My First Drag Pageant

This past weekend I had the pleasure of competing in Basement Arts’ first-ever drag pageant (in recent years), Lady Walgreen 2022. As someone who considers themselves a “look queen” and a bedroom queen (ie, someone who focuses on my makeup and looks and generally creates my drag in my bedroom without showing it to many other people or going out in it), this was actually my first time going out and performing in drag. And it was the best experience I could’ve ever asked for. Quite literally, I’ve never seen an audience as packed or as excited as I did in the Newman Studio last Saturday night.

The pageant had three parts: fashion, interview, and talent. For fashion, we got scored by a panel of judges (aka other students who are drag aficionados or style icons). As a look queen known for outlandish makeup, this was the category I was focused the most on. My look was a demon-like creature who had all my skin removed from my face and sections of my body, a ribcage peeking out on my chest, and muscles exposed all across my face and body. This has been some of the most extravagant and ambitious makeup I have ever done, and I couldn’t be prouder of what I ended up creating. 

 

The makeup was all done by me, mainly using eyeliners, face paint, and a ton of powder and patience. The ribcage is made out of cardboard I stole from a housemate and covered in duct tape, and the hair is similarly held up by a cardboard frame for the horns. The skirt is a long, ugly thrifted skirt I found, cut up, and stained with fake blood just hours before. Who said you can’t create stunning drag on a budget?

A lot of my drag is freaky, alien, and just a tad bit insane, and this look was no different. And the audience loved it, from the cheering I got the moment I stepped out. Not to brag, but I was the only queen to get a perfect score of tens across the board for my look, which honestly was the biggest win in my book. Listen, I’m a look queen through and through and to be validated on my effort in my looks is the most amazing thing for me.

Next came the interview, which might have been the most chaotic part of the night. I’d like to first apologize to the couch, which has incurred a large red mark from when I decided to man-spread across it during my interview. Rip to that couch (and the one section of my body I didn’t set with powder well enough).

The final part was the talent portion, which included performances of incredible dance numbers, live singing, a spoken-word version of “I’m Sexy And I Know It”, and for me, a pair of rollerblades and licking blood off the floor of the Newman. I may not be the best dancer, but I did create a memorable performance of falling flat on my face, spilling blood all across the floor, and then getting up to lick all the blood off my fingers and garner the most wonderfully disgusting responses from the audience as Kim Petras played. Honestly, what more could I ask for of my first live performance?

While I didn’t make top two (congrats to ElleXL, our Lady Walgreen winner, and Tampa, the runner-up), I don’t think I’ve ever cheered louder during a lip-sync than I did for those two going CRAZY to “I Will Survive”. Seriously, you’ve never seen a performance like theirs. Plus, who cares about winning? I not only got to show off my art to a huge audience of my friends and classmates, I also made some of the most wonderful friends. There’s truly something so joyful about a room of queer folks all half in drag, taking shots and helping each other out. When I couldn’t find my eyelash glue, Tampa offered me hers. I did Mrs. Worldwide’s makeup since it was her first time in drag, and Olympia offered me hairspray to keep my wig down. There could not have been a more different group of performers up there on that stage, but each and every one was incredible and it was such an incredible honor to see them all perform. Shout out to the UMich drag scene and shout out to everyone who came out to the Newman last weekend! And to Basement Arts for hosting!

My Name is Minette, Chapter Twelve: Trapped

That was the last conversation she’d been trying to avoid. “Maw, please!” Minette protested. She wrapped a lock of hair around her finger and rubbed it between her fingers. She wouldn’t be able to meet her reflection at all with her last shadow of independence sheared off. It was her only weak grasp at her true self, at the person she dreamed about. Shearing off her hair turned her outsides into the outsides of the Good Son, the honorable husband, the person who was not–and would never be–Minette.

Paw’s fist slammed down on the table, silverware jangling, Irma startling. Uh-oh.

He leaned forward. Crickets sung outside, unaware of the calamity inside. “Why do you fight this so hard?” he asked. His face was the reddest she’d ever seen it, and that was saying something.

Minette was silent. She couldn’t tell him. She had no defense. She couldn’t answer past her tight throat.

“Morton, you’re too old for all this. It’s time to grow up,” he said, snapping the last two words in emphasis.

Minette ordered herself not to cry. She nodded her head, hiding behind locks that would be gone in a day or two. Her dreams bled away. This was real. This was happening. To her. And soon.

“Yes, Paw.”

Paw leaned back. “Good,” he said. The sounds of life resumed. Everyone else kept eating, complimenting Maw on her mash. Irma asked about her dress, and Maw’s eager yammering filled the silence and loosened everyone’s shoulders.

Life kept turning around Minette, even as desperately as she wanted it to stop, to just stop, if only for a moment.

It felt utterly useless, almost stupid. What control did she have over her life? All her dreaming, her pining for something else, it had only served to hurt her. To highlight its own impossibility. Before autumn came, she’d have a moppy head and a wife and she’d be a partner at the smithy.

Before long, she’d be trapped behind the portrait of her false life forever, acting and dancing around like a fool until it was time for her own weary, overworked death, completely voiceless, her true self unknown to all.

My Name is Minette, Chapter Eleven: Paw’s Plan

“Irma’s right,” Minette said. “It’s a little early to talk about this, isn’t it?” She tried a smile. Maw and Paw liked to get serious sometimes, to impart Elder Wisdom upon the Youths, but those moments never lasted long. Minette just had to get through this one.

“I met a boy who goes to school in town,” Rhys piped up. “He’s my age, and he’s the son of the candlemaker. If they can–”

“It’s never too early to get your affairs in order,” Maw said, barely blinking at Rhys’ words.

Rhys went quiet. Minette had nothing to say, either, and definitely not Irma.

“I thought you’d be happy,” Paw added after the silence hung around too long, and Minette didn’t miss the edge of hurt in his tone.

Minette’s heart fell into her tummy. She sighed. “I… I just don’t think I’m ready yet,” she said. “I could use some more time. To practice. At the smithy.” It was the most and the least she could say to appease Paw and eliminate any suspicion. Minette didn’t know how to explain herself if he learned that she didn’t want to be the man of the house. She didn’t want to run a smoky, choking business for forty years and then die because of it and consign her beefy son to the same fate. She didn’t want to impregnate some woman. She didn’t want to drop her kids on a wife locked at home while Minette compared her muscles with other men at the pub and complained about naughty children and nagging.

“Of course y’are!” Paw exclaimed. “We’ll go to the mines tomorrow. I want you to find me the softest ore. Something good to work on on your own. Once you do that, we’ll start your partnership, and let the women in town know you’re eligible. It’ll all fall together.”

Minette nodded, running a sweaty hand through her hair. She schooled the look on her face. He made it sound so easy, like she’d stumble into the forge and then stumble home to bed her wife. Easy peasy. She’d thought he would back off, give her time. Some pointers, maybe. But instead, he’d only doubled down. 

In that moment, Minette had already run through a million and one different scenarios where she sabotaged Paw’s copper test or intentionally pulled out the grossest, worst piece of copper ever, but she crossed them all off her mental list. Paw knew her too well to fall for a trick like that. Plus, if he did think she was that brick dumb stupid, it still wouldn’t stop the part Minette was truly afraid of: the siring of sons. The sense of duty. The unseen woman, the loyal wife.

“That hair,” Maw added, nodding over at Paw. “That goes, too.”

My Name Is Minette, Chapter Ten: The Lecture

The table went silent. Minette waited for someone to say something, anything, but there was nothing. Even the forks and spoons had stilled.

“She just needs more time,” Minette spoke up. “She can learn just the same as any of us can. But sometimes you’ve got to be patient.

When Maw said “Morton…” in That Tone of Voice, Minette had no choice but to shut her mouth and look up at Maw. “Enough about that, then.”

Minette knew what that meant. She held back a sigh. “Yes, Maw?”

“Paw tells me you’re doing well at the smithy,” Maw said. It wasn’t a compliment.

Just get to the point, Minette wanted to scream. No need to draw out the agony. She knew this was about more than just hammering metal. This was about the Good Son they wanted.

“Yes,” Minette said, proud of how her voice barely trembled.

“We’re thinkin’ of your future,” Paw butted in, popping a bread roll into his mouth whole. “I’m getting old.”

“I know you are,” Minette said. She thought again of his froggy, chipped voice, of how his whiskers were more white than brown. His aging appearance was another reminder of her future–and how the little world she inhabited was soon to change in a big way.

Paw frowned. Rhys stomped on her big toe under the table.

“Rhys,” Maw said, spoon in hand, without even looking at him.

His foot retreated.

“Anyway,” Paw continued, clearing his throat, “it’s time you weren’t my apprentice, but my partner. I’ll teach you how to run the business by yourself, and you’ll take over. We’ll take you out courting to find you the right woman. She’ll move in with us, and start keeping house soon after that.”

Minette couldn’t help but laugh at all he left unsaid. Minette would take over the smithy when he was dead. Her future dainty, submissive wife would take over the house when Maw was dead. Couldn’t they see how absurd it was to speak so frankly about their own untimely demises?

Irma huffed. “Can we talk about something else?” she asked, echoing Minette’s thoughts. “May I be excused?”

“No,” Maw and Paw said, in unison, answering both questions. Irma slouched in her seat.

Minette nudged Irma’s knee. Irma hated all this talk about death even more than Minette did–her future was just as uncertain. Lots of townsfolk talked about the blind girl down the way, but it was the things they didn’t say that gave away their true feelings. They just didn’t know what to do with her. Minette knew that feeling, that dread, and she knew that Irma must be feeling like she was toeing the edge of a great, dark, chasm.

My Name is Minette, Chapter Nine: The Dreaded Dinner Table

That night, Minette sat at the dinner table already dreading Paw and Maw’s imminent interrogation. She didn’t want to hear them call her a boy or a suitor. She wanted to ignore her fate. They were all huddled around their little round table, knees knocking, toes fighting. 

Rhys was humming to himself, gnawing on his porridge spoon, and Irma was devouring her food like a mouse who’d found its way into the cookie jar. Minette hid her anxiety by chastising her siblings’ manners as usual and teasing them as much as she could without starting a ruckus.

Maw and Paw were, predictably, surveying the table and its inhabitants like a king and queen on a haughty dais. They noticed any green beans hidden under a napkin, any elbow pinching of an irritating sibling.

This evening, try as Minette might, each child received their time in the sweltering spotlight.

Irma came first. Paw leveled his molten stare at her, and she looked up, swallowing, even though her eyes couldn’t see it.

“Irma,” Paw said, in that deceptively quiet, even tone. “You went to the shop with Rhys today.”

“Yes, Paw,” Irma said. Minette glanced at Rhys and found him observing his peas with altogether too much fascination. Uh-oh.

“Well? How did it go, then?”

“It was… fine,” Irma said, with just a squick of hesitation. “Rhys was there the whole time. He helped me count the copper Drunes.”

Paw’s head swiveled like an owl’s to peer at Rhys. “Is that true?”

Rhys nodded, his moppy hair falling into his eyes. “Yes,” he said. “We got the bread and the flour, like Maw asked. Irma did great, Paw. You should really let her–”

“Really?” Paw interrupted, and Rhys’ jaw clamped shut. “I should let her do what? Overpay for Thom’s clumpy flour again?”

Irma opened her mouth to respond, but Paw dropped a bunch of copper-colored Drunes onto the middle of the table before she could say anything. They rang out and clattered against one another. “You gave me two Drunes short. Two Drunes we could have saved longer. Two Drunes your father worked hard for.”

Irma lowered her head. “I’m sorry.”

“This is why you can’t be doing things like this, Irma. You’re just not like the rest of us.”

Minette flinched. She looked to Maw for any protest, any resolution, but Maw was silent.

“It was my fault,” Rhys interjected quickly. “I was the one who should’ve–”

“Quiet,” Paw barked.

Shout Out to the Kings

Now, in most settings, you might say “a queen doesn’t need a man! Fuck having a king!” And normally I’d agree with you. However, many drag queens are cis gay men (by now in this article we should all have learned that you do NOT have to be a cis gay man to be a drag queen and we stan all the trans and AFAB drag queens!!!) and many drag kings are trans men, cis women, or nonbinary icons. Drag kings are certainly a less popular sect of drag, but definitely not any less incredible in terms of performers and artistry. Just because RuPaul’s Drag Race would feature any drag kings doesn’t mean you shouldn’t be paying the MOST attention to these icons. So, I’m gonna go through a few of my favorites!

 

Tenderoni (@tenderoni88)

Tenderoni is THEE Chicago drag king and the current 2021 winner of the Drag Queen of the Year Pageant

 

Landon Cider (@landoncider)

The winner of season 3 of the Boulet Brothers’ Dragula who has been on tours with Drag Race queens and an icon in his own accord.

 

Luc Ami (@luc.ami)

Another Chicago icon, this alien drag deity creates some of the most stunning artistry and hosts Queeriod, a drag show for new drag talents!

 

Inah Demons (@inahdemons)

Considered the “Tumblr Sexyman of Drag”, Inah is a Filipino drag artist who creates incredibly unique and colorful looks online that are truly one of a kind.

 

Shay They (@shaythey)

A New York drag quing clown who’s stunning in a clown white face and iconic mustache. If you’re in New York and they’re performing, you have to go see them!

 

Luv Ami (@luvamiking)

Luc Ami’s drag son, a young Chicago king who brings the PERFORMANCE and the looks. 

 

Vigor Mortis (@heyvigormortis)

A Brooklyn king who does burlesque and drag, known for some chaos and silliness and who I’ve had the great honor to see him perform with googly eyes all over his body.

 

K. James (@k.james_switchnplay)

Another Brooklyn king who’s a member of the Switch n Play collective and is the coolest cat in Brooklyn drag, and everyone is also in love with.

 

Andro Gin (@androginking)

The definition of makeup artistry, Andro has some of the most iconic looks and the most beautiful creations put together on their face.

 

ShowPonii (@showponii)

Another Brooklyn king, ShowPonii is an icon with his clown-white face and unique sense of artistry.

 

PB (@vainglorious_pb)

Another fresh face of Chicago drag, with a stamped face and some incredible performances. They may be new to the scene, but definitely give them a look!