Tag: arts ink

Industrious Illustrating #51 – 2023 in Review

Robin Leave a comment

Happy holidays! I’ve been alternating between seeing my family, vacationing, and making art during break. Something I wanted to share with you guys before the end of the year is my 2023 art summary:

Template made by @Taxkha on Twitter/X

I tried to pick from a variety of art styles/subjects I drew this year to represent how I’ve progressed as an artist, as well as how my thoughts have continued over the course of the year across each month. It’s pretty obvious that I’ve been drawing a lot of mecha lately, so I’ll likely set aside some time to draw humans and furries next year more often.

Some notes: I had the hardest time picking out a single piece in July, August, October, and December to represent my art progress, as I had so many good pieces to pick from for those months. Meanwhile, February, March, September, and November were relatively easy to pick from as I hadn’t finished as many pieces. Not coincidentally, those were also mostly the months where I was starting new semesters of college and therefore had less spare time/energy to spend on my artwork. And in November’s case, I had two cons back to back that month and also had to deal with semester project deadlines creeping closer ahead of the end of the semester.

In terms of what I want to do next year art-wise, I do want to keep giving my follower/customer/client base what they want — which is largely fanart and acrylic charms — and make great sales online and at conventions, but I also want to do more original art and make my portfolio more solid to apply for well-paying art or design gigs. There’s only so much time I have in the day and year to make both of these aims happen, of course, but I am enrolled in a scientific illustration class next semester to make the second aim more achievable. I’ll likely be posting assignments from that class next semester as I try to strike a balance in this column between art business topics and talking about my art practice itself.

That’s all for this week, and I wish all of you a happy and restful holiday season!

Industrious Illustrating #50 – Autumn of Artwork

Robin Leave a comment

Hello! It’s been a while since my last post — I ended up more busy with finals than I expected, and then I threw myself into making more artwork right after I finished my last final project. This entire semester I’ve been writing how-to guides and overviews of art business-related topics, but I think it’s about time I went back to talking about my own artwork for column #50!

Since I didn’t take any art classes this semester (unless you count Intro to UX), all my artwork from this semester is personal work or commissions rather than academic work. Most of this artwork was specifically for prints and small merchandise that I could sell at conventions, sometimes of original ideas (e.g. a fat squirrel wood pin) but mostly fanart of existing media properties. Because of how much of my time was taken up by programming/website design classes, I didn’t make as many fully rendered paintings as I would’ve liked and focused more on simplified artwork that I could finish in one or two sittings. I think it says a lot that my artwork output from November to today (mid-December) looks something like this:

Even then, I’m still overall proud of how much progress I made this semester both in terms of developing my art abilities and my business. I think my rendering has made significant and visible leaps above my artwork from last year, for one thing, and I’m getting better at making my artwork look more appealing from a design standpoint.

I’d like to highlight that the one original character piece I drew this semester (besides artwork for Flamechaser that I’m not posting publicly yet) was this piece I drew for Digipaint’s Fall 2023 zine “Dreams and Nightmares”, which will be printed next semester:

It features Wenet Tozawa (purple-haired girl) and Rashida Kuromiya (pink-haired girl) intertwining their fingers through a plane of water. This piece is supposed to represent the feeling of seeing a familiar face in a dream and reaching out toward them.

I personally really enjoy drawing my OCs and would like to make more artwork of them, but I also want to make a lot of new merchandise designs before the convention season hits again next year, and my energy and time are both very limited… I applied to a bunch of major conventions happening next spring/summer, so I’ll probably be discussing anime convention application results next semester!

I may or may not be making more posts over winter break — it really depends on whether or not I have anything to talk about. If I don’t, I’ll still be posting next semester anyway, so see you guys soon!

When my legs become the white noise crinkling from the tv in a storm

Mattie Grace Levy Leave a comment

This is where my voice is 

Socotra coffee house is a sea of color

And when I order my small adeni chai I feel at home in a language I don’t understand

My heels hanging on to a metal seat frame 

Typing busy bees, the meaning of indeterminancy, and complaints of capitalism

“And when you cross this divide, you’ll get what we’ve all been denied” 

I call my mother because I’ve finally found the right line

Note from the poet:

This is the first poem in the new Written in red series, which are poems focusing on the personal, creative, and political

My stomach is empty

Mattie Grace Levy Leave a comment

But I can’t eat

I’m sitting on a couch 

The same couch where one message from you once caused my hands to shake has me shaking again

The same couch where I finished my musical

Where I kissed a mistake 

Wrote emails and gossiped and found crumbs 

My stomach is empty 

But I can’t eat 

“Once I’m done with people they’re gone” 

You’re gone but your name has never come up more

I’m thinking of you hoping to rewrite your name into acceptance 

Or suppressing every thought to forget your presence 

Maybe if I get rid of all your stuff I’ll feel full 

if I go to Blue Llama if I go to Pinball Pete’s maybe I’ll be comfortable in chaos 

My stomach is empty but I cannot eat 

I can’t watch anything I’ve never seen 

I cry when I can’t ge a refund for a cake at coldstone

I sleep with my back aching under LED lights at christmas time

…

When the pit passes 

I find a few moments where I’m freed

My stomach is empty and I see through the haze

I finally eat 

Before one message sets me off again

LOG_025_MARSH_STRIDER

Traveler Leave a comment

KHEPRI-1B

CATEGORY [ XENOBIOLOGY ]

ARTICLE ARVHIVED FROM [ MARIAH BERGGREN ]

ARTICLE NOTES:

[ The marsh hammerhead strider, despite its intimidating appearance and relatively large stature, is an even-tempered herbivorous species of hammerhead striders. They are often found traveling in small groups among the swamps and wetlands in the planetary terminator of Khepri-1b. ]

Fiber Fridays #5: Arduino + Processing

rissaw Leave a comment

Hey everyone,
This week I am super excited to show you a sustainability + ecological project I and my partner Yueshan Jiang have been working on in my creative coding class for our final.

This semester I have been focusing on how to make my fiber arts more interactive for the viewer. I initially learned how to code using Processing, an artist focused programming language. I learned how to be able to manipulate images, create video games etc. Later in the semester us students were taught how to use an Arduino kit to wire interact art installations.

I’ve had an extremely fun time learning these skills and find them really useful to incorporate into my artwork.

Yueshan and I have created this sculpture together to shed more light on the current global climate crisis and it’s relationship to the ocean.

“Our world is currently suffering a global climate crisis. Our oceans are raising in temperature, killing off sea life. The warming oceans cause thermal stress which causes coral bleaching and infectious disease. Sea levels rising also leads to sediments smothering coral. The intention of this interactive experience is to feel a connection between human and sea life. Intended to be immersive and interactive, this piece promotes human impact on the climate crisis as well as instills empathy for our ocean life. ”

How it works: (Stripped straight from our proposal)
“We will use the ultrasonic sensor to pick up on human movement. The closer the viewer is to the coral, the more violent the wave in the background becomes. The light in the central coral sculpture will turn a threatening color. Audio will increase causing the viewer to feel tense. As the viewer moves away, the color returns calm, as does the visual and audio being presented. This sensor will take this information and send it to the Arduino, which will tell processing how to change the visual. The Arduino is responsible for changing the light colors in the sculpture. “

I recently declared a minor in geology and the earth is becoming ever more important to me. I appreciate all the work that Yueshan has helped put into this project, taking on primarily the coding aspects.

That’s what I have for this week, I excited to show you next Friday some Christmas gift crochet ideas!

-Marissa

Yueshan’s Instagram:
@jyueshan_