Tag: film

Oftentimes, adaptations of pre-existing work are translated into new mediums in order to expand upon the impact and outreach that the original work holds. However, given that every medium has its own advantages and disadvantages, these adaptations run the risk of losing the insightful themes and emotional responses that the original creator sought to invoke within their work. Nevertheless, when adaptations do manage to stay true to the original message, the end result can truly add onto the original contributions of the creator’s work in a meaningful manner.

One such adaptation that takes this approach of having a deep rooted understanding of the original work while transforming it into something revolutionary is through the 2017 feature film Loving Vincent directed by Dorota Kobiela and Hugh Welchman: from its conceptualization to implementation, Loving Vincent sought to put a new spin onto the life of Vincent van Gogh and the circumstances surrounding his death by having its animation consist entirely of hand-drawn paintings, becoming the world’s first ever fully painted film.

In having every frame of the film be painted in the style of Vincent van Gogh, Kobiela sought to build upon the words van Gogh stated in his last letter: “We cannot speak other than by our paintings.” And since such an ambitious feat had never been pulled off before, the creators had to spend 4 years developing the technique that would allow them to accurately capture the fluidity of film within frame by frame oil paintings. But after they managed to hone their technique, it took the team of over 125 painters another 2 years to finish the film, which consisted of over 65,000 frames painted over 1,000 canvases. The end result would be a nostalgic yet vivid world that truly allowed for its viewers to experience what it would be like to live within the contemplative and nuanced world of van Gogh.

Overall, Loving Vincent embodies its name within all aspects of its production, retaining the expressive style and intentions of van Gogh while inspiring new life into his works through animation: it is truly a product of love for what van Gogh stood for and what he means for other creatives and admirers who gaze upon his work for inspiration. The film also serves as an indicator on how traditional mediums can be transformed into something new and innovative that adds onto the original work without subtracting from it. It is also a reminder that love for a project can go a long way in ensuring that all elements of the production work with intention and in harmony with one another, which is a mindset that I hope we are all able to embody within our own personal pursuits and creative endeavors.

Witness Loving Vincent: HERE

In a world that’s constantly responding to unexpected events that seek to sow division and reap unrest, the challenge of creating unity and a shared understanding among nations, communities, and families grows exponentially by the day. Nevertheless, in light of all these differences, there is the fundamental experience of life that is shared amongst all of us, generating empathy and compassion to the struggles that each and every one of us faces in hopes of a brighter tomorrow: the beautiful nature of humanity.

However, it is all too often that these nuanced and lived experiences of our day-to-day lives get ignored for larger and louder occurrences in the media and on the internet. Wanting to draw attention back to the intricacies of our daily lives and create unity within an isolated world, filmmaker Kevin Macdonald partnered with Ridley Scott to create Life in a Day 2020, a crowd-sourced documentary that sought to capture the human experience on a global scale.

A sequel to Life in a Day 2010, Life in a Day 2020 was carefully cultivated from over 324,000 video submissions from 192 countries that were all filmed on a single day: July 25th, 2020. The end result was a moving film that brought together our fears, hopes, concerns, and aspirations for the past, present, and future.

In the film, we are first exposed to the night. The chirping of crickets intermixed with the humming of an ensemble creates an intimate tone that is soon expanded upon after the waxing of the moon. A woman gives birth and then another one after that. Together, we welcome the new lives that have been introduced into the world, and we welcome a new day. The narrative soon picks up in pace, tying together short clips of urban and rural life from all across the globe. We gain a sense of cohesiveness from the rawness of the lives that are shown to us. Nothing here is foreign or strange, only human.

“This is my way of projecting my inner self into the world. Most people get stuck with what they see in the mirror every day, but there’s so much more to the universe. We just have to be willing to go beyond what we know,” the narrator remarks as a drone slowly flies away from its operator to capture an entire mountain. And to this point, I must agree. We must learn to embrace exploration and new knowledge in order to recognize the authenticity of all of our experiences.

Given the abundance of rich insights into daily life that were featured within the film, I can only wonder what other stories were left out to be able to cultivate the compelling narrative that is Life in a Day 2020; who weren’t we able to hear from because of the limited capacity of the production team? Because of the technology barrier? Because of the scope of the project? Even with all of these lingering questions at the end of the film, I still believe that Life in a Day 2020 was successful in its endeavor to create an intimate understanding of what it was like to live all across the globe on that single day in the summer of 2020.

Watch Life in a Day 2020: HERE