Unlocked: Denzel Curry and Kenny Beats

Denzel Curry is a versatile musical artist with a distinct style that breaks genre boundaries, and Kenny Beats is one of the biggest up-and-coming music producers in the industry, working with a wide variety of artists such as Vince Staples, JID, and Ed Sheeran. Although an unlikely pair, the duo recently released a short music project titled UNLOCKED, only 8 tracks long with a run-time of under 20 minutes. However, it makes the most of every minute: it’s gritty and experimental, combining the aggressive and powerful style of Denzel and the innovative and off-kilter production of Kenny into a thrill ride of an album.

UNLOCKED by Denzel Curry and Kenny Beats

There is no unifying concept to the album (although there’s a great accompanying music video about the two having to recovered the leaked track files in an animated, cartoon-style universe), but the album cover gives a great idea of the overall aesthetic. The art is brutal and objectively cool, with an over-the-top presentation and self-aware attitude that lends itself perfectly to the music. My favorite tracks are Take_it_Back_v2, Lay_Up.m4a, and DIET_; each one is a great representation of what makes the duo so great, featuring clever wordplay and dynamic production. I’m always left speechless when I pay special attention to either Denzel or Kenny; when I focus on Denzel, I’m blown away by his energy and clever lyricism, and when I listen to Kenny’s production, I always find new depths to the instrumentation and sampling. It’s honestly incredible how well the two styles complement each other, and I think a lot of the credit goes to Kenny. He seems to perfectly understand the aesthetic Denzel is working to achieve and makes it a reality.

Although the project is short and lacks a unifying concept, I think it works as an amazing example of the experimental power of this musical duo. Each song packs its own unique punch, and even after listening to the album at least 30 times, I’m still constantly surprised by its style and production. Considering this was only a small project, and that Denzel is known for releasing few full albums, I’m really hoping that he takes this style and runs with it, and maybe even works with Kenny Beats again for his next project.

Viral art

My mind wanders, hopping from one coronavirus news to the next. Tired after being inundated by viral news of the Covid-19, I redirect my mind to something else entirely. I google “virus art”, not expecting to find artists inspired by these microorganisms.

But it turns out, there are!

1. David Goodsell

David Goodsell is a scientist who turns viruses into beautiful watercolor art. Deadly viruses such as HIV, Ebola and Zika are depicted eerily accurate. Personally I think the art is perhaps an acknowledgement that beautiful things can kill, an interesting thought to process. Goodsell’s art is not just merely something he does on the side, but is deeply interconnected to his own research of pathogens. His work is said to be “an amazing combination of science and art”.

2. Guo O Dong

Although creating art unrelated to actual microorganisms, his work into infecting a 10-year-old laptop with 6 of the worse computer viruses is an interesting and original take. Who would expect an infected laptop to be worth millions? Titled “The Persistence of Chaos“, Guo O Dong was commissioned by a cybersecurity company to create a computer which is contaminated with infamous viruses such as WannaCry, which left hospitals in England unable to operate their equipment and ILOVEYOU, a virus that inflicted international disruption. Various engineers were brought in to install the viruses into the computer, which is isolated in a housing unit in New York to prevent the virus from spreading to other computers. Sure sounds like quarantine… Besides that, the computer sold for $1.45 million.

3. Laura Splan

Her project of creating computerized lace doilies based on virus structures is done to demonstrate the dangerousness of viruses portrayed through a harmless domestic object. Designs of the doilies are based on HIV, SARS, Influenza, Herpes and Hepadna. This project is also revolves around the notion that an heirloom artifact can manifest cultural anxieties of disease. This project seems rather relevant to our current anxiety around the COVID-19.

  

These three different virus-inspired art demonstrate indeed how viral art can be…

(Image sources: Science Mag, Popular Mechanics, Laura Splan) 

Marge Makes Comics #26: Like Genuine Despair

Hey guys. The recent developments on and off campus regarding COVID-19 have been tearing me apart lately. I’m scared for my family and friends and I’m torn between feeling lucky and grateful that I can go back home to be with my family and angry and devastated for my friends, for my classmates, for the world, for myself. Taking the time to mourn lost time is important. Take time and take action. Stay safe out there, be kind and be careful.

The Media and Xenophobia: COVID-19 Edition

On March 1st, a tweet by the New York Post stated, “First case of coronavirus confirmed in Manhattan”, followed by a link to the article. The attached picture, however, was a photo of an Asian man in Flushing, Queens. While the caption was referring to the case of a middle-aged woman who had contracted the virus while traveling in Iran, the misleading thumbnail was an example of bias in the media and the perpetuation of racist stereotypes.

In the past few weeks, social media has been flooded with myths, memes, and warnings about COVID-19. Among these antics are tweets relaying incidents of racism, narratives by victims of xenophobia, and plenty of “reputable” sources exacerbating the creation of racial or ethnic connotations. There’s not only an outbreak of the virus, but of racism.

Fear, unsurprisingly, can make people do strange things. Across the U.S., stores are selling out of items such as toilet paper and hand sanitizer. Besides shortages and a spike in delivery services, anxiety about the virus is also bringing out racist underpinnings, and the result is not pretty. Text, images, and videos on various social media outlets portray discriminatory rhetoric and behavior against certain Asian identities, specifically those of Chinese descent. Reports include “No Chinese” signs outside of businesses in other countries, incidents of harassment in public areas such as subways, and tremendous losses by local Chinese restaurants due to lack of patronage. Luckily, there’s been an insurgence of people and online comments calling out the discriminatory behavior, but the problem still stands, especially when news outlets pander to rumors and xenophobic stereotypes.

During times of crisis like the current COVID-19 epidemic, it’s easy for fear to play into “legitimizing” discrimination against “outsiders” perceived as potential threats. While looking out for one’s own families, communities, and nation can be a good thing, what’s not a good thing is the exclusion or detriment of others. Relying on a sense of white nationalism won’t fix a global crisis, nor the spread of COVID-19 in our own country. By referring to the epidemic as a disease brought by dangerous foreigners, we create a metaphor for invasion; yet, however much we label the virus as an external menace, the truth is that it’s now within our own borders.

As the outbreaks continue to spread, so do panic, politics, and tension. While examining the details regarding the first COVID-19 diagnoses in Wuhan, China, it’s important to separate the facts from personal biases. This isn’t an argument on the origin of the virus, but rather an acceptance of the danger that comes with attaching certain identities to the virus. Racial undertones both demonize and detract the biological facts of the virus. By being sensationalist, the media is perpetuating a false image of the virus, thus causing people to be misinformed and antagonistic towards each other.

As someone who is immunocompromised and struggles to battle even simple colds or infections, I understand your fear of the virus and the unknown; however, as an Asian-American—or simply someone with a sense of humanity—I urge you to be aware and refrain from channeling fear into racism. The enemy is a virus, not the Asians that are being used as scapegoats. Rather than letting your fears and other emotions get the best of you, try your best to gather evolving information about the virus from a credible source. And, as always, wash your hands.

5 years of comic diaries

I realized recently that this is the fifth year now I’ve been keeping a comic diary, so I thought it would be fun to look through them and see how my work has changed. Here’s one from around this time each of the last 5 years.

2015

2016

2017

2018

2019

I’ll be back with more new comics next week! My thesis comic is so close to finished, and it’s eating up all my time, but looking back always gets me excited to draw new things again.

Cheers!