The Comfort of Public Readings

Last Friday, my friend Karen invited me to an open mic night for anyone who wanted to share their writing—poetry, fiction, creative nonfiction, or even songs. Karen’s the editor-in-chief of Xylem, an independent, student-run literary magazine on campus, so some of the staff shared their work, but most of the readers were just people in the audience who decided to share.

Almost every reading I’ve been invited to I’ve gone to, but it’s a weird thing, because I don’t really love them. Okay, to be specific, I don’t love listening to people read. I’m not always the best auditory learner—my mind drifts, and I end up thinking about whatever’s going on in my life, in the same way your mind wanders during a particularly boring lecture. It makes it harder that I’m not super good at understanding poetry; sometimes I can work out the meaning (either the dramatic narrative or the emotional symbolism) if I sit down and concentrate hard and reread the poem a few times, but it’s almost impossible for me to figure it out when it’s being read aloud.

Even if I could carefully pay attention to every single person reading, I’m very bad at telling when poetry is actually good. Every student reading I go to, I hear poems that I sense are pretty good, since there are some decent images and cool words being used, but I have no idea what they actually mean. I know the point of poetry isn’t to figure out what it all ‘means,’ per se, but it still can be frustrating when you feel like you’re not getting much out of a poem aside from the sense that it sounds kind of interesting.

There were some stories and poems I really liked on Friday, when I was able to fully engage. One girl shared a ‘letter to all the guys she kissed,’ which involved a lot of wordplay with numbers. It was pretty hilarious, and well-read, and everyone was laughing with every line she read. One guy sheepishly read a short piece about the couch he owns, with all its mysterious and questionable stains—also very funny.

I thought a lot that night about why I continue to go to events like these when I’m only fitfully entertained and engaged in the reading itself. Well, for one, I go for my friends, like Karen. I want to support them, to hear them read their writing or see what they’ve dedicated their time to outside of class.

But I go mostly for the community. When I sat there in that room—the cozy back room on the second floor of Crazy Wisdom Bookstore and Tearoom—I felt, momentarily, at peace. It came at the end of a long week dealing with the results of Tuesday’s presidential election, and for a moment I wanted to just stop talking and thinking about it all and just sit and be with people who I felt understood me—even if I didn’t actually know most of them. One essay mentioned the election, but most of the pieces were about other things. When you’re dealing with what we all dealt with this week, poems about regular old teenage heartbreak are downright comfort food.

Even when an open mic night doesn’t come in the middle of a politically cataclysmic week, though, it provides comfort. There’s something about looking around and seeing English majors you vaguely know—that girl who talked a little too much in my Shakespeare class, that girl whose writing I was always jealous of in my creative writing class, those five people I recognize from The Michigan Daily. Even the people you don’t recognize can make you feel at home; some of the students sharing their work were STEM majors, and there was something endearing about seeing them timidly prefacing their reading: “I’ve never done this before,” or “I haven’t really looked this over yet,” or “Sorry, I’m kind of nervous.”

I looked out the window while one guy read, noticing the lights of the Ann Arbor News building across the street, the cars flitting by on the street below. I wondered if I’d have a similar, but larger-scale view a year from now, maybe living in New York and going to a reading like this one, with more people I didn’t know but who felt like my people. I wondered if I’d go to any Trump-related protests in Manhattan, if I’d have a group of liberal, revolutionary-type friends like me who wrote poetry and drank tea in cable knit sweaters and clapped and cheered for one another, even when the poems weren’t that good.

Maybe it was too romantic of an idea. Maybe we could all use a little romance right now.

 

Check out Xylem Literary Magazine here. The above photo was taken from Xylem’s Facebook page.

Days of Our Lives

Dear friends,

Do you remember the time…?

Do you remember the time in that English class,

the one when we first met, sitting quiet not knowing what to say

we didn’t know then what we know now

sunrise of our friendship, the six of us, that day

Do you remember that time when a guy kept picking on one of us

he ended up confronted, a year later he told me

boys, we girls still think you were silly doing that

but our hearts warmed, you were being protective, you see

Do you remember the time when we camping on a summer night,

the night was chilly, the first time we drank wine

parents don’t have to know, kids

far away from where we were, we found ourselves right

Do you remember the late phone calls,

those that chewed up the electricity bills

sorry mom, we are doing homework

(for like twenty minutes, then “there’s this new album just released”)

Do you remember the sleepover right?

they said girls’ night out were really the best

they were right, all the talk, the laughter that never end

and finally dozing off at 4am

Do you remember the time, when two of us fell for one another

the purity, awkwardness, shy blush

oh the innocence, away it rushed

seventeen, holding hands on the changing verge

Do you remember riding motorbikes that Saturday

to an orphanage we volunteered, the good-heartedness we had

one of us bled the knees as the scooter slid

smiled and stood up, yes we stood up above pain

And the last days of school, do you remember

and the flights and distances that follow it

different seats at the table turned to continents apart

leaning my head against the window, I dreamed

I remember our lives, loves, mischief and friendship

“in that moment I swear we were infinite.”[1]

in that moment we had it

the world in our hands, youngsters always think

These are the days of our lives,

the bright, laughter-filled, sun-lit moments that thrive and flourished

in our little hearts, every time I think of us,

again, I see the sunrise.

 

[1] Stephen Chbosky (1999). “The Perks of Being a Wallflower”.

Still We Rise

It has been five days since America elected Donald Trump to be our next president. The shock was apparent to all (I think that even Trump supporters were surprised by his win) and has caused a significant amount of debate across the country. But, if there is anything positive to be taken from the turmoil that the election has caused, I believe it is the passionate reactions of the people.

Messages of hope, love, and solidarity are everywhere. People are uniting together by expressing themselves with words, art, and music.
The Diag, which was once an empty canvas, has now become a vibrant visual representation of the student mentality in response to Trump’s win. Messages are written in different fonts, colors, sizes, and languages- all showing solidarity, hope, support, and unrest within the campus. “Estamos juntos,” “Still with Her,” “You belong here,” “You are loved,” “Love can still win,” “Hope must live,” and “Michigan Loves You,” are just some of the many chalk messages that have been left. The Diag represents the heart of campus and this is truer now than ever.
Around the country we are seeing peaceful protests, with chants calling for justice and tolerance: “Hey, hey, ho, ho, racism has got to go,” “My body my choice, her body her choice,” “We reject, the president elect,” “Si se puede.” The photographs and videos from these marches are powerful, showing an American that is standing against bigotry, racism, and hatred.
Artists around the world are expressing their discontent as well. Bastille, a British alternative band, has written a song called “The Currents,” inspired by Donald Trump and his rhetoric.
“I’m swimming to the surface
I’m coming up for air
Cause you’re making me feel nervous
I need to clear my head
I can’t believe my ears
I don’t wanna believe my ears
Swimming to the surface
Coming up for air
How can you think you’re serious?
Do you even know what year it is?
I can’t believe the scary points you make
Still living in the currents you create
Still sinking in the pool of your mistakes
Won’t you stop firing up the crazies?”

When performing the song on Wednesday, lead singer Dan Smith made an alteration to his lyrics:
“Won’t Trump stop firing up the crazies?”
The rhetoric that Donald Trump has been using really has fired some people up, as more and more incidents of hate and racism have occurred in the days following his win. Even on the Michigan campus a Muslim woman was forced to remove her hijab. The Rock, which is commonly painted by different student organizations, was vandalized with racist comments. Donald Trump’s win has validated and encouraged this behavior and resulted in a fearful America.
But this hateful behavior has not been condoned by this campus or this country.

When students learned about the rock, they immediately painted over it with messages of love and encouragement. When students learned about the woman who was attacked, groups were formed to offer assistance to people who were afraid to walk home alone. When Trump encouraged violence and hate, Americans protested with messages of love and inclusion.
A video of Maya Angelou has been circulating social media in the days since the election. In it, she recites her poem, “Still I Rise.” In the beginning she introduces the poem by saying,
“Everyone in the world has gone to bed one night or another with fear or pain or loss or disappointment. And yet each of us has awakened and risen, seen other humans and said ‘Morning, how are you? Fine, thanks. And you?’ It’s amazing. Wherever that abides in the human being there is the nobleness of the human spirited. Despite it all, black or white, Asian Spanish or Native American, pretty or plain, thin or fat, we rise.”
To the many of disappointed Americans who fear for their life in this country under a Trump presidency, this introduction is inspiring and encouraging. Her words are being spread online to empower people to keep rising, even in the face of hate. And that is what we have done and will continue to do. We will rise.

A Waking Dream

"Sleep" by Salvador Dali
“Sleep” by Salvador Dali

There is a surreal quality to waking up. The world transforms in an eyeblink from darkness to color. From vague, meandering dreams to vivid life all around. The mind doesn’t adjust quickly enough and it seems, for a moment, that this world, with all its confounding complexity and striking beauty, can’t possibly be real. Then, you remember: You’re in your bed, laying on your sofa, or dozing off in the math classroom (the worst of the three). Truly, sleep is an amazing thing. It is interdimensional travel, a trip to a different realm and restorative all at once. It can be disorienting to return to a world that seems infinitely more ordinary and logical than your dreams. Sometimes I prefer the infinite possibilities of sleep and other times the orderliness of consciousness is safer and preferable. However, during the last few days, the boundaries between imagined fantasies and reality seem to have blurred more than ever. If anything, this election cycle has proven to me that anything is possible even in the real world.

As I watched the final hours of the election tick by, I could not help but feel as if I was dreaming. Last Tuesday night passed in spurts, at first very quickly and then mind-numbingly slow. On CNN, the reporters seemed to be in a state of panic themselves, unbelieving. They cut frantically from the map to the individual states to the main panel sitting at their desk. Everywhere there was flashing updates, yet they, too, were helpless, waiting for the final polls to close. Some states would never be called. They did not want to fall silent lest they be forced to reflect on what was truly happening. It was a paradox that could have driven anyone insane. By the time Pennsylvania was declared for Trump, it was 2:00 am. I had neither the time nor the energy to contemplate the vast changes that had passed me by. Somehow, the world had changed entirely, but I could not yet see how. Only time would reveal the alterations to come.

Even throughout the next day, the sheer implication of the change was impossible to confront. The election made me realize that the world I thought that I knew so well was only an illusion, a fleeting dream. In fact, my world was in complete contradiction with what others wanted. My foundational values were not, in fact, universal laws. It was as if every physicist had suddenly told me that gravity no longer applied. I had been rudely awakened and could not seem to adjust. We always see the world in half-realized glimpses from severely limited perspectives, beautiful bubbles that need to be popped. Even when moments of clarity are gained, it is far too easy to lose them in the following hubbub.

You don’t get to wake up many times in this world, not nearly as many as you think. More and more, people talk only to those who share the same opinions, only click on the articles from certain publications. There is always an “us” and a nefarious “them”. Democracy represents a choice and the people’s voice, whether we like to hear it or not. This election was not only a mere wake-up call, it was a blaring fire alarm. There are serious problems in the real world and there is no point in seeing it as only a bad dream. No more hiding. It can’t be worse than realizing that your entire math class has been staring at you while you’ve been asleep.

 

The Threat From Afar

So I want to talk about a game I recently played called Inside, and specifically how Playdead has shown, for their last two games, how visual depth can be utilized narratively and as a means of evoking emotion from the player.

So for Inside, and Playdead’s previous game, Limbo, the gameplay has been fairly straightforward. The player controls a boy who traverses along a set horizontal axis although the game is rendered to suggest a three dimensional space. Hence, there is a clear distinction of foreground, middleground, and background in nearly every scene of the game.

With this aesthetic setup, the developer is able to tell stories in their own distinctive fields of depth, allowing for storytelling that is incredibly subtle. For instance, while the player is traversing across the rooftops in the foreground, in the background, there is a steady stream of zombie-like people marching to and from some unknown location. What is going on with those people? Who knows?

There is a distinct separation of stories, however, they are by no means unrelated, and instead they run parallel to one another and inevitably converge. For instance, in the beginning of the game, virtually every enemy is introduced in the background: a pair of headlights, a patrol car, or dogs chasing after you. However, it is when these enemies enter, or rather, run into, the player’s depth of field, that they actually become threats. These threats may emerge from the background, but they invade the main character’s space so quickly that it creates a primal sense of fear. However, as you play the game, the player recognizes that these “events” are timed perfectly, so that if you know what to do, you will escape just in time every time. But that doesn’t mean the player isn’t jamming the analog stick or saying, “Come on come on, open the door!” as they frantically try to escape danger.

Another moment of narrative convergence happens when, after seeing the people marching in the background, the boy falls through a patch of old floorboards. Where does he fall to? Of course he falls directly in the middle of a line of marching people. Suddenly, a robot comes over and flashes a light at you, but it isn’t taking you away or anything yet. Then the line moves, and the player realizes, that in order to survive, they have to copy the line. One false move out of rhythm and the robot shoots a Taser at the boy and drags him way. It is amazing how the game is able to compress depth not through horizontal movement, but laterally instead, and in an instant.

There isn’t a steady stream of angry mushrooms or turtles walking towards you from screen right. Instead, threats emerge from the fog, from the dark, from the depths. Inside (and Limbo) builds a steady stream of dread. Perhaps it has something to do with the lateral camera movement, making the player feel eerily distant yet inevitably involved due to the nature of the video game medium. But what is evident is that the world is out to get you in Inside and it most certainly doesn’t care about your space in the foreground.

My words won’t ever really be able to describe the feeling of the game completely, so check out the trailer below.

Let’s Marple It Up!

It was a day like any other. I was just about to have my morning tea, as my new friend Nico approached me:

“Hey man.”
“Well hello, what can I do for you, my dear?” I replied.
“I told you about the person who always steals my ham, right?”
“Yes, you certainly did!”
“This morning it happened again.”

And then he went on and on about this ham theft which, to be quite honest with you, I found rather samey. As the day went on and the sun slowly set over the nicely trimmed rose bushes of our hostel’s neighbour, Mrs. Haberdasher – her son apparently just quit his job, because it was too hard on his pitiable, little hands, so he can help out in the garden – the events picked up. Some music played and people started tippling. Our room housed the consumption of further recreational drugs, which won’t be discussed any further here. Nothing illegal, of course!

“Haha, let me have another drag.” I said.
“Ok, but we only have another two.” Nico replied.
“Two will get you good and baked. And besides, we’ve had four today, already.”

Shortly after indulging in the joys of our newfound favourite substance, two further mates had moved into our room. They weren’t too talkative:

“What do you think about this, Alfred?” I asked one of them. “You haven’t said a single word since you got here. That’s why I had to give you this name… Alfred… because I don’t know your real name.”
“You’re not going to get a reply from Alfred, right James?” James didn’t answer either.
“Well, I would call you impolite, if you weren’t so jaunty, guys.”

As the night progressed, smoke filled our room, beer cans were emptied and things got a little… out of hand:

“Yeees, Alfred, I’m on to you…” Nico babbled, dangerously waggling around with the knife he had pulled out from under his bed upon arrival a couple of days ago. “… you stole my ham, didn’t you? Admit it!  Admit it and I’ll let you go unharmed.”
“He isn’t going to answer” I said and tried to slowly take away Nico’s knife.
“NO! That is my knife and I am going to keep it. I am allowed to do anything I want with this. If I wanted to throw it at Alfred, I could. Like this.”

And he threw the knife at James. It sunk deep into Jame’s chest, he slid off his bed and didn’t get back up again.

“That wasn’t Alfred, that was James, you pillock!” I screamed, absolutely stunned by what had just happened.
“Oh bloody hell, what have I done?” Nico asked incredulously grabbing his head. “I killed the wrong person.”
“You killed a person!!”
“Holy moly!” Nico exclaimed. “How am I going to get a job, if I killed a person in my first week here?”
“Wha.. What are you talking about? Come down and help me resuscitate Frank!” I yelled and jumped over to Frank to turn him on his back. There was blood everywhere.
“James… His name is James!” Nico corrected me.
“Whatever! Call an ambulance!”

For a while I gave James a cardiac massage, with the knife still burried deep inside his chest. I could only hear myself breathing. James didn’t move and more and more blood poured over my hands. Desperately, I turned around to see what Nico was up to. I couldn’t believe my bloody eyes: He had fallen asleep on the bed, with a cell phone in his hand. With Alfred’s cell phone. Just as I was about to get up and wake up Nico in an unpleasant manner, I felt very giddy and darkness surrounded me before I hit the ground.

An immense pain in the back of my head woke me up. The sun was shining through the closed window on the wooden floor, which was soaked in red liquid. I moved my head about an inch to the side and smelled it. It smelled like sugar and alcohol. I heard someone move behind me. That was probably Nico. That turnip had fallen asleep last night, when he actually was supposed to call an ambulance… But why an ambulance?

“Oh, Jesus Christ!” Nico and I said in unison and Ipushed myself off the ground, which helped the pain in my head intensify. I looked around. There was noone else beside Nico and me in the room. Just a huge pillow on the empty bed at the far end of the room and a huge pillow with a knife stuck in it and the red alcoholic liquid smeared all over it, on the ground in the middle of the room.

“Bud, weren’t there two guys here last night? One of which was sort of… dead, I believe.” Nico asked.
“I think we have to cut down on the drugs, mate.” I answered and pointed at the banana Nico was still pressing to the side of his face, as if he was calling somebody on it.
“Yeah, unemployment is not healthy for me…”

 

Next week we learn about how Nico and I got our first job and actually there is a lot to learn about the entire field of work and markets in New Zealand, so be sure to stop by when I Bryson it up.

See you next week and remember to be the weirdest you can possibly be.