Public Art Around Campus

1. Orion 

The red Orion stands proud in between Angell Hall and UMMA. In 2018, it was removed to repair the stormwater drains underneath it and afterwards, it was sent back to the artist’s studio for restoration purposes. Then, a fundraising campaign was launched to include the sculpture into UMMA’s permanent collection. When Orion was gone, I remarked how empty the lawn looked.

2. The Anchor
Found at the bottom of Lake Michigan, these anchors were salvaged and placed near CGLAS offices in North Campus. The anchors were from 19th century sailing vessels.
3. Block M
Located near the Ross Athletic Campus, this 100,000 pound M is made from granite was gifted by two alumni.
4. American Eagle
Located near the south west entrance of Michigan stadium, this bronze eagle sculpture was intended as a memorial to all University men and women who gave their lives to serve the country.
5. Angry Neptune, Salacia and Strider
Serving as part of a collection from UMMA, these three figures are said to be ““at once dense and fragmented, the thick undergrowth of texture revealing inner voids and complex strands of bronze of extraordinary complexity. Majestic yet seemingly crippled, these headless forms evoke ancient, fossilized totems, their surface scarrings suggestive of the decay both of natural forces and of passing time.” (Quoted from UMMA website). These figures are located near the UMMA cafe.
6. Hamilton Fountain
Gifted by the mayor of Ann Arbor, Francis Hamilton, and unveiled in 1919 commencement. The figures etched onto the fountain represent Youth, Labor, Poetry and Philosophy.

    

(Images from UMMA)

The Salt Wall — Prologue

“Inferiors revolt in order that they may be equal, and equals that they may be superior. Such is the state of mind which creates revolutions.”

— ARISTOTLE

“A superior man never fears death”

— KIM MAN-JUNG, The Nine Cloud Dream

 

P R O L O G U E

Summer

The gentle thrumming of acid rain could be heard between the sounds of screeching tires and shattered windows, and Porter could only watch quietly as blood soaked through Piper’s white dress shirt from a small wound, mixing with the rain and staining it a light pink. He studied her as she tied the small, opaque bag around the base of a large bamboo plant. The uprooted soil was already wet by the time she began to fix the potted bamboo back into place. The warm rain reflected a certain loneliness in her flax-colored eyes; the water droplets refracting like sparkling tears were an enchanting addition to her cool demeanor. Her jet-black hair that stuck itself to her face while she worked presented to him the image of a mother wolf peering through tall grass at unsuspecting prey.

Porter removed his dirty glasses to examine her more closely. She was beautiful in the rain.

The apartment room was sparsely decorated, neglect visible in various forms of debris. The roof was splintered open with blackened wood and frozen at a wicked angle, supported by charred stucco walls. With a sigh, Porter flopped onto the rusty bed frame beside the apartment’s broken window. He leaned backwards, letting himself fall through the space where a wall had once been, embracing the rain and letting it wet his face and body. He realized in this moment just how much his bones ached from the last few weeks. The pain went much deeper than bone. Above him, the ceiling was as high as the sky. He stretched his lanky arms toward the open gap in the building’s roof just as he had done in this exact spot many times before. Although the rain was coming down hard, he made no effort to shield his face or protect his vision. He relished the sting of acid in his eyes. Due to the clouds, the ceiling was lower than usual today, and he could nearly touch it.

What bothered Porter was not the stinging rain, the smell of sulfur melting the street, or the muted shouting on the horizon, but rather the pungent odor of charcoal flames and burning flesh which manifested itself only to him. With his eyes open, he smelled it in his mind. With his eyes closed, the scene recreated itself: the wall behind him was whole again, and behind that wall came a playful whistle, a golden laugh that could have tickled the heavens. He’d imagine himself standing before a pillar of smoke, a ball of fire. He’d imagine looking down at his wrists, zip tied to a stretcher. He could picture the California sun beating on the pavement, the stilled palm trees, and the gentle blue of a summer afternoon. When he opened his eyes again, the only sounds were rain and distant drums; the only sight a black, callous sky.

What Porter couldn’t have imagined is what Joel had said to him in that casual, offhand way he tended to do with his lazy eye trailing off in the distance. How quickly everything had changed. Fat chance, turning back now. Strangely, where once he felt anger and remorse now only felt like a calm surrender.

Piper kicked his foot, snapping him out of his reverie. “It’s time to get going.”

After one last glimpse at the flat horizon, purple as a bruise, Porter straightened himself and followed Piper out of the abandoned apartment complex, their footsteps squishing on the wet carpet. The dog was outside the door licking its nuts when Porter clicked his tongue, and it popped up immediately. Duke nuzzled into Porter’s good leg, his tail wagging nervously.

*    *    *

The flooding streets only added to the existing chaos; the city’s lousy sewage systems weren’t equipped to handle large amounts of water, especially not for the worst storm in its history. Summer break for the students of Bursa County High would not be the usual blunt and uneventful sunshine, but rather a swamp of rainy days in a budding warzone.  As the van edged closer and closer to the sound of distant violence, a growing number of dumpster fires began to speckle the early morning horizon like Christmas lights. Despite it all, the crew was chatting idly in the backseats, not seeming to comprehend the impossible pressure building within the city limits.

Porter leaned against the passenger window and propped his feet on the dash, watching the world drown as it whizzed past him. He noticed how everything seemed to shine more brightly in the rain. The reflections of red streetlights, fluorescent signs, and flashing police sirens on waterlogged roads painted the city with more color than he had ever seen. Electric neon lights stretched across the buildings and asphalt like bright oil pastels on a sheet of water. Arrays of backlit signs and the glow of West Bush Cinema’s vertical display streaked the dark empty street like a fever dream, fueling the city with a warm energy Porter thought had been lost long ago.

The first one went graceful and fast. The second not so much. Piper was laying in the trunk with Duke curled up beside her, pressing a rag to her gash when they arrived at Valenta Street. She propped herself up and winked in Porter’s direction, giving Duke a pat on the head. Duke whined and shifted uneasily on his front paws. Porter watched as she slipped wordlessly through the trunk and vanished into the darkness.

Cooper was already complaining before we pulled up to Asherton, but that was to be expected. “You know what we have to do,” said Porter dryly, tapping his wrist where a watch might have been. “It seems you are running out of moonlight, Mr. Hayes.”

Not without a mumble and a curse or two, Cooper hopped out of the car with a splash, loping around the corner with his backpack full of trinkets jingling and a string dangling loose behind him.

*   *   *

They finally arrived at Porter’s stop, a damp underpass. He wiped his glasses with the inside of his shirt out of habit. When he got out, Duke started whining anxiously.

“Don’t worry boy,” he said, rubbing the dog under its ears, to which it gave a loud bark. Porter smiled and pressed his nose to Duke’s. “I’ll be back before you know it.”

As the van drove off with a noisy dog in tow, Porter found himself alone with the rain as it fell over the archway like a watery curtain. He sat himself down on the cold sidewalk and hugged his knees, rocking back and forth, simply observing. It was a position he found himself in very frequently these days. To his mild surprise, he had been dropped off at Sunset Tunnel, a spot which provided convenient shelter from the rain, but more notably was home to years and years of colorful graffiti scribbled on its leisurely sloped walls. Illuminated by a nearby streetlamp, the torrential rain blended with the myriad of rainbow designs to give off a vaguely preternatural effect—words of hope, words of love, words of goodbye—some scuffed and some brand new, mostly tagged by people he had known at one point. A long time ago, Porter had tagged something of his own here, but he was sure it was covered by now and didn’t bother to look.

As a rule, Porter tried not to contemplate things too much anymore, but these moments lent themselves to the occasion rather nicely. In the span of a few days, the world he knew had fallen victim to the disease which had infected his own life on and off for many years. Though it seemed to have resurfaced only recently, it had been festering for much longer than that. By the time Porter caught the disease of this city, or at least when he had diagnosed himself, the time frame for an antidote had long since passed. He remembered a time when he hadn’t succumbed to the chaotic sickness and still lived untouched in ignorant bliss. He sometimes wanted to close his eyes forever and live only in those moments, asleep within his thoughts. But he steeled his nerves and inhaled the acidic rain-washed air. He must be forever watchful for the day when he’d get his chance to wake up from this beautiful, twisted dream.

Porter had only to look directly ahead to see the dream coming once again to pluck him from reality. This time it came in the shape of headlights, a familiar car rolling slowly to a halt beside him.

“Oh hello,” said Porter, smiling. “I wasn’t expecting to see you here.”

The Irony of Parasite’s Success at the Academy Awards

Parasite, directed by Bong Joon Ho, is a masterful South Korean black comedy film that has taken the media world by storm. After sweeping the 2020 Academy Awards in four categories, people are still talking about Parasite since its premiere in May 2019. at the Cannes Film Festival. It has achieved the monumental milestone of being the first South Korean film to win any award at the Oscars, ever. I have watched the movie twice and consider myself a big fan. Yet, I am not the only person to believe that Parasite’s success at the Academy Awards serves as an ironic reminder of the film’s true message.

Social and class equality form the basis of Parasite’s plot. A poorer family, the Kims, work their way into each being employed by the wealthy Parks, and the two families start to become interdependent before the tragic ending. The Kims depend on the Parks for their money, and the Parks depend on the Kims for their labor. Bong Joon Ho’s brilliant storyline highlights the disparity between destitute and extraneously rich families, ultimately satirizing the traditional rags to riches dream heard in developed nations.

But the Academy Awards themselves stand in direct contradiction to the film’s themes: the Oscars is traditionally a night of famous actors and actresses, big shot film producers and directors, and glitzy dresses and tuxedoes. The gift bags given to nominees this year, created by Distinctive Assets, had a total value of around $225,000 each, its 80 items including a gold vape pen, a 12-day yacht cruise, and $20,000 in matchmaking services. According to company founder Lash Fary, they only deliver the bags to “about 25 people”, meaning that they have to freedom to gift “the most insanely priced things.” It seems that the Academy Awards and the high cost of production and attending further illustrate the frustrating path of wealth within a capitalist society that preaches the merits of the American Dream that at the same time neglects the lower class.

Parasite seeks to illuminate the divide between extreme wealth and the stories of society’s downcast, impoverished, and displaced. Even the film is not free of complicated relationships–it was produced by CJ ENM, one of South Korea’s family-run large businesses. Director Bong Joon Ho suggests that within Parasite “no one is guilty–or perhaps, all are guilty.” Examined on a broader level, everyone in greater society is guilty in a way–we are all guilty of ignoring those who are different than us while simultaneously engaging in the exploitation of their stories. While capitalism, class, and society are intertwined in complex ways, Parasite’s positive reception indicates that at least we are somewhat self aware.

The Poetry Snapshot: Simple Sunlight

Rising in the east,
we slowly wake up to a soft yellow hue
peaking into our bedroom.

Sunset in Honolulu, Hawaii

Setting in the west,
the dynamic bursts of pink and purple
revitalize us after a long day.

The beauty of sunlight,
at every moment of the day,
is that it does not need our validation.
Whether we recognize the sun shine,
or see the colors change,
the sun continues to rise and set.

Day in and day out,
no matter what the season.
The simplicity of sunlight is its confidence.

Adulting after graduating

I started cleaning my closet out, taking out clothes to be donated, to be given away and to be recycled. I googled sustainable ways to dispose household items (a great resource: www.recycleannarbor.org/). I have my cap and gown already for graduation, given to me by an alumni who is the same size. I’m all set.

But am I?

Ready is simply not a vocabulary that exists comfortably when we are graduating. We feel ready, yet when we graduate and return home, look for jobs, we feel in denial. We will soon lament the days when we had fun with friends, when we had the best lectures. Perhaps we’re a little too glad to be leaving the endless homework and projects behind. We know work isn’t necessarily better. There will be a lot of adulting to do. How scary.

I’m definitely ready to go home though. Four years spent mostly away from home + 5 years prior to that living in a boarding school has began to tire me out. Many things have happened while I was away and I am sick of only being able to get updates. Being present is what I deeply desire.

One senior of mine commented that being a student was more preferable because you could skip class, but you definitely can’t skip work. He jokingly said that we should do postgraduate studies, to get away from work entirely. While this is not sound advice, I certainly did not want to continue studying for now, especially since I’ve been doing it for 4 years. I need a change of scenery.

There is no getting away from adulting. Even though it is scary, we have to remember that we were raised for this purpose, to be a useful and independent citizen of this period. Things will not go the way we planned it to. We’ll just have to work around it, or accept that perhaps this wasn’t meant for us. Sometimes things work out in our favor, though we may never know till much later.

Long ago, I planned to study only psychology and win a government scholarship. Years later, I now have an even better scholarship that provides a job after graduating. I’m now majoring in both Economics and Psychology.

Despite having a secure job waiting for me back in Malaysia, I feel guilty. I see my friends scrambling to save money to try and stay here and find a job and apply for OPT. Others search online endlessly to find jobs at home. They wonder, what kind of jobs can they get in the not-so-great economy in Malaysia? What do I do with these feelings?

I accept that I am blessed. I’m not ready to adult, not ready to graduate but certainly ready to return home.