Can’t say it? Sing it. (#1)

Hello, world. Or hello, Michigan. Really just hello to whomever happens to be reading this. My name is Josie, I’m a current senior at UMich studying English and Spanish with a minor in music, and this is a weekly glimpse into the chaos of my mind.

As to why I am writing on arts, ink:

For as long as I can remember I have been most easily able to express myself through written words. I’ve been anavid reader and writer since I was about six years old, and have taken my passion for writing in many directions since then. Poetry, prose, forensics, stage, and screen acting are all avenues I’ve pursued in some way, shape, or form throughout the last fifteen years or so of my life. However, from very early on, one particular way of expressing myself fought its way to the top of my list of passions.

Songwriting.

I first picked up a guitar at age 8 after 4 years of piano lessons. Within a few months, I wrote my first song–a simple 3-chord children’s song I called “Sun is Shining.” (My mom still whistles it while she does house work and such sometimes). From that moment on, I was hooked. I was never a diary kid. I didn’t see the point in writing all my feelings down on a page that no one would ever read except me. So instead, my guitar became my notebook, and my lyrics became my diary. I wrote about what moved me, the things which made me feel emotions strong enough to need to sing about, and people I met along the road of life who helped to change me in some significant way.

 (9-year-old me)

When I was feeling lost in middle school, I wrote a song called “The Road to Nowhere.” When I was facing challenges in high school I wrote a song called “Wings” whose chorus read “I will take my wings / and I will learn to fly / so if I ever fall / I’ll fall knowing that I tried.”

(The picture below is from a small concert I gave at a local sub station where I played a few of my original songs for the first time. It was one of the moments I can remember which solidified in my mind that music was the one thing which could make me truly happy.)

I wouldn’t be an angsty young adult if I hadn’t written some sappy young love songs too. My relationships have forever been immortalized in the words of an embarrassingly long Word document of songs on my computer.

But why is music so important to me?

In the words of the introduction to the book I wrote on musical role-modeling in high school, “Music has gotten me through the good times, the bad times, the horrible times, and all the times in-between. It’s been something I can fall back on when life gets hard, and it’s led me to some of the most amazing people I’ve ever met, and I’ll ever know. It’s created opportunities for me of which I wouldn’t have had otherwise, and has always managed to put a smile on my face. It’s a part of me I wouldn’t trade for the world. Music nurtures, it teaches, and it grows inside a person until it’s an irremovable part of you. It allows you to believe more firmly in yourself, and helps explain so many situations of which you otherwise couldn’t explain. It’s a feeling you get deep inside—a joy of sorts that reassures you no matter how bad things may seem—how sad the song—those things will resolve. They’ll end on a happy note.”

My biggest role model growing up was my choir director in high school, Mr. Brusubardis. He was famous in our Wisconsin small town for saying really deep, intelligent things to his students. In fact, somewhere I still have a poster my friends and I made my senior year of our favorite quotes of his. But the one thing I remember him saying constantly was that music is a universal language. You can sing in English, Spanish, Greek, Yiddish, or complete nonsense syllables, and people will be able to understand what you’re trying to tell them through the emotion you put into the performance. In many cases, you don’t have to know which are the ‘right’ words to sing when you perform a song. You don’t have to spend hours painstakingly picking out the perfect words; you can just let go, be in the moment, and share what you feel inside with other people. Even if they cannot literally understand you, they will emotionally.

Because of this fact, I would like to welcome you to my 2020/2021 arts, ink blog: Can’t say it? Sing it. 

I’ll be posting about the songwriting process, sharing some of my own work, perhaps featuring other writers I know, and doing my best to relay meaningful information about music I’ve had the pleasure of learning in the last few years of my life.

I had the opportunity to work and learn within SMTD as a voice major my freshman year before switching to a music minor, have done workshops and masterclasses with relatively well-known musicians, and have spent over 12 years now crafting my own personal songwriting style. I also have participated in choral groups, 20+ musical theatre productions, and Michigan A Cappella for 4 years now. I’d be happy to answer any questions about any of my experiences!

Thanks for taking the time to read my slightly-long-winded introduction, and I look forward to posting in the weeks to come!

 

waves: the intro

photo cred: my phone, accidentally, while i was at a party summer 2019.

 

as my first blog post, i just wanted to say hi. i’m excited to see what i’ll do here. while we’re all tryna navigate this chaotic world, i want this to be a place for me — and hopefully, you reading this — to breathe. i was looking at the first couple lines of this poem on an old google doc, and thought i’d revisit it as a retrospective of my feelings about passion. sometimes, i feel so low that it’s hard for me to feel passionate about the things i know i want to accomplish in my life… and this year hasn’t been very helpful in picking up my mood. as a black trans person, i can say from first-hand experience that the world isn’t always so kind. but, there are moments (like, this poem i’m sharing) where i am able to say, “here i am. and that’s enough.”  so, i hope you like it, and, welcome to my blog.

~~~~~~

sometimes, i forget my body can take these torches 

of veins and light these pipelines of blood.

 

sometimes, i forget that a chest of living wishes 

finds home under my tongue

and that memories can dissolve into me like sugar there. 

 

sometimes, i forget that my organs are not made

of drying sand or the wind of a thousand last breaths,

but of flesh: warm, bare, and waiting 

 

for me to find the things that make me believe

i am living.

 

red’s the color of blood

 

 

 

Old Thoughts on My Body

From the rigid 

Rough beige, brown 

Of ripped nails on stubbed toes

 

Ashy feet on rugged heels

Using a finger a shade lighter than my face

I trace the line of my legs.

 

With feet that tap on, or offbeat 

That jump to reach 

That step closer to embrace.

 

I move up to my hips 

Hidden, or accentuated in tight jeans 

That cover the dark skin on my knees. 

 

I’ve had hands encircle them 

Lick them and look at them 

With like, love, or disdain.

 

I’ve moved them in vain 

In ways that make me feel sexy or 

Make people laugh. 

 

I’ve seen them in the mirror 

And how they fit or don’t fit 

With my breasts 

 

That I pushed out to look bigger 

Or suffocated to fit in 

Clothes that don’t fit.

 

I’ve rubbed my skin

As if the color was a stain 

Traced it to map where it came from 

Compared it to that of my loved ones.

 

My arms move up to feel my face 

Where I washed away dirt,

Popped pimples, and hated 

How instead of burning, 

It just blackens with the sun. 

 

 

 

 

Insta: @mattie_tvc15

Reviewing Music

I often write about new albums and songs, giving my subjective thoughts and opinions on the production, content, and presentation. When I write about a certain album, it’s because I have strong feelings about it that I can’t help but share, whether they’re extremely negative or positive. The result is a volatile review system, where it seems like I either love something or hate it, and more often than not it seems like I love everything, since I usually write best about the songs and albums that I love. I find myself overthinking this often, especially when I’m writing; I start to question whether or not the review is objective, and what makes a valuable review for the average reader. In examining these questions about music reviewing, I find myself turning to YouTube’s self-proclaimed “internet’s busiest music nerd” Anthony Fantano, who is notable for his frequent album reviews on his channel theneedledrop.

I only started watching Fantano’s reviews a few years ago, and hesitantly at first; I didn’t believe that music could truly be judged, since it is inherently subjective, and I often disagreed with his reviews of my favorite albums. However, there was something fascinating about his approach to reviewing, specifically the vast amount of musical knowledge and terminology he used when examining albums. He is able to fill a ten minute video entirely with thoughtful musical opinions, grounded in absolute reasoning. He certainly has biases (easily seen by genres he prefers), and always reminds his viewers that he is just sharing his opinion, but he always approaches new music and genres with an open mind. I still disagree with some of his final ratings (especially the 3/10 he gave Mac Miller’s Swimming), but I find it hard to argue with him; nothing he says is factually wrong, and at the end of the day it just comes down to a different taste in music. For example, he says that Mac Miller’s singing is off-key and mediocre, with a weak presentation, but I hear the same thing and find it intimate and endearing. It just comes down to a subjective interpretation of objective musical facts, and I find that relationship so fascinating in reviewing music.

After thinking about what makes Anthony Fantano such a fair and interesting critic, I narrowed down great music reviews to two important things: understanding and discussing music objectively, and being passionate about the review. With only objective facts you have a boring and generic review, and with nothing but passion you have an intellectually shallow review that offers no value to the reader’s understanding of the music. With these two thoughts in mind, I look forward to writing more music reviews in the future; thankfully there is no shortage of new and interesting music.

The Salt Wall — Prologue

“Inferiors revolt in order that they may be equal, and equals that they may be superior. Such is the state of mind which creates revolutions.”

— ARISTOTLE

“A superior man never fears death”

— KIM MAN-JUNG, The Nine Cloud Dream

 

P R O L O G U E

Summer

The gentle thrumming of acid rain could be heard between the sounds of screeching tires and shattered windows, and Porter could only watch quietly as blood soaked through Piper’s white dress shirt from a small wound, mixing with the rain and staining it a light pink. He studied her as she tied the small, opaque bag around the base of a large bamboo plant. The uprooted soil was already wet by the time she began to fix the potted bamboo back into place. The warm rain reflected a certain loneliness in her flax-colored eyes; the water droplets refracting like sparkling tears were an enchanting addition to her cool demeanor. Her jet-black hair that stuck itself to her face while she worked presented to him the image of a mother wolf peering through tall grass at unsuspecting prey.

Porter removed his dirty glasses to examine her more closely. She was beautiful in the rain.

The apartment room was sparsely decorated, neglect visible in various forms of debris. The roof was splintered open with blackened wood and frozen at a wicked angle, supported by charred stucco walls. With a sigh, Porter flopped onto the rusty bed frame beside the apartment’s broken window. He leaned backwards, letting himself fall through the space where a wall had once been, embracing the rain and letting it wet his face and body. He realized in this moment just how much his bones ached from the last few weeks. The pain went much deeper than bone. Above him, the ceiling was as high as the sky. He stretched his lanky arms toward the open gap in the building’s roof just as he had done in this exact spot many times before. Although the rain was coming down hard, he made no effort to shield his face or protect his vision. He relished the sting of acid in his eyes. Due to the clouds, the ceiling was lower than usual today, and he could nearly touch it.

What bothered Porter was not the stinging rain, the smell of sulfur melting the street, or the muted shouting on the horizon, but rather the pungent odor of charcoal flames and burning flesh which manifested itself only to him. With his eyes open, he smelled it in his mind. With his eyes closed, the scene recreated itself: the wall behind him was whole again, and behind that wall came a playful whistle, a golden laugh that could have tickled the heavens. He’d imagine himself standing before a pillar of smoke, a ball of fire. He’d imagine looking down at his wrists, zip tied to a stretcher. He could picture the California sun beating on the pavement, the stilled palm trees, and the gentle blue of a summer afternoon. When he opened his eyes again, the only sounds were rain and distant drums; the only sight a black, callous sky.

What Porter couldn’t have imagined is what Joel had said to him in that casual, offhand way he tended to do with his lazy eye trailing off in the distance. How quickly everything had changed. Fat chance, turning back now. Strangely, where once he felt anger and remorse now only felt like a calm surrender.

Piper kicked his foot, snapping him out of his reverie. “It’s time to get going.”

After one last glimpse at the flat horizon, purple as a bruise, Porter straightened himself and followed Piper out of the abandoned apartment complex, their footsteps squishing on the wet carpet. The dog was outside the door licking its nuts when Porter clicked his tongue, and it popped up immediately. Duke nuzzled into Porter’s good leg, his tail wagging nervously.

*    *    *

The flooding streets only added to the existing chaos; the city’s lousy sewage systems weren’t equipped to handle large amounts of water, especially not for the worst storm in its history. Summer break for the students of Bursa County High would not be the usual blunt and uneventful sunshine, but rather a swamp of rainy days in a budding warzone.  As the van edged closer and closer to the sound of distant violence, a growing number of dumpster fires began to speckle the early morning horizon like Christmas lights. Despite it all, the crew was chatting idly in the backseats, not seeming to comprehend the impossible pressure building within the city limits.

Porter leaned against the passenger window and propped his feet on the dash, watching the world drown as it whizzed past him. He noticed how everything seemed to shine more brightly in the rain. The reflections of red streetlights, fluorescent signs, and flashing police sirens on waterlogged roads painted the city with more color than he had ever seen. Electric neon lights stretched across the buildings and asphalt like bright oil pastels on a sheet of water. Arrays of backlit signs and the glow of West Bush Cinema’s vertical display streaked the dark empty street like a fever dream, fueling the city with a warm energy Porter thought had been lost long ago.

The first one went graceful and fast. The second not so much. Piper was laying in the trunk with Duke curled up beside her, pressing a rag to her gash when they arrived at Valenta Street. She propped herself up and winked in Porter’s direction, giving Duke a pat on the head. Duke whined and shifted uneasily on his front paws. Porter watched as she slipped wordlessly through the trunk and vanished into the darkness.

Cooper was already complaining before we pulled up to Asherton, but that was to be expected. “You know what we have to do,” said Porter dryly, tapping his wrist where a watch might have been. “It seems you are running out of moonlight, Mr. Hayes.”

Not without a mumble and a curse or two, Cooper hopped out of the car with a splash, loping around the corner with his backpack full of trinkets jingling and a string dangling loose behind him.

*   *   *

They finally arrived at Porter’s stop, a damp underpass. He wiped his glasses with the inside of his shirt out of habit. When he got out, Duke started whining anxiously.

“Don’t worry boy,” he said, rubbing the dog under its ears, to which it gave a loud bark. Porter smiled and pressed his nose to Duke’s. “I’ll be back before you know it.”

As the van drove off with a noisy dog in tow, Porter found himself alone with the rain as it fell over the archway like a watery curtain. He sat himself down on the cold sidewalk and hugged his knees, rocking back and forth, simply observing. It was a position he found himself in very frequently these days. To his mild surprise, he had been dropped off at Sunset Tunnel, a spot which provided convenient shelter from the rain, but more notably was home to years and years of colorful graffiti scribbled on its leisurely sloped walls. Illuminated by a nearby streetlamp, the torrential rain blended with the myriad of rainbow designs to give off a vaguely preternatural effect—words of hope, words of love, words of goodbye—some scuffed and some brand new, mostly tagged by people he had known at one point. A long time ago, Porter had tagged something of his own here, but he was sure it was covered by now and didn’t bother to look.

As a rule, Porter tried not to contemplate things too much anymore, but these moments lent themselves to the occasion rather nicely. In the span of a few days, the world he knew had fallen victim to the disease which had infected his own life on and off for many years. Though it seemed to have resurfaced only recently, it had been festering for much longer than that. By the time Porter caught the disease of this city, or at least when he had diagnosed himself, the time frame for an antidote had long since passed. He remembered a time when he hadn’t succumbed to the chaotic sickness and still lived untouched in ignorant bliss. He sometimes wanted to close his eyes forever and live only in those moments, asleep within his thoughts. But he steeled his nerves and inhaled the acidic rain-washed air. He must be forever watchful for the day when he’d get his chance to wake up from this beautiful, twisted dream.

Porter had only to look directly ahead to see the dream coming once again to pluck him from reality. This time it came in the shape of headlights, a familiar car rolling slowly to a halt beside him.

“Oh hello,” said Porter, smiling. “I wasn’t expecting to see you here.”

Ready for the World: The Only Option Pt. 1

On Monday, I had the joy of talking with Selene Yang, a senior majoring in Biopsychology, Cognition, and Neuroscience with a minor in Creative Writing. It was one of those long conversations where we got carried away and explored some unexpected topics, so I’m splitting this interview up into two parts. This week is about Selene and her personal journey with creative writing. Next week, we discuss “Writing Twitter.” Stay tuned.