SUPPART

There is art and then THERE IS ART.

Notorious for proclaiming every damn thing in my life can be art, I am going to continue to cast my art-golf-umbrella on everyone who reads this: art is everywhere, everything is aesthetic in some manner, and sometimes everything sucks (or is so good) that aesthetics are all I can talk about without wanting to performance art myself into a plane and never come back.

Now 2 days ago I stopped writing my thesis and left the honors program (http://queerumich.com/post/75508370570/the-queer-art-of-quitting) and I’ve never felt better. However, it’s been interesting to see how people react to my news. From “TAYLOR?!? REALLY??!?!” to “I support and think that this decision will make you happy.” I appreciate both sentiments–it’s fun seeing what people do when I throw their world axis off just a smidge, and when I can surprise them. (boom.)

In the wake of all of this, I’ve received so much support and love. I’ve never felt more comfortable with a decision or more proud of myself, and it’s all because my community stepped up and validated, affirmed, and actively supported me. A community that I thought I had a solid grasp of who was in it, but, then again, I myself was surprised.

Come a month ago, while still writing my thesis, the most support I got was from my books, my tears, and “dreams . . . drugs . . . waking nightmares, alcohol and cock and endless balls” (a little Ginsberg goes a long way, no?). I’m not trying to call anyone out but the support I got while in the thesis process was no where near the level of support I have now. This got me thinking.

Support is an art form.

About a year or so ago I got in the habit of saying “I approve” at everything I wanted to affirm. Quickly, I realized that very few people need a white cisgender man to give approval–it’s weird, it’s unaffirming, and it’s just a little much, in my opinion. So I reflected on what I meant by “I approve,” and I came to the conclusion that I meant, “I support.” I support verbally, physically, emotionally, mentally; if I say, “I support _____,” you have my permission to use me and my resources to the fullest extent because I care, I support, and I want to validate and affirm you and your endeavors.

What I’m not so eloquently getting at is: support needs to be known.

Support isn’t some canvas on which I am painted. I need support to be painted on me. Covered in it, filled with it, not born from it. Support can’t be implied or unspoken because all it looks like is somebody somewhere following you or looking at you or sending some good vibes, which, don’t get me wrong, is wonderful, but isn’t really how I use or mean “support.”

Support is an action, a verb–to support. It necessitates motion from bodies and minds and hearts. It is not a watercolor. It is spoken word, it is slam poetry, it moves oceans and causes storms. I need support that will rock me to my foundation.

What stopping the thesis process has taught me is how to really support someone. I’ve learned this from those who’ve pretended and from those who’ve succeeded in supporting me. And today, perhaps, I can call myself an artist supported by fellow artists (friends, family, peers, acquaintances, coworkers, facebook strangers, grindr peeps, and people eluding my words)–with a general mission to support and affirm and validate.

Reclaiming Urban Vandalism

It all begins with a bucket of chalk. A small child, bright-eyed and eager to express itself, defaces the concrete of its parents’ driveway or the neighborhood sidewalk. Vandalism.

Sure, these cute, pretty little drawings seem harmless. Pink flowers and rainbows and unicorns and suns with smiley faces. The typical symbols of peace and innocence. They are the bearers of greater things. Praised by their parents and elders for artistic expression. Seen to be aspiring creators in coming years. Temporary now, this chalk may one day become paint and forever deface public property. And suddenly, those proud parents and elders are no longer praising.

Praise should be given onto them. To sidewalk drawings, graffiti is the Monet to coloring books. True graffiti is spray paint on public property. It paints a city and gives it character. Of course, alternatives to this have been developed that leave no lasting mark, such as beautiful tri-dimensional chalk art on city streets.

sidewalkchalk

Perhaps the beauty in this medium is the fact that it’s temporary. Rain could wash away all the hours of work in a matter of moments. If this is where the beauty lies, then artists must maintain a special quality. The creators of these are exceptional people. However, the creation of most art revolves around the longevity of the artist born through their piece. Graffiti can give incentive to creators to create. If given a purpose, perhaps graffiti could be turned into something more than vandalism.

Is there a way to encourage artists to create urban art via graffiti? Should we hire graffiti artists? Sides of buildings could be forms of graffiti advertisement like the college campus rock. The unstated word is not to paint over another group’s painting for a day. This form of system would give cities a new direction.

graffiti

Advertisements could become a variety of respected art, something that is no longer devalued by commercialism. By hiring graffiti artists as opposed to advertising industries, freelance creators could make a living out of their passion. The consequences of putting to use the great talent of graffiti artists could result in a large societal shift that favors the pursuit of artistic interests. Parents would be able to continue encouraging their children in their urban vandalism. Graffiti, as a respected form of art, could reclaim the word “vandalism.”

Railroad, Take Me Home

Yesterday, I took a same-day return trip to Chicago. Having traveled there by train for four times, I was not as curious and excited; instead, I was more worried about the classes I missed and the back pain caused by the long sedentary train ride. Taking a break from reviewing lecture slides on my laptop, I looked around and noticed people doing different activities and had various states of mood. Interestingly, from the things they were doing, their talking voices, facial expressions, and body gestures, I could almost take a guess on their purposes of traveling. Below are the three major moods I found among people around me upon my very sketchy observation.

Excitement

The two ladies who were seated several rows ahead of me were talking loudly about their travel plans for the following week in Chicago. The excitement in their voices was palpable, which reminded me of my first time to take a train to Chicago. It was the thanksgiving break two years ago, and I was traveling with four of my friends. We were so excited about the trip and were chattering along the way. And you know what, the train arrived on schedule that time! Actually we were so exhilarated and everything seemed like a novelty for us that we would not mind staying longer on the train.

Anxiety

Train rides, possibly the most old-fashioned form of transportation, could be enjoyable, as long as one has enough patience and nothing urgent to do because the train is often delayed, especially in snowy winters like now. Unfortunately I did not have as much patience this time because I had an important appointment at noon which I strongly didn’t want to miss because otherwise I would have to stay for an extra night and skip all classes of another day. The train moved at the painfully slow speed, and as the appointment time was approaching, I got more and more anxious but could do nothing about it. The guy sitting behind me made several phone calls to adjust the meeting time with his friends. His voice was filled with impatience and frustration. I felt deep sympathy and compassion for him, and myself.

Contentment, Tiredness and Boredom

On the returning train, there were fewer passionate travelers because most night train rides were “homeward bounds” for wanderers and students returning to schools.  Thus, the train had a quiet ambiance, mingled with occasional sounds of typing the keyboard, peaceful, almost imperceptible snores and whispers of people answering the phone. Feeling exhausted after the errands on foot in the afternoon and more than ten hours of train ride, I opened my laptop and started doing the readings for Wednesday’s class. It was almost midnight, and everyone on the train seemed lethargic after a long day, waiting in silent for the train to reach their destination.

The Reading Paradigm

I have to admit, I’m quite disappointed in myself. This year has been going great, I’ve been on top of homework, getting enough sleep, and I see my friends regularly, and always enjoy my time with them.

But I’ve been neglecting one very important part of school. Reading outside of class.

I’ve always been a ravenous reader, ever since I was little. A lot of times when we’d have library time in elementary school, my friends would look at the I, Spy books while I was looking at the chapter books, the ones that were “harder” and “above my reading level.” I still remember begging my librarian to let me read a book because it was about rabbits and it had won a Newberry Award, so it had a fancy ribbon on the front. It was two reading levels above the grade I was currently in, but I read it, and I was able to tell my librarian what it was about afterwards, so she knew I understood it. I don’t remember it now, but that experience of being told no but doing it anyways was always my kind of style.

My reading habits carried on with me through middle school, although I will admit I went through slumps. Luckily, many of my friends enjoyed reading, so it wasn’t like elementary school where I was the only one reading while everyone else was playing Pokemon on their GameBoys. I honestly couldn’t get my hands on new books fast enough, and I’d often ask my mom to take me to the public library for more.

Each time I went, I’d check out about 20 books. Most of the time, I read them all. But now, I can’t even dream of finishing five. Mostly because the Michigan coursework challenges me enough that I don’t have much time for anything. But there’s another reason as well. Anytime I’m not doing homework, I’m being ensnared by something far worse.

O Netflix, we shall duel once again!

Now, don’t get me wrong: I love Netflix just as much as the next overworked college student. I just don’t understand why I turn to it first when I’m taking a break or done for the day.

Sure, I have to finish all the episodes in a TV show, and sometimes, there are quite a lot. But after I’m done with one show…I start another. I don’t go to my bookshelf, or my Nook containing so many unread books it’s unimaginable. I go to Netflix, or to my DVD collection, or…well, you get the idea.

And I’m truly disappointed in myself. I love reading, I really do. Last semester I had a reading-heavy course (think 100 pages per week, on top of two English courses that had a lighter but still formidable reading schedule), so I was able to excuse myself from my leisurely reading, because if I wasn’t doing homework, I was procrastinating on reading for that class – I was always behind. But this semester, that’s not the case. I don’t reach for my books, and the only time I have is when I was rereading Harry Potter, since we’re reading it later in one of my classes.

I know what’s happened. Reading is so active that I shudder just thinking about picking up a book after doing homework. Instead I’d rather watch something on my laptop, something that feeds me information and pictures rather than me having to produce it.

It’s mental fatigue, but it’s all in my head. I’m disappointed that I’m almost afraid of my books because I think it’s just another aspect of my work. Reading is fun, and it’s something I’ve forgotten in the past few months.

But today, I found for the first time in a while that I wanted that to change. Recalling earlier posts, I’ve expressed my undying love for the Academy Awards, and today I read an article online about female under-representation in the film industry (as in directing, producing, etc.). It made me think about the Awards this year, and wonder if any of the screenwriters nominated were women (note: there are 2 in the list of 10 movies nominated for Adapted and Original screenplay, both accompanied by men in the screenwriting credits).

It also made me think of the time when I thought about adapting my favorite books into screenplays, one of which I still have a 40 page script for in my bedroom back home. It’s a dream, quite far away and almost unimaginable, but how am I going to adapt anything if I never read anything that needs adapting?

My love for film and TV is almost unparalleled. My friends ask who’s in a movie and I respond with the actor’s name almost immediately. But that love is completely surpassed by my love for reading, and that will never change. I just happen to forget sometimes.

Somewhere Next to Normal

I moved to Normal 13 years ago. Well technically, somewhere right next to Normal, Illinois. I stayed there for 3 years. We had a Normal police force, I spent hours in the Normal Public Library and I would have graduated from Normal Community High School had I not moved back to Korea.

But apart from a geographical definition, I don’t know where (or what) normal actually is. I don’t think any of us do, not really. In a way, we’re all trying to live somewhere next to normal, or at least close enough to normal to get by. We wander between our personal version of normality and a slightly more macroscopic vision of it, trying to find a place to be. The musical Next to Normal sheds light on the Goodman family as they explore the meaning of normality, both individually and as a family.

The first production of this musical I saw was the original Korean cast version about a year ago. The cast included some of the most veteran performers in Korean musical theater history, including one of my favorite music director-turned-performer Kolleen Park as Diana and Kyungju Nam as her husband. The show received mixed reviews from both the critics and the public, though it did return for a second run a few months later. It was a love it or hate it thing, with people becoming ardent fans of the actors and the piece itself or leaving the theater with nothing more than disappointment. I fell into the former category—I came away from it with many ‘feels.’

My favorite element of the show was how the stage was utilized—a minimalist set, with only the bare skeleton of a third story house transposing into a woman’s face. It served as an effective visual metaphor for the multiple layers that the musical moves between. In addition, the actors moving vertically up and down the stage instead of the traditional horizontal layout broke many of the conceptions I’d held about utilizing stage space. It was one of the few times I didn’t regret sitting on the second floor—watching Jaelim Choi (who has since become one of my favorite musical performers) belt out I’m Alive right in front of my eyes is an experience I’ll never forget.

The set in the Ann Arbor Civic Theater production that I watched today wasn’t as grandiose. Still, a small scaffold on stage with hanging backdrops of house elements actually fit in with the more intimate take on the piece. It was interesting how differently I responded to the show from a year ago; I reacted to different things, picked up different meanings and made previously nonexistent connections. Part of this was definitely the different production—language, scale, direction and so on—but most of it was how much I’d changed. I reacted strongly to Natalie’s character last year, especially during ‘Everything Else.’ Having just gone through the college application process with a burning desire to escape, everything else did go away for me during that song.

But this time around, I found myself crying as Diana sang of missing the mountains, missing a life and a self she had known before. During the past year, I’d developed a fear that I might someday sing that song, feel that emotion. While thinking about the future, I I’d developed a fear of regret, constantly questioning whether I’m making the right choices that I will not regret later. Dan’s character was more fully realized for me as well, especially towards the end of the second half when we see how Diana’s illness has affected him. That shift in perspective didn’t work for me the first time around, mostly because of the scale and the different cultural context.

I wonder how I’ll view Next to Normal in 30 years. Perhaps I’d be a mother (hopefully a happier one than Diana) by then? The shows, books, music and other media we come into contact evolve with us as we change; at the same time, they remind us of who we used to be. Whether something is ‘good’ or ‘bad,’ well-staged or well-written or ‘crappy,’ this kind of personal connection is what really makes a piece special.

Friendship

As a graduating senior, I’ve been thinking a lot about how long I’ve been a student. By now I’ve been a student for the majority of my life and longer than just about anything I can remember! To think that it’s been seventeen years since walking into that kindergarten class where I’d learn to read and dominate at nap time (a skill I never really appreciated until college), is bizarre. Aside from my paste-dripping art and the Mother’s Day concert, my greatest accomplishment was finding a best friend–I knew I had to be friends with the guy bringing Jurassic Park Velociraptor toys that fought in the style of Rock ’em Sock ’em Robots to show and tell.

Of course, what I hadn’t known at the time was that my friendship with him was going to last with me these seventeen years. Yes, even though he’s going to Michigan State.

Back during childhood, making a friend was about as easy as asking a kid at Chuck E. Cheese, “wanna be my friend?” and losing a friend was as simple as his parents picking him up. Friendship wasn’t a big deal in those days, you made them and lost them and that was okay. Back in those days when you still thought you could be friends with anybody at the drop of a hat it didn’t matter because the world was full of friends to play with and love, even if that was only a temporary arrangement.

I’ve found that in the grown-up-world, friends are equally easy to lose but maybe not so easy to meet. Not everyone will like you, and sometimes it can be hard to see why anyone would. Sometimes the friends you have don’t feel like friends at all, and you realize that you’ve let people drift away even though they used to mean the world to you. So a friendship that’s lasted seventeen years? Yeah, that’s pretty damn important.

I believe that time is the most valuable currency that anyone can possess, because unlike money, you have a finite number of seconds–of heartbeats–and you can only lose them, never get them back. That’s why spending your time on something is such a valuable thing, and the most rewarding thing I’ve ever spent my time on and in this case, the majority of my life, is my friendship with my best friend. Having him at a time when I didn’t have any other friends, always having someone who’s support and understanding I could count on, has made him one of the most important people in my life. And that’s why I wanted to write about friendship as an art in the first place, because I think it really is. Not just in that it’s beautiful and important, but because like all art, it takes time and it develops into what it is.

All friendships are unique, there’s not necessarily a template that every relationship should follow. Poems can be sonnets or stream of consciousness, just as a relationship can be unlabeled or defined. However, what is it that causes us to label specific relationships as friendships? If you ask someone what friendship means to them, you might get a different answer than what you yourself might give. Some focus on loyalty, others on love. To some people it’s about someone to hang out with or talk to and the list goes on and on. For me, the most important thing in any relationship on any level is communication. Clear and honest communication is the vital nourishment that will allow a relationship to grow, and that growing is important! A seventeen year friendship didn’t happen in a day, it happened over the course of seventeen years. People change and relationships change, and if those changes can be accepted then the friendship can continue to expand. Resisting that change can result in regret, resentment, and ultimately stagnation.

Communication might be the foundation for any relationship, but I think that friendship requires a bit more nuance–understanding. I can’t really imagine being able to really call someone that wasn’t capable of understanding me (or at least making the effort to, given that I’m of a habit to babble incomprehensibly) a friend. Not necessarily just in the sense of being able comprehend, but also being able to be accepting and supportive of that understanding. By which I mean being accepting and supportive of me as who I am and who I’m growing to become. A friend that is willing to put that into a relationship is someone you can really build something special with, a real work of art.

Even though I don’t get to see my best friend often since he’s over at East Lansing where my Wolverine feet fear to tread, when I’m talking to him over the phone and he calls me “brother,” I can still feel the full weight of seventeen years of love.