A New Project

I thought I would share the lyrics to the song I wrote about a month ago which I am trying to polish enough to put on Spotify. I’m currently looking for someone to collab with who will sing the guy’s part I wrote over the bridge, so the progress has been stalled for the present moment, but here it is!

The title is under construction, but I’m currently calling it “i used 2 sleep with my phone”

 

(I thought I saw you last night)

I’m setting a reminder in my phone for early May (across the bar, yeah you caught my eye)
saying if I’m still talking to you it’s time to go our separate ways (I went home with another guy)
yeah it’s harsh, kinda cold (you were never mine)
but I best do what I’m told (you were never mine)
cause now you’ve got her to hold, hold you (you were never mine)

thinking back on everything that’s happened; I’m feeling kinda down
all those late nights that I stayed up hoping you would come around
I would sleep with my phone
ringer on, all alone
wondering if you took her home again

you’re not mine to lose
but if I could choose
the place that you’d have is by my side
I know that it’s wrong
to feel so in love
with someone who’ll never change his mind
but I can’t excuse my feelings for you tonight

we had a good long while of talking every day
and I’d hang up with a smile; you made colors out of gray
but pack it up, signing off
won’t wait around for your love
now you’ve got her and that’s enough for you

you’re not mine to lose
but if I could choose
the place that you’d have is by my side
I know that it’s wrong
to feel so in love
with someone who’ll never change his mind
but I can’t excuse my feelings for you tonight

wake up faster (I thought I saw you last night)
make it better (across the bar with some other guy)
move in closer (true you were never mine, but when he held you tight)
remember (I said “I’m fine;” I lied)
all those evenings (tell me girl, did I hurt you?)
I spent feeling (I know I did, but what did I do?)
things I thought you (and when you took him home, I called a girl I know)
were also feeling (couldn’t be alone, would’ve lost control)

but it’s okay (now I’m with her instead)
I know you better now (but you’re still in my head)
I won’t wait (I bite my tongue and try to say, anything except you’re name)
not gonna wait around (would you ever wait for me?)

you’re not mine to lose (all those evenings) (I thought I saw you last night)
but if I could choose (I spent feeling) (Cross the bar with some other guy)
the place that you’d have is by my side (things I thought you were also feeling) (true you were never mine, but when he held you tight, I said “I’m fine;” I lied, can’t you see I’m crying?)
I know that it’s wrong (but it’s okay) (tell me girl did I hurt you?)
to feel so in love (I know you better now) (I know I did but what did I do?)
with someone who’ll never change his mind (I won’t wait) (when you took him home, I called a girl I know, couldn’t be alone, would’ve lost control)
but I can’t excuse my feelings for you (I’m so confused; I know I used you)
no I can’t excuse these feelings for you (I never knew that I would lose you)
no I can’t excuse my feelings for you tonight (how can I prove I’ll always choose you?)

(can we go back to last night?)

Laying Down the Sound: Colored Balloon – Episode 3

Welcome back to Laying Down the Sound! This is the third installment of the series and likewise the third episode focused on my song “Colored Balloon.” (I aim to finish the song in 4 videos total). In this video, I shift away from the acoustic composition – this was covered in the previous two videos – and begin concentrating on the recording process, including the equipment used and walkthroughs of the arrangement within Ableton Live, the DAW (digital audio workstation) I used. Somehow, against my will, my videos keep getting longer every week! But, again, hopefully you enjoy and can get something worthwhile out of this. Thanks for watching and I’ll be back next week with the last video – this is at least my plan – focused on “Colored Balloon.” After that, I’ll move on to other songs from my album!

Pity Sex: One of Ann Arbor’s Finest (Former) Indie Bands

 

Pity Sex is a really great band name. It brings to mind the image of a grimy hardcore punk band known for their moshpits and blistering sound. That is not the kind of band Pity Sex was. Sure, their music is full of noise, but it’s far too sweet and melodic to be considered anything close to hardcore, which isn’t necessarily a bad thing. While they weren’t the most influential or captivating band in the scene, they put out some good stuff in the five short years they were active.

Pity Sex formed in 2011 in Ann Arbor, Michigan, as part of a local emo revival birthed out of Sigma Phi, also known as Metal Frat. Their core lineup of Sean St. Charles on drums, Brandan Pierce on bass, and Britty Drake and Brennan Greaves sharing guitar and vocal duties remained consistent until Drake left the band in 2016. After a split cassette with fellow Ann Arbor band Brave Bird, the band released their 2013 debut EP, Dark World. In brief, it’s a short, solid set of songs that mainly dabble in indie rock and shoegaze, though it’s tinged with 90s alt rock and emo sensibilities, at their most cloying sounding a bit like Pinkerton-era Weezer. The band hadn’t really honed their sound at this early point in their career, which made them sound a bit one-dimensional, but there’s something to be said about how well they portray adolescent angst and desire in the dreamy walls of sound and dramatic vocal tradeoffs between Greaves and Drake. Their most well-known song, “Dogwalk”, also came from this EP, and it makes sense why it had such popularity. It’s got a loose, infectious vibe characterized by a slinky guitar line that transforms into brittle noise on the chorus, as well as a catchy vocal melody and an admirably amateur-ish performance. The high-energy instrumental bridge is a nice, unexpected moment, too.

In the same year, they released their debut album, Feast of Love on notable indie label Run For Cover Records. This record saw them operating in much of the same sounds as their EP, with some notable improvements. Opening song “Wind-Up” doesn’t reinvent the shoegaze wheel, but it’s some of the band’s best songwriting, most noticeable in the earworm hook and inventive guitar and bass interplay. “Sedated” and “Honey Pot” are similarly bold and infectious (and actually transition into each other quite nicely!), though the real highlight comes in the mid-album moment of respite “Hollow Body”. The band strips things back to just gentle guitar arpeggios and Drake’s dreamy vocals, and it’s such a refreshing change of pace. It’s simple, elegant, and absolutely mesmerizing. I would have loved to hear them explore this lighter sound more in their time as a band.

Following the release of their debut, Pity Sex toured with some pretty impressive acts in the scene, including Basement, Tigers Jaw, and Code Orange side project Adventures. Following this, they released what would be their final album before going on an indefinite hiatus, White Hot Moon. As with their other releases, it’s an enjoyable, bright record with several highlights (the title track is especially great in its heaviness), but suffers from much of the same problems as well. They had certainly mastered the lo-fi, hazy shoegaze/dream pop sound reminiscent of classic acts like My Bloody Valentine, but throughout their career, they failed to innovate and move past their influences into their own distinct sound. It’s a shame their career was so short-lived; I think it would have been interesting to see how they may have evolved with future releases, especially as they became more established musicians, though I admire their DIY, fledgling spirit. Nonetheless, if you’re looking for music by some Ann Arbor natives, or just some solid music to throw on in the background at a party (or makeout session, if you’re feeling romantic), Pity Sex is a great choice. Let’s hope they reunite for some shows when those are a thing again.

 

Sidenote: I also think all their album artwork is beautiful!

 

Pity Sex Dark World.png

 

 

Dark World EP  (2013)

Songs to check out: “When You’re Around”, “Dogwalk”

 

 

 

 

 

Feast of Love  (2013)

Songs to check out: “Wind-Up”, “Hollow Body”, “Sedated”, “Honey Pot”

 

 

 

 

 

White Hot Moon  (2016)

Songs to check out: “What Might Soothe You?”, “Plum”, “Nothing Rips Through Me”, “White Hot Moon”

 

 

Looking Forward: BlueNote Vocal Jazz Ensemble

Happy Friday, everyone!

It’s another sunny day here in Ann Arbor. I don’t know about you, but that automatically boosts my mood – plus it’s practically the weekend already!

This week I had the opportunity to chat with Cinderella Ksebati, Co-Founder and Music Director of BlueNote Vocal Jazz Ensemble. As another fairly new organization on campus, I was excited to learn more about how they have adapted this year and what their upcoming plans for performances were like. Let’s dive right in!

Founded in 2019, BlueNote Vocal Jazz Ensemble aimed to help fill the void of limited opportunities for students to participate in vocal jazz on campus. The group consists of both undergraduate and graduate students, including a mix of SMTD and other schools. They were able to perform on campus at the SMTD’s “Collage” event, as well as a few off-campus opportunities before campus shut down in early 2020 due to COVID-19. This hasn’t stopped Cinderella and her team, though. They are still working just as hard to “revitalize the attending-a-jazz-concert experience and in 2020-2021”.

“We are thinking, okay, how do we present this using technology, using what we have at our disposal, and continuing to make art, create jazz music, and start to get people engaged with this genre. And bring it back to the forefront of the arts as is such an American tradition, we want to bring it back and take bits and pieces of those traditions honoring and paying homage to all the vocal jazz greats. Of the groups like, for example, Take Six, New York Voices, so some of our program for the upcoming project that we’re working on, “Let’s Go to the Movies”, encompasses a couple of those things. We are mixing the media, we’re doing a 30-minute jazz film and we’re using all vocal jazz repertoire.”

To prepare for that project, BlueNote has been meeting via Zoom 2-3 times a week and using an online audio workstation that allows them to hear a little bit of the “blend” that vocal groups work so hard to achieve in performances. They have also incorporated a few individual, in-person rehearsals, following county and university guidelines. 

Though Cinderella does miss in-person performances, she notes that there have been some interesting developments in vocal jazz, at least in BlueNote, that she hopes will continue after COVID. Specifically, adding more storytelling into their performances is something she has really enjoyed. 

“It won’t necessarily be a film next year, who knows, but I certainly think that that is going to be changing some things and just in terms of our passions of the group members.”

Check out their most recent YouTube video above, performing “Walkin My Baby Back Home”.

BlueNote’s newest project, a short jazz film titled “Let’s Go to the Movies”, will premiere in April. You can stay up to date on their upcoming events by following their Instagram and subscribing to their YouTube channel. Lastly, keep in mind that the group holds auditions every semester, so definitely keep an eye out this Fall if you’re interested in singing!

That’s all from me this week! 

 

Stay safe,

Lucy

TikTok Songwriting Trends

Yes, I know. TikTok is in my blog post title. How very Gen Z of me. However, I think there is something to be said about a trend I’ve been following on the app for the last few months. It’s been super cool to watch, and has taken off quickly in the TikTok community.

The first time I saw a TikTok of someone playing original music, I didn’t think all that much of it. Sure, it was cool, but people post original music on SoundCloud, Youtube, Instagram, etc. I didn’t see how TikTok could do anything more for creators than these other platforms. I think it’s safe to say now that I was wrong.

Since I joined the app in September, I have witnessed songwriters years younger than I am blow up for posting just 15-60 seconds of a song.

I remember scrolling through my For You Page and coming across a video of a blonde girl singing an original song into a microphone. It was a simple video. The lyrics started “I’m mad at Disney, Disney / They tricked me, tricked me / Had me wishing on a shooting star”

Chances are, if you have ever spent time on TikTok, you are familiar with those words. The song blew up big time, and now serves as the audio for over three MILLION videos.

“How can you miss someone you’ve never met / Cuz I need you now but I don’t know you yet” (IDK You Yet Alexander 23)

“Low key f*** 2020” (F2020 Avenue Beat)

“Don’t stay away for too long / don’t go to bed / I make a cup of coffee for your head” (Death Bed Powfu)

“Now I could write 10 songs about 9 ways you ****ed me over” (Never the 1 ROSIE)

“I would rather be distant with you / than feel distant with someone who / is standing in front of me” (Long Distance JORDY)

“Cuz I never meant to fall out of love with you” (Out of Love With You Avery Lynch)

I’m betting you’ve heard at least one of these lyrics before. Each and every one of these songs was written, posted, and born from the TikTok platform. This just goes to show that the world of music is changing RIGHT NOW. The artist ROSIE, for example, posted “Never the 1” on TikTok after her boyfriend broke up with her less than a year ago, dropped out of school a few weeks later, signed with a major record label, and is now recording music for a living. Social media has such power in all aspects of life–and songwriting is no different!

Other notable examples of TikTok music include Ratatouille the Musical–a full musical written/created by TikTok users, Bridgerton the Musical–a musical in progress being written and scored by @abigailbarlowww and @mlebear, song-a-day challenges like the one being undertaken by Vaultboy, and many more super cool projects. If you’re already a TikToker, I recommend checking all of these people out! If you’re not, I still recommend giving at least some of their content a listen! TikTok can be a time-sucking addictive mess, but there is definitely good to come out of the platform.

 

Laying Down the Sound: Colored Balloon – Episode 2

Hello again everyone! In this week’s video I focus again on my song “Colored Balloon”; this is the second episode of the “Colored Balloon” series. More specifically, I go over the song’s organization and lyrics. The structuring of the song and the inspiration for the lyrics are here in focus. At the end of this video, I feature a full acoustic performance of “Colored Balloon,” which is meant to serve as a checkpoint along the way; it signals the completion of the songwriting process and the beginning of the recording process. Accordingly, then, my focus in the next video will focus on the latter. I did not intend for this video to be so long, but it is. Hopefully you enjoy and can take away something worthwhile from this video!