: wearequeens.org

+KHAOS+ EP.4: Other Half II

EP 4: OTHER HALF II

EP 4: OTHER HALF II

Ed, the Unit 3 SALV, is undergoing the SALV&H Project where Ed is tested to see if it is fit to safeguard humans from any kind of danger, especially the deadly meteorites. In this project, Ed must keep Milo completely safe while defeating the ten dummy robots that are specifically programmed to target Milo. The test is successful, and Ed is now officially Milo’s SALV robot.

+Author’s Comment+

Hi everyone! Hopefully, your weekend was fun and restful. I’ve got used to drawing these weekly illustrations, and now it’s one of my favorite things to do throughout the week. Stay safe everybody!

Follow my Art Instagram Account: @kats.art.folder

(I follow back 😀)

The Indian Artist: The Festival of Lights

Seeing as yesterday was Diwali, I thought that it would be appropriate to do this week’s post on the festival of lights. Diwali is one of the most important festivals in Hindu culture and symbolizes the victory of light over darkness, power of good over evil, and knowledge over ignorance.

A classic image of a rangoli design done with powdered pigments

During times of Diwali, which most traditionally is a five-day affair, families adorn and clean their houses, decorating it with beautiful flowers and ornaments. On the days leading up to the holiday and the day of, the entire home is lit up with candles and diyas. Diyas are small oil lamps that are generally made from clay. The wicks are made out of cotton and fueled by some type of oil or ghee. These Diyas or oil lamps are lit for deities and to bring light to the house and ward off any darkness. Another part of custom adornment is something called rangoli, a personal favorite of mine. Rangoli is created from either chalk or pigmented powders and used to create beautiful designs on pavements as well as home entrances.

The lighting of candles and oil lamps is a welcome to the Goddess of Fortune and Prosperity, Lakshmi. It lights a path, welcoming her into blessing the home with good fortune, prosperity, and health. The holiday celebrates new beginnings and the start of the Indian fiscal year.

The Goddess Lakshmi sitting on a lotus with wealth and prosperity flowing from her arms

The story of Diwali is long and well-loved. Diwali is said to be the commemoration of the return of Lord Rama and his wife Sita (Reincarnation of Goddess Lakshmi) and brother from a 14-year exile into the forest. While on their exile, Sita is taken by the demon Ravana. Lord Rama and his brother travel with an army far and wide, eventually conquering Ravana and bringing Sita back home. Lord Rama’s return to his home kingdom is celebrated by a festival from the townspeople that last for days with music, food, singing, and dancing. From then onwards, this festival came to be known as Diwali. The day Lord Rama returned home with Goddess Lakshmi (Sita).

Diwali is a time for being with family and loved ones. Families light fireworks and host large feasts and celebrations. Temples, homes, offices, and buildings are brightly illuminated inside and outside. In the days leading up to Diwali, people clean, renovate, and beautifully adorn their homes. On the final day of the celebration, people dress in their finest clothes and perform a puja (prayer) for Lakshmi.

This piece titled The Festival of Lights, well-named I know, is a small depiction of Diwali and the beautiful tradition that it represents. The hands are covered in henna holding a diya lamp. The entire piece is done in colored pencil and was done early on when I started using my culture and upbringing as a topic of my art. For me, Diwali has always been a beautiful time of the year. Family and friends come together and we all sit around enjoying each other’s company and laughter. Eating delicious food and Indian cuisine, praying for one another’s health, prosperity, and happiness, we all forget the daily mundane troubles for a moment and lose ourselves in mutual companionship and love.

Happy Diwali to you all. As always, if anything that I discussed in this post stands out or if any questions arise please feel free to comment and share your thoughts!

Looking forward to next Sunday.

 

~ Riya

 

 

Personal website:   https://riyarts.weebly.com/